The Monkey's Mask
South Melbourne
:
Hyland House
,
1994
Z528794
1994
single work
novel
crime
(taught in 31 units)
Drylands : A Book for the World's Last Reader
Ringwood
:
Penguin
Viking
,
1999
Z384386
1999
single work
novel
(taught in 3 units)
In her flat above Drylands's newsagency, Janet Deakin is writing a book for the world's last reader. Little has changed in her 50 years, except for the coming of cable TV. Loneliness is almost a religion, and still everyone knows your business. But the town is being outmanoeuvred by drought and begins to empty, pouring itself out like water into sand. Small minds shrink even smaller in the vastness of the land. One man is forced out by council rates and bigotry; another sells his property, risking the lot to build his dream. And all of them are shadowed by violence of some sort—these people whose only victory over the town is in leaving it.
Eucalyptus : A Novel
Melbourne
:
Text Publishing
,
1998
Z279634
1998
single work
novel
(taught in 8 units)
On a property in Western New South Wales a man named Holland lives with his daughter, Ellen. Over the years, as she grows into a beautiful young woman, he plants hundreds of different eucalyptus trees on his land, filling in the landscape, making a virtual outdoor museum of trees. When Ellen is nineteen, he announces his decision; she may marry only the man who can correctly name the species of each and every gum tree on his property.
Suitors emerge from all corners, including the straight-backed Mr. Cave, a world expert on these famous Australian trees. And then one day walking down by the river where silver light slants into the motionless trunks, Ellen chances on a strange young man resting under the Coolibah tree. In the days that follow, he tells her dozens of stories - set in cities, deserts, and faraway countries.
Eucalyptus is at once a modern fairy tale and a marvelously touching love story, played out against the spearing light and broken shadows of Australia - its land, its history, its people. Murray Bail’s cunning, intricate, and mesmerizing narrative bristles with spiky truths and unexpected wisdom about art, feminine beauty, landscape and language. More, it eloquently affirms the seductive power of storytelling itself.
