'Samson and Delilah tells the story of two Aboriginal teenagers in a remote community. They live in a sparse environment but one that absorbs all manner of cultural influences, where dot painting and country music exist side by side. Samson gets through his days by sniffing, while Delilah is the caregiver for her nana before taking a moment for herself to listen to Latino music. Their journey ranges across many of the most urgent issues concerning Indigenous people in Australia, homelessness, poverty, domestic violence and substance abuse, but it does so with tenderness, dignity, and even humour.'
Source: Adelaide Film Festival website, www.adelaidefilmfestival.org/ Sighted: 23/02/2009
'This article takes inspiration from the methodology of ego-historie, where political or intellectual history, institutional affiliations and research trajectories are interwoven with personal reflection, to make connections between context and content. In his essay on ego-histoire (2014) John Docker writes of the ‘marrano-like’ figure, the stranger as evoked by Georg Simmel, both inside and outside a group, disturbing it by a kind of abstraction, a freedom to question what others in the group take as given. Here I employ my insider/outsider status as a British migrant and a ‘naturalised’ Australian to reflect on the ambivalent at best and deliberately ignorant, at worst, relationship between contemporary Britain and postcolonial Australia. As the child of immigrants to Australia, who has returned to the ‘mother-country’ as an adult, I use aspects of my autobiography to reconsider the dynamics of colonialism and post-colonialism in these two countries.' (Introduction)
