'Through the crumbling ruins of the once splendid Xanadu, Miss Hare wanders, half-mad. In the wilderness she stumbles upon an Aboriginal artist and a Jewish refugee. They place themselves in the care of a local washerwoman. In a world of pervasive evil, all four have been independently damaged and discarded. Now in one shared vision they find themselves bound together, understanding the possibility of redemption.'
Source: Publisher's blurb (Vintage ed.).
Packing Death in Australian Literature : Ecocides and Eco-Sides
London
:
Routledge
,
2020
19932417
2020
multi chapter work
criticism
'Packing Death in Australian Literature: Ecocides and Eco-Sides addresses Australian Literature from ecocritical, animal studies, plant studies, indigenous studies, and posthumanist critical perspectives. The book’s main purpose is twofold: to bring more sustained attention to environmental, vegetal, and animal rights issues, past and present, and to do that from within the discipline of literary studies. Literary studies in Australia continue to reflect disinterest or not enough interest in critical engagements with the subjects of Australia’s oldest extant environments and other beings beside humans.
'Packing Death in Australian Literature: Ecocides and Eco-Sides foregrounds the vegetal and nonhuman animal populations and contours of Australian Literature. Critical studies relied on in Packing Death in Australian Literature: Ecocides and Eco-Sides include books by Simon C. Estok, Bill Gammage, Timothy Morton, Bruce Pascoe, Val Plumwood, Kate Rigby, John Ryan, Wendy Wheeler, Cary Wolfe, and Robert Zeller. The selected literary texts include work by Merlinda Bobis, Eric Yoshiaki Dando, Nugi Garimara, Francesca Rendle-Short, Patrick White, and Evie Wyld.'
Source: Publisher's blurb.
'During my childhood in Castle Hill, a western Sydney suburb of housing developments, colonial weatherboards and bush blocks, I walked each week from school to piano lessons. The route took me down Showground Road where Patrick White and his partner Manoly bought six acres and a bungalow—‘a bit of Strathfield in a paddock’—in 1948. They named their house Dogwoods, and lived there for eighteen years.' (Introduction)
Settled by white convicts and often by people with few prospects in the Old World, Australia was sometimes thought of negatively as a dumping ground of miscreants and ne’er-do-wells. This paper traces how, post-war, this perception was challenged in the fiction of Patrick White and David Malouf, which depicts local versions of the outcast artist in actual rubbish dumps and the creative, regenerative transformations that can occur there.
