Cirrus@Austlit

'The cycle that drives Australia's unpredictable climate is called the El Nino Southern Oscillation, or ENSO for short. This essay originated in Black Summer-the climax of the last El Nino. The title was supposed to be ironic, but has become literal for those caught in the recent La Nina east coast floods. As the climate heats, ENSO's oscillations are becoming wilder.'  (Introduction)

'Travel has always been an important trope of settler literature, central not only to colonial displacement and dispossession but to postcolonial reimaginings of identity, gender, and place. However, it was not until the early twentieth century, after the rise of literary nationalism, that a nativist form of travel writing emerged in Australia. By mid-century, there was a more established tradition due to the introduction of motor touring and a post-war boom in mass migration and tourism. In the 1970s and 1980s, Australian travel writing was chiefly preoccupied with road stories, and with narratives of risk and adventure, while in the 1990s, Indigenous writers imagined new possibilities for healing through travel writing that sought to recover ancestral connections to language and land. Today, Australian travel writing is a burgeoning subject of academic enquiry, and in Australia, as elsewhere, there is a broadening rather than narrowing perspective of what constitutes ‘travel’ writing. Recently, an upsurgence of interest in mobility studies has raised new questions, not only about the experience of moving (and being moved), but about how different theories of im/mobility are central to the way travel is practised and prohibited, and sometimes undertaken reluctantly.'

Source: Abstract

'Packing Death in Australian Literature: Ecocides and Eco-Sides addresses Australian Literature from ecocritical, animal studies, plant studies, indigenous studies, and posthumanist critical perspectives. The book’s main purpose is twofold: to bring more sustained attention to environmental, vegetal, and animal rights issues, past and present, and to do that from within the discipline of literary studies. Literary studies in Australia continue to reflect disinterest or not enough interest in critical engagements with the subjects of Australia’s oldest extant environments and other beings beside humans.

'Packing Death in Australian Literature: Ecocides and Eco-Sides foregrounds the vegetal and nonhuman animal populations and contours of Australian Literature. Critical studies relied on in Packing Death in Australian Literature: Ecocides and Eco-Sides include books by Simon C. Estok, Bill Gammage, Timothy Morton, Bruce Pascoe, Val Plumwood, Kate Rigby, John Ryan, Wendy Wheeler, Cary Wolfe, and Robert Zeller. The selected literary texts include work by Merlinda Bobis, Eric Yoshiaki Dando, Nugi Garimara, Francesca Rendle-Short, Patrick White, and Evie Wyld.'

Source: Publisher's blurb.

'Unlike many city-dwelling Australians, the desert holds no terrors for me. Instead, like DH Lawrence, I find the cathedral forests of the coastal regions oppressive and disquieting. Lawrence brought to his descriptions of the Australian bush the same overwrought sensitivity that created the claustrophobic emotional landscape of 'Sons and Lovers', and the appalling, majestic insularity of the Italian mountain village in 'The Lost Girl'. He was the writer who made explicit the sense of some non-human presence in the Antipodean landscape, and while I have a different interpretation of the 'speechless, aimless solitariness' he attributes to the country, his instincts were good.'  (Publication abstract)