'Bush Studies is famous for its stark realism—for not romanticising bush life, instead showing all its bleakness and harshness.
'Economic of style, influenced by the great nineteenth-century Russian novelists, Barbara Baynton’s short-story collection presents the Australian bush as dangerous and isolating for the women who inhabit it.' (Publication summary : Text Classics)
'A passionate and controversial novel set in turn-of-the-century Europe
'Henry Handel Richardson’s debut, published in London in 1908, is set in the music scene of Leipzig, a cosmopolitan centre for the arts drawing students from around the world—among them Maurice Guest, a young Englishman, who falls helplessly in love with an Australian woman, Louise Dufrayer. Maurice Guest is the story of this overwhelming passion.
'The novel was deemed too controversial to be published as Richardson intended, and she was forced to cut twenty thousand words from the original manuscript and tone down its language.' (Publication summary)
'My Brilliant Career was written by Stella Franklin (1879-1954) when she was just nineteen years old. The novel struggled to find an Australian publisher, but was published in London and Edinburgh in 1901 after receiving an endorsement from Henry Lawson. Although Franklin wrote under the pseudonym 'Miles Franklin', Lawson’s preface makes it clear that Franklin is, as Lawson puts it 'a girl.'
'The novel relates the story of Sybylla Melvyn, a strong-willed young woman of the 1890s growing up in the Goulburn area of New South Wales and longing to be a writer.' (Publication summary)
'Set in the charming and deadly streets of Melbourne, this vivid and brilliantly plotted murder thriller tells the story of a crime committed by an unknown assassin. With its panoramic depiction of a bustling yet uneasy city, Hansom Cab has a central place in Australian literary history and, more importantly, it remains highly readable. ' (Publication summary)
'Through the crumbling ruins of the once splendid Xanadu, Miss Hare wanders, half-mad. In the wilderness she stumbles upon an Aboriginal artist and a Jewish refugee. They place themselves in the care of a local washerwoman. In a world of pervasive evil, all four have been independently damaged and discarded. Now in one shared vision they find themselves bound together, understanding the possibility of redemption.'
Source: Publisher's blurb (Vintage ed.).
'Fifty-two of Henry Lawson's stories and sketches that he had first published in newspapers and magazines from 1888 onwards were gathered in his collection While the Billy Boils (Angus & Robertson, 1896). Lawson was not responsible for their ordering and he had to give ground on their texts, especially on his idiosyncratic presentation of wordings that helped to breathe life into his characters and situations. The present edition dismantles the fait accompli of 1896 by presenting the individual items in the chronological order of their first publication and with their original newspaper texts. This will allow a new appreciation of Lawson's writing, one that is attentive to his developing powers.
'The edition also facilitates a close study of Lawson's collaboration with the producers of the collection in 1896, in particular with his copy-editor Arthur W. Jose and publisher George Robertson. Facsimile images (available online) of the printer's copy that they prepared for While the Billy Boils supplement the edition's listing of the alterations that each of them made, revealing the textual history of each story or sketch.' (Publisher's blurb)
'Wild Cat Falling is the story of an Aboriginal youth, a 'bodgie' of the early sixties who grows up on the ragged outskirts of a country town, falls into petty crime, goes to gaol, and comes out to do battle once more with the society who put him there. Its publication in 1965 marked a unique literary event, for this was the first novel by any writer of Aboriginal blood to be published in Australia. As well, it is a remarkable piece of literature in its own right, expressing the dilemmas and conflicts of the young Aboriginal in modern Australian society with its memorable insight and stylishness.' (Publication summary)
'Brutality in the workplace, rage in the streets, seething in the home. The vulnerability of political parties when they’ve forgotten why they’re there. The intellectual torpor of modern Australia. How power corrupts.
'Stephen Sewell’s play is an angry and tender depiction of an idealist who becomes so embroiled in a party power struggle that he loses sight of what’s at stake. When it premiered in 1983, The Blind Giant is Dancing felt like a sharp slap in the face. And in an age of ICAC, Union credit cards, speculative housing bubbles, a pulverised working class, vapid leadership… it’s definitely time for another look at this Australian classic.
'Artistic Director Eamon Flack begins his tenure with a company of twelve of the country’s great actors and one of the country’s great plays.'
Source: Belvoir 2016 production summary.
Written in Hewett's freewheeling epic style, The Chapel Perilous is a journey play that spans the period between the 1930s and the late 1960s. The story concerns Sally Banner, an over-reacher who attempts to find fulfilment – whether through her gift of poetic expression, through her sexual relationships, or in later years through political activism - and ultimately finds it through self-acceptance. Thematically the play contains the qualities and concerns which are often associated with Hewett's style – female sexuality, questioning of authority and morality, and anarchic tendencies towards structure in both dramatic text and social attitudes.
As Hewett remarks in her 1979 Hecate article: 'Sally is balanced by several symbolic female figures, the "Authority figures" of Headmistress, Anglican teaching "sister", and mother... [along with the] lesbian love figure, Judith, who stands for intellectual control and denial of sensual love' ('Creating Heroines in Australian Plays', p. 77).
'Sadie and Ed meet Martin and Chloe at a holiday resort and instantly hit it off, despite coming from completely different worlds. When Martin saves Ed's life, everyone knows the debt can never be properly repaid. But Ed is rich and generous, and Martin and Chloe have a need so great it seems divine providence that the two couples should have found each other. So, given time to think, they return to make their wish - but surely it's a wish nobody could possibly grant?'
Source: Melbourne Theatre Company website, www.mtc.com.au (sighted: 29/09/2010)
'Aspiring archaeologist Lola left home when she was only 20, much to the shame of her traditional Jordanian mother. Six years later, losing sleep and petrified by the judgement of her visiting ‘mad Arab’ Aunty Azza, Lola is forced to lie about her life, her career and the existence of her Aussie partner. Worst of all is the fear that she’s also lying to herself.
'Looking deep into the heart of Sydney and beyond, 'Jump for Jordan' unpacks the experience common to countless second-generation Australians of being caught between two cultures. Sifting through shifting layers of past and present, farce and fantasy, it’s one woman’s mad, messy excavation of her own history, and her attempt to piece together the broken bits of her identity. ' (Source: Griffin Theatre website)
'The most famous Australian play and one of the best loved, Summer of the Seventeenth Doll is a tragicomic story of Roo and Barney, two Queensland sugar-cane cutters who go to Melbourne every year during the 'layoff' to live it up with their barmaid girl friends. The title refers to kewpie dolls, tawdry fairground souvenirs, that they brings as gifts and come, in some readings of the play, to represent adolescent dreams in which the characters seem to be permanently trapped. The play tells the story in traditional well-made, realistic form, with effective curtains and an obligatory scene. Its principal appeal – and that of two later plays with which it forms The Doll Trilogy – is the freshness and emotional warmth, even sentimentality, with which it deals with simple virtues of innocence and youthful energy that lie at the heart of the Australian bush legend.
'Ray Lawler’s play confronts that legend with the harsh new reality of modern urban Australia. The 17th year of the canecutters’ arrangement is different. There has been a fight on the canefields and Roo, the tough, heroic, bushman, has arrived with his ego battered and without money. Barney’s girl friend Nancy has left to get married and is replaced by Pearl, who is suspicious of the whole set-up and hopes to trap Barney into marriage. The play charts the inevitable failure of the dream of the layoff, the end of the men’s supremacy as bush heroes and, most poignantly, the betrayal of the idealistic self-sacrifice made by Roo’s girl friend Olive – the most interesting character – to keep the whole thing going. The city emerges victorious, but the emotional tone of the play vindicates the fallen bushman.'
Source: McCallum, John. 'Summer of the Seventeenth Doll.' Companion to Theatre in Australia. Ed. Philip Parson and Victoria Chance. Sydney: Currency Press , 1997: 564-656.
'Twenty years ago, when I first arrived on the plains, I kept my eyes open. I looked for anything in the landscape that seemed to hint at some elaborate meaning behind appearances.
'There is no book in Australian literature like The Plains. In the two decades since its first publication, this haunting novel has earned its status as a classic. A nameless young man arrives on the plains and begins to document the strange and rich culture of the plains families. As his story unfolds, the novel becomes, in the words of Murray Bail, ‘a mirage of landscape, memory, love and literature itself’.' (Publication summary : Text Classics)
'The new novel by Alexis Wright, whose previous novel Carpentaria won the Miles Franklin Award and four other major prizes including the Australian Book Industry Awards Literary Fiction Book of the Year Award. The Swan Book is set in the future, with Aboriginals still living under the Intervention in the north, in an environment fundamentally altered by climate change. It follows the life of a mute teenager called Oblivia, the victim of gang-rape by petrol-sniffing youths, from the displaced community where she lives in a hulk, in a swamp filled with rusting boats, and thousands of black swans driven from other parts of the country, to her marriage to Warren Finch, the first Aboriginal president of Australia, and her elevation to the position of First Lady, confined to a tower in a flooded and lawless southern city. The Swan Book has all the qualities which made Wright’s previous novel, Carpentaria, a prize-winning best-seller. It offers an intimate awareness of the realities facing Aboriginal people; the wild energy and humour in her writing finds hope in the bleakest situations; and the remarkable combination of storytelling elements, drawn from myth and legend and fairy tale.' (Publisher's blurb)
'One woman. Two husbands. Four trials. One bloody execution. The last woman hanged in NSW.
'In January 1889, Louisa Collins, a 41-year-old mother of ten children, became the first woman hanged at Darlinghurst Gaol and the last woman hanged in New South Wales. Both of Louisa's husbands died suddenly. The Crown was convinced that Louisa poisoned them with arsenic and, to the horror of many in the legal community, put her on trial an extraordinary FOUR TIMES in order to get a conviction. Louisa protested her innocence until the end. Now, in Last Woman Hanged, writer and journalist Caroline Overington delves into the archives to re-examine the original, forensic reports, court documents, judges notebooks, witness statements and police and gaol records, in an effort to discover the truth.
'Much of the evidence against Louisa was circumstantial. Some of the most important testimony was given by her only daughter, May, who was just 10-years-old when asked to take the stand.
'The historical context is also important: Louisa Collins was hanged at a time when women were in no sense equal under the law - except when it came to the gallows. 'Women could not vote or stand for parliament - or sit on juries. There were no female politicians and no women judges.
'Against this background, a small group of women rose up to try to save Louisa's life, arguing that a legal system comprised only of men - male judges, all-male jury, male prosecutor, governor and Premier - could not with any integrity hang a woman.
'The tenacity of these women would not save Louisa but it would ultimately carry women from their homes all the way to Parliament House.
'Less than 15 years after Louisa was hanged, Australian women would become some of the first in the world to get the vote. They would take seats in State parliament, and in Canberra. They would become doctors, lawyers, judges, premiers - even the Prime Minister.
'Caroline says: 'My hope is that Last Woman Hanged will be read not only as a true crime story but as a letter of profound thanks to that generation of women who fought so hard for the rights we still enjoy today.'' (Publication summary)
Small Acts of Disappearance is a collection of ten essays that describes the author's affliction with an eating disorder which begins in high school, and escalates into life-threatening anorexia over the next ten years. Fiona Wright is a highly regarded poet and critic, and her account of her illness is informed by a keen sense of its contradictions and deceptions, and by an awareness of the empowering effects of hunger, which is unsparing in its consideration of the author's own actions and motivations. The essays offer perspectives on the eating disorder at different stages in Wright's life, at university, where she finds herself in a radically different social world to the one she grew up in, in Sri Lanka as a fledgling journalist, in Germany as a young writer, in her hospital treatments back in Sydney. They combine research, travel writing, memoir, and literary discussions of how writers like Christina Stead, Carmel Bird, Tim Winton, John Berryman and Louise Glück deal with anorexia and addiction; together with accounts of family life, and detailed and humorous views of hunger-induced situations of the kind that are so compelling in Wrights poetry. [Trove]
'In The Best Australian Stories 2015, Amanda Lohrey, winner of the Patrick White Award and author of the acclaimed novel A Short History of Richard Kline, curates twenty pieces of exceptional short fiction.
'In this wide-ranging collection, there are stories that will surprise, unsettle and beguile readers. Familiar subjects are examined from new perspectives: a teenage girl sneaks into director Jean-Luc Goddard's study and steals his diaries; the life of Picasso is reimagined in miniature vignettes. And new life is breathed into the most universal of experiences: birth, death, love and loss. The mother of a girl with hearing difficulties watches her child grow into increasing independence. A young woman makes a poignant voyage to the site of her brother's suicide.
'Elegant, accomplished and evocative, these short stories move, delight and inspire.' (Publication summary)
'The wind from Siberia as announced by the BBC came down Bayswater Road from the direction of Marble Arch…Searing skin, and petrifying metal and wood, it took possession of London and this early day of the new year. Gently, somehow sympathetically, with a secret sort of throb, my ears ached against it, but rather more drearily and with a sense of injustice my eyes watered as I narrowed them at the steely dark sky and swirling smoke. The centre of the universe! The brilliance of the winter season!
'Twenty-five-year-old Clemency James has moved from Sydney to a chilly bedsit on the other side of the world. During the day she studies for the bar by correspondence; in the evenings she gives French lessons to earn a meagre wage. When she meets Christian, a charismatic would-be actor, she can see he’s trouble—not least because he’s involved with an older woman who has children. She is drawn to him nonetheless: drawn into his world of unpayable debts and wild promises.
'First published in 1960, The Catherine Wheel is Elizabeth Harrower’s third novel and the only one of her books not set in Australia. In it she turns her unflinching gaze on the grim realities of 1950s London, and the madness that can infect couples.'
Source: Publisher's blurb (Text ed.).
'Sharply observed, bitter and humorous, The Long Prospect is a story of life in an Australian industrial town.
'Growing up neglected in a seedy boarding house, twelve-year-old Emily Lawrence befriends Max, a middle-aged scientist who encourages her to pursue her intellectual interests. Innocent Emily will face scandal, suburban snobbery and psychological torment.' (Publication summary : Text Classics)
Set in inner suburban 1970s Melbourne, Monkey Grip describes the fluid relationships of a community of friends who are living and loving in new ways. Single parent Nora falls in love with Javo, a heroin addict, and together they try to make sense of their lives and the choices they have made.
'Anyone can see the place where the children died. You take the Princes Highway past Geelong, and keep going west in the direction of Colac. Late in August 2006, soon after I had watched a magistrate commit Robert Farquharson to stand trial before a jury on three charges of murder, I headed out that way on a Sunday morning, across the great volcanic plain.
'On the evening of 4 September 2005, Father’s Day, Robert Farquharson, a separated husband, was driving his three sons home to their mother, Cindy, when his car left the road and plunged into a dam. The boys, aged ten, seven and two, drowned. Was this an act of revenge or a tragic accident? The court case became Helen Garner’s obsession. She followed it on its protracted course until the final verdict.
'In this utterly compelling book, Helen Garner tells the story of a man and his broken life. She presents the theatre of the courtroom with its actors and audience, all gathered for the purpose of bearing witness to the truth, players in the extraordinary and unpredictable drama of the quest for justice.
'This House of Grief is a heartbreaking and unputdownable book by one of Australia’s most admired writers.' (Publication summary)
'Breaking their poses like trees snapping branches, the women urgently regarded each other, cleared away all signs of work in an instant, examined their souls for defects, in a sense crossed themselves, and waited.
'After Laura and Clare are abandoned by their mother, Felix is there to help, even to marry Laura if she will have him. Little by little the two sisters grow complicit with his obsessions, his cruelty, his need to control.
'Set in the leafy northern suburbs of Sydney during the 1940s, The Watch Tower is a novel of relentless and acute psychological power.' (Publication summary)
'For a long time Western Sydney has been the political flash-point of the nation, but it has been absent from Australian literature. Luke Carman’s first book of fiction is about to change all that: a collection of monologues and stories which tells it how it is on Australia’s cultural frontier. His young, self-conscious but determined hero navigates his way through the complications of his divorced family, and an often perilous social world, with its Fobs, Lebbbos, Greek, Serbs, Grubby Boys and scumbag Aussies, friends and enemies. He loves Whitman and Kerouac, Leonard Cohen and Henry Rollins, is awkward with girls, and has an invisible friend called Tom. His neighbour Wessam tells him he should write a book called How to Be Gay – and now he has. Carman’s style is packed with thought and energy: it captures the voices of the street, and conveys fear and anger, beauty and affection, with a restless intensity.' (Publisher's blurb)
'In 1968 Papua New Guinea is on the brink of independence, and everything is about to change. Amidst the turmoil filmmaker Leonard arrives from England with his Dutch wife, Rika, to study and film an isolated village high in The Mountains. The villagers' customs and art have been passed down through generations, and Rika is immediately struck by their paintings on a cloth made of bark.
'Rika and Leonard are also confronted with the new university in Moresby, where intellectual ambition and the idealism of youth are creating friction among locals such as Milton - a hot-headed young playwright - and visiting westerners, such as Martha, to whom Rika becomes close. But it is when Rika meets brothers Jacob and Aaron that all their lives are changed for ever.' (From the publisher's website.)
'The new novel by Alexis Wright, whose previous novel Carpentaria won the Miles Franklin Award and four other major prizes including the Australian Book Industry Awards Literary Fiction Book of the Year Award. The Swan Book is set in the future, with Aboriginals still living under the Intervention in the north, in an environment fundamentally altered by climate change. It follows the life of a mute teenager called Oblivia, the victim of gang-rape by petrol-sniffing youths, from the displaced community where she lives in a hulk, in a swamp filled with rusting boats, and thousands of black swans driven from other parts of the country, to her marriage to Warren Finch, the first Aboriginal president of Australia, and her elevation to the position of First Lady, confined to a tower in a flooded and lawless southern city. The Swan Book has all the qualities which made Wright’s previous novel, Carpentaria, a prize-winning best-seller. It offers an intimate awareness of the realities facing Aboriginal people; the wild energy and humour in her writing finds hope in the bleakest situations; and the remarkable combination of storytelling elements, drawn from myth and legend and fairy tale.' (Publisher's blurb)
'The Tribe is a collection of three novellas portraying significant aspects in the life of an extended Muslim Lebanese-Australian family with its roots in the suburb of Lakemba in Western Sydney.The first novella describes the family house, and the three generations who live, often in some discord, in its rooms; the second explores the marriage of the boy’s uncle, and the threatened appearance of an estranged branch of the family at the ceremony. The third rounds off the circle, describing the death of the family matriarch, the boy’s grandmother. Together they offer an intimate insight into a community negotiating the conflict between tradition and modernity, and the complex tribal affiliations of the extended family.' (Publisher's blurb)
'The Blue Plateau is a lyrical exploration of a classic Australian landscape - the Blue Mountains - and its people, and the story of one man's journey to find home.
'The book's evocative narrative follows the author's attempt to settle in this difficult terrain, yet The Blue Plateau is a book of many stories. Through the fascinating characters the author meets, he traces the history of the Blue Mountains over decades, and beautifully describes the incredible connection between the people and the land.
Written in a time of drought, The Blue Plateau captures the essence of an iconic Australian place and its inhabitants, and reconnects us with this amazing land we live in.' (Publisher's blurb)
'Devadatta’s Poems complements the sequence ‘Between the Palace and the Bodhi Tree’, published in Beveridge’s earlier collection Wolf Notes, which followed the travels of Siddhatta Gotama before he became the Buddha, and portrayed the world from his disciplined and ascetic point of view. These new poems are written from the viewpoint of Devadatta, Siddhatta’s jealous and ambitious cousin, who attempted to murder him three times. They are marked by an extraordinary richness of language and detail, and a dedication to sensation, which is in contrast to Siddhatta’s purity, and caused at least in part by Devadatta’s desire for Yasodahra, his cousin’s wife.' (Publisher's blurb)
'"Pam Brown's work is fearless, acutely observant, witty and wry. She delights in the curiosities of the everyday, in notational sprezzatura, in the penetrating encapsulation of layers of time, chance and meaning with her twists of lexicon, diction and line break. This is a work of quotidian consternation, breaking through from irony to sheer fondness and painful shadows. She sees askew—and Home by Dark has its own poignant look at decades, bodies, and changes. Pam Brown is a wonderful writer, one of the scintillating wizards of Oz poetry." —Rachel Blau DuPlessis' (Publication summary)
'The title poem of this collection ('Ladylike') draws on pamphlets associated with the notorious case of the bigamist Mary Carleton, who was executed in 1673, and texts contemporary with it; women from Sigmund Freud's case studies provide the material for the series of poems, 'Round Vienna'; and the sequence 'Cleft' is dedicated to Kate Lilley's mother, Australian literary giant Dorothy Hewett.
'Throughout this collection, Kate mines the areas of her scholarly specialisation - the early modern period - as well as contemporary popular culture and matches it with some of the twentieth century's enduring interests such as psychoanalysis and Freud.
'Ladylike is a valuable addition to Australian poetry at large and will be of interest to readers of poetry, early modern history, Freud and early psychoanalysis.' (From the publisher's website.)
'For 40,000 years the Central NSW area of Wellington was Aboriginal - Wiradjuri - land. Following the arrival of white men, it became a penal settlement, mission station, gold-mining town and farming centre with a history of white comfort and black marginalisation. In the late 20th century, it was also the subject of the first post-Mabo Native Title claim, bringing new hope - and new controversy - to the area and its people.
Wiradjuri land is also where author Patti Miller was born and, mid-life, it begins to exert a compelling emotional pull, demanding her return. Post-children, having lived a dream life in Paris, it is hard for her to understand, or ignore, and so she is drawn into the story at the heart of Australian identity - who are we in relation to our beloved but stolen country?
Wellington and the Wiradjuri people are the main characters - and in revealing their complex narratives, Patti uncovers her own. Are her connections to this place through her convict forefathers, or through another, secret history? She sets out on a journey of exploration and takes us with her. Black and white politics, the processes of colonisation, family mythologies, generational conflict and the power of place are evoked as Patti weaves a story that is very personal and, at the same time, a universal story of country and belonging.
The Mind of a Thief is about identity, history, place and belonging and, perhaps most of all, about how we create ourselves through our stories.' Source: http://uqp.com.au/ (Sighted 03/04/2012).
'An unnamed man, M, arrives at a remote house on the fringe of a vast wilderness and soon disappears into a world of silence and stillness. His one mission: to find the last thylacine, the fabled Tasmanian tiger. She is said to have passed into myth but a sighting has been reported... Uncompromising and compelling, Julia Leigh's stunning first novel does not give up any of its secrets easily. The Hunter is a haunting tale of obsession that builds to an unforgettable conclusion.'
Source: Libraries Australia (Sighted 18/03/2011).
'While on his mission, the hunter lodges with a grief-ridden family of outcasts whose father has mysteriously vanished after sighting the Thylacine. The hunter succumbs more than he'd like to the family's scant charms and when tragedy strikes has to further purge his psyche to focus upon his elusive quarry. There is something tantalizing at large here as well as the mythical beast in this soul-stalking story about a group of doomed creatures whose unfortunate extinction is never really in doubt.' - Reviewed by Chris Packham, naturalist and broadcaster
Source: British Union Catalogue http://copac.ac.uk/search?rn=3&au=leigh&ti=hunter (Sighted 14/10/2011)
Big-hearted, moving and richly rewarding, That Deadman Dance is set in the first decades of the 19th century in the area around what is now Albany, Western Australia. In playful, musical prose, the book explores the early contact between the Aboriginal Noongar people and the first European settlers.
'The novel's hero is a young Noongar man named Bobby Wabalanginy. Clever, resourceful and eager to please, Bobby befriends the new arrivals, joining them hunting whales, tilling the land, exploring the hinterland and establishing the fledgling colony. He is even welcomed into a prosperous local white family where he falls for the daughter, Christine, a beautiful young woman who sees no harm in a liaison with a native.
'But slowly - by design and by accident - things begin to change. Not everyone is happy with how the colony is developing. Stock mysteriously start to disappear; crops are destroyed; there are "accidents" and injuries on both sides. As the Europeans impose ever stricter rules and regulations in order to keep the peace, Bobby's Elders decide they must respond in kind. A friend to everyone, Bobby is forced to take sides: he must choose between the old world and the new, his ancestors and his new friends. Inexorably, he is drawn into a series of events that will forever change not just the colony but the future of Australia...' (From the publisher's website.)
'Once, Rich and Sandy were environmental activists, part of a world-famous blockade in Tasmania to save the wilderness. Now, twenty-five years later, they have both settled into the uncomfortable compromises of middle age - although they've gone about it in very different ways. About the only thing they have in common these days is their fifteen-year-old daughter, Sophie.
'When the perennially restless Rich decides to take Sophie, whom he hardly knows, on a trek into the Tasmanian wilderness, his overconfidence and her growing disillusion with him set off a chain of events that no one could have predicted. Instead of respect, Rich finds antagonism in his relationship with Sophie; and in the vast landscape he once felt an affinity with, he encounters nothing but disorientation and fear.
'Ultimately, all three characters will learn that if they are to survive, each must traverse not only the secret territories that lie between them but also those within themselves.' (From the publisher's website.)
'Bush Studies is famous for its stark realism—for not romanticising bush life, instead showing all its bleakness and harshness.
'Economic of style, influenced by the great nineteenth-century Russian novelists, Barbara Baynton’s short-story collection presents the Australian bush as dangerous and isolating for the women who inhabit it.' (Publication summary : Text Classics)
'Kenneth Slessor (1901-71) is one of Australia's finest poets and this is the definitive collection of 103 poems; all he had ever published. This is the author's selection of his work from 1919 to 1939, first published as One Hundred Poems in 1944 (with the addition of three further poems in 1957). It draws from his acclaimed books, Earth Visitors (1926), Cuckooz Contrey (1932) and Five Bells (1939). Introduced by Dennis Haskell, this selection includes Slessor's own piece about his work, 'Some Notes on the Poems'. From his historical series, 'Five Visions of Captain Cook', to his memorial to the loss of a friend, 'Five Bells', from the tragic landscape of El Alamein, made famous in 'Beach Burial', to the meditation 'Out of Time', Slessor's poetry continues to dazzle contemporary audiences.' (Publication summary)
'A passionate and controversial novel set in turn-of-the-century Europe
'Henry Handel Richardson’s debut, published in London in 1908, is set in the music scene of Leipzig, a cosmopolitan centre for the arts drawing students from around the world—among them Maurice Guest, a young Englishman, who falls helplessly in love with an Australian woman, Louise Dufrayer. Maurice Guest is the story of this overwhelming passion.
'The novel was deemed too controversial to be published as Richardson intended, and she was forced to cut twenty thousand words from the original manuscript and tone down its language.' (Publication summary)
'My Brilliant Career was written by Stella Franklin (1879-1954) when she was just nineteen years old. The novel struggled to find an Australian publisher, but was published in London and Edinburgh in 1901 after receiving an endorsement from Henry Lawson. Although Franklin wrote under the pseudonym 'Miles Franklin', Lawson’s preface makes it clear that Franklin is, as Lawson puts it 'a girl.'
'The novel relates the story of Sybylla Melvyn, a strong-willed young woman of the 1890s growing up in the Goulburn area of New South Wales and longing to be a writer.' (Publication summary)
'Set in the charming and deadly streets of Melbourne, this vivid and brilliantly plotted murder thriller tells the story of a crime committed by an unknown assassin. With its panoramic depiction of a bustling yet uneasy city, Hansom Cab has a central place in Australian literary history and, more importantly, it remains highly readable. ' (Publication summary)
'Should a woman bear a child knowing that there are traces of insanity in her family? Linda Hainlin, niece of a famous biologist, was aware of the danger when she married Dr. Nigel Hendon, a practical idealist, whose creed was normality and the rational ordering of the world. This book tells how, years later, while temporarily deprived of her husband's sane companionship, Linda feels the oncoming of those homicidal impulses which presage madness. On this tragic theme, 'Prelude to Christopher' is written with strong literary art as a narrative of four days of crisis. The story goes back in memory to the happiness of Linda's love for Nigel, and forward in her frightened imagination to a future from which the strongest must flinch. Christopher, the unborn child, dominates terrific events in which he has no living part to play. The prelude to his birth is told with emotional power.'
Source: Publisher's blurb.
'Through the crumbling ruins of the once splendid Xanadu, Miss Hare wanders, half-mad. In the wilderness she stumbles upon an Aboriginal artist and a Jewish refugee. They place themselves in the care of a local washerwoman. In a world of pervasive evil, all four have been independently damaged and discarded. Now in one shared vision they find themselves bound together, understanding the possibility of redemption.'
Source: Publisher's blurb (Vintage ed.).
Big-hearted, moving and richly rewarding, That Deadman Dance is set in the first decades of the 19th century in the area around what is now Albany, Western Australia. In playful, musical prose, the book explores the early contact between the Aboriginal Noongar people and the first European settlers.
'The novel's hero is a young Noongar man named Bobby Wabalanginy. Clever, resourceful and eager to please, Bobby befriends the new arrivals, joining them hunting whales, tilling the land, exploring the hinterland and establishing the fledgling colony. He is even welcomed into a prosperous local white family where he falls for the daughter, Christine, a beautiful young woman who sees no harm in a liaison with a native.
'But slowly - by design and by accident - things begin to change. Not everyone is happy with how the colony is developing. Stock mysteriously start to disappear; crops are destroyed; there are "accidents" and injuries on both sides. As the Europeans impose ever stricter rules and regulations in order to keep the peace, Bobby's Elders decide they must respond in kind. A friend to everyone, Bobby is forced to take sides: he must choose between the old world and the new, his ancestors and his new friends. Inexorably, he is drawn into a series of events that will forever change not just the colony but the future of Australia...' (From the publisher's website.)
'Fifty-two of Henry Lawson's stories and sketches that he had first published in newspapers and magazines from 1888 onwards were gathered in his collection While the Billy Boils (Angus & Robertson, 1896). Lawson was not responsible for their ordering and he had to give ground on their texts, especially on his idiosyncratic presentation of wordings that helped to breathe life into his characters and situations. The present edition dismantles the fait accompli of 1896 by presenting the individual items in the chronological order of their first publication and with their original newspaper texts. This will allow a new appreciation of Lawson's writing, one that is attentive to his developing powers.
'The edition also facilitates a close study of Lawson's collaboration with the producers of the collection in 1896, in particular with his copy-editor Arthur W. Jose and publisher George Robertson. Facsimile images (available online) of the printer's copy that they prepared for While the Billy Boils supplement the edition's listing of the alterations that each of them made, revealing the textual history of each story or sketch.' (Publisher's blurb)
'In the magnificent opening story, "Love and Honor and Pity and Pride and Compassion and Sacrifice," a young writer is urged by his friends to mine his father's experiences in Vietnam - and what seems at first a satire on turning one's life into literary commerce becomes a transcendent exploration of homeland, and the ties between father and son. "Cartagena" provides a visceral glimpse of life in Colombia as it enters the mind of a fourteen-year-old hit man facing the ultimate test. In "Meeting Elise" an ageing New York painter mourns his body's decline as he prepares to meet his daughter on the eve of her Carnegie Hall debut. And with graceful symmetry, the final, title story returns to Vietnam, to a fishing trawler crowded with refugees where a young woman's bond with a mother and her small son forces both women to a shattering decision.' (From the author's website.)
'On a radiant day in Sydney, four adults converge on Circular Quay, site of the iconic Opera House and the Sydney Harbour Bridge. Crowds of tourists mix with the locals, enjoying the glorious surroundings and the play of light on water.
'But each of the four carries a complicated history from elsewhere; each is haunted by past intimacies, secrets and guilt: Ellie is preoccupied by her sexual experiences as a girl, James by a tragedy for which he feels responsible, Catherine by the loss of her beloved brother in Dublin and Pei Xing by her imprisonment during China's Cultural Revolution.
'Told over the course of a single Saturday, Five Bells describes four lives which chime and resonate, sharing mysterious patterns and symbols. But it is a fifth person, a child, whose presence at the Quay haunts the day and who will overshadow everything that unfolds. By night-time, when Sydney is drenched in a rainstorm, each life has been transformed.' (From the publisher's website.)
'Set in Washington during the 1930s, Sam and Henny Pollit are a warring husband and wife. Their tempestuous marriage, aggravated by too little money, lies at the centre of Stead's satirical and brilliantly observed novel about the relations between husbands and wives, and parents and children.
'Sam, a scientist, uses words as weapons of attack and control on his children and is prone to illusions of power and influence that fail to extend beyond his family. His wife Henny, who hails from a wealthy Baltimore family, is disastrously impractical and enmeshed in her own fantasies of romance and vengeance. Much of the care of their six children is left to Louisa, Sam's 14-year-old daughter from his first marriage. Within this psychological battleground, Louisa must attempt to make a life of her own.'
Source: Publisher's blurb (MUP).
'The Blue Plateau is a lyrical exploration of a classic Australian landscape - the Blue Mountains - and its people, and the story of one man's journey to find home.
'The book's evocative narrative follows the author's attempt to settle in this difficult terrain, yet The Blue Plateau is a book of many stories. Through the fascinating characters the author meets, he traces the history of the Blue Mountains over decades, and beautifully describes the incredible connection between the people and the land.
Written in a time of drought, The Blue Plateau captures the essence of an iconic Australian place and its inhabitants, and reconnects us with this amazing land we live in.' (Publisher's blurb)
'For 40,000 years the Central NSW area of Wellington was Aboriginal - Wiradjuri - land. Following the arrival of white men, it became a penal settlement, mission station, gold-mining town and farming centre with a history of white comfort and black marginalisation. In the late 20th century, it was also the subject of the first post-Mabo Native Title claim, bringing new hope - and new controversy - to the area and its people.
Wiradjuri land is also where author Patti Miller was born and, mid-life, it begins to exert a compelling emotional pull, demanding her return. Post-children, having lived a dream life in Paris, it is hard for her to understand, or ignore, and so she is drawn into the story at the heart of Australian identity - who are we in relation to our beloved but stolen country?
Wellington and the Wiradjuri people are the main characters - and in revealing their complex narratives, Patti uncovers her own. Are her connections to this place through her convict forefathers, or through another, secret history? She sets out on a journey of exploration and takes us with her. Black and white politics, the processes of colonisation, family mythologies, generational conflict and the power of place are evoked as Patti weaves a story that is very personal and, at the same time, a universal story of country and belonging.
The Mind of a Thief is about identity, history, place and belonging and, perhaps most of all, about how we create ourselves through our stories.' Source: http://uqp.com.au/ (Sighted 03/04/2012).
'In The Best Australian Stories 2014, Patrick White Award–winning author Amanda Lohrey selects the outstanding short fiction of the year. Sometimes fantastical, sometimes raw, and always a ‘shot of adrenaline to the mind and heart’, this collection features exciting new voices alongside the established and admired.'
'The edges of reality blur in a corporate lawyer’s tale of working in a 1200-storey glass tower. A prized coffee table becomes the focus of a father’s anxieties and frustrations. Tense and fractured lines of communication shape the life of an interpreter on Christmas Island. Imaginative, remarkable, intimate – this unmissable anthology celebrates the art of consummate storytelling.' (Source: Publisher's Blurb)
'For a long time Western Sydney has been the political flash-point of the nation, but it has been absent from Australian literature. Luke Carman’s first book of fiction is about to change all that: a collection of monologues and stories which tells it how it is on Australia’s cultural frontier. His young, self-conscious but determined hero navigates his way through the complications of his divorced family, and an often perilous social world, with its Fobs, Lebbbos, Greek, Serbs, Grubby Boys and scumbag Aussies, friends and enemies. He loves Whitman and Kerouac, Leonard Cohen and Henry Rollins, is awkward with girls, and has an invisible friend called Tom. His neighbour Wessam tells him he should write a book called How to Be Gay – and now he has. Carman’s style is packed with thought and energy: it captures the voices of the street, and conveys fear and anger, beauty and affection, with a restless intensity.' (Publisher's blurb)
'In 1968 Papua New Guinea is on the brink of independence, and everything is about to change. Amidst the turmoil filmmaker Leonard arrives from England with his Dutch wife, Rika, to study and film an isolated village high in The Mountains. The villagers' customs and art have been passed down through generations, and Rika is immediately struck by their paintings on a cloth made of bark.
'Rika and Leonard are also confronted with the new university in Moresby, where intellectual ambition and the idealism of youth are creating friction among locals such as Milton - a hot-headed young playwright - and visiting westerners, such as Martha, to whom Rika becomes close. But it is when Rika meets brothers Jacob and Aaron that all their lives are changed for ever.' (From the publisher's website.)
'The new novel by Alexis Wright, whose previous novel Carpentaria won the Miles Franklin Award and four other major prizes including the Australian Book Industry Awards Literary Fiction Book of the Year Award. The Swan Book is set in the future, with Aboriginals still living under the Intervention in the north, in an environment fundamentally altered by climate change. It follows the life of a mute teenager called Oblivia, the victim of gang-rape by petrol-sniffing youths, from the displaced community where she lives in a hulk, in a swamp filled with rusting boats, and thousands of black swans driven from other parts of the country, to her marriage to Warren Finch, the first Aboriginal president of Australia, and her elevation to the position of First Lady, confined to a tower in a flooded and lawless southern city. The Swan Book has all the qualities which made Wright’s previous novel, Carpentaria, a prize-winning best-seller. It offers an intimate awareness of the realities facing Aboriginal people; the wild energy and humour in her writing finds hope in the bleakest situations; and the remarkable combination of storytelling elements, drawn from myth and legend and fairy tale.' (Publisher's blurb)
'The Tribe is a collection of three novellas portraying significant aspects in the life of an extended Muslim Lebanese-Australian family with its roots in the suburb of Lakemba in Western Sydney.The first novella describes the family house, and the three generations who live, often in some discord, in its rooms; the second explores the marriage of the boy’s uncle, and the threatened appearance of an estranged branch of the family at the ceremony. The third rounds off the circle, describing the death of the family matriarch, the boy’s grandmother. Together they offer an intimate insight into a community negotiating the conflict between tradition and modernity, and the complex tribal affiliations of the extended family.' (Publisher's blurb)
'A young wife and mother watches a clock that seems forever stuck at three-in-the-afternoon. Her neighbour obsesses over the front lawn, and the women at the local beach chatter about knitting patterns. Her husband didn't come home last night.
'She lives for Tuesdays and Thursdays, when the baby is with Mother-in-law and she can escape to a less humdrum life. Jonathan, man about town, is Tuesday. Ben, a freethinking artist, is Thursday.
'But Jonathan is in serious trouble, and Thursdays are turning sour. Very sour.
'A brilliant, acerbic tale of a crack-up in stultifying suburbia, Blue Skies marked the emergence of a unique voice in Australian fiction.' (Abstract for 2011 publication from Text Publishing website.)
Athena and Dexter lead an enclosed family life, innocent of fashion and bound towards a disturbed child. Their comfortable rut is disrupted by the arrival of Elizabeth, a tough nut from Dexter's past. With her three charming, chaotic hangers-on, she draws the couple out into a world whose casual egotism they had barely dreamed of. How can they get home again? (Source: publisher's website)
'Dante and Johnno are unlikely childhood friends, growing up in the bustle of steamy, wartime Brisbane. Later, as teenagers, they learn about love and life amidst the city's pubs and public libraries, backyards and brothels, Moreton Bay figs and tennis parties. As adults, they make the great pilgrimage overseas and maintain an uneasy friendship as they seek to build their lives.
'An affectionate and bittersweet portrait, Johnno brilliantly recreates the sleazy, tropical half-city that was Brisbane and captures a generation locked in combat with the elusive Australian dream.'
Source: Publisher's blurb (Penguin).
''The thing I am trying to get at is what made Jack different from me. Different all through our lives, I mean, and in a special sense, not just older or nobler or braver or less clever.'
'David and Jack Meredith grow up in a patriotic suburban Melbourne household during the First World War, and go on to lead lives that could not be more different. Through the story of the two brothers, George Johnston created an enduring exploration of two Australian myths: that of the man who loses his soul as he gains worldly success, and that of the tough, honest Aussie battler, whose greatest ambition is to serve his country during the war. Acknowledged as one of the true Australian classics, My Brother Jack is a deeply satisfying, complex and moving literary masterpiece. ' (Publication summary)
'At a suburban barbecue, a man slaps a child who is not his own.
'This event has a shocking ricochet effect on a group of people, mostly friends, who are directly or indirectly influenced by the event.
'In this remarkable novel, Christos Tsiolkas turns his unflinching and all-seeing eye onto that which connects us all: the modern family and domestic life in the twenty-first century. The Slap is told from the points of view of eight people who were present at the barbecue. The slap and its consequences force them all to question their own families and the way they live, their expectations, beliefs and desires.
'What unfolds is a powerful, haunting novel about love, sex and marriage, parenting and children, and the fury and intensity - all the passions and conflicting beliefs - that family can arouse. In its clear-eyed and forensic dissection of the ever-growing middle class and its aspirations and fears, The Slap is also a poignant, provocative novel about the nature of loyalty and happiness, compromise and truth.' (Publisher's blurb)
'The Tribe is a collection of three novellas portraying significant aspects in the life of an extended Muslim Lebanese-Australian family with its roots in the suburb of Lakemba in Western Sydney.The first novella describes the family house, and the three generations who live, often in some discord, in its rooms; the second explores the marriage of the boy’s uncle, and the threatened appearance of an estranged branch of the family at the ceremony. The third rounds off the circle, describing the death of the family matriarch, the boy’s grandmother. Together they offer an intimate insight into a community negotiating the conflict between tradition and modernity, and the complex tribal affiliations of the extended family.' (Publisher's blurb)
Set in inner suburban 1970s Melbourne, Monkey Grip describes the fluid relationships of a community of friends who are living and loving in new ways. Single parent Nora falls in love with Javo, a heroin addict, and together they try to make sense of their lives and the choices they have made.
'Liza used to say that she saw her past life as a string of roughly-graded balls, and so did Hilda have a linear conception of hers, thinking of it as a track with detours. But for some years now I have likened mine to a globe suspended in my head, and ever since the shocking realisation that waste is irretrievalbe, I have been careful not to let this globe spin to expose the nether side on which my marriage has left its multitude of images.
'Nora Porteous has spent most of her life waiting to escape. Fleeing from her small-town family and then from her stifling marriage to a mean-spirited husband, Nora arrives finally in London where she creates a new life for herself as a successful dressmaker.
'Now in her seventies, Nora returns to Queensland to settle into her childhood home.
'But Nora has been away a long time, and the people and events of her past are not at all like she remembered them. And while some things never change, Nora is about to discover just how selective her 'globe of memory' has been.
'Tirra Lirra by the River is a moving account of one woman's remarkable life, a beautifully written novel which displays the lyrical brevity of Jessica Anderson's award-winning style.' (Publication summary)
'Breaking their poses like trees snapping branches, the women urgently regarded each other, cleared away all signs of work in an instant, examined their souls for defects, in a sense crossed themselves, and waited.
'After Laura and Clare are abandoned by their mother, Felix is there to help, even to marry Laura if she will have him. Little by little the two sisters grow complicit with his obsessions, his cruelty, his need to control.
'Set in the leafy northern suburbs of Sydney during the 1940s, The Watch Tower is a novel of relentless and acute psychological power.' (Publication summary)
'Wild Cat Falling is the story of an Aboriginal youth, a 'bodgie' of the early sixties who grows up on the ragged outskirts of a country town, falls into petty crime, goes to gaol, and comes out to do battle once more with the society who put him there. Its publication in 1965 marked a unique literary event, for this was the first novel by any writer of Aboriginal blood to be published in Australia. As well, it is a remarkable piece of literature in its own right, expressing the dilemmas and conflicts of the young Aboriginal in modern Australian society with its memorable insight and stylishness.' (Publication summary)
'Devadatta’s Poems complements the sequence ‘Between the Palace and the Bodhi Tree’, published in Beveridge’s earlier collection Wolf Notes, which followed the travels of Siddhatta Gotama before he became the Buddha, and portrayed the world from his disciplined and ascetic point of view. These new poems are written from the viewpoint of Devadatta, Siddhatta’s jealous and ambitious cousin, who attempted to murder him three times. They are marked by an extraordinary richness of language and detail, and a dedication to sensation, which is in contrast to Siddhatta’s purity, and caused at least in part by Devadatta’s desire for Yasodahra, his cousin’s wife.' (Publisher's blurb)
'"Pam Brown's work is fearless, acutely observant, witty and wry. She delights in the curiosities of the everyday, in notational sprezzatura, in the penetrating encapsulation of layers of time, chance and meaning with her twists of lexicon, diction and line break. This is a work of quotidian consternation, breaking through from irony to sheer fondness and painful shadows. She sees askew—and Home by Dark has its own poignant look at decades, bodies, and changes. Pam Brown is a wonderful writer, one of the scintillating wizards of Oz poetry." —Rachel Blau DuPlessis' (Publication summary)
'The title poem of this collection ('Ladylike') draws on pamphlets associated with the notorious case of the bigamist Mary Carleton, who was executed in 1673, and texts contemporary with it; women from Sigmund Freud's case studies provide the material for the series of poems, 'Round Vienna'; and the sequence 'Cleft' is dedicated to Kate Lilley's mother, Australian literary giant Dorothy Hewett.
'Throughout this collection, Kate mines the areas of her scholarly specialisation - the early modern period - as well as contemporary popular culture and matches it with some of the twentieth century's enduring interests such as psychoanalysis and Freud.
'Ladylike is a valuable addition to Australian poetry at large and will be of interest to readers of poetry, early modern history, Freud and early psychoanalysis.' (From the publisher's website.)
'Bush Studies is famous for its stark realism—for not romanticising bush life, instead showing all its bleakness and harshness.
'Economic of style, influenced by the great nineteenth-century Russian novelists, Barbara Baynton’s short-story collection presents the Australian bush as dangerous and isolating for the women who inhabit it.' (Publication summary : Text Classics)
'Kenneth Slessor (1901-71) is one of Australia's finest poets and this is the definitive collection of 103 poems; all he had ever published. This is the author's selection of his work from 1919 to 1939, first published as One Hundred Poems in 1944 (with the addition of three further poems in 1957). It draws from his acclaimed books, Earth Visitors (1926), Cuckooz Contrey (1932) and Five Bells (1939). Introduced by Dennis Haskell, this selection includes Slessor's own piece about his work, 'Some Notes on the Poems'. From his historical series, 'Five Visions of Captain Cook', to his memorial to the loss of a friend, 'Five Bells', from the tragic landscape of El Alamein, made famous in 'Beach Burial', to the meditation 'Out of Time', Slessor's poetry continues to dazzle contemporary audiences.' (Publication summary)
'A passionate and controversial novel set in turn-of-the-century Europe
'Henry Handel Richardson’s debut, published in London in 1908, is set in the music scene of Leipzig, a cosmopolitan centre for the arts drawing students from around the world—among them Maurice Guest, a young Englishman, who falls helplessly in love with an Australian woman, Louise Dufrayer. Maurice Guest is the story of this overwhelming passion.
'The novel was deemed too controversial to be published as Richardson intended, and she was forced to cut twenty thousand words from the original manuscript and tone down its language.' (Publication summary)
'My Brilliant Career was written by Stella Franklin (1879-1954) when she was just nineteen years old. The novel struggled to find an Australian publisher, but was published in London and Edinburgh in 1901 after receiving an endorsement from Henry Lawson. Although Franklin wrote under the pseudonym 'Miles Franklin', Lawson’s preface makes it clear that Franklin is, as Lawson puts it 'a girl.'
'The novel relates the story of Sybylla Melvyn, a strong-willed young woman of the 1890s growing up in the Goulburn area of New South Wales and longing to be a writer.' (Publication summary)
'Set in the charming and deadly streets of Melbourne, this vivid and brilliantly plotted murder thriller tells the story of a crime committed by an unknown assassin. With its panoramic depiction of a bustling yet uneasy city, Hansom Cab has a central place in Australian literary history and, more importantly, it remains highly readable. ' (Publication summary)
'Should a woman bear a child knowing that there are traces of insanity in her family? Linda Hainlin, niece of a famous biologist, was aware of the danger when she married Dr. Nigel Hendon, a practical idealist, whose creed was normality and the rational ordering of the world. This book tells how, years later, while temporarily deprived of her husband's sane companionship, Linda feels the oncoming of those homicidal impulses which presage madness. On this tragic theme, 'Prelude to Christopher' is written with strong literary art as a narrative of four days of crisis. The story goes back in memory to the happiness of Linda's love for Nigel, and forward in her frightened imagination to a future from which the strongest must flinch. Christopher, the unborn child, dominates terrific events in which he has no living part to play. The prelude to his birth is told with emotional power.'
Source: Publisher's blurb.
'Through the crumbling ruins of the once splendid Xanadu, Miss Hare wanders, half-mad. In the wilderness she stumbles upon an Aboriginal artist and a Jewish refugee. They place themselves in the care of a local washerwoman. In a world of pervasive evil, all four have been independently damaged and discarded. Now in one shared vision they find themselves bound together, understanding the possibility of redemption.'
Source: Publisher's blurb (Vintage ed.).
'Fifty-two of Henry Lawson's stories and sketches that he had first published in newspapers and magazines from 1888 onwards were gathered in his collection While the Billy Boils (Angus & Robertson, 1896). Lawson was not responsible for their ordering and he had to give ground on their texts, especially on his idiosyncratic presentation of wordings that helped to breathe life into his characters and situations. The present edition dismantles the fait accompli of 1896 by presenting the individual items in the chronological order of their first publication and with their original newspaper texts. This will allow a new appreciation of Lawson's writing, one that is attentive to his developing powers.
'The edition also facilitates a close study of Lawson's collaboration with the producers of the collection in 1896, in particular with his copy-editor Arthur W. Jose and publisher George Robertson. Facsimile images (available online) of the printer's copy that they prepared for While the Billy Boils supplement the edition's listing of the alterations that each of them made, revealing the textual history of each story or sketch.' (Publisher's blurb)
'Sadie and Ed meet Martin and Chloe at a holiday resort and instantly hit it off, despite coming from completely different worlds. When Martin saves Ed's life, everyone knows the debt can never be properly repaid. But Ed is rich and generous, and Martin and Chloe have a need so great it seems divine providence that the two couples should have found each other. So, given time to think, they return to make their wish - but surely it's a wish nobody could possibly grant?'
Source: Melbourne Theatre Company website, www.mtc.com.au (sighted: 29/09/2010)
'The spirited story of the Millimurra family’s stand against government ‘protection’ policies in 1930s Australia.' (From the publisher's website.)
'The most famous Australian play and one of the best loved, Summer of the Seventeenth Doll is a tragicomic story of Roo and Barney, two Queensland sugar-cane cutters who go to Melbourne every year during the 'layoff' to live it up with their barmaid girl friends. The title refers to kewpie dolls, tawdry fairground souvenirs, that they brings as gifts and come, in some readings of the play, to represent adolescent dreams in which the characters seem to be permanently trapped. The play tells the story in traditional well-made, realistic form, with effective curtains and an obligatory scene. Its principal appeal – and that of two later plays with which it forms The Doll Trilogy – is the freshness and emotional warmth, even sentimentality, with which it deals with simple virtues of innocence and youthful energy that lie at the heart of the Australian bush legend.
'Ray Lawler’s play confronts that legend with the harsh new reality of modern urban Australia. The 17th year of the canecutters’ arrangement is different. There has been a fight on the canefields and Roo, the tough, heroic, bushman, has arrived with his ego battered and without money. Barney’s girl friend Nancy has left to get married and is replaced by Pearl, who is suspicious of the whole set-up and hopes to trap Barney into marriage. The play charts the inevitable failure of the dream of the layoff, the end of the men’s supremacy as bush heroes and, most poignantly, the betrayal of the idealistic self-sacrifice made by Roo’s girl friend Olive – the most interesting character – to keep the whole thing going. The city emerges victorious, but the emotional tone of the play vindicates the fallen bushman.'
Source: McCallum, John. 'Summer of the Seventeenth Doll.' Companion to Theatre in Australia. Ed. Philip Parson and Victoria Chance. Sydney: Currency Press , 1997: 564-656.
'In the magnificent opening story, "Love and Honor and Pity and Pride and Compassion and Sacrifice," a young writer is urged by his friends to mine his father's experiences in Vietnam - and what seems at first a satire on turning one's life into literary commerce becomes a transcendent exploration of homeland, and the ties between father and son. "Cartagena" provides a visceral glimpse of life in Colombia as it enters the mind of a fourteen-year-old hit man facing the ultimate test. In "Meeting Elise" an ageing New York painter mourns his body's decline as he prepares to meet his daughter on the eve of her Carnegie Hall debut. And with graceful symmetry, the final, title story returns to Vietnam, to a fishing trawler crowded with refugees where a young woman's bond with a mother and her small son forces both women to a shattering decision.' (From the author's website.)
'On a radiant day in Sydney, four adults converge on Circular Quay, site of the iconic Opera House and the Sydney Harbour Bridge. Crowds of tourists mix with the locals, enjoying the glorious surroundings and the play of light on water.
'But each of the four carries a complicated history from elsewhere; each is haunted by past intimacies, secrets and guilt: Ellie is preoccupied by her sexual experiences as a girl, James by a tragedy for which he feels responsible, Catherine by the loss of her beloved brother in Dublin and Pei Xing by her imprisonment during China's Cultural Revolution.
'Told over the course of a single Saturday, Five Bells describes four lives which chime and resonate, sharing mysterious patterns and symbols. But it is a fifth person, a child, whose presence at the Quay haunts the day and who will overshadow everything that unfolds. By night-time, when Sydney is drenched in a rainstorm, each life has been transformed.' (From the publisher's website.)
'Set in Washington during the 1930s, Sam and Henny Pollit are a warring husband and wife. Their tempestuous marriage, aggravated by too little money, lies at the centre of Stead's satirical and brilliantly observed novel about the relations between husbands and wives, and parents and children.
'Sam, a scientist, uses words as weapons of attack and control on his children and is prone to illusions of power and influence that fail to extend beyond his family. His wife Henny, who hails from a wealthy Baltimore family, is disastrously impractical and enmeshed in her own fantasies of romance and vengeance. Much of the care of their six children is left to Louisa, Sam's 14-year-old daughter from his first marriage. Within this psychological battleground, Louisa must attempt to make a life of her own.'
Source: Publisher's blurb (MUP).
'Twenty years ago, when I first arrived on the plains, I kept my eyes open. I looked for anything in the landscape that seemed to hint at some elaborate meaning behind appearances.
'There is no book in Australian literature like The Plains. In the two decades since its first publication, this haunting novel has earned its status as a classic. A nameless young man arrives on the plains and begins to document the strange and rich culture of the plains families. As his story unfolds, the novel becomes, in the words of Murray Bail, ‘a mirage of landscape, memory, love and literature itself’.' (Publication summary : Text Classics)
'The new novel by Alexis Wright, whose previous novel Carpentaria won the Miles Franklin Award and four other major prizes including the Australian Book Industry Awards Literary Fiction Book of the Year Award. The Swan Book is set in the future, with Aboriginals still living under the Intervention in the north, in an environment fundamentally altered by climate change. It follows the life of a mute teenager called Oblivia, the victim of gang-rape by petrol-sniffing youths, from the displaced community where she lives in a hulk, in a swamp filled with rusting boats, and thousands of black swans driven from other parts of the country, to her marriage to Warren Finch, the first Aboriginal president of Australia, and her elevation to the position of First Lady, confined to a tower in a flooded and lawless southern city. The Swan Book has all the qualities which made Wright’s previous novel, Carpentaria, a prize-winning best-seller. It offers an intimate awareness of the realities facing Aboriginal people; the wild energy and humour in her writing finds hope in the bleakest situations; and the remarkable combination of storytelling elements, drawn from myth and legend and fairy tale.' (Publisher's blurb)
'When Lieutenant William Dawes came to Botany Bay with the First Fleet Marines in January 1788 he delved into the world of a small group of Indigenous people from around Sydney Harbour. Dawes called his collaborators 'the Eora'. They told him it was their word for 'people', and it might have been the first thing they watched him write down.
'Chasing the fascinations that thrilled the Lieutenant during his disorienting time in Eora country, 26 Views of the Starburst World captures the wonder that shone for Dawes and rearranged him at Sydney Cove, amplified and illuminated, engulfed by language, stars and landscape.' (Publisher's website)
'A witty, irreverent and intelligent satire of Australian politics.
'A soon-to-be-elected Australian prime minister invokes the spirit of Sir Robert Menzies and astonishingly, the Great Man rises from the grave. But in Canberra, amongst the nation′s leaders, the revived Menzies is rarely listened to and hardly visible. Increasingly discontented with his role as mere nostalgic symbol, Menzies escapes from Canberra. He runs westward, becoming larger and more powerful as he runs.
'This, perhaps the most significant untold story in Australian political history, lands in the lap of the Antibiographer, whose contracted book on Menzies is years behind schedule. Could this be the break the Antibiographer needs to redeem his career? Will he be able to track down the Menziean colossus and save his book and reputation? And can the out-of-control Menzies ever be contained?
'The Antibiography of Robert F. Menzies is playful, lyrical, surprisingly poignant and very funny.' (Publisher's blurb)
'In 1968 Papua New Guinea is on the brink of independence, and everything is about to change. Amidst the turmoil filmmaker Leonard arrives from England with his Dutch wife, Rika, to study and film an isolated village high in The Mountains. The villagers' customs and art have been passed down through generations, and Rika is immediately struck by their paintings on a cloth made of bark.
'Rika and Leonard are also confronted with the new university in Moresby, where intellectual ambition and the idealism of youth are creating friction among locals such as Milton - a hot-headed young playwright - and visiting westerners, such as Martha, to whom Rika becomes close. But it is when Rika meets brothers Jacob and Aaron that all their lives are changed for ever.' (From the publisher's website.)
'In this remarkable memoir, Anna Goldsworthy recalls her first steps towards a life in music, from childhood piano lessons with a local jazz muso to international success as a concert pianist. As she discovers passion and ambition, and confronts doubt and disappointment, she learns about much more than tone and technique. This is a story of the getting of wisdom, tender and bittersweet.
'With wit and affection, Goldsworthy captures the hopes and uncertainties of youth, the fear and exhilaration of performing, and the complex bonds between teacher and student. An unforgettable cast of characters joins her: her family; her friends and rivals; and her teacher, Mrs Sivan, who inspires and challenges her in equal measure, and who transforms what seems an impossible dream into something real and sustaining.' (From the publisher's website.)
'The new novel by Alexis Wright, whose previous novel Carpentaria won the Miles Franklin Award and four other major prizes including the Australian Book Industry Awards Literary Fiction Book of the Year Award. The Swan Book is set in the future, with Aboriginals still living under the Intervention in the north, in an environment fundamentally altered by climate change. It follows the life of a mute teenager called Oblivia, the victim of gang-rape by petrol-sniffing youths, from the displaced community where she lives in a hulk, in a swamp filled with rusting boats, and thousands of black swans driven from other parts of the country, to her marriage to Warren Finch, the first Aboriginal president of Australia, and her elevation to the position of First Lady, confined to a tower in a flooded and lawless southern city. The Swan Book has all the qualities which made Wright’s previous novel, Carpentaria, a prize-winning best-seller. It offers an intimate awareness of the realities facing Aboriginal people; the wild energy and humour in her writing finds hope in the bleakest situations; and the remarkable combination of storytelling elements, drawn from myth and legend and fairy tale.' (Publisher's blurb)
'Devadatta’s Poems complements the sequence ‘Between the Palace and the Bodhi Tree’, published in Beveridge’s earlier collection Wolf Notes, which followed the travels of Siddhatta Gotama before he became the Buddha, and portrayed the world from his disciplined and ascetic point of view. These new poems are written from the viewpoint of Devadatta, Siddhatta’s jealous and ambitious cousin, who attempted to murder him three times. They are marked by an extraordinary richness of language and detail, and a dedication to sensation, which is in contrast to Siddhatta’s purity, and caused at least in part by Devadatta’s desire for Yasodahra, his cousin’s wife.' (Publisher's blurb)
'"Pam Brown's work is fearless, acutely observant, witty and wry. She delights in the curiosities of the everyday, in notational sprezzatura, in the penetrating encapsulation of layers of time, chance and meaning with her twists of lexicon, diction and line break. This is a work of quotidian consternation, breaking through from irony to sheer fondness and painful shadows. She sees askew—and Home by Dark has its own poignant look at decades, bodies, and changes. Pam Brown is a wonderful writer, one of the scintillating wizards of Oz poetry." —Rachel Blau DuPlessis' (Publication summary)
'The title poem of this collection ('Ladylike') draws on pamphlets associated with the notorious case of the bigamist Mary Carleton, who was executed in 1673, and texts contemporary with it; women from Sigmund Freud's case studies provide the material for the series of poems, 'Round Vienna'; and the sequence 'Cleft' is dedicated to Kate Lilley's mother, Australian literary giant Dorothy Hewett.
'Throughout this collection, Kate mines the areas of her scholarly specialisation - the early modern period - as well as contemporary popular culture and matches it with some of the twentieth century's enduring interests such as psychoanalysis and Freud.
'Ladylike is a valuable addition to Australian poetry at large and will be of interest to readers of poetry, early modern history, Freud and early psychoanalysis.' (From the publisher's website.)
'Towns in the Great Desert is a significant addition to the corpus of a major Australian poet. These poems make a significant claim for Boyle’s standing as one of Australia’s most important contemporary poets.' (Publisher's blurb)
'An unnamed man, M, arrives at a remote house on the fringe of a vast wilderness and soon disappears into a world of silence and stillness. His one mission: to find the last thylacine, the fabled Tasmanian tiger. She is said to have passed into myth but a sighting has been reported... Uncompromising and compelling, Julia Leigh's stunning first novel does not give up any of its secrets easily. The Hunter is a haunting tale of obsession that builds to an unforgettable conclusion.'
Source: Libraries Australia (Sighted 18/03/2011).
'While on his mission, the hunter lodges with a grief-ridden family of outcasts whose father has mysteriously vanished after sighting the Thylacine. The hunter succumbs more than he'd like to the family's scant charms and when tragedy strikes has to further purge his psyche to focus upon his elusive quarry. There is something tantalizing at large here as well as the mythical beast in this soul-stalking story about a group of doomed creatures whose unfortunate extinction is never really in doubt.' - Reviewed by Chris Packham, naturalist and broadcaster
Source: British Union Catalogue http://copac.ac.uk/search?rn=3&au=leigh&ti=hunter (Sighted 14/10/2011)
Big-hearted, moving and richly rewarding, That Deadman Dance is set in the first decades of the 19th century in the area around what is now Albany, Western Australia. In playful, musical prose, the book explores the early contact between the Aboriginal Noongar people and the first European settlers.
'The novel's hero is a young Noongar man named Bobby Wabalanginy. Clever, resourceful and eager to please, Bobby befriends the new arrivals, joining them hunting whales, tilling the land, exploring the hinterland and establishing the fledgling colony. He is even welcomed into a prosperous local white family where he falls for the daughter, Christine, a beautiful young woman who sees no harm in a liaison with a native.
'But slowly - by design and by accident - things begin to change. Not everyone is happy with how the colony is developing. Stock mysteriously start to disappear; crops are destroyed; there are "accidents" and injuries on both sides. As the Europeans impose ever stricter rules and regulations in order to keep the peace, Bobby's Elders decide they must respond in kind. A friend to everyone, Bobby is forced to take sides: he must choose between the old world and the new, his ancestors and his new friends. Inexorably, he is drawn into a series of events that will forever change not just the colony but the future of Australia...' (From the publisher's website.)
'Once, Rich and Sandy were environmental activists, part of a world-famous blockade in Tasmania to save the wilderness. Now, twenty-five years later, they have both settled into the uncomfortable compromises of middle age - although they've gone about it in very different ways. About the only thing they have in common these days is their fifteen-year-old daughter, Sophie.
'When the perennially restless Rich decides to take Sophie, whom he hardly knows, on a trek into the Tasmanian wilderness, his overconfidence and her growing disillusion with him set off a chain of events that no one could have predicted. Instead of respect, Rich finds antagonism in his relationship with Sophie; and in the vast landscape he once felt an affinity with, he encounters nothing but disorientation and fear.
'Ultimately, all three characters will learn that if they are to survive, each must traverse not only the secret territories that lie between them but also those within themselves.' (From the publisher's website.)
'Sadie and Ed meet Martin and Chloe at a holiday resort and instantly hit it off, despite coming from completely different worlds. When Martin saves Ed's life, everyone knows the debt can never be properly repaid. But Ed is rich and generous, and Martin and Chloe have a need so great it seems divine providence that the two couples should have found each other. So, given time to think, they return to make their wish - but surely it's a wish nobody could possibly grant?'
Source: Melbourne Theatre Company website, www.mtc.com.au (sighted: 29/09/2010)
'The spirited story of the Millimurra family’s stand against government ‘protection’ policies in 1930s Australia.' (From the publisher's website.)
'The most famous Australian play and one of the best loved, Summer of the Seventeenth Doll is a tragicomic story of Roo and Barney, two Queensland sugar-cane cutters who go to Melbourne every year during the 'layoff' to live it up with their barmaid girl friends. The title refers to kewpie dolls, tawdry fairground souvenirs, that they brings as gifts and come, in some readings of the play, to represent adolescent dreams in which the characters seem to be permanently trapped. The play tells the story in traditional well-made, realistic form, with effective curtains and an obligatory scene. Its principal appeal – and that of two later plays with which it forms The Doll Trilogy – is the freshness and emotional warmth, even sentimentality, with which it deals with simple virtues of innocence and youthful energy that lie at the heart of the Australian bush legend.
'Ray Lawler’s play confronts that legend with the harsh new reality of modern urban Australia. The 17th year of the canecutters’ arrangement is different. There has been a fight on the canefields and Roo, the tough, heroic, bushman, has arrived with his ego battered and without money. Barney’s girl friend Nancy has left to get married and is replaced by Pearl, who is suspicious of the whole set-up and hopes to trap Barney into marriage. The play charts the inevitable failure of the dream of the layoff, the end of the men’s supremacy as bush heroes and, most poignantly, the betrayal of the idealistic self-sacrifice made by Roo’s girl friend Olive – the most interesting character – to keep the whole thing going. The city emerges victorious, but the emotional tone of the play vindicates the fallen bushman.'
Source: McCallum, John. 'Summer of the Seventeenth Doll.' Companion to Theatre in Australia. Ed. Philip Parson and Victoria Chance. Sydney: Currency Press , 1997: 564-656.
'Whether we’re aware of it or not, we spend much of our time in this globalised world in the act of translation. Language is a big part of it, of course, as anyone who has fumbled with a phrasebook in a foreign country will know, but behind language is something far more challenging to translate: culture. As a traveller, a mistranslation might land you a bowl of who-knows-what when you think you asked for noodles, and mistranslations in international politics can be a few steps from serious trouble. But translation is also a way of entering new and exciting worlds, and forging links that never before existed.
'Linda Jaivin has been translating from Chinese for more than thirty years. While her specialty is subtitles, she has also translated song lyrics, poetry and fiction, and interpreted for ABC film crews, Chinese artists and even the English singer Billy Bragg as he gave his take on socialism to some Beijing rockers. In Found in Translation she reveals the work of the translator and considers whether different worldviews can be bridged. She pays special attention to China and the English-speaking West, Australia in particular, but also discusses French, Japanese and even the odd phrase of Maori. This is a free-ranging essay, personal and informed, about translation in its narrowest and broadest senses, and the prism – occasionally prison – of culture.' (Publisher's blurb)
'The leading Catholic in the nation and spiritual adviser to Tony Abbott, Cardinal George Pell has played a key role in the greatest challenge to face his church for centuries: the scandal of child sex abuse by priests.
'In The Prince, David Marr investigates the man and his career: how did he rise through the ranks? What does he stand for? How does he wield his authority? How much has he shaped his church and Australia? How has he handled the scandal?
'Marr reveals a cleric at ease with power and aggressive in asserting the prerogatives of the Vatican. His account of Pell’s career focuses on his response as a man, a priest, an archbishop and prince of the church to the scandal that has engulfed the Catholic world in the last thirty years. This is the story of a cleric slow to see what was happening around him; torn by the contest between his church and its victims; and slow to realise that the Catholic Church cannot, in the end, escape secular scrutiny.
'The Prince is an arresting portrait of faith, loyalty and ambition, set against a backdrop of terrible suffering and an ancient institution in turmoil.
'“He knows children have been wrecked. He apologises again and again. He even sees that the hostility of the press he so deplores has helped the church face the scandal. What he doesn’t get is the hostility to the church. Whatever else he believes in, Pell has profound faith in the Catholic Church. He guards it with his life. Nations come and go but the church remains.” David Marr, The Prince. ' (Publisher's blurb)
'In The Best Australian Stories 2013, Kim Scott selects the year’s most outstanding short fiction. Featuring established favourites alongside exciting new voices, this diverse collection is a perfect companion for summer and an ideal introduction to Australia’s best contemporary writing.' (Publisher's blurb)
'In The Best Australian Stories 2013, Kim Scott selects the year’s most outstanding short fiction. Featuring established favourites alongside exciting new voices, this diverse collection is a perfect companion for summer and an ideal introduction to Australia’s best contemporary writing.' (Publisher's blurb)
'When Lieutenant William Dawes came to Botany Bay with the First Fleet Marines in January 1788 he delved into the world of a small group of Indigenous people from around Sydney Harbour. Dawes called his collaborators 'the Eora'. They told him it was their word for 'people', and it might have been the first thing they watched him write down.
'Chasing the fascinations that thrilled the Lieutenant during his disorienting time in Eora country, 26 Views of the Starburst World captures the wonder that shone for Dawes and rearranged him at Sydney Cove, amplified and illuminated, engulfed by language, stars and landscape.' (Publisher's website)
'A witty, irreverent and intelligent satire of Australian politics.
'A soon-to-be-elected Australian prime minister invokes the spirit of Sir Robert Menzies and astonishingly, the Great Man rises from the grave. But in Canberra, amongst the nation′s leaders, the revived Menzies is rarely listened to and hardly visible. Increasingly discontented with his role as mere nostalgic symbol, Menzies escapes from Canberra. He runs westward, becoming larger and more powerful as he runs.
'This, perhaps the most significant untold story in Australian political history, lands in the lap of the Antibiographer, whose contracted book on Menzies is years behind schedule. Could this be the break the Antibiographer needs to redeem his career? Will he be able to track down the Menziean colossus and save his book and reputation? And can the out-of-control Menzies ever be contained?
'The Antibiography of Robert F. Menzies is playful, lyrical, surprisingly poignant and very funny.' (Publisher's blurb)
'In 1968 Papua New Guinea is on the brink of independence, and everything is about to change. Amidst the turmoil filmmaker Leonard arrives from England with his Dutch wife, Rika, to study and film an isolated village high in The Mountains. The villagers' customs and art have been passed down through generations, and Rika is immediately struck by their paintings on a cloth made of bark.
'Rika and Leonard are also confronted with the new university in Moresby, where intellectual ambition and the idealism of youth are creating friction among locals such as Milton - a hot-headed young playwright - and visiting westerners, such as Martha, to whom Rika becomes close. But it is when Rika meets brothers Jacob and Aaron that all their lives are changed for ever.' (From the publisher's website.)
'In this remarkable memoir, Anna Goldsworthy recalls her first steps towards a life in music, from childhood piano lessons with a local jazz muso to international success as a concert pianist. As she discovers passion and ambition, and confronts doubt and disappointment, she learns about much more than tone and technique. This is a story of the getting of wisdom, tender and bittersweet.
'With wit and affection, Goldsworthy captures the hopes and uncertainties of youth, the fear and exhilaration of performing, and the complex bonds between teacher and student. An unforgettable cast of characters joins her: her family; her friends and rivals; and her teacher, Mrs Sivan, who inspires and challenges her in equal measure, and who transforms what seems an impossible dream into something real and sustaining.' (From the publisher's website.)
'The new novel by Alexis Wright, whose previous novel Carpentaria won the Miles Franklin Award and four other major prizes including the Australian Book Industry Awards Literary Fiction Book of the Year Award. The Swan Book is set in the future, with Aboriginals still living under the Intervention in the north, in an environment fundamentally altered by climate change. It follows the life of a mute teenager called Oblivia, the victim of gang-rape by petrol-sniffing youths, from the displaced community where she lives in a hulk, in a swamp filled with rusting boats, and thousands of black swans driven from other parts of the country, to her marriage to Warren Finch, the first Aboriginal president of Australia, and her elevation to the position of First Lady, confined to a tower in a flooded and lawless southern city. The Swan Book has all the qualities which made Wright’s previous novel, Carpentaria, a prize-winning best-seller. It offers an intimate awareness of the realities facing Aboriginal people; the wild energy and humour in her writing finds hope in the bleakest situations; and the remarkable combination of storytelling elements, drawn from myth and legend and fairy tale.' (Publisher's blurb)
'A young wife and mother watches a clock that seems forever stuck at three-in-the-afternoon. Her neighbour obsesses over the front lawn, and the women at the local beach chatter about knitting patterns. Her husband didn't come home last night.
'She lives for Tuesdays and Thursdays, when the baby is with Mother-in-law and she can escape to a less humdrum life. Jonathan, man about town, is Tuesday. Ben, a freethinking artist, is Thursday.
'But Jonathan is in serious trouble, and Thursdays are turning sour. Very sour.
'A brilliant, acerbic tale of a crack-up in stultifying suburbia, Blue Skies marked the emergence of a unique voice in Australian fiction.' (Abstract for 2011 publication from Text Publishing website.)
Athena and Dexter lead an enclosed family life, innocent of fashion and bound towards a disturbed child. Their comfortable rut is disrupted by the arrival of Elizabeth, a tough nut from Dexter's past. With her three charming, chaotic hangers-on, she draws the couple out into a world whose casual egotism they had barely dreamed of. How can they get home again? (Source: publisher's website)
'Dante and Johnno are unlikely childhood friends, growing up in the bustle of steamy, wartime Brisbane. Later, as teenagers, they learn about love and life amidst the city's pubs and public libraries, backyards and brothels, Moreton Bay figs and tennis parties. As adults, they make the great pilgrimage overseas and maintain an uneasy friendship as they seek to build their lives.
'An affectionate and bittersweet portrait, Johnno brilliantly recreates the sleazy, tropical half-city that was Brisbane and captures a generation locked in combat with the elusive Australian dream.'
Source: Publisher's blurb (Penguin).
''The thing I am trying to get at is what made Jack different from me. Different all through our lives, I mean, and in a special sense, not just older or nobler or braver or less clever.'
'David and Jack Meredith grow up in a patriotic suburban Melbourne household during the First World War, and go on to lead lives that could not be more different. Through the story of the two brothers, George Johnston created an enduring exploration of two Australian myths: that of the man who loses his soul as he gains worldly success, and that of the tough, honest Aussie battler, whose greatest ambition is to serve his country during the war. Acknowledged as one of the true Australian classics, My Brother Jack is a deeply satisfying, complex and moving literary masterpiece. ' (Publication summary)
'At a suburban barbecue, a man slaps a child who is not his own.
'This event has a shocking ricochet effect on a group of people, mostly friends, who are directly or indirectly influenced by the event.
'In this remarkable novel, Christos Tsiolkas turns his unflinching and all-seeing eye onto that which connects us all: the modern family and domestic life in the twenty-first century. The Slap is told from the points of view of eight people who were present at the barbecue. The slap and its consequences force them all to question their own families and the way they live, their expectations, beliefs and desires.
'What unfolds is a powerful, haunting novel about love, sex and marriage, parenting and children, and the fury and intensity - all the passions and conflicting beliefs - that family can arouse. In its clear-eyed and forensic dissection of the ever-growing middle class and its aspirations and fears, The Slap is also a poignant, provocative novel about the nature of loyalty and happiness, compromise and truth.' (Publisher's blurb)
'One suburban morning in Summer 1970, Peter van Rijn, proprietor of the television and wireless shop, realises that his suburb is 100 years old. He contacts the Mayor, who assembles a Committee, and celebrations are eagerly planned. That same morning, just a few streets way, Rita is awakened by a dream of her husband's snores. It is years since Vic moved north, and left their house of empty silences, yet his life remains bound up with hers. Their son, too, has moved on - Michael is at university, exploring new ideas and the heady world of grown-up love. Yet Rita still stubbornly stays in the old street, unable to imagine leaving the house she has tended so lovingly for so long. Instead she has taken on the care of another house as well - that of the widowed Mrs Webster, owner of the suburb's landmark factory, now in decline. As these lives entwine, and the Committee commissions its centenary mural and prepares to commemorate Progress, History - in the shape of the new, post-war generation represented by Michael and his friends - is heading straight for them...'
(Source: Publisher's blurb)
'Devadatta’s Poems complements the sequence ‘Between the Palace and the Bodhi Tree’, published in Beveridge’s earlier collection Wolf Notes, which followed the travels of Siddhatta Gotama before he became the Buddha, and portrayed the world from his disciplined and ascetic point of view. These new poems are written from the viewpoint of Devadatta, Siddhatta’s jealous and ambitious cousin, who attempted to murder him three times. They are marked by an extraordinary richness of language and detail, and a dedication to sensation, which is in contrast to Siddhatta’s purity, and caused at least in part by Devadatta’s desire for Yasodahra, his cousin’s wife.' (Publisher's blurb)
'"Pam Brown's work is fearless, acutely observant, witty and wry. She delights in the curiosities of the everyday, in notational sprezzatura, in the penetrating encapsulation of layers of time, chance and meaning with her twists of lexicon, diction and line break. This is a work of quotidian consternation, breaking through from irony to sheer fondness and painful shadows. She sees askew—and Home by Dark has its own poignant look at decades, bodies, and changes. Pam Brown is a wonderful writer, one of the scintillating wizards of Oz poetry." —Rachel Blau DuPlessis' (Publication summary)
'The title poem of this collection ('Ladylike') draws on pamphlets associated with the notorious case of the bigamist Mary Carleton, who was executed in 1673, and texts contemporary with it; women from Sigmund Freud's case studies provide the material for the series of poems, 'Round Vienna'; and the sequence 'Cleft' is dedicated to Kate Lilley's mother, Australian literary giant Dorothy Hewett.
'Throughout this collection, Kate mines the areas of her scholarly specialisation - the early modern period - as well as contemporary popular culture and matches it with some of the twentieth century's enduring interests such as psychoanalysis and Freud.
'Ladylike is a valuable addition to Australian poetry at large and will be of interest to readers of poetry, early modern history, Freud and early psychoanalysis.' (From the publisher's website.)
'Towns in the Great Desert is a significant addition to the corpus of a major Australian poet. These poems make a significant claim for Boyle’s standing as one of Australia’s most important contemporary poets.' (Publisher's blurb)
In Elizabeth Costello: Eight Lessons, the eponymous protagonist is a retired author of international literary acclaim, who now spends her time giving guest lectures and interviews at scholarly events around the world. Old age has loosened, rather than reified, her ethical and literary convictions, and swelled her emotional reserves; rather than provide the staid academic wisdom expected of her, Costello offers provocative, unsettling opinions on issues such as animal rights, literary censorship, and the nature of belief - opinions she may or may not believe in herself. Profoundly aware of itself, Coetzee's novel is about human morality and mortality, but above all, about literature itself and the ethical responsibilities of writers and readers.
Holland lived with his only daughter, Ellen, by a khaki river four hours west of Sydney. In spite of their remote location, tales of Ellen's beauty had traveled long distances and in the process inscribed a small legend. But Ellen's desirability was Holland's blindspot and finally he decided that the man who correctly named every eucalypt on his property would win the hand of his daughter. (Source: Trove)
'In the mid-1840s, a thirteen-year-old boy, Gemmy Fairley, is cast ashore in the far north of Australia and taken in by Aborigines. Sixteen years later, when settlers reach the area, he moves back into the world of Europeans, men and women who are staking out their small patch of home in an alien place, hopeful and yet terrified of what it might do to them.
Given shelter by the McIvors, the family of the children who originally made contact with him, Gemmy seems at first to be guaranteed a secure role in the settlement, but there are currents of fear and mistrust in the air. To everyone he meets - from George Abbot, the romantically aspiring young teacher, to Mr Frazer, the minister, whose days are spent with Gemmy recording the local flora; from Janet McIvor, just coming to adulthood and discovering new versions of the world, to the eccentric Governor of Queensland himself - Gemmy stands as a different kind of challenge, as a force which both fascinates and repels. And Gemmy himself finds his own whiteness as unsettling in this new world as the knowledge he brings with him of the savage, the Aboriginal.' - Publisher's blurb (Chatto & Windus, 1993).
'Sadie and Ed meet Martin and Chloe at a holiday resort and instantly hit it off, despite coming from completely different worlds. When Martin saves Ed's life, everyone knows the debt can never be properly repaid. But Ed is rich and generous, and Martin and Chloe have a need so great it seems divine providence that the two couples should have found each other. So, given time to think, they return to make their wish - but surely it's a wish nobody could possibly grant?'
Source: Melbourne Theatre Company website, www.mtc.com.au (sighted: 29/09/2010)
'The spirited story of the Millimurra family’s stand against government ‘protection’ policies in 1930s Australia.' (From the publisher's website.)
'The most famous Australian play and one of the best loved, Summer of the Seventeenth Doll is a tragicomic story of Roo and Barney, two Queensland sugar-cane cutters who go to Melbourne every year during the 'layoff' to live it up with their barmaid girl friends. The title refers to kewpie dolls, tawdry fairground souvenirs, that they brings as gifts and come, in some readings of the play, to represent adolescent dreams in which the characters seem to be permanently trapped. The play tells the story in traditional well-made, realistic form, with effective curtains and an obligatory scene. Its principal appeal – and that of two later plays with which it forms The Doll Trilogy – is the freshness and emotional warmth, even sentimentality, with which it deals with simple virtues of innocence and youthful energy that lie at the heart of the Australian bush legend.
'Ray Lawler’s play confronts that legend with the harsh new reality of modern urban Australia. The 17th year of the canecutters’ arrangement is different. There has been a fight on the canefields and Roo, the tough, heroic, bushman, has arrived with his ego battered and without money. Barney’s girl friend Nancy has left to get married and is replaced by Pearl, who is suspicious of the whole set-up and hopes to trap Barney into marriage. The play charts the inevitable failure of the dream of the layoff, the end of the men’s supremacy as bush heroes and, most poignantly, the betrayal of the idealistic self-sacrifice made by Roo’s girl friend Olive – the most interesting character – to keep the whole thing going. The city emerges victorious, but the emotional tone of the play vindicates the fallen bushman.'
Source: McCallum, John. 'Summer of the Seventeenth Doll.' Companion to Theatre in Australia. Ed. Philip Parson and Victoria Chance. Sydney: Currency Press , 1997: 564-656.
'In the magnificent opening story, "Love and Honor and Pity and Pride and Compassion and Sacrifice," a young writer is urged by his friends to mine his father's experiences in Vietnam - and what seems at first a satire on turning one's life into literary commerce becomes a transcendent exploration of homeland, and the ties between father and son. "Cartagena" provides a visceral glimpse of life in Colombia as it enters the mind of a fourteen-year-old hit man facing the ultimate test. In "Meeting Elise" an ageing New York painter mourns his body's decline as he prepares to meet his daughter on the eve of her Carnegie Hall debut. And with graceful symmetry, the final, title story returns to Vietnam, to a fishing trawler crowded with refugees where a young woman's bond with a mother and her small son forces both women to a shattering decision.' (From the author's website.)
'On a radiant day in Sydney, four adults converge on Circular Quay, site of the iconic Opera House and the Sydney Harbour Bridge. Crowds of tourists mix with the locals, enjoying the glorious surroundings and the play of light on water.
'But each of the four carries a complicated history from elsewhere; each is haunted by past intimacies, secrets and guilt: Ellie is preoccupied by her sexual experiences as a girl, James by a tragedy for which he feels responsible, Catherine by the loss of her beloved brother in Dublin and Pei Xing by her imprisonment during China's Cultural Revolution.
'Told over the course of a single Saturday, Five Bells describes four lives which chime and resonate, sharing mysterious patterns and symbols. But it is a fifth person, a child, whose presence at the Quay haunts the day and who will overshadow everything that unfolds. By night-time, when Sydney is drenched in a rainstorm, each life has been transformed.' (From the publisher's website.)
'Sandy, a geologist, finds herself stuck on a field trip to the Pilbara desert with a Japanese man she finds inscrutable, annoying and decidedly arrogant. Hiromitsu's view of her is not much better. Things go from bad to worse when they become stranded in one of the most remote regions on earth. JAPANESE STORY is a journey of change and discovery for its two lead characters.'
Source: Screen Australia.
'Set in Washington during the 1930s, Sam and Henny Pollit are a warring husband and wife. Their tempestuous marriage, aggravated by too little money, lies at the centre of Stead's satirical and brilliantly observed novel about the relations between husbands and wives, and parents and children.
'Sam, a scientist, uses words as weapons of attack and control on his children and is prone to illusions of power and influence that fail to extend beyond his family. His wife Henny, who hails from a wealthy Baltimore family, is disastrously impractical and enmeshed in her own fantasies of romance and vengeance. Much of the care of their six children is left to Louisa, Sam's 14-year-old daughter from his first marriage. Within this psychological battleground, Louisa must attempt to make a life of her own.'
Source: Publisher's blurb (MUP).
'Set in the 1880s, [The Proposition] opens in the middle of a frenzied gunfight between the police and a gang of outlaws. Charlie Burns ... and his brother Mikey are captured by Captain Stanley... Together with their psychopathic brother Arthur, ... they are wanted for a brutal crime. Stanley makes Charlie a seemingly impossible proposition in an attempt to bring an end to the cycle of bloody violence.'
Source: Nick Cave's website (http://www.nickcaveandthebadseeds.com/)
Sighted: 20/09/2005
To write this non-fiction work about life in the former East Germany, Anna Funder interviewed former Stasi officers and the people they surveilled. Described in the National Library of Australia record as 'A book of travel, history and biography that reads like a documentary novel,' Stasiland takes 'a deliberately subjective and "literary" approach' to its material with an 'emphasis on a sympathetic authorial persona as the source of the reader's perspective' (Susan Lever 'The Crimes of the Past: Anna Funder's Stasiland and Helen Garner's Joe Cinque's Consolation'. Paper delivered at the Association for the Study of Australian Literature (ASAL) conference 2006).
'Making Stories shows ten acclaimed Australian authors at work.'
'Marie King is a 59-year-old divorcée from Sydney's affluent north shore. Having devoted her rather conventional life to looking after her husband and three children - who have now all departed the family home - she is experiencing something of an identity crisis, especially as she must now sell the family home and thus lose her beloved garden. On a folly she gets a tattoo.
'Marie forges a friendship with her tattoo artist, Rhys, who introduces her to an alternative side of Sydney. Through their burgeoning connection, Marie's two worlds collide causing great friction within Marie's family and with her circle of rich friends.' (From the publisher's website.)
'Urban Myths: 210 Poems brings the best work to date from a poet considered one of the most original of his generation in Australia, together with a generous selection of new work. Smart, wry and very stylish, John Tranter’s poems investigate the vagaries of perception and the ability of language to converge life, imagination and art so that we arrive, unexpectedly, at the deepest human mysteries.' (Publication summary)
'In the remote outback of Western Australia during World War II, English anthropologist Nicholas Keene and his wife, Stella, raise a lonely child, Perdita. Her upbringing is far from ordinary: in a shack in the wilderness, with a distant father burying himself in books and an unstable mother whose knowledge of Shakespeare forms the backbone of the girl's limited education.
'Emotionally adrift, Perdita becomes friends with a deaf and mute boy, Billy, and an Aboriginal girl, Mary. Perdita and Mary come to call one another sister and to share a very special bond. They are content with life in this remote corner of the globe, until a terrible event lays waste to their lives.' (Publisher's blurb)
'It is 1950, the League of Nations has collapsed and the newly formed United Nations has rejected all those who worked and fought for the League. Edith Campbell Berry, who joined the League in Geneva before the war, is out of a job, her vision shattered. With her sexually unconventional, husband, Ambrose, she comes back to Australia to live in Canberra.
'Edith now has ambitions to become Australia's first female ambassador, but while she waits for a Call from On High, she finds herself caught up in the planning of the national capital and the dream that it should be "a city like no other".
'When her communist brother, Frederick, turns up out of the blue after many years of absence, she becomes concerned that he may jeopardise her chances of becoming a diplomat. It is not a safe time to be a communist in Australia or to be related to one, but she refuses to be cowed by the anti-communist sentiment sweeping the country. It is also not a safe time or place to be "a wife with a lavender husband". After pursuing the Bloomsbury life for many years, Edith finds herself fearful of being exposed. Unexpectedly, in mid-life she also realises that she yearns for children. When she meets a man who could offer not only security but a ready-made family, she consults the Book of Crossroads and the answer changes the course of her life.
'Intelligent, poignant and absorbing, Cold Light is a remarkable stand-alone novel, which can also be read as a companion to the earlier Edith novels Grand Days and Dark Palace.' (From the publisher's website.)
'Marie King is a 59-year-old divorcée from Sydney's affluent north shore. Having devoted her rather conventional life to looking after her husband and three children - who have now all departed the family home - she is experiencing something of an identity crisis, especially as she must now sell the family home and thus lose her beloved garden. On a folly she gets a tattoo.
'Marie forges a friendship with her tattoo artist, Rhys, who introduces her to an alternative side of Sydney. Through their burgeoning connection, Marie's two worlds collide causing great friction within Marie's family and with her circle of rich friends.' (From the publisher's website.)
'Kate, a lonely city woman and reluctant student, is asked by her teachers to travel to the middle of the Australian desert to record a dying Aboriginal woman singing an ancient song. She accepts because she believes that she might be able to reunite with a childhood love and solve the mystery of her past.
But once there, she′s confronted by an Aboriginal culture vastly different to her own, and also by the forceful personality of the man who is supposed to help her find the singer. Very soon she is questioning everything she has ever felt about her own country and about her childhood.
Sensitively portrayed, lyrical, and filled with powerful insights about different people′s sense of home and belonging and family, The Oldest Song in the World is a brave and controversial story about discovering the power of one′s own voice and taking care to pay attention to the voice of others.' Source: http://www.harpercollins.com.au/ (Sighted 09/07/2012)
'Georgie Jutland is a mess. At forty, with her career in ruins, she finds herself stranded in White Point with a fisherman she doesn't love and two kids whose dead mother she can never replace. Her days have fallen into domestic tedium and social isolation. Her nights are a blur of vodka and pointless loitering in cyberspace. Leached of all confidence, Georgie has lost her way; she barely recognises herself.
'One morning, in the boozy pre-dawn gloom, she looks up from the computer screen to see a shadow lurking on the beach below, and a dangerous new element enters her life. Luther Fox, the local poacher. Jinx. Outcast...' (From the publisher's website.)
'An unnamed man, M, arrives at a remote house on the fringe of a vast wilderness and soon disappears into a world of silence and stillness. His one mission: to find the last thylacine, the fabled Tasmanian tiger. She is said to have passed into myth but a sighting has been reported... Uncompromising and compelling, Julia Leigh's stunning first novel does not give up any of its secrets easily. The Hunter is a haunting tale of obsession that builds to an unforgettable conclusion.'
Source: Libraries Australia (Sighted 18/03/2011).
'While on his mission, the hunter lodges with a grief-ridden family of outcasts whose father has mysteriously vanished after sighting the Thylacine. The hunter succumbs more than he'd like to the family's scant charms and when tragedy strikes has to further purge his psyche to focus upon his elusive quarry. There is something tantalizing at large here as well as the mythical beast in this soul-stalking story about a group of doomed creatures whose unfortunate extinction is never really in doubt.' - Reviewed by Chris Packham, naturalist and broadcaster
Source: British Union Catalogue http://copac.ac.uk/search?rn=3&au=leigh&ti=hunter (Sighted 14/10/2011)
Big-hearted, moving and richly rewarding, That Deadman Dance is set in the first decades of the 19th century in the area around what is now Albany, Western Australia. In playful, musical prose, the book explores the early contact between the Aboriginal Noongar people and the first European settlers.
'The novel's hero is a young Noongar man named Bobby Wabalanginy. Clever, resourceful and eager to please, Bobby befriends the new arrivals, joining them hunting whales, tilling the land, exploring the hinterland and establishing the fledgling colony. He is even welcomed into a prosperous local white family where he falls for the daughter, Christine, a beautiful young woman who sees no harm in a liaison with a native.
'But slowly - by design and by accident - things begin to change. Not everyone is happy with how the colony is developing. Stock mysteriously start to disappear; crops are destroyed; there are "accidents" and injuries on both sides. As the Europeans impose ever stricter rules and regulations in order to keep the peace, Bobby's Elders decide they must respond in kind. A friend to everyone, Bobby is forced to take sides: he must choose between the old world and the new, his ancestors and his new friends. Inexorably, he is drawn into a series of events that will forever change not just the colony but the future of Australia...' (From the publisher's website.)
'Biography of Bennelong (c1764-1813), a Sydney Aboriginal man who was kidnapped by Governor Phillip in 1789 and subsequently lived within both the European and Aboriginal cultures. Reveals Bennelong as a clever politician playing a double game between his people and Phillip. Recounts his leadership of a resistance movement against the European invaders, culminating in an unwritten peace 'treaty' in 1790.' (Source: Angus & Robertson website)
"When the cold August wind abated in its final sigh of emergence from the lean, hard winter months into springtime, the People emerged from the cold, and often leaky shanties, and old discarded car-bodies, which were their home, to gather together their few ragged possessions and tie them in bundles ready for traveling to the cherry orchards, often many hundreds of miles away. Many would travel by bicycle with their swags swinging crazily from the frames; many traveled in old tattered caravans drawn by horses; many just walked beside the caravans through the red sandhill and mallee country, while the more daring 'jumped the rattler', the slow old steam train that chugged across the land.
Wherever the people gathered there too was a spirit of revival, of intense relief, for the "cherry season" meant a temporary release from near starvation. In a good season it could mean some old debts would be repaid. It meant food and toys for the children for the forthcoming Christmas season and, above all, it meant some independence, some freedom, from under the crucifying heels of the local police and the white 'station' managers; an escape from the refugee camps called 'Aboriginal Reserves'. The cherry season was the time for hope, for meeting old friends and relatives, for laughing and for making love. The Cherry Pickers tells it all.' Source: http://blackwebs.photoaccess.org.au/~kevingilbert/books/books.html (Sighted: 12/4/2009).
'This is a proud milestone in Australian theatre history; a contemporary Indigenous performance text from the highly acclaimed Kooemba Jdarra. Appropriating western forms whilst using traditional storytelling, it gives emotional insight into Murri life. This one-woman show follows the journey of an Aboriginal ‘Everywoman’ as she tells poignant and humorous stories of grief and reconciliation. A powerful, demanding and culturally profound text, The 7 Stages of Grieving is a celebration of Indigenous survival, an invitation to grieve publicly, a time to exorcize pain. It has a universal theme told through the personal experiences of one incredible character.'
Source: Publisher's blurb (Playlab).
Big-hearted, moving and richly rewarding, That Deadman Dance is set in the first decades of the 19th century in the area around what is now Albany, Western Australia. In playful, musical prose, the book explores the early contact between the Aboriginal Noongar people and the first European settlers.
'The novel's hero is a young Noongar man named Bobby Wabalanginy. Clever, resourceful and eager to please, Bobby befriends the new arrivals, joining them hunting whales, tilling the land, exploring the hinterland and establishing the fledgling colony. He is even welcomed into a prosperous local white family where he falls for the daughter, Christine, a beautiful young woman who sees no harm in a liaison with a native.
'But slowly - by design and by accident - things begin to change. Not everyone is happy with how the colony is developing. Stock mysteriously start to disappear; crops are destroyed; there are "accidents" and injuries on both sides. As the Europeans impose ever stricter rules and regulations in order to keep the peace, Bobby's Elders decide they must respond in kind. A friend to everyone, Bobby is forced to take sides: he must choose between the old world and the new, his ancestors and his new friends. Inexorably, he is drawn into a series of events that will forever change not just the colony but the future of Australia...' (From the publisher's website.)
'An authoritative survey of Australian Aboriginal writing over two centuries, across a wide range of fiction and non-fiction genres. Including some of the most distinctive writing produced in Australia, it offers rich insights into Aboriginal culture and experience...
'The anthology includes journalism, petitions and political letters from both the nineteenth and twentieth centuries, as well as major works that reflect the blossoming of Aboriginal poetry, prose and drama from the mid-twentieth century onwards. Literature has been used as a powerful political tool by Aboriginal people in a political system which renders them largely voiceless. These works chronicle the ongoing suffering of dispossession, but also the resilience of Aboriginal people across the country, and the hope and joy in their lives.' (Publisher's blurb)
This documentary shows the well-known Aboriginal poet Oodgeroo Noonuccal (Kath Walker) living on Stradbroke Island, Queensland, the place that was once the home of her native tribe. She welcomes visitors, particularly Aboriginal children, hoping to imbue them with pride in their own culture.
In Elizabeth Costello: Eight Lessons, the eponymous protagonist is a retired author of international literary acclaim, who now spends her time giving guest lectures and interviews at scholarly events around the world. Old age has loosened, rather than reified, her ethical and literary convictions, and swelled her emotional reserves; rather than provide the staid academic wisdom expected of her, Costello offers provocative, unsettling opinions on issues such as animal rights, literary censorship, and the nature of belief - opinions she may or may not believe in herself. Profoundly aware of itself, Coetzee's novel is about human morality and mortality, but above all, about literature itself and the ethical responsibilities of writers and readers.
'This anthology collects the best examples of Australian gothic short stories from colonial times. Demonic bird cries, grisly corpses, ghostly women and psychotic station-owners populate a colonial landscape which is the stuff of nightmares.
'In stories by Marcus Clarke, Mary Fortune and Henry Lawson, the colonial homestead is wracked by haunted images of murder and revenge. Settlers are disoriented and traumatised as they stumble into forbidden places and explorers disappear, only to return as ghostly figures with terrible tales to tell. These compelling stories are the dark underside to the usual story of colonial progress, promise and nation-building, and reveal just how vivid the gothic imagination is at the heart of Australian fiction.' (Publication summary)
'Scarcely out of print since the early 1870s, For the Term of His Natural Life has provided successive generations with a vivid account of a brutal phase of colonial life. The main focus of this great convict novel is the complex interaction between those in power and those who suffer, made meaningful because of its hero's struggle against his wrongful imprisonment. Elements of romance, incidents of family life and passages of scenic description both relieve and give emphasis to the tragedy that forms its heart.' (Publication summary : Penguin Books 2009)
On St Valentine's Day 1900, three schoolgirls and a teacher from an exclusive English-style boarding school go missing at the mysterious Hanging Rock in central Victoria. One of the girls is found alive a week later, but the others are never seen again. As morale within the school begins to disintegrate, the headmistress's increasingly incoherent anger is turned towards one student, leading to tragic consequences. Although the police suspect Michael Fitzhubert, a young English aristocrat, and his manservant Albert, who were in the area at the time the girls disappeared, the mystery is never solved. As Paul Byrnes (Australian Screen) notes, the suggested scenarios range from the 'banal and explicable (a crime of passion) to deeply mystical (a crime of nature).'
[Source: Australian Screen]'Part road movie, part memoir, part murder mystery, Seven Versions of an Australian Badland embarks on an enthralling journey through time, into the realms of myth and magic, narcissism and genocide.' (Back cover)
Wake in Fright is the harrowing story of a young schoolteacher, John Grant, who leaves his isolated outback school to go on holidays to Sydney (and civilization). Things start to go horribly wrong, however, when stays overnight in a rough outback mining town called Bundanyabba. After a drink fuelled night, in which he loses all his momey, Grant finds himself both broke and stuck in the town with means of escape. He subsequently descends into a cycle of hangovers, fumbling sexual encounters, and increasing self-loathing as he becomes more and more immersed in the grotesque and surreal nightmare that is 'the Yabba.'
'Miss Hester Harper, middle-aged and eccentric, brings Katherine into her emotionally impoverished life. Together they sew, cook gourmet dishes for two, run the farm, make music and throw dirty dishes down the well. One night, driving along the deserted track that leads to the farm, they run into a mysterious creature. They heave the body from the roo bar and dump it into the farm's deep well. But the voice of the injured intruder will not be stilled and, most disturbing of all, the closer Katherine is drawn to the edge of the well, the farther away she gets from Hester.' (From the publisher's website.)
Inspired in part by some unsolved murders in the Australian outback, and by the gruesome backpacker murders committed by Ivan Milat in NSW during the late 1980s/early 1990s, Wolf Creek tells the story of three young backpackers, Ben Mitchell, an Australian, and Liz Hunter and Kristy Earl, both English. Although the girls don't know Ben all that well, he and Liz fancy each other. After buying a car in Broome, situated in the far north coast of Western Australia, the trio head east with the intention of driving across the top end to Cairns (Queensland). At the end of their first day in the desert, their car breaks down at a deserted tourist site - the large crater of a meteorite. Later that night a truck arrives, driven by a real outback character, Mick Taylor. He tows them to his isolated camp at an abandoned mine site, promising to fix their car. All three tourists fall asleep after Mick drugs them. When Liz wakes up, she is bound and gagged and her friends are missing and the nightmare begins.
'Set in nineteenth-century Australia, Voss is the story of the secret passion between an explorer and a naïve young woman. Although they have met only a few times, Voss and Laura are joined by overwhelming, obsessive feelings for each other. Voss sets out to cross the continent. As hardships, mutiny and betrayal whittle away his power to endure and to lead, his attachment to Laura gradually increases. Laura, waiting in Sydney, moves through the months of separation as if they were a dream and Voss the only reality.
'From the careful delineation of Victorian society to the sensitive rendering of hidden love to the stark narrative of adventure in the Australian desert, Patrick White's novel is a work of extraordinary power and virtuosity.'
Source: Random House Books (Sighted 21/09/2012)
'In the magnificent opening story, "Love and Honor and Pity and Pride and Compassion and Sacrifice," a young writer is urged by his friends to mine his father's experiences in Vietnam - and what seems at first a satire on turning one's life into literary commerce becomes a transcendent exploration of homeland, and the ties between father and son. "Cartagena" provides a visceral glimpse of life in Colombia as it enters the mind of a fourteen-year-old hit man facing the ultimate test. In "Meeting Elise" an ageing New York painter mourns his body's decline as he prepares to meet his daughter on the eve of her Carnegie Hall debut. And with graceful symmetry, the final, title story returns to Vietnam, to a fishing trawler crowded with refugees where a young woman's bond with a mother and her small son forces both women to a shattering decision.' (From the author's website.)
Alice is entranced by the aesthetics of technology and, in every aeroplane flight, every Xerox machine, every neon sign, sees the poetry of modernity. Mr Sakamoto, a survivor of the atomic bomb, is an expert on Alexander Graham Bell. Like Alice, he is culturally and geographically displaced. The pair forge an unlikely friendship as Mr Sakamoto regales Alice with stories of twentieth-century invention. His own knowledge begins to inform her writing, and these two solitary beings become a mutual support for each other a long way from home. - Back cover
'Sandy, a geologist, finds herself stuck on a field trip to the Pilbara desert with a Japanese man she finds inscrutable, annoying and decidedly arrogant. Hiromitsu's view of her is not much better. Things go from bad to worse when they become stranded in one of the most remote regions on earth. JAPANESE STORY is a journey of change and discovery for its two lead characters.'
Source: Screen Australia.
'Set in the 1880s, [The Proposition] opens in the middle of a frenzied gunfight between the police and a gang of outlaws. Charlie Burns ... and his brother Mikey are captured by Captain Stanley... Together with their psychopathic brother Arthur, ... they are wanted for a brutal crime. Stanley makes Charlie a seemingly impossible proposition in an attempt to bring an end to the cycle of bloody violence.'
Source: Nick Cave's website (http://www.nickcaveandthebadseeds.com/)
Sighted: 20/09/2005
"The world had changed. As far as the eye could see, the earth was red. It wasn't orange, or soil red, or brown red, or perhaps all of them at once. It was profound rich red, glittering deeply in the mid-morning light. She was vaguely aware of having known that somewhere in Australia the land was this colour but the reality of it was startling and stunning.'
Hiam is the story of a journey through both a psychic and geographic landscape, a journey through disintegration and loss. Hiam, an Arab migrant woman, abandons Adelaide to unravel her life and memories on the road North after her family and identity have been destroyed. In the course of the novel she weaves an identity out of past, present, stories, dreams and the Australian landscape with which she engages for the first time.
On one level, this is the story of a migrant's experience in a strange land, a novel which explores the pressures, fragilities and strengths of exiled communities. It is also a story of universal human grief, individual courage and the will, not only to survive, but to live fully in the world."
'The first time Brenda Walker packed her bag to go into hospital, she wondered which book to take with her. As a novelist and professor of literature, her life had been built around reading and writing. Now she was also a patient, being treated for breast cancer, fighting for her life and afraid for herself and her family. But turning to medicine didn't mean she turned away from fiction. Books had always been her solace and sustenance, and now choosing the right one was the most important thing she could do for herself.
'In Reading by Moonlight, Brenda describes the five stages of her treatment and how different books and authors helped her through the tumultuous process of recovery. As well as offering wonderful introductions and insights into the work of writers like Dante, Tolstoy, Nabokov, Beckett and Dickens, Brenda shows how the very process of reading - surrendering and then regathering yourself - echoes the process of healing.
'Reading by Moonlight guides, reassures, throws light on dark places, and finds beauty in the stories that come to us in times of jeopardy. It affirms that reading can be essential to life itself.' (From the publisher's website.)
'Samson and Delilah tells the story of two Aboriginal teenagers in a remote community. They live in a sparse environment but one that absorbs all manner of cultural influences, where dot painting and country music exist side by side. Samson gets through his days by sniffing, while Delilah is the caregiver for her nana before taking a moment for herself to listen to Latino music. Their journey ranges across many of the most urgent issues concerning Indigenous people in Australia, homelessness, poverty, domestic violence and substance abuse, but it does so with tenderness, dignity, and even humour.'
Source: Adelaide Film Festival website, www.adelaidefilmfestival.org/ Sighted: 23/02/2009
'To the Islands concerns the ordeal of Stephen Heriot, an elderly, careworn, and disillusioned Anglican missionary who abandons his mission when he mistakenly believes he has accidentally killed one of his Aboriginal charges in a not entirely unprovoked confrontation. Heriot flees into the desert not to escape justice but to embrace its desolate beauty and its elemental purity as the one objective reality and the one certainty left available to him.
Heriot's flight and his embrace of the desert may be seen as his attempt, as a European Australian, to immerse himself in the landscape, to make himself one with the land. At this realistic level, the novel enacts the ontological and existential dilemma that confronts most — if not all — European Australians, the dilemma that Professor Hassall [in his introduction to the 2002 UQP Australian Authors version] defines as the continuing quest for psychic integration, for reconciliation with indigenous Australians, and with the land itself.'
Wells-Green, James. [Untitled Review.] JAS Review of Books 15 (May 2003)
'In prose that is both elegant and lyrical, David Malouf departs from the little-known facts of Ovid's exile beyond the pale of civilization to create a deeply moving novel of extraordinary beauty. An outcast in a vast wasteland at the edge of the Black Sea, Ovid discovers a feral child. As he teaches the boy to speak the language of the civilized world, the child tutors him in his own tongue, the language of nature, and the once barren landscape begins to resonate with meaning.' (Publisher's blurb)
'Liza used to say that she saw her past life as a string of roughly-graded balls, and so did Hilda have a linear conception of hers, thinking of it as a track with detours. But for some years now I have likened mine to a globe suspended in my head, and ever since the shocking realisation that waste is irretrievalbe, I have been careful not to let this globe spin to expose the nether side on which my marriage has left its multitude of images.
'Nora Porteous has spent most of her life waiting to escape. Fleeing from her small-town family and then from her stifling marriage to a mean-spirited husband, Nora arrives finally in London where she creates a new life for herself as a successful dressmaker.
'Now in her seventies, Nora returns to Queensland to settle into her childhood home.
'But Nora has been away a long time, and the people and events of her past are not at all like she remembered them. And while some things never change, Nora is about to discover just how selective her 'globe of memory' has been.
'Tirra Lirra by the River is a moving account of one woman's remarkable life, a beautifully written novel which displays the lyrical brevity of Jessica Anderson's award-winning style.' (Publication summary)
'Once prosperous, the town of Tourmaline in outback Western Australia is dying. The mines are drying up and the land is riddled by drought. Those townspeople left have little to do but wile away the hours with drink.
'Salvation of sorts arrives in the form of Michael Random, a mysterious water diviner who emerges from the desert. As the town's reluctant messiah Random begins to spread the word of Christ. Desperate for a reprieve, many of the locals are drawn to his teachings, but a stubborn few remain sceptical of their new leader.
'A post-apocalyptic parable, Tourmaline is Randolph Stow's most allusive and controversial novel. It remains a landmark in Australian literature more than half a century after its first publication.'
Source: Publisher's blurb (Text Classics).
'Wild Cat Falling is the story of an Aboriginal youth, a 'bodgie' of the early sixties who grows up on the ragged outskirts of a country town, falls into petty crime, goes to gaol, and comes out to do battle once more with the society who put him there. Its publication in 1965 marked a unique literary event, for this was the first novel by any writer of Aboriginal blood to be published in Australia. As well, it is a remarkable piece of literature in its own right, expressing the dilemmas and conflicts of the young Aboriginal in modern Australian society with its memorable insight and stylishness.' (Publication summary)
'Georgie Jutland is a mess. At forty, with her career in ruins, she finds herself stranded in White Point with a fisherman she doesn't love and two kids whose dead mother she can never replace. Her days have fallen into domestic tedium and social isolation. Her nights are a blur of vodka and pointless loitering in cyberspace. Leached of all confidence, Georgie has lost her way; she barely recognises herself.
'One morning, in the boozy pre-dawn gloom, she looks up from the computer screen to see a shadow lurking on the beach below, and a dangerous new element enters her life. Luther Fox, the local poacher. Jinx. Outcast...' (From the publisher's website.)
'An unnamed man, M, arrives at a remote house on the fringe of a vast wilderness and soon disappears into a world of silence and stillness. His one mission: to find the last thylacine, the fabled Tasmanian tiger. She is said to have passed into myth but a sighting has been reported... Uncompromising and compelling, Julia Leigh's stunning first novel does not give up any of its secrets easily. The Hunter is a haunting tale of obsession that builds to an unforgettable conclusion.'
Source: Libraries Australia (Sighted 18/03/2011).
'While on his mission, the hunter lodges with a grief-ridden family of outcasts whose father has mysteriously vanished after sighting the Thylacine. The hunter succumbs more than he'd like to the family's scant charms and when tragedy strikes has to further purge his psyche to focus upon his elusive quarry. There is something tantalizing at large here as well as the mythical beast in this soul-stalking story about a group of doomed creatures whose unfortunate extinction is never really in doubt.' - Reviewed by Chris Packham, naturalist and broadcaster
Source: British Union Catalogue http://copac.ac.uk/search?rn=3&au=leigh&ti=hunter (Sighted 14/10/2011)
'Stan Parker, with only a horse and a dog for company journeys to a remote patch of land he has inherited in the Australian hills. Once the land is cleared and a rudimentary house built, he brings his wife Amy to the wilderness. Together they face lives of joy and sorrow as they struggle against the environment.' (Publication summary)
A comprehensive, generously illustrated reference work on a multitude of aspects of Aboriginal history, culture and art. Although the emphasis is on visual art and artists, the many survey entries on indigenous languages, traditions, writing and performance provide a much wider context.
The Companion is divided into two separate yet interconnected parts. Part One consist of essays by indigenous and non-indigenous scholars and experts, interspersed with textual and visual examples. Broadly chronological in structure, it contains the following sections: 'Foundations of Being' (subdivided into 'Religion', 'Ritual and Sacred Sites', 'Kinship and Gender'); 'Colonial and Post-colonial Scenes' (art and culture in different regions of Australia); 'Renegotiating Tradition' ('Urban Aboriginal Art', 'Film and Communications', 'Literature', 'Music', 'Performance', 'Fibre-work and Textiles', 'Cultural Meeting Places', buildings and architecture) ; 'The Public Face of Aboriginality' ('Aboriginalities', 'Reception and Recognition of Aboriginal Art', 'Cross-Cultural Exchange', 'The Way Ahead'). An index to Part One provides easy access to topics.
Part Two is organised as a reference section and consists of alphabetical entries on artists, organisations, key issues and ideas.
'In the dying town of Drylands, Janet Deakin sells papers to lonely locals. At night, in her flat above the newsagency, she attempts to write a novel for a world in which no one reads—‘full of people, she envisaged, glaring at a screen that glared glassily back.’ Drylands is the story of the townsfolk’s harsh, violent lives. Trenchant and brilliant, Thea Astley’s final novel is a dark portrait of outback Australia in decline.'
Source: Publisher's blurb (Text ed.)
Holland lived with his only daughter, Ellen, by a khaki river four hours west of Sydney. In spite of their remote location, tales of Ellen's beauty had traveled long distances and in the process inscribed a small legend. But Ellen's desirability was Holland's blindspot and finally he decided that the man who correctly named every eucalypt on his property would win the hand of his daughter. (Source: Trove)
'Oscar Hopkins is an Oxford seminarian with a passion for gambling. Lucinda Leplastrier is a Sydney heiress with a fascination for glass. The year is 1864. When they meet on the boat to Australia their lives will be forever changed ...'
(Source: Publisher's website)
'In the mid-1840s, a thirteen-year-old boy, Gemmy Fairley, is cast ashore in the far north of Australia and taken in by Aborigines. Sixteen years later, when settlers reach the area, he moves back into the world of Europeans, men and women who are staking out their small patch of home in an alien place, hopeful and yet terrified of what it might do to them.
Given shelter by the McIvors, the family of the children who originally made contact with him, Gemmy seems at first to be guaranteed a secure role in the settlement, but there are currents of fear and mistrust in the air. To everyone he meets - from George Abbot, the romantically aspiring young teacher, to Mr Frazer, the minister, whose days are spent with Gemmy recording the local flora; from Janet McIvor, just coming to adulthood and discovering new versions of the world, to the eccentric Governor of Queensland himself - Gemmy stands as a different kind of challenge, as a force which both fascinates and repels. And Gemmy himself finds his own whiteness as unsettling in this new world as the knowledge he brings with him of the savage, the Aboriginal.' - Publisher's blurb (Chatto & Windus, 1993).
'In 1806 William Thornhill, a man of quick temper and deep feelings, is transported from the slums of London to New South Wales for the term of his natural life. With his wife Sal and their children he arrives in a harsh land he cannot understand.
'But the colony can turn a convict into a free man. Eight years later Thornhill sails up the Hawkesbury to claim a hundred acres for himself.
'Aboriginal people already live on that river. And other recent arrivals - Thomas Blackwood, Smasher Sullivan and Mrs Herring - are finding their own ways to respond to them.
'Thornhill, a man neither better nor worse than most, soon has to make the most difficult choice of his life.
'Inspired by research into her own family history, Kate Grenville vividly creates the reality of settler life, its longings, dangers and dilemmas. The Secret River is a brilliantly written book, a groundbreaking story about identity, belonging and ownership.' (From the publisher's website.)
'Sixty Lights is the captivating chronicle of Lucy Strange, an independent girl growing up in the Victorian world. From her childhood in Australia through to her adolescence in England and Bombay and finally to London, Lucy is fascinated by light and by the new photographic technology. Her perception of the world is passionate and moving, revealed in a series of frozen images captured in the camera of her mind's eye showing her feelings about love, life and loss. In this confident, finely woven and intricate novel Jones has created an unforgettable character in Lucy; visionary, gifted and exuberant, she touches the lives of all who know her.' (Publication summary)
'His father dead by fire and his mother plagued by demons of her own, William is cast upon the charity of his unknown uncle - an embittered old man encamped in the ruins of a once great station homestead, Kuran House. It's a baffling and sinister new world for the boy, a place of decay and secret histories. His uncle is obsessed by a long life of decline and by a dark quest for revival, his mother is desperate for a wealth and security she has never known, and all their hopes it seems come to rest upon William's young shoulders. But as the past and present of Kuran Station unravel and merge together, the price of that inheritance may prove to be the downfall of them all. The White Earth is a haunting, disturbing and cautionary tale.' (publisher's website)
'On a hot summer's night in the 1950s, the old and the new, diesel and steam, town and country all collide - and nobody will be left unaffected.
'As a passenger train leaves Spencer Street Station on its haul to Sydney, a family of three - Vic, Rita and their son Michael - are off to a party. George Bedser has invited the whole neighbourhood to celebrate the engagement of his daughter. Vic is an engine driver, with dreams of being like his hero Paddy Ryan and becoming the master of the smooth ride. As the neighbours walk to the party, we are drawn into the lives of a bully, a drunk, a restless girl and a young boy forced to grow up before he is ready. The Art of the Engine Driver is a luminous and evocative tale of ordinary suburban lives, told with an extraordinary power.'
Source: Publisher's blurb.
Athena and Dexter lead an enclosed family life, innocent of fashion and bound towards a disturbed child. Their comfortable rut is disrupted by the arrival of Elizabeth, a tough nut from Dexter's past. With her three charming, chaotic hangers-on, she draws the couple out into a world whose casual egotism they had barely dreamed of. How can they get home again? (Source: publisher's website)
'Dante and Johnno are unlikely childhood friends, growing up in the bustle of steamy, wartime Brisbane. Later, as teenagers, they learn about love and life amidst the city's pubs and public libraries, backyards and brothels, Moreton Bay figs and tennis parties. As adults, they make the great pilgrimage overseas and maintain an uneasy friendship as they seek to build their lives.
'An affectionate and bittersweet portrait, Johnno brilliantly recreates the sleazy, tropical half-city that was Brisbane and captures a generation locked in combat with the elusive Australian dream.'
Source: Publisher's blurb (Penguin).
''The thing I am trying to get at is what made Jack different from me. Different all through our lives, I mean, and in a special sense, not just older or nobler or braver or less clever.'
'David and Jack Meredith grow up in a patriotic suburban Melbourne household during the First World War, and go on to lead lives that could not be more different. Through the story of the two brothers, George Johnston created an enduring exploration of two Australian myths: that of the man who loses his soul as he gains worldly success, and that of the tough, honest Aussie battler, whose greatest ambition is to serve his country during the war. Acknowledged as one of the true Australian classics, My Brother Jack is a deeply satisfying, complex and moving literary masterpiece. ' (Publication summary)
'At a suburban barbecue, a man slaps a child who is not his own.
'This event has a shocking ricochet effect on a group of people, mostly friends, who are directly or indirectly influenced by the event.
'In this remarkable novel, Christos Tsiolkas turns his unflinching and all-seeing eye onto that which connects us all: the modern family and domestic life in the twenty-first century. The Slap is told from the points of view of eight people who were present at the barbecue. The slap and its consequences force them all to question their own families and the way they live, their expectations, beliefs and desires.
'What unfolds is a powerful, haunting novel about love, sex and marriage, parenting and children, and the fury and intensity - all the passions and conflicting beliefs - that family can arouse. In its clear-eyed and forensic dissection of the ever-growing middle class and its aspirations and fears, The Slap is also a poignant, provocative novel about the nature of loyalty and happiness, compromise and truth.' (Publisher's blurb)
"I haven't got a 'boyfriend', Mum." "Fine way to be carrying on then, out all Sat'dy night with a strange fella..." "Muuum. " "Don't you marm me, my girl. When I was your age I wasn't out running around with any stray bloke with a flash car and the gift of the gab. "And when I'm your age," thought Sue maliciously, "I won't be ringing up my kids to scab money and make their lives a misery into the bargain."
'Sue Wilson, young and Aboriginal, escapes her "too-large, too-poor family in a too-small" north Queensland town for Logan City's frontier sprawl. Entering "the mythic world of Work" she discovers that the view from behind the bar is less than glamorous, but pays the rent. When she meets Roger the good times begin to roll until she finds herself starring in a feature with medium level violence. Melissa Lucashenko's first novel makes no apologies. With direct and gutsy language, her characters live their lives in the shadows cast by indifferent affluence.'
(Source: UQP website: www.uqp.uq.edu.au)
'An architect exiled from China meets an Australian woman writer who is terminally ill. He tells her traditional Chinese stories as a way of overcoming time/mortality, and of coming to terms with his own difficult past.
'For a book which takes loneliness and death for its themes, After China has unexpected reserves of warmth, affection and humour. Insisting on the erotic, it is surprisingly delicate, restrained and chaste. And for a work of such diverse and eclectic reference it is rewardingly resonant and interconnected. The whole novel is thus a brilliant feat of balance.' (Publication summary)
'Akhenaten was a fascinating, shadowy figure in Egyptian history – archaeologists have discovered attempts to eradicate all traces of his brief reign, but enough remains to tell a remarkable story of incest, heresy, androgyny and a massive cult of personality.
'Like Albert Camus celebrated Caligula, Dorothy Porter's Akhenaten is an attractive warped megalomaniac who attempted to construct an heretical religion around one Sun God, with himself at the centre.
'Akhenaten is a novel in verse that captures the obsessive, erotic nature of its central figure. It is a towering achievement.'
Source: Publisher's blurb (Picador ed.)
'With the death of her mother, middle-aged Theodora Goodman contemplates the desert of her life. Freed from the trammels of convention, she leaves Australia for a European tour and becomes involved with the residents of a small French hotel. But creating other people's lives, even in love and pity, can lead to madness. Her ability to reconcile joy and sorrow is an unbearable torture to her. On the journey home, Theodora finds there is little to choose between the reality of illusion and the illusion of reality. She looks for peace, even if it is beyond the borders of insanity.' (From the publisher's website.)
Alice is entranced by the aesthetics of technology and, in every aeroplane flight, every Xerox machine, every neon sign, sees the poetry of modernity. Mr Sakamoto, a survivor of the atomic bomb, is an expert on Alexander Graham Bell. Like Alice, he is culturally and geographically displaced. The pair forge an unlikely friendship as Mr Sakamoto regales Alice with stories of twentieth-century invention. His own knowledge begins to inform her writing, and these two solitary beings become a mutual support for each other a long way from home. - Back cover
Les Harding, onetime Japanese prisoner-of-war, takes a package cruise to Japan with his wife. As he draws near, long-repressed memories of suffering well up. A rich, ironic study of Australian xenophobia..
Source: Currency Press
(http://www.currency.com.au/product_detail.aspx?productid=210)
'Eddie Twyborn is bisexual and beautiful, the son of a Judge and a drunken mother. With his androgynous hero - Eudoxia/Eddie/Eadith Twyborn - and through his search for identity, for self-affirmation and love in its many forms, Patrick White takes us into the ambiguous landscapes, sexual, psychological and spiritual, of the human condition.' (From the publisher's website.)
'Making Stories shows ten acclaimed Australian authors at work.'
'For thirty-nine years Harry Joy has been the quintessential good guy. But one morning Harry has a heart attack on his suburban front lawn, and, for the space of nine minutes, he becomes a dead guy. And although he is resuscitated, he will never be the same. For, as Peter Carey makes abundantly clear in this darkly funny novel, death is sometimes a necessary prelude to real life.' (From the author's website.)
When Harry, an executive, suffers a heart attack, he experiences a brief moment of brain death, only to awaken with a far darker vision of the seemingly idyllic world that he's left behind. In quick succession, he learns that his wife is cheating on him, his son has become a drug dealer, and his daughter is a junkie. Even his perfect career has become a nightmare, as he discovers that his latest client is, in fact, a heartless, deadly polluter. Enraged, Harry is determined to live a morally righteous life, a notion that proves anathema to everyone around him.
"The world had changed. As far as the eye could see, the earth was red. It wasn't orange, or soil red, or brown red, or perhaps all of them at once. It was profound rich red, glittering deeply in the mid-morning light. She was vaguely aware of having known that somewhere in Australia the land was this colour but the reality of it was startling and stunning.'
Hiam is the story of a journey through both a psychic and geographic landscape, a journey through disintegration and loss. Hiam, an Arab migrant woman, abandons Adelaide to unravel her life and memories on the road North after her family and identity have been destroyed. In the course of the novel she weaves an identity out of past, present, stories, dreams and the Australian landscape with which she engages for the first time.
On one level, this is the story of a migrant's experience in a strange land, a novel which explores the pressures, fragilities and strengths of exiled communities. It is also a story of universal human grief, individual courage and the will, not only to survive, but to live fully in the world."
'Sandy, a geologist, finds herself stuck on a field trip to the Pilbara desert with a Japanese man she finds inscrutable, annoying and decidedly arrogant. Hiromitsu's view of her is not much better. Things go from bad to worse when they become stranded in one of the most remote regions on earth. JAPANESE STORY is a journey of change and discovery for its two lead characters.'
Source: Screen Australia.
'To the Islands concerns the ordeal of Stephen Heriot, an elderly, careworn, and disillusioned Anglican missionary who abandons his mission when he mistakenly believes he has accidentally killed one of his Aboriginal charges in a not entirely unprovoked confrontation. Heriot flees into the desert not to escape justice but to embrace its desolate beauty and its elemental purity as the one objective reality and the one certainty left available to him.
Heriot's flight and his embrace of the desert may be seen as his attempt, as a European Australian, to immerse himself in the landscape, to make himself one with the land. At this realistic level, the novel enacts the ontological and existential dilemma that confronts most — if not all — European Australians, the dilemma that Professor Hassall [in his introduction to the 2002 UQP Australian Authors version] defines as the continuing quest for psychic integration, for reconciliation with indigenous Australians, and with the land itself.'
Wells-Green, James. [Untitled Review.] JAS Review of Books 15 (May 2003)
'Caught in a collision between the modern world of rap, football, street cred and the oldest living culture on earth, Lorrpu, Botj and Milika are three teenagers who once shared a childhood dream of becoming great hunters together. But things have changed and their paths are diverging. The film is about the search for identity, making the journey from adolescence to adulthood and the implications of belonging to a larger social group, whether it be culture, a family or a group of friends'.
Source : http://librariesaustralia.nla.gov.au/ (Sighted 8 July 2009).
Madness, cruelty and sexuality permeate the house where she grew up, but Lilian's sights are set on education, love and - finally - her own transcendent forms of independence. Lilian Singer, who starts life at the beginning of the twentieth century as the daughter of a prosperous middle-class Australian family and ends it as a cheerfully eccentric bag-lady living on the streets, quoting Shakespeare for a living.
'Families can detonate. Some families are torn apart forever by one small act, one solitary mistake. In my family it was a series of small explosions; consistent, passionate, pathetic. Cruel words, crude threats... We spurred each other on till we reached a crescendo of pain and we retired exhausted to our rooms, in tears or in fury.
'Ari is nineteen, unemployed and a poofter who doesn't want to be gay. He is looking for something - anything - to take him away from his aimless existence in suburban Melbourne. He doesn't believe in anyone or anything, except the power of music. All he wants to do is dance, take drugs, have sex and change the world.
'For Ari, all the orthodoxies of family, sex, politics and work have collapsed. Caught between the traditional Greek world of his parents and friends and the alluring, destructive world of clubs, chemicals and anonymous sex, all Ari can do is ease his pain in the only ways he knows how.
'Written in stark, uncompromising prose, Loaded is a first novel of great passion and power.' (From the publisher's website.)
'Georgie Jutland is a mess. At forty, with her career in ruins, she finds herself stranded in White Point with a fisherman she doesn't love and two kids whose dead mother she can never replace. Her days have fallen into domestic tedium and social isolation. Her nights are a blur of vodka and pointless loitering in cyberspace. Leached of all confidence, Georgie has lost her way; she barely recognises herself.
'One morning, in the boozy pre-dawn gloom, she looks up from the computer screen to see a shadow lurking on the beach below, and a dangerous new element enters her life. Luther Fox, the local poacher. Jinx. Outcast...' (From the publisher's website.)
'An unnamed man, M, arrives at a remote house on the fringe of a vast wilderness and soon disappears into a world of silence and stillness. His one mission: to find the last thylacine, the fabled Tasmanian tiger. She is said to have passed into myth but a sighting has been reported... Uncompromising and compelling, Julia Leigh's stunning first novel does not give up any of its secrets easily. The Hunter is a haunting tale of obsession that builds to an unforgettable conclusion.'
Source: Libraries Australia (Sighted 18/03/2011).
'While on his mission, the hunter lodges with a grief-ridden family of outcasts whose father has mysteriously vanished after sighting the Thylacine. The hunter succumbs more than he'd like to the family's scant charms and when tragedy strikes has to further purge his psyche to focus upon his elusive quarry. There is something tantalizing at large here as well as the mythical beast in this soul-stalking story about a group of doomed creatures whose unfortunate extinction is never really in doubt.' - Reviewed by Chris Packham, naturalist and broadcaster
Source: British Union Catalogue http://copac.ac.uk/search?rn=3&au=leigh&ti=hunter (Sighted 14/10/2011)
'Stan Parker, with only a horse and a dog for company journeys to a remote patch of land he has inherited in the Australian hills. Once the land is cleared and a rudimentary house built, he brings his wife Amy to the wilderness. Together they face lives of joy and sorrow as they struggle against the environment.' (Publication summary)
'In October 1997 a clever young law student at ANU made a bizarre plan to murder her devoted boyfriend after a dinner party at their house. Some of the dinner guests - most of them university students - had heard rumours of the plan. Nobody warned Joe Cinque. He died one Sunday, in his own bed, of a massive dose of rohypnol and heroin. His girlfriend and her best friend were charged with murder. Helen Garner followed the trials in the ACT Supreme Court. Compassionate but unflinching, this is a book about how and why Joe Cinque died. It probes the gap between ethics and the law; examines the helplessness of the courts in the face of what we think of as 'evil'; and explores conscience, culpability, and the battered ideal of duty of care.' (Source: Pan Macmillan website)
Garner takes 'a deliberately subjective and "literary" approach' to her material with an 'emphasis on a sympatheitic authorial persona as the source of the reader's perspective' (Susan Lever 'The Crimes of the Past: Anna Funder's Stasiland and Helen Garner's Joe Cinque's Consolation'. Paper delivered at the Association for the Study of Australian Literature (ASAL) conference 2006).
Stolen is based upon the lives of five Indigenous people, who go by the names of Sandy, Ruby, Jimmy, Anne and Shirley, who dealt with the issues for forceful removal by the Australian government.
'The brothers Kovalenko...did not kill Jews just because they were poor and Ukrainian, and did not know any better. They killed Jews because they believed that they themselves were savages.'
'The Hand that Signed the Paper tells the story of Vitaly, a Ukrainian peasant, who endures the destruction of his village and family by Stalin's communism. He welcomes the Nazi invasion in 1941 and willingly enlists in the SS Death Squads to take a horrifying revenge against those he perceives to be his persecutors.
'This remarkable novel, a shocking story of the hatred that gives evil life, is also an eloquent plea for peace and justice.' (Publication summary)
'This anthology collects the best examples of Australian gothic short stories from colonial times. Demonic bird cries, grisly corpses, ghostly women and psychotic station-owners populate a colonial landscape which is the stuff of nightmares.
'In stories by Marcus Clarke, Mary Fortune and Henry Lawson, the colonial homestead is wracked by haunted images of murder and revenge. Settlers are disoriented and traumatised as they stumble into forbidden places and explorers disappear, only to return as ghostly figures with terrible tales to tell. These compelling stories are the dark underside to the usual story of colonial progress, promise and nation-building, and reveal just how vivid the gothic imagination is at the heart of Australian fiction.' (Publication summary)
'Scarcely out of print since the early 1870s, For the Term of His Natural Life has provided successive generations with a vivid account of a brutal phase of colonial life. The main focus of this great convict novel is the complex interaction between those in power and those who suffer, made meaningful because of its hero's struggle against his wrongful imprisonment. Elements of romance, incidents of family life and passages of scenic description both relieve and give emphasis to the tragedy that forms its heart.' (Publication summary : Penguin Books 2009)
'Set in the 1880s, [The Proposition] opens in the middle of a frenzied gunfight between the police and a gang of outlaws. Charlie Burns ... and his brother Mikey are captured by Captain Stanley... Together with their psychopathic brother Arthur, ... they are wanted for a brutal crime. Stanley makes Charlie a seemingly impossible proposition in an attempt to bring an end to the cycle of bloody violence.'
Source: Nick Cave's website (http://www.nickcaveandthebadseeds.com/)
Sighted: 20/09/2005
'Part road movie, part memoir, part murder mystery, Seven Versions of an Australian Badland embarks on an enthralling journey through time, into the realms of myth and magic, narcissism and genocide.' (Back cover)
Inspired in part by some unsolved murders in the Australian outback, and by the gruesome backpacker murders committed by Ivan Milat in NSW during the late 1980s/early 1990s, Wolf Creek tells the story of three young backpackers, Ben Mitchell, an Australian, and Liz Hunter and Kristy Earl, both English. Although the girls don't know Ben all that well, he and Liz fancy each other. After buying a car in Broome, situated in the far north coast of Western Australia, the trio head east with the intention of driving across the top end to Cairns (Queensland). At the end of their first day in the desert, their car breaks down at a deserted tourist site - the large crater of a meteorite. Later that night a truck arrives, driven by a real outback character, Mick Taylor. He tows them to his isolated camp at an abandoned mine site, promising to fix their car. All three tourists fall asleep after Mick drugs them. When Liz wakes up, she is bound and gagged and her friends are missing and the nightmare begins.
'Arriving in Capricornia (a fictional name for the Northern Territory) in 1904 with his brother Oscar, Mark Shillingworth soon becomes part of the flotsam and jetsam of Port Zodiac (Darwin) society. Dismissed from the public service for drunkenness, Mark forms a brief relationship with an Aboriginal woman and fathers a son, whom he deserts and who acquires the name of Naw-Nim (no-name). After killing a Chinese shopkeeper, Norman disappears from view until the second half of the novel.
'Oscar, the respectable contrast to Mark, marries and tries to establish himself on a Capricornian cattle station, Red Ochre, but is deserted by his wife and eventually returns for a time to Batman (Melbourne), accompanied by his daughter Marigold and foster son Norman, who has been sent to him after Mark's desertion.
'Oscar rejects the plea of a former employee, Peter Differ, to see to the welfare of his daughter Constance; Constance Differ is placed under the 'protection' of Humboldt Lace, a Protector of Aborigines, who seduces her and then marries her off to another man of Aboriginal descent. Forced into prostitution, Constance is dying of consumption when discovered by a railway fitter, Tim O'Cannon, who will take care of Constance's daughter, Tocky, until his own death in a train accident.
Hearing news in 1928 of an economic boom in Capricornia, Oscar returns to his station, where he is joined by Marigold and Norman, who has grown to manhood believing himself to be the son of a Javanese princess and a solider killed in the First World War. Soon after, he discovers his mother was an Aboriginal woman, and meets his father, with whom he will not reconcile until later in the novel. Norman then goes on a series of journeys to discover his true, Aboriginal self. On the second of these journeys, he meets and wanders in the wilderness with Tocky, who has escaped from the mission station to which she was sent after the death of O'Cannon. During this passage, she kills a man in self-defense, which leads to Norman's being accused of murder, at the same time his father is prosecuted for the death of the Chinese shopkeeper. At the end of the novel they are both acquitted, Heather and Mark are married, and Norman returns to Red Ochre, where he finds the body of Tocky and their child in a water tank in which she had taken refuge from the authorities.' (Source: Oxford Companion to Australian Literature)
'Set in nineteenth-century Australia, Voss is the story of the secret passion between an explorer and a naïve young woman. Although they have met only a few times, Voss and Laura are joined by overwhelming, obsessive feelings for each other. Voss sets out to cross the continent. As hardships, mutiny and betrayal whittle away his power to endure and to lead, his attachment to Laura gradually increases. Laura, waiting in Sydney, moves through the months of separation as if they were a dream and Voss the only reality.
'From the careful delineation of Victorian society to the sensitive rendering of hidden love to the stark narrative of adventure in the Australian desert, Patrick White's novel is a work of extraordinary power and virtuosity.'
Source: Random House Books (Sighted 21/09/2012)
'Liza used to say that she saw her past life as a string of roughly-graded balls, and so did Hilda have a linear conception of hers, thinking of it as a track with detours. But for some years now I have likened mine to a globe suspended in my head, and ever since the shocking realisation that waste is irretrievalbe, I have been careful not to let this globe spin to expose the nether side on which my marriage has left its multitude of images.
'Nora Porteous has spent most of her life waiting to escape. Fleeing from her small-town family and then from her stifling marriage to a mean-spirited husband, Nora arrives finally in London where she creates a new life for herself as a successful dressmaker.
'Now in her seventies, Nora returns to Queensland to settle into her childhood home.
'But Nora has been away a long time, and the people and events of her past are not at all like she remembered them. And while some things never change, Nora is about to discover just how selective her 'globe of memory' has been.
'Tirra Lirra by the River is a moving account of one woman's remarkable life, a beautifully written novel which displays the lyrical brevity of Jessica Anderson's award-winning style.' (Publication summary)
'Once prosperous, the town of Tourmaline in outback Western Australia is dying. The mines are drying up and the land is riddled by drought. Those townspeople left have little to do but wile away the hours with drink.
'Salvation of sorts arrives in the form of Michael Random, a mysterious water diviner who emerges from the desert. As the town's reluctant messiah Random begins to spread the word of Christ. Desperate for a reprieve, many of the locals are drawn to his teachings, but a stubborn few remain sceptical of their new leader.
'A post-apocalyptic parable, Tourmaline is Randolph Stow's most allusive and controversial novel. It remains a landmark in Australian literature more than half a century after its first publication.'
Source: Publisher's blurb (Text Classics).
'Wild Cat Falling is the story of an Aboriginal youth, a 'bodgie' of the early sixties who grows up on the ragged outskirts of a country town, falls into petty crime, goes to gaol, and comes out to do battle once more with the society who put him there. Its publication in 1965 marked a unique literary event, for this was the first novel by any writer of Aboriginal blood to be published in Australia. As well, it is a remarkable piece of literature in its own right, expressing the dilemmas and conflicts of the young Aboriginal in modern Australian society with its memorable insight and stylishness.' (Publication summary)
'Oscar Hopkins is an Oxford seminarian with a passion for gambling. Lucinda Leplastrier is a Sydney heiress with a fascination for glass. The year is 1864. When they meet on the boat to Australia their lives will be forever changed ...'
(Source: Publisher's website)
'In the mid-1840s, a thirteen-year-old boy, Gemmy Fairley, is cast ashore in the far north of Australia and taken in by Aborigines. Sixteen years later, when settlers reach the area, he moves back into the world of Europeans, men and women who are staking out their small patch of home in an alien place, hopeful and yet terrified of what it might do to them.
Given shelter by the McIvors, the family of the children who originally made contact with him, Gemmy seems at first to be guaranteed a secure role in the settlement, but there are currents of fear and mistrust in the air. To everyone he meets - from George Abbot, the romantically aspiring young teacher, to Mr Frazer, the minister, whose days are spent with Gemmy recording the local flora; from Janet McIvor, just coming to adulthood and discovering new versions of the world, to the eccentric Governor of Queensland himself - Gemmy stands as a different kind of challenge, as a force which both fascinates and repels. And Gemmy himself finds his own whiteness as unsettling in this new world as the knowledge he brings with him of the savage, the Aboriginal.' - Publisher's blurb (Chatto & Windus, 1993).
'In 1806 William Thornhill, a man of quick temper and deep feelings, is transported from the slums of London to New South Wales for the term of his natural life. With his wife Sal and their children he arrives in a harsh land he cannot understand.
'But the colony can turn a convict into a free man. Eight years later Thornhill sails up the Hawkesbury to claim a hundred acres for himself.
'Aboriginal people already live on that river. And other recent arrivals - Thomas Blackwood, Smasher Sullivan and Mrs Herring - are finding their own ways to respond to them.
'Thornhill, a man neither better nor worse than most, soon has to make the most difficult choice of his life.
'Inspired by research into her own family history, Kate Grenville vividly creates the reality of settler life, its longings, dangers and dilemmas. The Secret River is a brilliantly written book, a groundbreaking story about identity, belonging and ownership.' (From the publisher's website.)
'Sixty Lights is the captivating chronicle of Lucy Strange, an independent girl growing up in the Victorian world. From her childhood in Australia through to her adolescence in England and Bombay and finally to London, Lucy is fascinated by light and by the new photographic technology. Her perception of the world is passionate and moving, revealed in a series of frozen images captured in the camera of her mind's eye showing her feelings about love, life and loss. In this confident, finely woven and intricate novel Jones has created an unforgettable character in Lucy; visionary, gifted and exuberant, she touches the lives of all who know her.' (Publication summary)
'In the remote outback of Western Australia during World War II, English anthropologist Nicholas Keene and his wife, Stella, raise a lonely child, Perdita. Her upbringing is far from ordinary: in a shack in the wilderness, with a distant father burying himself in books and an unstable mother whose knowledge of Shakespeare forms the backbone of the girl's limited education.
'Emotionally adrift, Perdita becomes friends with a deaf and mute boy, Billy, and an Aboriginal girl, Mary. Perdita and Mary come to call one another sister and to share a very special bond. They are content with life in this remote corner of the globe, until a terrible event lays waste to their lives.' (Publisher's blurb)
'His father dead by fire and his mother plagued by demons of her own, William is cast upon the charity of his unknown uncle - an embittered old man encamped in the ruins of a once great station homestead, Kuran House. It's a baffling and sinister new world for the boy, a place of decay and secret histories. His uncle is obsessed by a long life of decline and by a dark quest for revival, his mother is desperate for a wealth and security she has never known, and all their hopes it seems come to rest upon William's young shoulders. But as the past and present of Kuran Station unravel and merge together, the price of that inheritance may prove to be the downfall of them all. The White Earth is a haunting, disturbing and cautionary tale.' (publisher's website)
'Victoria Morrell was once a great artist. She led the high life - living and working in Paris, mixing with the artists of the Surrealist movement. Her work was largely forgotten in the fifties and sixties, but was rediscovered in the seventies when she became something of a cult figure on the London art scene. She now lives as a recluse in Hampstead, London. And she is dying.
'Anna Griffin is the young woman commissioned to write a biography of Victoria's life. In many ways their lives strangely intersect, since they grew up in the same mining town and share preoccupations with underground spaces, deserts and the many forms of grief.
'In a compelling double narrative, Gail Jones tracks Victoria's past as it intertwines with Anna's life. The stories Victoria tells enable both women to enter into new forms of sympathy and understanding.
'Elegant, enthralling, and emotionally charged, Black Mirror is both a novel of love and family mystery, and a meditation on the nature of artistic vision and obsession.' (Publication summary)
'Lowell tries not to think about the past, about the hijacking that killed his mother. Samantha, on the other hand, cannot let go. As a child she survived the hijacking of Air France 64, and as an adult she obsessively digs for answers, seeking a man called Salamander whom she believes holds key information.
'It is the death of Lowell's father, and his legacy of a blue sports bag crammed with documents and videotapes, that finally brings Lowell and Samantha together and unravels the interconnections between victims and perpetrators, saved and damned.
'But in this murky world of endless aliases and surveillance, who can be trusted? When does the quest for truth become a dangerous obsession? And what difference can the truth make?
'Janette Turner Hospital has crafted a taut and confronting novel that propels us into the chaos of terror and the cruelty - and unexpected hope - of survival. ' (Publication summary)
'After 40 years in Australia, António Castro packs a bag and walks out of his old life forever. The victim of a restlessness he calls "Shanghai Dancing," António seeks to understand the source of his condition in his family's wanderings. Reversing his parents' own migration, António heads back to their native Shanghai, where his world begins to fragment as his ancestry starts to flood into his present, and emissaries of glittering pre-war China, evangelical Liverpool and seventeenth-century Portugal merge into contemporary backdrops across Asia, Europe and Australia. A "fictional autobiography," Shanghai Dancing is a dazzling meditation on identity, language and disorientation that combines photographs and written images in the style of W.G. Sebald. ' (Publication summary)
'An architect exiled from China meets an Australian woman writer who is terminally ill. He tells her traditional Chinese stories as a way of overcoming time/mortality, and of coming to terms with his own difficult past.
'For a book which takes loneliness and death for its themes, After China has unexpected reserves of warmth, affection and humour. Insisting on the erotic, it is surprisingly delicate, restrained and chaste. And for a work of such diverse and eclectic reference it is rewardingly resonant and interconnected. The whole novel is thus a brilliant feat of balance.' (Publication summary)
'Akhenaten was a fascinating, shadowy figure in Egyptian history – archaeologists have discovered attempts to eradicate all traces of his brief reign, but enough remains to tell a remarkable story of incest, heresy, androgyny and a massive cult of personality.
'Like Albert Camus celebrated Caligula, Dorothy Porter's Akhenaten is an attractive warped megalomaniac who attempted to construct an heretical religion around one Sun God, with himself at the centre.
'Akhenaten is a novel in verse that captures the obsessive, erotic nature of its central figure. It is a towering achievement.'
Source: Publisher's blurb (Picador ed.)
'With the death of her mother, middle-aged Theodora Goodman contemplates the desert of her life. Freed from the trammels of convention, she leaves Australia for a European tour and becomes involved with the residents of a small French hotel. But creating other people's lives, even in love and pity, can lead to madness. Her ability to reconcile joy and sorrow is an unbearable torture to her. On the journey home, Theodora finds there is little to choose between the reality of illusion and the illusion of reality. She looks for peace, even if it is beyond the borders of insanity.' (From the publisher's website.)
Alice is entranced by the aesthetics of technology and, in every aeroplane flight, every Xerox machine, every neon sign, sees the poetry of modernity. Mr Sakamoto, a survivor of the atomic bomb, is an expert on Alexander Graham Bell. Like Alice, he is culturally and geographically displaced. The pair forge an unlikely friendship as Mr Sakamoto regales Alice with stories of twentieth-century invention. His own knowledge begins to inform her writing, and these two solitary beings become a mutual support for each other a long way from home. - Back cover
Les Harding, onetime Japanese prisoner-of-war, takes a package cruise to Japan with his wife. As he draws near, long-repressed memories of suffering well up. A rich, ironic study of Australian xenophobia..
Source: Currency Press
(http://www.currency.com.au/product_detail.aspx?productid=210)
'Eddie Twyborn is bisexual and beautiful, the son of a Judge and a drunken mother. With his androgynous hero - Eudoxia/Eddie/Eadith Twyborn - and through his search for identity, for self-affirmation and love in its many forms, Patrick White takes us into the ambiguous landscapes, sexual, psychological and spiritual, of the human condition.' (From the publisher's website.)
'Told as a dual narrative, a writing style Caswell has made his own, between thirteen-and-a-half-year-old Jules Macaffrey and Suzi Q. After Jules' mother wins a cruise for four on the POLYNESIAN QUEEN, he discovers it's really a floating "geriatric ward" with very little choice of companionship other than his sixteen-year-old, dancing-obsessed cousin Adrian, the very beautiful Jenna (also sixteen), wheelchair-bound Suzi Q and bully Barry Barnes.
'Falling madly in love with the unobtainable Jenna, Jules develops a strong friendship with Suzi as she steers Jules through his unrequited love - with unexpected results.' (From the publisher's website.)
'A picture book about a little rabbit who learns that some things in life aren't as scary as they seem. Based on a Tibetan myth, a sound in the forest sets all the animals running for their lives from the Terrible Plop.'
(Source: Publisher's website)
'Making Stories shows ten acclaimed Australian authors at work.'
'Making Books addresses these questions and many others in a wide-ranging study of contemporary Australian publishing. It also provides a sophisticated introduction to the structure and dynamics of the Australian publishing industry which turns over almost two billion dollars a year.
'Leading industry practitioners and academics analyse the industry in the context of social, cultural and legal forces. They write revealingly on the culture of the publishing house, editorial practice and policy, Bookscan, new technologies and the 'decline' of literary publishing.
'Making Books will be an indispensable companion for arts industry professionals, those in the publishing industry, and scholars of book history or publishing studies.' (Publisher's blurb)
'After 40 years in Australia, António Castro packs a bag and walks out of his old life forever. The victim of a restlessness he calls "Shanghai Dancing," António seeks to understand the source of his condition in his family's wanderings. Reversing his parents' own migration, António heads back to their native Shanghai, where his world begins to fragment as his ancestry starts to flood into his present, and emissaries of glittering pre-war China, evangelical Liverpool and seventeenth-century Portugal merge into contemporary backdrops across Asia, Europe and Australia. A "fictional autobiography," Shanghai Dancing is a dazzling meditation on identity, language and disorientation that combines photographs and written images in the style of W.G. Sebald. ' (Publication summary)
'The charismatic god-king Sukarno has brought Indonesia to the edge of chaos - to an abortive revolution that will leave half a million dead. For the Western correspondents here, this gathering apocalypse is their story and their drug, while the sufferings of the Indonesian people are scarcely real: a shadow play. Working at the eye of the storm are television correspondent Guy Hamilton and his eccentric cameraman Billy Kwan. In Kwan's secret fantasy life, both Sukarno and Hamilton are heroes. But his heroes betray him, and Billy is driven to desperate action. As the Indonesian shadow play erupts into terrible reality, a complex personal tragedy of love, obsession and betrayal comes to its climax.'
Source: Publisher's blurb.
'Alex Leefson is astronomy's glamour girl, in love with the satellite Europa and the equally unreachable Phoebe. Meanwhile, her husband Daniel mourns the demise of his marriage and his life. Full of Dorothy Porter's customary bite and sensuality, Wild Surmise is an engrossing duet between two passionately estranged voices. An intensely moving verse novel of passions and vulnerabilities, love and death.' (Publication summary)
'The brothers Kovalenko...did not kill Jews just because they were poor and Ukrainian, and did not know any better. They killed Jews because they believed that they themselves were savages.'
'The Hand that Signed the Paper tells the story of Vitaly, a Ukrainian peasant, who endures the destruction of his village and family by Stalin's communism. He welcomes the Nazi invasion in 1941 and willingly enlists in the SS Death Squads to take a horrifying revenge against those he perceives to be his persecutors.
'This remarkable novel, a shocking story of the hatred that gives evil life, is also an eloquent plea for peace and justice.' (Publication summary)
'In the dying town of Drylands, Janet Deakin sells papers to lonely locals. At night, in her flat above the newsagency, she attempts to write a novel for a world in which no one reads—‘full of people, she envisaged, glaring at a screen that glared glassily back.’ Drylands is the story of the townsfolk’s harsh, violent lives. Trenchant and brilliant, Thea Astley’s final novel is a dark portrait of outback Australia in decline.'
Source: Publisher's blurb (Text ed.)
Holland lived with his only daughter, Ellen, by a khaki river four hours west of Sydney. In spite of their remote location, tales of Ellen's beauty had traveled long distances and in the process inscribed a small legend. But Ellen's desirability was Holland's blindspot and finally he decided that the man who correctly named every eucalypt on his property would win the hand of his daughter. (Source: Trove)
This first comprehensive selection of McAuley's prose and verse is arranged by the editor, McAuley's friend and colleague Leonie Kramer, into eight sections, 'each representing aspects of James McAuley's interests and experience ... Within each section the poetry is chronologically arranged; the prose is introduced in such a way as to suggest the relationship between McAuley's poetic preoccupations and his critical and intellectual position.' (Note pp.xxix-xxx). Each section is accompanied by a brief editorial note and extensive end-notes, including McAuley's own notes.
This work comprises three major sections: 'Towards the Source', 1894-1897; 'The Forest of the Night', 1898-1902; 'The Wanderer', 1902, and two concluding segments, 'Pauca Mea' and 'Epilogues' (Oxford Companion to Australian Literature ).
Brennan's own descriptionof the work was ' a sublimation of a whole imaginitive life and experience into a subtly ordered series of poems, where each piece has, of course, its individual value, and yet cannot be interpreted save in its relation to the whole' (The Prose of Chritopher Brennan, ed. A. R. Chisolm.)
'Birds of Passage is the powerful and haunting story of Seamus O'Young, an Australian-born Chinese, on a collision course with the past.
'He reconstructs his past through the eyes of Shan, an ancestor who came to Australia in the 1880s. And, just as Shan was driven from the goldfields by depravity, racism and sheer greed; so Seamus finds himself, a century later, fighting for his own life and sanity.'
Source: Goodreads.
From the award-winning author of Benang, and his Aunty Hazel, comes this monumental history of the south coast Noongar people of Western Australia. Kayang - meaning, respectfully, Old Lady - was born in 1925. Through her candid voice comes the story of her people and her country, interwoven with traditional tales.
Award-winning novelist Kim Scott and his elder, Hazel Brown, have created a monumental family history of the Wilomin Noongar people. Kayang & Me is a powerful story of community and belonging, revealing the deep and enduring connections between family, country, culture and history that lie at the heart of Indigenous identity.' (Source: Publishers website)
'In the mid-1840s, a thirteen-year-old boy, Gemmy Fairley, is cast ashore in the far north of Australia and taken in by Aborigines. Sixteen years later, when settlers reach the area, he moves back into the world of Europeans, men and women who are staking out their small patch of home in an alien place, hopeful and yet terrified of what it might do to them.
Given shelter by the McIvors, the family of the children who originally made contact with him, Gemmy seems at first to be guaranteed a secure role in the settlement, but there are currents of fear and mistrust in the air. To everyone he meets - from George Abbot, the romantically aspiring young teacher, to Mr Frazer, the minister, whose days are spent with Gemmy recording the local flora; from Janet McIvor, just coming to adulthood and discovering new versions of the world, to the eccentric Governor of Queensland himself - Gemmy stands as a different kind of challenge, as a force which both fascinates and repels. And Gemmy himself finds his own whiteness as unsettling in this new world as the knowledge he brings with him of the savage, the Aboriginal.' - Publisher's blurb (Chatto & Windus, 1993).
'Searching for the Secret River is the extraordinary story of how Kate Grenville came to write her award-winning novel, [The Secret River].
'It all begins with her ancestor Solomon Wiseman, transported to New South Wales for the term of his natural life, who later became a wealthy man and built his colonial mansion on the Hawkesbury. Increasingly obsessed with his story, Grenville pursues him from Sydney to London and back, and then up the Hawkesbury itself. Slowly she begins to realise she must write about him, and begins to discover what kind of book she will write. Grenville opens the door and invites the reader into her writing room, and tells us about how this novel was formed, the research she did, the false starts she made and the frustrations she experienced.' (Publisher's blurb)
'In 1806 William Thornhill, a man of quick temper and deep feelings, is transported from the slums of London to New South Wales for the term of his natural life. With his wife Sal and their children he arrives in a harsh land he cannot understand.
'But the colony can turn a convict into a free man. Eight years later Thornhill sails up the Hawkesbury to claim a hundred acres for himself.
'Aboriginal people already live on that river. And other recent arrivals - Thomas Blackwood, Smasher Sullivan and Mrs Herring - are finding their own ways to respond to them.
'Thornhill, a man neither better nor worse than most, soon has to make the most difficult choice of his life.
'Inspired by research into her own family history, Kate Grenville vividly creates the reality of settler life, its longings, dangers and dilemmas. The Secret River is a brilliantly written book, a groundbreaking story about identity, belonging and ownership.' (From the publisher's website.)
'Sixty Lights is the captivating chronicle of Lucy Strange, an independent girl growing up in the Victorian world. From her childhood in Australia through to her adolescence in England and Bombay and finally to London, Lucy is fascinated by light and by the new photographic technology. Her perception of the world is passionate and moving, revealed in a series of frozen images captured in the camera of her mind's eye showing her feelings about love, life and loss. In this confident, finely woven and intricate novel Jones has created an unforgettable character in Lucy; visionary, gifted and exuberant, she touches the lives of all who know her.' (Publication summary)
'His father dead by fire and his mother plagued by demons of her own, William is cast upon the charity of his unknown uncle - an embittered old man encamped in the ruins of a once great station homestead, Kuran House. It's a baffling and sinister new world for the boy, a place of decay and secret histories. His uncle is obsessed by a long life of decline and by a dark quest for revival, his mother is desperate for a wealth and security she has never known, and all their hopes it seems come to rest upon William's young shoulders. But as the past and present of Kuran Station unravel and merge together, the price of that inheritance may prove to be the downfall of them all. The White Earth is a haunting, disturbing and cautionary tale.' (publisher's website)
"The world had changed. As far as the eye could see, the earth was red. It wasn't orange, or soil red, or brown red, or perhaps all of them at once. It was profound rich red, glittering deeply in the mid-morning light. She was vaguely aware of having known that somewhere in Australia the land was this colour but the reality of it was startling and stunning.'
Hiam is the story of a journey through both a psychic and geographic landscape, a journey through disintegration and loss. Hiam, an Arab migrant woman, abandons Adelaide to unravel her life and memories on the road North after her family and identity have been destroyed. In the course of the novel she weaves an identity out of past, present, stories, dreams and the Australian landscape with which she engages for the first time.
On one level, this is the story of a migrant's experience in a strange land, a novel which explores the pressures, fragilities and strengths of exiled communities. It is also a story of universal human grief, individual courage and the will, not only to survive, but to live fully in the world."
'Sandy, a geologist, finds herself stuck on a field trip to the Pilbara desert with a Japanese man she finds inscrutable, annoying and decidedly arrogant. Hiromitsu's view of her is not much better. Things go from bad to worse when they become stranded in one of the most remote regions on earth. JAPANESE STORY is a journey of change and discovery for its two lead characters.'
Source: Screen Australia.
'To the Islands concerns the ordeal of Stephen Heriot, an elderly, careworn, and disillusioned Anglican missionary who abandons his mission when he mistakenly believes he has accidentally killed one of his Aboriginal charges in a not entirely unprovoked confrontation. Heriot flees into the desert not to escape justice but to embrace its desolate beauty and its elemental purity as the one objective reality and the one certainty left available to him.
Heriot's flight and his embrace of the desert may be seen as his attempt, as a European Australian, to immerse himself in the landscape, to make himself one with the land. At this realistic level, the novel enacts the ontological and existential dilemma that confronts most — if not all — European Australians, the dilemma that Professor Hassall [in his introduction to the 2002 UQP Australian Authors version] defines as the continuing quest for psychic integration, for reconciliation with indigenous Australians, and with the land itself.'
Wells-Green, James. [Untitled Review.] JAS Review of Books 15 (May 2003)
'Caught in a collision between the modern world of rap, football, street cred and the oldest living culture on earth, Lorrpu, Botj and Milika are three teenagers who once shared a childhood dream of becoming great hunters together. But things have changed and their paths are diverging. The film is about the search for identity, making the journey from adolescence to adulthood and the implications of belonging to a larger social group, whether it be culture, a family or a group of friends'.
Source : http://librariesaustralia.nla.gov.au/ (Sighted 8 July 2009).
'An architect exiled from China meets an Australian woman writer who is terminally ill. He tells her traditional Chinese stories as a way of overcoming time/mortality, and of coming to terms with his own difficult past.
'For a book which takes loneliness and death for its themes, After China has unexpected reserves of warmth, affection and humour. Insisting on the erotic, it is surprisingly delicate, restrained and chaste. And for a work of such diverse and eclectic reference it is rewardingly resonant and interconnected. The whole novel is thus a brilliant feat of balance.' (Publication summary)
'Akhenaten was a fascinating, shadowy figure in Egyptian history – archaeologists have discovered attempts to eradicate all traces of his brief reign, but enough remains to tell a remarkable story of incest, heresy, androgyny and a massive cult of personality.
'Like Albert Camus celebrated Caligula, Dorothy Porter's Akhenaten is an attractive warped megalomaniac who attempted to construct an heretical religion around one Sun God, with himself at the centre.
'Akhenaten is a novel in verse that captures the obsessive, erotic nature of its central figure. It is a towering achievement.'
Source: Publisher's blurb (Picador ed.)
Alice is entranced by the aesthetics of technology and, in every aeroplane flight, every Xerox machine, every neon sign, sees the poetry of modernity. Mr Sakamoto, a survivor of the atomic bomb, is an expert on Alexander Graham Bell. Like Alice, he is culturally and geographically displaced. The pair forge an unlikely friendship as Mr Sakamoto regales Alice with stories of twentieth-century invention. His own knowledge begins to inform her writing, and these two solitary beings become a mutual support for each other a long way from home. - Back cover
Les Harding, onetime Japanese prisoner-of-war, takes a package cruise to Japan with his wife. As he draws near, long-repressed memories of suffering well up. A rich, ironic study of Australian xenophobia..
Source: Currency Press
(http://www.currency.com.au/product_detail.aspx?productid=210)
'For thirty-nine years Harry Joy has been the quintessential good guy. But one morning Harry has a heart attack on his suburban front lawn, and, for the space of nine minutes, he becomes a dead guy. And although he is resuscitated, he will never be the same. For, as Peter Carey makes abundantly clear in this darkly funny novel, death is sometimes a necessary prelude to real life.' (From the author's website.)
'Don’t Take Your Love to Town is a story of courage in the face of poverty and tragedy. Ruby recounts losing her mother when she was six, growing up in a mission in northern New South Wales and leaving home when she was fifteen. She lived in tin huts and tents in the bush and picked up work on the land while raising nine children virtually single-handedly. Later she struggled to make ends meet in the Koori areas of Sydney. Ruby is an amazing woman whose sense of humour has endured through all the hardships she has experienced.' (Source UQP website: www.uqp.uq.edu.au)
'leaving behind neon nights and misspent passions, these poems take to the highway with the muse riding shotgun' (Source: UQP website: www.uqp.uq.edu.au)
New writing from old Australians this collection presents Aboriginal playwrights using the dramatic form to tell how black and white Australians interact.'
'These are modern, urban plays, but traditional beliefs give strength and resilience to many of the characters in them. These city dwellers are joined to the land and their dreaming, with ancient bonds of common belief; the four plays provide a remarkable, often humorous insight into Aboriginal experience in Australia.' (Source: backcover)
'Stories Without End includes writing that is complex, innovative, and polished, and writing that is raw, rugged, and passionate. In their different ways, all the pieces are powerful...' (Source: editorial, Southerly Vol. 62 No. 2 2002: 5-6)
Robyn Davidson tells the story of her 1977 journey across the desert, from Alice Springs to Western Australia. She and a Pitjantjara elder completed their crossing on camel's back. Tracks is the story of her adventure, not only across the desert, but also into self-discovery, and the discovery of the beauty, nobility, and history of the country and its people. (Source: Trove)
'In October 1997 a clever young law student at ANU made a bizarre plan to murder her devoted boyfriend after a dinner party at their house. Some of the dinner guests - most of them university students - had heard rumours of the plan. Nobody warned Joe Cinque. He died one Sunday, in his own bed, of a massive dose of rohypnol and heroin. His girlfriend and her best friend were charged with murder. Helen Garner followed the trials in the ACT Supreme Court. Compassionate but unflinching, this is a book about how and why Joe Cinque died. It probes the gap between ethics and the law; examines the helplessness of the courts in the face of what we think of as 'evil'; and explores conscience, culpability, and the battered ideal of duty of care.' (Source: Pan Macmillan website)
Garner takes 'a deliberately subjective and "literary" approach' to her material with an 'emphasis on a sympatheitic authorial persona as the source of the reader's perspective' (Susan Lever 'The Crimes of the Past: Anna Funder's Stasiland and Helen Garner's Joe Cinque's Consolation'. Paper delivered at the Association for the Study of Australian Literature (ASAL) conference 2006).
Stolen is based upon the lives of five Indigenous people, who go by the names of Sandy, Ruby, Jimmy, Anne and Shirley, who dealt with the issues for forceful removal by the Australian government.