'This anthology collects the best examples of Australian gothic short stories from colonial times. Demonic bird cries, grisly corpses, ghostly women and psychotic station-owners populate a colonial landscape which is the stuff of nightmares.
'In stories by Marcus Clarke, Mary Fortune and Henry Lawson, the colonial homestead is wracked by haunted images of murder and revenge. Settlers are disoriented and traumatised as they stumble into forbidden places and explorers disappear, only to return as ghostly figures with terrible tales to tell. These compelling stories are the dark underside to the usual story of colonial progress, promise and nation-building, and reveal just how vivid the gothic imagination is at the heart of Australian fiction.' (Publication summary)
'The Mystery of Major Molineux is a strange and weird production, evidently founded on a fact connected with the early history of Tasmania. As a psychological study it approaches in subtlety to some of the most successful efforts of the author of Adam Bede; while for intensity of sustained interest and soul-thrilling excitement it is only surpassed by Edgar Allen Poe in The Mystery of Marie Roget and The Murders in the Rue Morgue.
'That the story is based upon fact does not detract from its interest, but rather lends an air of vraisemblance to a story which would otherwise be too appalling. It is an introspective study, a psychological romance, a social drama - worthy of the author of His Natural Life.'
[Source: Burra Record 22 June 1881, p.2]
'A Haunt of Jinkarras deals with the discovery of a primordial race that dwells entirely underground.'
Source: L.W. Currey, Inc. https://www.lwcurrey.com/pages/books/167311/ernest-favenc/the-last-of-six-tales-of-the-austral-tropics
"The narrator of his ghost story, a medical practitioner, becomes a convict after he is wrongly accused of his wife’s murder and transported to the Australian colonies to work in Fremantle building roads. After landing in Australia he seeks his liberty by fleeing into the bush with two fellow convicts. Taking advantage of the capture and shooting of his accomplices, the narrator makes his escape into the wilderness—travelling to a “far off and as yet unnamed portion of Western Australia” (Nisbet 116). Wandering delirious in a hostile environment, Nisbet’s narrator, who is “expectant of something ghoulish and unnatural” to come upon him from “the sepulchral gloom and mystery” (110), suddenly comes upon “a house of two storeys”.
Source: "National Hauntings: The Architecture of Australian Ghost Stories" by David Crouch.
Following a shipwreck of a vessel headed to Sydney, Ellen Hammond is stranded with three men on the Gippsland Coast. In the night, the men are murdered by a group of Aboriginal men but she is spared and brought back to their camp.
The perspective switches to Ellen's husband, Tom Hammond, who insists to the police captain on coming along to search for Ellen, who has been leaving "E.H." scratched into trees. They track the group of Aboriginal people and creep up on their camp before storming it. In the confusion and chaos, a shot is let loose against the orders of the police captain. Ellen is found beside the fire - dying, from the fired shot. In the aftermath, the captain is certain that it was Tom Hammond himself who fired the bullet that ended up killing his wife, but they decide to keep it quiet, believing that Ellen was better off dead after what she had experienced.