Cirrus@Austlit

Big-hearted, moving and richly rewarding, That Deadman Dance is set in the first decades of the 19th century in the area around what is now Albany, Western Australia. In playful, musical prose, the book explores the early contact between the Aboriginal Noongar people and the first European settlers.

'The novel's hero is a young Noongar man named Bobby Wabalanginy. Clever, resourceful and eager to please, Bobby befriends the new arrivals, joining them hunting whales, tilling the land, exploring the hinterland and establishing the fledgling colony. He is even welcomed into a prosperous local white family where he falls for the daughter, Christine, a beautiful young woman who sees no harm in a liaison with a native.

'But slowly - by design and by accident - things begin to change. Not everyone is happy with how the colony is developing. Stock mysteriously start to disappear; crops are destroyed; there are "accidents" and injuries on both sides. As the Europeans impose ever stricter rules and regulations in order to keep the peace, Bobby's Elders decide they must respond in kind. A friend to everyone, Bobby is forced to take sides: he must choose between the old world and the new, his ancestors and his new friends. Inexorably, he is drawn into a series of events that will forever change not just the colony but the future of Australia...' (From the publisher's website.)

"When the cold August wind abated in its final sigh of emergence from the lean, hard winter months into springtime, the People emerged from the cold, and often leaky shanties, and old discarded car-bodies, which were their home, to gather together their few ragged possessions and tie them in bundles ready for traveling to the cherry orchards, often many hundreds of miles away. Many would travel by bicycle with their swags swinging crazily from the frames; many traveled in old tattered caravans drawn by horses; many just walked beside the caravans through the red sandhill and mallee country, while the more daring 'jumped the rattler', the slow old steam train that chugged across the land.

Wherever the people gathered there too was a spirit of revival, of intense relief, for the "cherry season" meant a temporary release from near starvation. In a good season it could mean some old debts would be repaid. It meant food and toys for the children for the forthcoming Christmas season and, above all, it meant some independence, some freedom, from under the crucifying heels of the local police and the white 'station' managers; an escape from the refugee camps called 'Aboriginal Reserves'. The cherry season was the time for hope, for meeting old friends and relatives, for laughing and for making love. The Cherry Pickers tells it all.' Source: http://blackwebs.photoaccess.org.au/~kevingilbert/books/books.html (Sighted: 12/4/2009).

'Biography of Bennelong (c1764-1813), a Sydney Aboriginal man who was kidnapped by Governor Phillip in 1789 and subsequently lived within both the European and Aboriginal cultures. Reveals Bennelong as a clever politician playing a double game between his people and Phillip. Recounts his leadership of a resistance movement against the European invaders, culminating in an unwritten peace 'treaty' in 1790.' (Source: Angus & Robertson website)

'This is a proud milestone in Australian theatre history; a contemporary Indigenous performance text from the highly acclaimed Kooemba Jdarra. Appropriating western forms whilst using traditional storytelling, it gives emotional insight into Murri life. This one-woman show follows the journey of an Aboriginal ‘Everywoman’ as she tells poignant and humorous stories of grief and reconciliation. A powerful, demanding and culturally profound text, The 7 Stages of Grieving is a celebration of Indigenous survival, an invitation to grieve publicly, a time to exorcize pain. It has a universal theme told through the personal experiences of one incredible character.'

Source: Publisher's blurb (Playlab).