Fiction, Film and Power (ENGL1025)
Semester 2 / 2008

Texts

The Talented Mr!$!Patricia Highsmith!$!Ripley!$!!$!
V For Vendetta!$!Adrian McTiegue dir.!$! !$!!$!2005
The Big Sleep!$!Raymond Chandler!$!!$!!$!
y separately published work icon Bliss Peter Carey , St Lucia : University of Queensland Press , 1981 8407782 1981 single work novel (taught in 11 units)

'For thirty-nine years Harry Joy has been the quintessential good guy. But one morning Harry has a heart attack on his suburban front lawn, and, for the space of nine minutes, he becomes a dead guy. And although he is resuscitated, he will never be the same. For, as Peter Carey makes abundantly clear in this darkly funny novel, death is sometimes a necessary prelude to real life.' (From the author's website.)

Network!$!Lumet dir.!$! !$!!$!1976

Description

A fundamental feature of the modern world is the predominance of media and communication technologies over older, and increasingly anachronistic, "book" cultures. This course looks at the consequences of such a shift for our sense of identity and place by focusing on translations from text to film. A principal theme will be the relations between narrative form and visual experience, with an eye always on the social contexts in which images become a form and source of power. The course will also serve as an introduction to the critical vocabulary used to understand late modern society.

Assessment

Two 1000 word essays, one oral presentation and one 2 hour exam

Supplementary Texts

Network, screenplay by P. Chayevsky

V for Vendetta, graphic novel by Alan Moore

Stephen King, The Shining

They Shoot Horses, Don't They? (dir. Pollack)

Strangers on a Train (dir. Hitchcock)

Purple Noon (dir. Clement)

Bliss (dir. Ray Lawrence)

The Shining (dir. Kubrick)

Other Details

Levels: Undergraduate
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