Cirrus@Austlit

'This chapter will build on recent work by Elizabeth McMahon and Christos Tsiolkas to situate Australia’s first Nobel Prize winner as a queer modernist with his own distinct political valence. Written by the foremost Chinese scholar of Australian literature, Chen Hong, this chapter explores Whites epochal career. It covers White’s novelistic oeuvre from The Aunt’s Story (1948) through to his late queer masterpiece, The Twyborn Affair (1979).' (Publication abstract)

'In Reading Corporeality in Patrick White's Fiction: An Abject Dictatorship of the Flesh, Bridget Grogan combines theoretical explication, textual comparison, and close reading to argue that corporeality is central to Patrick White's fiction, shaping the characterization, style, narrative trajectories, and implicit philosophy of his novels and short stories. Critics have often identified a radical disgust at play in White's writing, claiming that it arises from a defining dualism that posits the 'purity' of the disembodied 'spirit' in relation to the 'pollution' of the material world. Grogan argues convincingly, however, that White's fiction is far more complex in its approach to the body. Modeling ways in which Kristevan theory may be applied to modern fiction, her close attention to White's recurring interest in physicality and abjection draws attention to his complex questioning of metaphysics and subjectivity, thereby providing a fresh and compelling reading of this important world author.'

'This article explores how Patrick White is both an inheritor and a precursor of modernism and its queer and gendered legacies within mid-twentieth century Australia; these experimental legacies are still felt today, with queer authors producing even queerer texts amid the Australian literary landscape. Focusing upon his novel The Twyborn Affair (1979), I argue that White's use of modernist aesthetics enables him to achieve a complete corporeal identity by writing the queer body as, paradoxically, both fragmentary and fluid. His prose both resituates gendered binaries and boundaries, and enables ways of navigating the epistemological trauma enacted upon the queer self by heteronormativity. Attending to the fragmentation and fluidity that White's modernism unleashes, this paper is especially interested in the becoming of a queer self, and it seeks to salvage moments of queer desire from a fractured identity in contention with the conformity demanded by mandatory heterosexuality. These legacies that White leaves for us are especially pertinent to our present as his deconstruction of binary notions of gender and queer narratives "opens up" spaces where an articulation of an Australian queer self can recognise its inherently transgressive agency.'  (Publication abstract)

'What is it about modernism, that multivalent category riven with internal contradictions, that makes literary criticism continue to value it as a category?...' (Introduction)