Writing Australian Nature (ASLT2620)
Semester 2 / 2012

Texts

y separately published work icon Wonders of a Godless World Andrew McGahan , Crows Nest : Allen and Unwin , 2009 Z1604642 2009 single work novel (taught in 7 units) 'On an unnamed island, in a Gothic hospital sitting in the shadow of a volcano, a wordless orphan girl works on the wards housing the insane and the incapable. When a silent, unmoving and unnerving new patient - a foreigner - arrives at the hospital, strange phenomena occur, bizarre murders take place, and the lives of the patients and the island's inhabitants are thrown into turmoil. What happens between them is an extraordinary exploration of consciousness, reality and madness.' (Provided by the publisher.)
y separately published work icon Dirt Music Tim Winton , Sydney : Picador , 2001 Z918096 2001 single work novel (taught in 15 units)

Luther Fox, a loner, haunted by his past, makes his living as an illegal fisherman, a shamateur. Before everyone in his family was killed in a freak rollover, he grew melons and played guitar in the family band. Robbed of all that, he has turned his back on music. There's too much emotion in it, too much memory and pain.

One morning Fox is observed poaching by Georgie Jutland. Chance, or a kind of willed recklessness, has brought Georgie into the life and home of Jim Buckridge, the most prosperous fisherman in the area and a man who loathes poachers, Fox above all. But she's never fully settled into Jim's grand house on the water or into the inbred community with its history of violent secrets. After Georgie encounters Fox, her tentative hold on conventional life is severed. Neither of them would call it love, but they can't stay away from each other no matter how dangerous it is, and out on White Point it is very dangerous.

Set in the dramatic landscape of Western Australia, Dirt Music is a love story about people stifled by grief and regret; a novel about the odds of breaking with the past and about the lure of music. Dirt music, Fox tells Georgie, is "anything you can play on a verandah or porch, without electricity." Even in the wild, Luther cannot escape it. There is, he discovers, no silence in nature. Ambitious, perfectly calibrated, Dirt Music resonates with suspense and supercharged emotion, and it confirms Tim Winton's status as the preeminent Australian novelist of his generation.

y separately published work icon That Deadman Dance Kim Scott , Sydney : Picador , 2010 Z1728528 2010 single work novel historical fiction (taught in 43 units)

Big-hearted, moving and richly rewarding, That Deadman Dance is set in the first decades of the 19th century in the area around what is now Albany, Western Australia. In playful, musical prose, the book explores the early contact between the Aboriginal Noongar people and the first European settlers.

'The novel's hero is a young Noongar man named Bobby Wabalanginy. Clever, resourceful and eager to please, Bobby befriends the new arrivals, joining them hunting whales, tilling the land, exploring the hinterland and establishing the fledgling colony. He is even welcomed into a prosperous local white family where he falls for the daughter, Christine, a beautiful young woman who sees no harm in a liaison with a native.

'But slowly - by design and by accident - things begin to change. Not everyone is happy with how the colony is developing. Stock mysteriously start to disappear; crops are destroyed; there are "accidents" and injuries on both sides. As the Europeans impose ever stricter rules and regulations in order to keep the peace, Bobby's Elders decide they must respond in kind. A friend to everyone, Bobby is forced to take sides: he must choose between the old world and the new, his ancestors and his new friends. Inexorably, he is drawn into a series of events that will forever change not just the colony but the future of Australia...' (From the publisher's website.)

y separately published work icon The Hunter Julia Leigh , Ringwood : Penguin , 1999 Z129151 1999 single work novel (taught in 23 units)

'An unnamed man, M, arrives at a remote house on the fringe of a vast wilderness and soon disappears into a world of silence and stillness. His one mission: to find the last thylacine, the fabled Tasmanian tiger. She is said to have passed into myth but a sighting has been reported... Uncompromising and compelling, Julia Leigh's stunning first novel does not give up any of its secrets easily. The Hunter is a haunting tale of obsession that builds to an unforgettable conclusion.'

Source: Libraries Australia (Sighted 18/03/2011).


'While on his mission, the hunter lodges with a grief-ridden family of outcasts whose father has mysteriously vanished after sighting the Thylacine. The hunter succumbs more than he'd like to the family's scant charms and when tragedy strikes has to further purge his psyche to focus upon his elusive quarry. There is something tantalizing at large here as well as the mythical beast in this soul-stalking story about a group of doomed creatures whose unfortunate extinction is never really in doubt.' - Reviewed by Chris Packham, naturalist and broadcaster

Source: British Union Catalogue http://copac.ac.uk/search?rn=3&au=leigh&ti=hunter (Sighted 14/10/2011)

Description

How does Australian writing engage with Australian nature? What roles have writers (in tandem with artists, photographers and others) played in shaping consciousness of the environment - its wonders, complexities and layered human histories? This unit introduces relevant conceptual frames to examine Australian literary and cultural depictions of, and engagements with nature and the environment in a range of Indigenous and non- Indigenous texts. Can literature transform the way we think about and care for the world in which we live?

Assessment

1x1000wd oral presentation (20%), 1x2000wd portfolio (40%), 1x1500wd essay (40%)

Other Details

Course Reader will include other set works, including Indigenous and non-Indigenous poetry, fictional and non-fictional writings


Offered in: 2011, 2010
Levels: Undergraduate
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