Cirrus@Austlit

'Set in a Roman Catholic diocese,...Three Cheers for the Paraclete is about the dilemma of the rebel who knows that established authority is wrong but doesn't know how to put it right because he is himself too much a part of it. It is also about a critical religious issue...the conflict between a new generation which sees religious truth as something that must change with the world, and an establishment which sees it as fixed and immutable.

In the character of young Father Maitland, scholar and humanitarian, many readers will recognize a lost hero of our time. Others, perhaps, will see only an arrogant intellectual, and something of a heretic. But almost everyone will identify with one side or the other of the conflict into which Father Maitland's beliefs and sympathies draw him - a conflict with his superiors which threatens to destroy him both as a priest and as a man.' (Source: dustjacket, 1968 Angus and Robertson edition)

'‘... far better than any novel; an incomparable record of a great family and of a series of great actions.' The Bulletin When Patrick Durack left Western Ireland for Australia in 1853, he was to found a pioneering dynasty and build a cattle empire across the great stretches of Australia. With a profound sense of family history, his grand-daughter, Mary Durack reconstructed the Durack saga - a story of intrepid men and ground-breaking adventure. This sweeping tale of Australia and Australians remains a classic nearly fifty years on.' (2008 Publication summary)

'With the death of her mother, middle-aged Theodora Goodman contemplates the desert of her life. Freed from the trammels of convention, she leaves Australia for a European tour and becomes involved with the residents of a small French hotel. But creating other people's lives, even in love and pity, can lead to madness. Her ability to reconcile joy and sorrow is an unbearable torture to her. On the journey home, Theodora finds there is little to choose between the reality of illusion and the illusion of reality. She looks for peace, even if it is beyond the borders of insanity.' (From the publisher's website.)

'Stan Parker, with only a horse and a dog for company journeys to a remote patch of land he has inherited in the Australian hills. Once the land is cleared and a rudimentary house built, he brings his wife Amy to the wilderness. Together they face lives of joy and sorrow as they struggle against the environment.' (Publication summary)

'Through the crumbling ruins of the once splendid Xanadu, Miss Hare wanders, half-mad. In the wilderness she stumbles upon an Aboriginal artist and a Jewish refugee. They place themselves in the care of a local washerwoman. In a world of pervasive evil, all four have been independently damaged and discarded. Now in one shared vision they find themselves bound together, understanding the possibility of redemption.'

Source: Publisher's blurb (Vintage ed.).

'In the mid-1840s, a thirteen-year-old boy, Gemmy Fairley, is cast ashore in the far north of Australia and taken in by Aborigines. Sixteen years later, when settlers reach the area, he moves back into the world of Europeans, men and women who are staking out their small patch of home in an alien place, hopeful and yet terrified of what it might do to them.

Given shelter by the McIvors, the family of the children who originally made contact with him, Gemmy seems at first to be guaranteed a secure role in the settlement, but there are currents of fear and mistrust in the air. To everyone he meets - from George Abbot, the romantically aspiring young teacher, to Mr Frazer, the minister, whose days are spent with Gemmy recording the local flora; from Janet McIvor, just coming to adulthood and discovering new versions of the world, to the eccentric Governor of Queensland himself - Gemmy stands as a different kind of challenge, as a force which both fascinates and repels. And Gemmy himself finds his own whiteness as unsettling in this new world as the knowledge he brings with him of the savage, the Aboriginal.' - Publisher's blurb (Chatto & Windus, 1993).