Cirrus@Austlit

'Biography is one of the most potent arts of democracy because it links the individual to the body politic and to history. It stands in parallel with independent long-form journalism. Whereas independent journalism is under threat, biography is currently one of the most popular and productive genres of publishing, breaking down the stratification of readership associated with almost every other category of writing. In the academy, the status of biography has transformed over the last few decades, with historians embracing the genre, literary studies scholars experimenting with form, and a wealth of new infrastructure embedding biographical inquiry in Australia. The biographical turn in Australia has brought the two disciplines of history and literary studies closer together and enriched their scholarship. David Marr’s Patrick White, Fiona Capp’s My Blood’s Country, Mark McKenna’s Return to Uluru and Alexis Wright’s Tracker are just some examples of the field over the last 30 years. This article considers the principles underpinning contemporary biography and its practice. It reflects on the particular challenges of writing about living subjects, negotiating intimacy and privacy, and the uses of empathic listening in biographical interviews. It also explores the value of collective biography as a genre of current significance.' (Publication abstract)

'This chapter will build on recent work by Elizabeth McMahon and Christos Tsiolkas to situate Australia’s first Nobel Prize winner as a queer modernist with his own distinct political valence. Written by the foremost Chinese scholar of Australian literature, Chen Hong, this chapter explores Whites epochal career. It covers White’s novelistic oeuvre from The Aunt’s Story (1948) through to his late queer masterpiece, The Twyborn Affair (1979).' (Publication abstract)