'Justin Cheong, Tien Ho and Nigel Gibbo' Gibson have been best friends since school in a world divided along ethnic lines into skips, wogs and slopes. Together they've survived a suburban tragedy, compulsory karaoke nights and Justin's mother's obsession with clean toilets. They thought they would always be there for each other but they hadn't counted on the effects of jealousy, betrayal, and their desire to escape themselves.
'Ho Ly-Linh, Tien's mother, wasn't around for much of Tien's childhood. Left behind in a rapidly changing Vietnam, she risked everything to follow her family to Australia. Having spent so much of this dangerous journey alone, she is ready now to find love. On Saturday, 6 September 1997 they all meet at the Cheongs' house for the first time in years because Princess Diana is dead and their mothers have decided to hold a Dead Diana Dinner to watch the funeral on television. Nobody realises just how explosive this dinner will be, or how complicated life is going to get.
'This is a story of three families' discovery of the meaning of love and friendship.' [Source: publisher's website]
'On a radiant day in Sydney, four adults converge on Circular Quay, site of the iconic Opera House and the Sydney Harbour Bridge. Crowds of tourists mix with the locals, enjoying the glorious surroundings and the play of light on water.
'But each of the four carries a complicated history from elsewhere; each is haunted by past intimacies, secrets and guilt: Ellie is preoccupied by her sexual experiences as a girl, James by a tragedy for which he feels responsible, Catherine by the loss of her beloved brother in Dublin and Pei Xing by her imprisonment during China's Cultural Revolution.
'Told over the course of a single Saturday, Five Bells describes four lives which chime and resonate, sharing mysterious patterns and symbols. But it is a fifth person, a child, whose presence at the Quay haunts the day and who will overshadow everything that unfolds. By night-time, when Sydney is drenched in a rainstorm, each life has been transformed.' (From the publisher's website.)
'The sound of horses' hooves turns hollow on the farms west of Wirri. If a man can still ride, if he hasn't totally lost the use of his legs, if he hasn't died to the part of his heart that understands such things, then he should go for a gallop. At the very least he should stand at the road by the river imagining that he's pushing a horse up the steep hill that leads to the house on the farm once known as One Tree.
'Set in hardscrabble farming country and around the country show high-jumping circuit that prevailed in rural New South Wales prior to the Second World War, Foal's Bread tells the story of two generations of the Nancarrow family and their fortunes as dictated by the vicissitudes of the land.
'It is a love story of impossible beauty and sadness, a chronicle of dreams 'turned inside out', and miracles that never last, framed against a world both tender and unspeakably hard. Written in luminous prose and with an aching affinity for the landscape the book describes, Foal's Bread is the work of a born writer at the height of her considerable powers. It is a stunning work of remarkable originality and power, one that confirms Gillian Mears' reputation as one of our most exciting and acclaimed writers.' (From the publisher's website.)
'The new novel by Alexis Wright, whose previous novel Carpentaria won the Miles Franklin Award and four other major prizes including the Australian Book Industry Awards Literary Fiction Book of the Year Award. The Swan Book is set in the future, with Aboriginals still living under the Intervention in the north, in an environment fundamentally altered by climate change. It follows the life of a mute teenager called Oblivia, the victim of gang-rape by petrol-sniffing youths, from the displaced community where she lives in a hulk, in a swamp filled with rusting boats, and thousands of black swans driven from other parts of the country, to her marriage to Warren Finch, the first Aboriginal president of Australia, and her elevation to the position of First Lady, confined to a tower in a flooded and lawless southern city. The Swan Book has all the qualities which made Wright’s previous novel, Carpentaria, a prize-winning best-seller. It offers an intimate awareness of the realities facing Aboriginal people; the wild energy and humour in her writing finds hope in the bleakest situations; and the remarkable combination of storytelling elements, drawn from myth and legend and fairy tale.' (Publisher's blurb)
'He asked the water to lift him, to carry him, to avenge him. He made his muscles shape his fury, made every stroke declare his hate. And the water obeyed; the water would give him his revenge. No one could beat him, no one came close.
'His whole life Danny Kelly's only wanted one thing: to win Olympic gold. Everything he's ever done - every thought, every dream, every action - takes him closer to that moment of glory, of vindication, when the world will see him for what he is: the fastest, the strongest and the best. His life has been a preparation for that moment.
'His parents struggle to send him to the most prestigious private school with the finest swimming program; Danny loathes it there and is bullied and shunned as an outsider, but his coach is the best and knows Danny is, too, better than all those rich boys, those pretenders. Danny's win-at-all-cost ferocity gradually wins favour with the coolest boys - he's Barracuda, he's the psycho, he's everything they want to be but don't have the guts to get there. He's going to show them all.
'He would be first, everything would be alright when he came first, all would be put back in place. When he thought of being the best, only then did he feel calm.
'A searing and provocative novel by the acclaimed author of the international bestseller The Slap, Barracuda is an unflinching look at modern Australia, at our hopes and dreams, our friendships, and our families.
'Should we teach our children to win, or should we teach them to live? How do we make and remake our lives? Can we atone for our past? Can we overcome shame? And what does it mean to be a good person?
'Barracuda is about living in Australia right now, about class and sport and politics and migration and education. It contains everything a person is: family and friendship and love and work, the identities we inhabit and discard, the means by which we fill the holes at our centre. It's brutal and tender and blazingly brilliant; everything we have come to expect from this fearless vivisector of our lives and world. ' (Publisher's blurb)
'Some of the best, most significant writing produced in Australia over more than two centuries is gathered in this landmark anthology. Covering all genres - from fiction, poetry and drama to diaries, letters, essays and speeches - the anthology maps the development of one of the great literatures in English in all its energy and variety.
'The writing reflects the diverse experiences of Australians in their encounter with their extraordinary environment and with themselves. This is literature of struggle, conflict and creative survival. It is literature of lives lived at the extremes, of frontiers between cultures, of new dimensions of experience, where imagination expands.
'This rich, informative and entertaining collection charts the formation of an Australian voice that draws inventively on Indigenous words, migrant speech and slang, with a cheeky, subversive humour always to the fore. For the first time, Aboriginal writings are interleaved with other English-language writings throughout - from Bennelong's 1796 letter to the contemporary flowering of Indigenous fiction and poetry - setting up an exchange that reveals Australian history in stark new ways.
'From vivid settler accounts to haunting gothic tales, from raw protest to feisty urban satire and playful literary experiment, from passionate love poetry to moving memoir, the Macquarie PEN Anthology of Australian Literature reflects the creative eloquence of a society.
'Chosen by a team of expert editors, who have provided illuminating essays about their selections, and with more than 500 works from over 300 authors, it is an authoritative survey and a rich world of reading to be enjoyed.' (Publisher's blurb)
Allen and Unwin have a YouTube channel with a number of useful videos on the Anthology.
'She hears her own thick voice deep inside her ears when she says, 'I need to know where I am.' The man stands there, tall and narrow, hand still on the doorknob, surprised. He says, almost in sympathy, 'Oh, sweetie. You need to know what you are.'
'Two women awaken from a drugged sleep to find themselves imprisoned in a broken-down property in the middle of a desert. Strangers to each other, they have no idea where they are or how they came to be there with eight other girls, forced to wear strange uniforms, their heads shaved, guarded by two inept yet vicious armed jailers and a 'nurse'. The girls all have something in common, but what is it? What crime has brought them here from the city? Who is the mysterious security company responsible for this desolate place with its brutal rules, its total isolation from the contemporary world? Doing hard labour under a sweltering sun, the prisoners soon learn what links them: in each girl's past is a sexual scandal with a powerful man. They pray for rescue - but when the food starts running out it becomes clear that the jailers have also become the jailed. The girls can only rescue themselves.
'The Natural Way of Things is a gripping, starkly imaginative exploration of contemporary misogyny and corporate control, and of what it means to hunt and be hunted. Most of all, it is the story of two friends, their sisterly love and courage.
'With extraordinary echoes of The Handmaid's Tale and Lord of the Flies, The Natural Way of Things is a compulsively readable, scarifying and deeply moving contemporary novel. It confirms Charlotte Wood's position as one of our most thoughtful, provocative and fearless truth-tellers, as she unflinchingly reveals us and our world to ourselves.' (Publication summary)
'The year 1788: the very beginning of European settlement. These were times of hardship, cruelty and danger. Above all, they were times of conflict between the Aborigines and the white settlers.
'Eleanor Dark brings alive those bitter years with moments of tenderness and conciliation amid the brutality and hostility. The cast of characters includes figures historical and fictional, black and white, convict and settler. All the while, beneath the veneer of British civilisation, lies the baffling presence of Australia, the 'timeless land'.
'The Storm of Time and No Barrier complete the Timeless Land trilogy. ' (Publication summary)
'It is 1839. A young Aboriginal girl, Mathinna, is running through the long wet grass of an island at the end of the world to get help for her dying father, an Aboriginal chieftain. Twenty years later, on an island at the centre of the world, the most famous novelist of the day, Charles Dickens, realises he is about to abandon his wife, risk his name, and forever after be altered because of his inability any longer to control his intense passion.
'Connecting the two events are the most celebrated explorer of the age, Sir John Franklin - then governor of Van Diemen's Land - and his wife, Lady Jane, who adopt Mathinna, seen as one of the last of a dying race, as an experiment. Lady Jane believes the distance between savagery and civilisation is the learned capacity to control wanting. The experiment fails, the Franklins throw the child onto the streets and into a life of prostitution and alcoholism. A few years later Mathinna is found dead in a puddle. She is nineteen years old. By then Sir John too is dead, lost in the blue ice of the Arctic seeking the North West Passage. A decade later evidence emerges that in its final agony, Franklin's expedition resorted to the level and practice of savages: cannibalism. Lady Jane enlists Dickens's aid to put an end to such scandalous suggestions.
'Dickens becomes ever more entranced in the story of men entombed in ice, recognising in its terrible image his own frozen inner life. He produces and stars in a play inspired by Franklin's fate to give story to his central belief: that discipline and will can conquer desire. And yet the play will bring him to the point where he is finally no longer able to control his own wanting and the consequences it brings.
'Based on historic events, Wanting is a novel about art, love, and the way in which life is finally determined never by reason, but only ever by wanting.' (Provided by publisher.)
'In 1982, Sally Morgan travelled back to her grandmother's birthplace. What started as a tentative search for information about her family, turned into an overwhelming emotional and spiritual pilgrimage. My Place is a moving account of a search for truth into which a whole family is gradually drawn, finally freeing the tongues of the author's mother and grandmother, allowing them to tell their own stories.' Source: Publisher's blurb.
'Anyone can see the place where the children died. You take the Princes Highway past Geelong, and keep going west in the direction of Colac. Late in August 2006, soon after I had watched a magistrate commit Robert Farquharson to stand trial before a jury on three charges of murder, I headed out that way on a Sunday morning, across the great volcanic plain.
'On the evening of 4 September 2005, Father’s Day, Robert Farquharson, a separated husband, was driving his three sons home to their mother, Cindy, when his car left the road and plunged into a dam. The boys, aged ten, seven and two, drowned. Was this an act of revenge or a tragic accident? The court case became Helen Garner’s obsession. She followed it on its protracted course until the final verdict.
'In this utterly compelling book, Helen Garner tells the story of a man and his broken life. She presents the theatre of the courtroom with its actors and audience, all gathered for the purpose of bearing witness to the truth, players in the extraordinary and unpredictable drama of the quest for justice.
'This House of Grief is a heartbreaking and unputdownable book by one of Australia’s most admired writers.' (Publication summary)
In The First Joanna Dorothy Blewett explores Australia's acceptance of its convict heritage, tracing the fictional history of the Deverons, owners of a leading South Australian vineyard. The property, situated near the Onkaparinga River, was established in the early years of the colony by settler Stephen Deveron. The central characters of the play are the Joanna Millay, a young convict woman who becomes the matriarch of the Deverons, and Joanna Deveron, the wife of the second Stephen Deveron - the grandson of the first Joanna and the first Stephen Deveron.
The narrative begins on Joanna's birthday in 1945 and introduces the Deveron family. Joanna has only recently arrived at the vineyard and is still suffering from the effects of several years spent as a prisoner of war in Poland. Joanna and Stephen had married in England shortly before the outbreak of war but were forced apart after she became trapped behind enemy lines. Having led a peripatetic upbringing in Europe Joanna finds the dull monotony of life on the vineyard unbearable and is thinking of returning to Europe. Her love of Stephen is making the decision all the more painful.
When Stephen's maiden aunts give her a chair belonging to their mother, Joanna is at first horrifed by the thought of its staid existence. She at first can't bear think about it, but after discovering within the chair a set of diaries written by the first Joanna she becomes fascinated. The diaries reveal a life of trauma, loss, murder, illegitimacy, and eventually, triumph through love. Through her reading of the diaries the play's dramatic action segues into "interpolated scenes" depicting key moments in the lives of Stephen's forebears during the nineteenth century - 1837, 1849, 1862, 1871, and 1885. The diaries ultimately allow the contemporary Joanna the capacity to imagine a future at the vineyard with the man she truly loves.
In an interview with Coralie Clarke Rees on Sydney ABC radio on 8 March, 1948, Blewett described the play as:
"It's the story of a modern English girl called Joanna who marries an Australian wine-grower and comes to live in his family home in South Australia. There she finds the narrow insistence on family respectability stifling, and she is about to leave to place when she discovers the diary of the first Joanna who built the home and pioneered the vineyard. In it she reads that the woman who established this respectable successful family had been a convict girl from Tasmania. The first Joanna was a vivid courageous person who had lived dangerously. She appeals tat once to the imagination and the loyalty of the second Joanna who had been repelled by the smug legends about the old pioneer: and the young Joanna Becomes proud to belong to a family with such an honourably shady past."
Characters | |
---|---|
1945 |
STEPHEN DEVERON MRS COLLINS who “obliges” at Chateau Deveron JOANNA DEVERON JOCELYN CUMING Stephen’s second cousin HALLEY VAN DRUYTEN Captain in the United States Army EDITHA AND VIOLA DEVERON Stephen’s twin great-aunts, aged 92 JACKSON the chauffeur |
1837 |
SIR BERTRAM TAVENER Governor of a women's jail in Tasmania LADY CAROLINE TAVENOR his wife MISS BEATRICE TAVENOR his sister CAPTAIN JULES SMITH of the British Army, aged 29 STEPHEN DEVERON 1st, aged 22 JOANNA MILLAY the first Joanna, aged 17 |
1849 |
STEPHEN aged 34 JOANNA 29 |
1862 |
MAJOR JULES SMITH 54 JOANNA 42 STEPHEN 47 Joanna and Stephen's children: AUGUSTA 20 PHILLIP 14 EDITHA AND VIOLA 10 |
1871 |
VIOLA AND EDITH 18 JOANNA 51 |
1885 |
JOANNA 64 STEPHEN 69 |
'...always remember where you're from... To the Aboriginal Families of Mundra this saying brings either comfort or pain. To Nana Vida it is what binds the generations. To the unwilling savant Archie Corella it portends a fate too cruel to name. For Sophie Salte, whose woman's body and child's mind make her easy prey, nothing matters while her sister Murilla is there to watch over her.
For Murilla, fierce protector and unlikely friend to Caroline Drysdale, wife of the town patriarch, what matters is survival. In a town with a history of vigilante raids, missing persons and unsolved murders, survival can be all that matters'. (Source: back cover, 2002 edition)
'Seven Poor Men of Sydney is a brilliant portrayal of a group of men and women living in Sydney in the 1920s amid conditions of poverty and social turmoil.
Set against the vividly drawn backgrounds of Fisherman's (Watson's) Bay and the innercity slums, the various characters seek to resolve their individual spiritual dilemmas; through politics, religion and philosophy.
Their struggles, their pain and their frustrations are portrayed with consummate skill in this memorable evocation of a city and an era.' (Publication summary)
'Miss Hester Harper, middle-aged and eccentric, brings Katherine into her emotionally impoverished life. Together they sew, cook gourmet dishes for two, run the farm, make music and throw dirty dishes down the well. One night, driving along the deserted track that leads to the farm, they run into a mysterious creature. They heave the body from the roo bar and dump it into the farm's deep well. But the voice of the injured intruder will not be stilled and, most disturbing of all, the closer Katherine is drawn to the edge of the well, the farther away she gets from Hester.' (From the publisher's website.)
'It is night. They move with such stealth they could be almost floating along the road. I can't see faces, just the outline of their movement. But when the moon drifts out from behind a cloud, bathing the road in an urgent sort of light, I see how they're all gazing up towards me.
''They're coming back,' I murmur. I turn to Kendall, and she puts her sewing aside, eyes on me. They never waiver.
'It was supposed to be a place where teenagers would learn resilience, confidence and independence, where long hikes and runs in the bush would make their bodies strong and foster a connection with the natural world. Living in bare wooden huts, cut off from the outside world, the students would experience a very different kind of schooling, one intended to have a strong influence over the kind of adults they would eventually become.
'Fourteen-year-old Rebecca Starford spent a year at this school in the bush. In her boarding house sixteen girls were left largely unsupervised, a combination of the worst behaved students and some of the most socially vulnerable. As everyone tried to fit in and cope with their feelings of isolation and homesickness, Rebecca found herself joining ranks with the powerful girls, becoming both a participant–and later a victim–of various forms of bullying and aggression.
'Bad Behaviour tells the story of that year, a time of friendship and joy, but also of shame and fear. It explores how those crucial experiences affected Rebecca as an adult and shaped her future relationships, and asks courageous questions about the nature of female friendship.
'Moving, wise and painfully honest, this extraordinary memoir shows how bad behaviour from childhood, in all its forms, can be so often and so easily repeated throughout our adult lives.' (Publication summary)
'Anne Bedo is unhappily married. Her husband, Elias, is an abusive drunk who cruelly mistreats her, and she decides she can't take it any more. While traveling by ship, Anne decides to make her escape. Making it appear as though she has gone mad and thrown herself overboard, she instead disembarks in disguise with her friend, the Aboriginal youth Kombo. Anne and Kombo venture through dangerous, unexplored country, braving the murderous tribes and cannibals, as she seeks to put distance between herself and her persecutor. During her travels, she meets up with Danish explorer Eric Hansen, and together, they make an astonishing discovery. Deep in the Australian wilderness lives a tribe of "Red Men," the Aca, part of the ancient Mayan race. Can Anne, Eric, and Kombo survive the myriad threats posed by savage cannibals, the Aca's "Death-Stone," and the vengeance of Elias Bedo? A "lost race" adventure novel in the tradition of H. Rider Haggard, Rosa Praed's "Fugitive Anne" (1902) also confronts important issues of the day, including colonialism and the difficulties faced by women trapped in bad marriages.'
Source: Publisher's blurb (Valancourt edition).
'Scarcely out of print since the early 1870s, For the Term of His Natural Life has provided successive generations with a vivid account of a brutal phase of colonial life. The main focus of this great convict novel is the complex interaction between those in power and those who suffer, made meaningful because of its hero's struggle against his wrongful imprisonment. Elements of romance, incidents of family life and passages of scenic description both relieve and give emphasis to the tragedy that forms its heart.' (Publication summary : Penguin Books 2009)
'My Brilliant Career was written by Stella Franklin (1879-1954) when she was just nineteen years old. The novel struggled to find an Australian publisher, but was published in London and Edinburgh in 1901 after receiving an endorsement from Henry Lawson. Although Franklin wrote under the pseudonym 'Miles Franklin', Lawson’s preface makes it clear that Franklin is, as Lawson puts it 'a girl.'
'The novel relates the story of Sybylla Melvyn, a strong-willed young woman of the 1890s growing up in the Goulburn area of New South Wales and longing to be a writer.' (Publication summary)
'Set in the charming and deadly streets of Melbourne, this vivid and brilliantly plotted murder thriller tells the story of a crime committed by an unknown assassin. With its panoramic depiction of a bustling yet uneasy city, Hansom Cab has a central place in Australian literary history and, more importantly, it remains highly readable. ' (Publication summary)
'Charlotte-Rose de la Force has been banished from court by the Sun King, Louis XIV, after a series of scandalous love affairs. She is comforted by an old nun, Sœur Seraphina, who tells her the tale of a young girl who, a hundred years earlier, is sold by her parents for a handful of Bitter Greens ...
'After Margherita's father steals a handful of greens - parsley, wintercress and rapunzel - from the walled garden of the courtesan, Selena Leonelli, they give up their daughter to save him from having both hands cut off. Selena is the famous red-haired muse of the artist Tiziano, first painted by him in 1513 and still inspiring him at the time of his death, sixty-one years later. Called La Strega Bella, Selena is at the centre of Renaissance life in Venice, a world of beauty and danger, seduction and betrayal, love and superstition.
'Locked away in a tower, growing to womanhood, Margherita sings in the hope someone will hear her. One day, a young man does ...
'Three women, three lives, three stories, braided together to create a compelling story of desire, obsession, black magic, and the redemptive power of love.' (From the publisher's website.)
'Justin Cheong, Tien Ho and Nigel Gibbo' Gibson have been best friends since school in a world divided along ethnic lines into skips, wogs and slopes. Together they've survived a suburban tragedy, compulsory karaoke nights and Justin's mother's obsession with clean toilets. They thought they would always be there for each other but they hadn't counted on the effects of jealousy, betrayal, and their desire to escape themselves.
'Ho Ly-Linh, Tien's mother, wasn't around for much of Tien's childhood. Left behind in a rapidly changing Vietnam, she risked everything to follow her family to Australia. Having spent so much of this dangerous journey alone, she is ready now to find love. On Saturday, 6 September 1997 they all meet at the Cheongs' house for the first time in years because Princess Diana is dead and their mothers have decided to hold a Dead Diana Dinner to watch the funeral on television. Nobody realises just how explosive this dinner will be, or how complicated life is going to get.
'This is a story of three families' discovery of the meaning of love and friendship.' [Source: publisher's website]
'On a radiant day in Sydney, four adults converge on Circular Quay, site of the iconic Opera House and the Sydney Harbour Bridge. Crowds of tourists mix with the locals, enjoying the glorious surroundings and the play of light on water.
'But each of the four carries a complicated history from elsewhere; each is haunted by past intimacies, secrets and guilt: Ellie is preoccupied by her sexual experiences as a girl, James by a tragedy for which he feels responsible, Catherine by the loss of her beloved brother in Dublin and Pei Xing by her imprisonment during China's Cultural Revolution.
'Told over the course of a single Saturday, Five Bells describes four lives which chime and resonate, sharing mysterious patterns and symbols. But it is a fifth person, a child, whose presence at the Quay haunts the day and who will overshadow everything that unfolds. By night-time, when Sydney is drenched in a rainstorm, each life has been transformed.' (From the publisher's website.)
'The sound of horses' hooves turns hollow on the farms west of Wirri. If a man can still ride, if he hasn't totally lost the use of his legs, if he hasn't died to the part of his heart that understands such things, then he should go for a gallop. At the very least he should stand at the road by the river imagining that he's pushing a horse up the steep hill that leads to the house on the farm once known as One Tree.
'Set in hardscrabble farming country and around the country show high-jumping circuit that prevailed in rural New South Wales prior to the Second World War, Foal's Bread tells the story of two generations of the Nancarrow family and their fortunes as dictated by the vicissitudes of the land.
'It is a love story of impossible beauty and sadness, a chronicle of dreams 'turned inside out', and miracles that never last, framed against a world both tender and unspeakably hard. Written in luminous prose and with an aching affinity for the landscape the book describes, Foal's Bread is the work of a born writer at the height of her considerable powers. It is a stunning work of remarkable originality and power, one that confirms Gillian Mears' reputation as one of our most exciting and acclaimed writers.' (From the publisher's website.)
'The new novel by Alexis Wright, whose previous novel Carpentaria won the Miles Franklin Award and four other major prizes including the Australian Book Industry Awards Literary Fiction Book of the Year Award. The Swan Book is set in the future, with Aboriginals still living under the Intervention in the north, in an environment fundamentally altered by climate change. It follows the life of a mute teenager called Oblivia, the victim of gang-rape by petrol-sniffing youths, from the displaced community where she lives in a hulk, in a swamp filled with rusting boats, and thousands of black swans driven from other parts of the country, to her marriage to Warren Finch, the first Aboriginal president of Australia, and her elevation to the position of First Lady, confined to a tower in a flooded and lawless southern city. The Swan Book has all the qualities which made Wright’s previous novel, Carpentaria, a prize-winning best-seller. It offers an intimate awareness of the realities facing Aboriginal people; the wild energy and humour in her writing finds hope in the bleakest situations; and the remarkable combination of storytelling elements, drawn from myth and legend and fairy tale.' (Publisher's blurb)
'He asked the water to lift him, to carry him, to avenge him. He made his muscles shape his fury, made every stroke declare his hate. And the water obeyed; the water would give him his revenge. No one could beat him, no one came close.
'His whole life Danny Kelly's only wanted one thing: to win Olympic gold. Everything he's ever done - every thought, every dream, every action - takes him closer to that moment of glory, of vindication, when the world will see him for what he is: the fastest, the strongest and the best. His life has been a preparation for that moment.
'His parents struggle to send him to the most prestigious private school with the finest swimming program; Danny loathes it there and is bullied and shunned as an outsider, but his coach is the best and knows Danny is, too, better than all those rich boys, those pretenders. Danny's win-at-all-cost ferocity gradually wins favour with the coolest boys - he's Barracuda, he's the psycho, he's everything they want to be but don't have the guts to get there. He's going to show them all.
'He would be first, everything would be alright when he came first, all would be put back in place. When he thought of being the best, only then did he feel calm.
'A searing and provocative novel by the acclaimed author of the international bestseller The Slap, Barracuda is an unflinching look at modern Australia, at our hopes and dreams, our friendships, and our families.
'Should we teach our children to win, or should we teach them to live? How do we make and remake our lives? Can we atone for our past? Can we overcome shame? And what does it mean to be a good person?
'Barracuda is about living in Australia right now, about class and sport and politics and migration and education. It contains everything a person is: family and friendship and love and work, the identities we inhabit and discard, the means by which we fill the holes at our centre. It's brutal and tender and blazingly brilliant; everything we have come to expect from this fearless vivisector of our lives and world. ' (Publisher's blurb)
'Some of the best, most significant writing produced in Australia over more than two centuries is gathered in this landmark anthology. Covering all genres - from fiction, poetry and drama to diaries, letters, essays and speeches - the anthology maps the development of one of the great literatures in English in all its energy and variety.
'The writing reflects the diverse experiences of Australians in their encounter with their extraordinary environment and with themselves. This is literature of struggle, conflict and creative survival. It is literature of lives lived at the extremes, of frontiers between cultures, of new dimensions of experience, where imagination expands.
'This rich, informative and entertaining collection charts the formation of an Australian voice that draws inventively on Indigenous words, migrant speech and slang, with a cheeky, subversive humour always to the fore. For the first time, Aboriginal writings are interleaved with other English-language writings throughout - from Bennelong's 1796 letter to the contemporary flowering of Indigenous fiction and poetry - setting up an exchange that reveals Australian history in stark new ways.
'From vivid settler accounts to haunting gothic tales, from raw protest to feisty urban satire and playful literary experiment, from passionate love poetry to moving memoir, the Macquarie PEN Anthology of Australian Literature reflects the creative eloquence of a society.
'Chosen by a team of expert editors, who have provided illuminating essays about their selections, and with more than 500 works from over 300 authors, it is an authoritative survey and a rich world of reading to be enjoyed.' (Publisher's blurb)
Allen and Unwin have a YouTube channel with a number of useful videos on the Anthology.
'In the mid-1840s, a thirteen-year-old boy, Gemmy Fairley, is cast ashore in the far north of Australia and taken in by Aborigines. Sixteen years later, when settlers reach the area, he moves back into the world of Europeans, men and women who are staking out their small patch of home in an alien place, hopeful and yet terrified of what it might do to them.
Given shelter by the McIvors, the family of the children who originally made contact with him, Gemmy seems at first to be guaranteed a secure role in the settlement, but there are currents of fear and mistrust in the air. To everyone he meets - from George Abbot, the romantically aspiring young teacher, to Mr Frazer, the minister, whose days are spent with Gemmy recording the local flora; from Janet McIvor, just coming to adulthood and discovering new versions of the world, to the eccentric Governor of Queensland himself - Gemmy stands as a different kind of challenge, as a force which both fascinates and repels. And Gemmy himself finds his own whiteness as unsettling in this new world as the knowledge he brings with him of the savage, the Aboriginal.' - Publisher's blurb (Chatto & Windus, 1993).
In this important and beautifully written book, Aileen Moreton-Robinson gives us a compelling analysis of white Australian feminism seen through Indigenous Australian women's eyes. She unpacks the unspoken normative subject of feminism as white middle-class woman, where whitemess marks their position of power and privilege vis-a-vis Indigenous women, and where silence about whitemess sustains the exercise of that power. And she examines the consequences of practices for Indigenous women and White women.' (Source: Preface, Talkin' Up to the White Women, 2000)
'With humane irony the Western Australian poet, Jack Davis gives a painful insight into the process of colonisation and the transformation of his people.'
'The Dreamers is the story of a country-town family and old Uncle Worru, who in his dying days, recedes from urban hopelessness to the life and language of the Nyoongah spirit which in him has survived 'civilisation'.' (Currency Press website)
'The most famous Australian play and one of the best loved, Summer of the Seventeenth Doll is a tragicomic story of Roo and Barney, two Queensland sugar-cane cutters who go to Melbourne every year during the 'layoff' to live it up with their barmaid girl friends. The title refers to kewpie dolls, tawdry fairground souvenirs, that they brings as gifts and come, in some readings of the play, to represent adolescent dreams in which the characters seem to be permanently trapped. The play tells the story in traditional well-made, realistic form, with effective curtains and an obligatory scene. Its principal appeal – and that of two later plays with which it forms The Doll Trilogy – is the freshness and emotional warmth, even sentimentality, with which it deals with simple virtues of innocence and youthful energy that lie at the heart of the Australian bush legend.
'Ray Lawler’s play confronts that legend with the harsh new reality of modern urban Australia. The 17th year of the canecutters’ arrangement is different. There has been a fight on the canefields and Roo, the tough, heroic, bushman, has arrived with his ego battered and without money. Barney’s girl friend Nancy has left to get married and is replaced by Pearl, who is suspicious of the whole set-up and hopes to trap Barney into marriage. The play charts the inevitable failure of the dream of the layoff, the end of the men’s supremacy as bush heroes and, most poignantly, the betrayal of the idealistic self-sacrifice made by Roo’s girl friend Olive – the most interesting character – to keep the whole thing going. The city emerges victorious, but the emotional tone of the play vindicates the fallen bushman.'
Source: McCallum, John. 'Summer of the Seventeenth Doll.' Companion to Theatre in Australia. Ed. Philip Parson and Victoria Chance. Sydney: Currency Press , 1997: 564-656.
'A dark, compelling and original thriller that will have you spellbound from its atmospheric opening pages to its shocking climax. Hades is the debut of a stunning new talent in crime fiction.
'Hades Archer, the man they call the Lord of the Underworld, surrounds himself with the things others leave behind. Their trash becomes the twisted sculptures that line his junkyard. The bodies they want disposed of become his problem – for a fee.
'Then one night a man arrives on his doorstep, clutching a small bundle that he wants ‘lost'. And Hades makes a decision that will change everything...
'Twenty years later, homicide detective Frank Bennett feels like the luckiest man on the force when he meets his new partner, the dark and beautiful Eden Archer. But there's something strange about Eden and her brother, Eric. Something he can't quite put his finger on.
'When the two detectives are called to the scene of an attempted drowning, they find a traumatised victim telling a story that's hard to believe - until the divers start bringing up bodies.
'Frank is now on the hunt for a very different kind of serial killer: one who offers the sick and dying hope at murderous cost. At first, his partner's sharp instincts come in handy. Soon, he's wondering if she's as dangerous as the man they hunt.' (Publisher's blurb)
'One of the great untold love stories - how the Grimm brothers discovered their famous fairy tales - filled with drama and passion, and taking place during the Napoleonic Wars.
'The Wild Girl tells the story of Dortchen Wild. Growing up next door to the Grimm brothers in Hesse-Cassel, a small German kingdom, Dortchen told Wilhelm some of the most powerful and compelling stories in the famous fairytale collection.
'Dortchen first met the Grimm brothers in 1805, when she was twelve. One of six sisters, Dortchen lived in the medieval quarter of Cassel, a town famous for its grand royal palace, its colossal statue of Herkules, and a fairytale castle of turrets and spires built as a love nest for the Prince-Elector's mistress. Dortchen was the same age as Lotte Grimm, the only girl in the Grimm family, and the two became best friends.
'In 1806, Hesse-Cassel was invaded by the French. Napoleon created a new Kingdom of Westphalia, under the rule of his dissolute young brother Jérôme. The Grimm brothers began collecting fairytales that year, wanting to save the old stories told in spinning-circles and by the fire from the domination of French culture. Dortchen was the source of many of the tales in the Grimm brother's first collection of fairy tales, which was published in 1812, the year of Napoleon's disastrous march on Russia.
'Dortchen's own father was cruel and autocratic, and he beat and abused her. He frowned on the friendship between his daughters and the poverty-stricken Grimm Brothers. Dortchen had to meet Wilhelm in secret to tell him her stories. All the other sisters married and moved away, but Dortchen had to stay home and care for her sick parents. Even after the death of her father, Dortchen and Wilhelm could not marry - the Grimm brothers were so poor they were surviving on a single meal a day.
'After the overthrow of Napoleon and the eventual success of the fairytale collection, Dortchen and Wilhelm were at last able to marry. They lived happily ever after with Wilhelm's elder brother Jakob for the rest of their lives.' (From the publisher's website.)
'In 1939, a lost tribe of Europeans was discovered in the Tasmanian wilderness. They were a band of outcasts who had escaped the torture of convict life, scratching out an existence at the forgotten edge of the island, alone for almost a century.
'Inspired by this true story, writer Louis Nowra (Cosi, Radiance) penned The Golden Age – an extraordinary play that blends historical fact, Australian folklore and poetic language to create a post-colonial myth for our times. Nowra’s outcasts have developed a culture and dialect all of their own, but their bodies are failing them and their very existence is in danger. Brought back into the fold of Australian society, what fate awaits this band of exiles?'
Source: Sydney Theatre Company (2016 revival).
'With the death of her mother, middle-aged Theodora Goodman contemplates the desert of her life. Freed from the trammels of convention, she leaves Australia for a European tour and becomes involved with the residents of a small French hotel. But creating other people's lives, even in love and pity, can lead to madness. Her ability to reconcile joy and sorrow is an unbearable torture to her. On the journey home, Theodora finds there is little to choose between the reality of illusion and the illusion of reality. She looks for peace, even if it is beyond the borders of insanity.' (From the publisher's website.)
'The young Wooreddy recognised the omen immediately, accidentally stepping on it while bounding along the beach: something slimy, something eerily cold and not from the earth. Since it had come from the sea, it was an evil omen.
Soon after, many people died mysteriously, others disappeared without a trace, and once-friendly families became bitter enemies. The islanders muttered, 'It's the times', but Wooreddy alone knew more: the world was coming to an end.
In Mudrooroo's unforgettable novel, considered by many to be his masterpiece, the author evokes with fullest irony the bewilderment and frailty of the last native Tasmanians, as they come face to face with the clumsy but inexorable power of their white destroyers. ...' (Source: Goodreads website)
'A coming-of-age story of a spontaneous heroine who finds herself ensconced in the rigidity of a turn-of-the-century boarding school. The clever and highly imaginative Laura has difficulty fitting in with her wealthy classmates and begins to compromise her ideals in her search for popularity and acceptance.' (From the publisher's website.)
'Scarcely out of print since the early 1870s, For the Term of His Natural Life has provided successive generations with a vivid account of a brutal phase of colonial life. The main focus of this great convict novel is the complex interaction between those in power and those who suffer, made meaningful because of its hero's struggle against his wrongful imprisonment. Elements of romance, incidents of family life and passages of scenic description both relieve and give emphasis to the tragedy that forms its heart.' (Publication summary : Penguin Books 2009)
'My Brilliant Career was written by Stella Franklin (1879-1954) when she was just nineteen years old. The novel struggled to find an Australian publisher, but was published in London and Edinburgh in 1901 after receiving an endorsement from Henry Lawson. Although Franklin wrote under the pseudonym 'Miles Franklin', Lawson’s preface makes it clear that Franklin is, as Lawson puts it 'a girl.'
'The novel relates the story of Sybylla Melvyn, a strong-willed young woman of the 1890s growing up in the Goulburn area of New South Wales and longing to be a writer.' (Publication summary)
'In 1982, Sally Morgan travelled back to her grandmother's birthplace. What started as a tentative search for information about her family, turned into an overwhelming emotional and spiritual pilgrimage. My Place is a moving account of a search for truth into which a whole family is gradually drawn, finally freeing the tongues of the author's mother and grandmother, allowing them to tell their own stories.' Source: Publisher's blurb.
'This is a comprehensive survey of Australian poetic achievement, ranging from early colonial and indigenous verse to contemporary work, from the major poets to those who deserve to be better recognised.' (Provided by the publisher).
' "In the beginning, it was the summers I remembered - long warm days under the palest blue skies, the cornflowers and forget-me-nots lining the road through the Lys forest, the buzz of insects going about their work, Violet telling me lies."
Iris is getting old. A widow, her days are spent living quietly and worrying about her granddaughter, Grace, a headstrong young doctor. It's a small sort of life. But one day an invitation comes for Iris through the post to a reunion in France, where she served in a hospital during WWI. Determined to go, Iris is overcome by the memories of the past, when as a shy, naive young woman she followed her fifteen-year-old brother, Tom, to France in 1914 intending to bring him home. On her way to find Tom, Iris comes across the charismatic Miss Ivens, who is setting up a field hospital in the old abbey of Royaumont, north of Paris.
Putting her fears aside, Iris decides to stay at Royaumont, and it is there that she truly comes of age, finding her capability and her strength, discovering her passion for medicine, making friends with the vivacious Violet and falling in love.
But war is a brutal thing, and when the ultimate tragedy happens, there is a terrible price that Iris has to pay, a price that will echo down the generations. A moving and uplifting novel about the small, unsung acts of heroism of which love makes us capable.' Source: http://www.curtisbrown.co.uk/ (Sighted 04/09/2012).
'On a radiant day in Sydney, four adults converge on Circular Quay, site of the iconic Opera House and the Sydney Harbour Bridge. Crowds of tourists mix with the locals, enjoying the glorious surroundings and the play of light on water.
'But each of the four carries a complicated history from elsewhere; each is haunted by past intimacies, secrets and guilt: Ellie is preoccupied by her sexual experiences as a girl, James by a tragedy for which he feels responsible, Catherine by the loss of her beloved brother in Dublin and Pei Xing by her imprisonment during China's Cultural Revolution.
'Told over the course of a single Saturday, Five Bells describes four lives which chime and resonate, sharing mysterious patterns and symbols. But it is a fifth person, a child, whose presence at the Quay haunts the day and who will overshadow everything that unfolds. By night-time, when Sydney is drenched in a rainstorm, each life has been transformed.' (From the publisher's website.)
'The sound of horses' hooves turns hollow on the farms west of Wirri. If a man can still ride, if he hasn't totally lost the use of his legs, if he hasn't died to the part of his heart that understands such things, then he should go for a gallop. At the very least he should stand at the road by the river imagining that he's pushing a horse up the steep hill that leads to the house on the farm once known as One Tree.
'Set in hardscrabble farming country and around the country show high-jumping circuit that prevailed in rural New South Wales prior to the Second World War, Foal's Bread tells the story of two generations of the Nancarrow family and their fortunes as dictated by the vicissitudes of the land.
'It is a love story of impossible beauty and sadness, a chronicle of dreams 'turned inside out', and miracles that never last, framed against a world both tender and unspeakably hard. Written in luminous prose and with an aching affinity for the landscape the book describes, Foal's Bread is the work of a born writer at the height of her considerable powers. It is a stunning work of remarkable originality and power, one that confirms Gillian Mears' reputation as one of our most exciting and acclaimed writers.' (From the publisher's website.)
'In 1968 Papua New Guinea is on the brink of independence, and everything is about to change. Amidst the turmoil filmmaker Leonard arrives from England with his Dutch wife, Rika, to study and film an isolated village high in The Mountains. The villagers' customs and art have been passed down through generations, and Rika is immediately struck by their paintings on a cloth made of bark.
'Rika and Leonard are also confronted with the new university in Moresby, where intellectual ambition and the idealism of youth are creating friction among locals such as Milton - a hot-headed young playwright - and visiting westerners, such as Martha, to whom Rika becomes close. But it is when Rika meets brothers Jacob and Aaron that all their lives are changed for ever.' (From the publisher's website.)
Big-hearted, moving and richly rewarding, That Deadman Dance is set in the first decades of the 19th century in the area around what is now Albany, Western Australia. In playful, musical prose, the book explores the early contact between the Aboriginal Noongar people and the first European settlers.
'The novel's hero is a young Noongar man named Bobby Wabalanginy. Clever, resourceful and eager to please, Bobby befriends the new arrivals, joining them hunting whales, tilling the land, exploring the hinterland and establishing the fledgling colony. He is even welcomed into a prosperous local white family where he falls for the daughter, Christine, a beautiful young woman who sees no harm in a liaison with a native.
'But slowly - by design and by accident - things begin to change. Not everyone is happy with how the colony is developing. Stock mysteriously start to disappear; crops are destroyed; there are "accidents" and injuries on both sides. As the Europeans impose ever stricter rules and regulations in order to keep the peace, Bobby's Elders decide they must respond in kind. A friend to everyone, Bobby is forced to take sides: he must choose between the old world and the new, his ancestors and his new friends. Inexorably, he is drawn into a series of events that will forever change not just the colony but the future of Australia...' (From the publisher's website.)
'Stan Parker, with only a horse and a dog for company journeys to a remote patch of land he has inherited in the Australian hills. Once the land is cleared and a rudimentary house built, he brings his wife Amy to the wilderness. Together they face lives of joy and sorrow as they struggle against the environment.' (Publication summary)
'...always remember where you're from... To the Aboriginal Families of Mundra this saying brings either comfort or pain. To Nana Vida it is what binds the generations. To the unwilling savant Archie Corella it portends a fate too cruel to name. For Sophie Salte, whose woman's body and child's mind make her easy prey, nothing matters while her sister Murilla is there to watch over her.
For Murilla, fierce protector and unlikely friend to Caroline Drysdale, wife of the town patriarch, what matters is survival. In a town with a history of vigilante raids, missing persons and unsolved murders, survival can be all that matters'. (Source: back cover, 2002 edition)
'Should a woman bear a child knowing that there are traces of insanity in her family? Linda Hainlin, niece of a famous biologist, was aware of the danger when she married Dr. Nigel Hendon, a practical idealist, whose creed was normality and the rational ordering of the world. This book tells how, years later, while temporarily deprived of her husband's sane companionship, Linda feels the oncoming of those homicidal impulses which presage madness. On this tragic theme, 'Prelude to Christopher' is written with strong literary art as a narrative of four days of crisis. The story goes back in memory to the happiness of Linda's love for Nigel, and forward in her frightened imagination to a future from which the strongest must flinch. Christopher, the unborn child, dominates terrific events in which he has no living part to play. The prelude to his birth is told with emotional power.'
Source: Publisher's blurb.
'Miss Hester Harper, middle-aged and eccentric, brings Katherine into her emotionally impoverished life. Together they sew, cook gourmet dishes for two, run the farm, make music and throw dirty dishes down the well. One night, driving along the deserted track that leads to the farm, they run into a mysterious creature. They heave the body from the roo bar and dump it into the farm's deep well. But the voice of the injured intruder will not be stilled and, most disturbing of all, the closer Katherine is drawn to the edge of the well, the farther away she gets from Hester.' (From the publisher's website.)
In this important and beautifully written book, Aileen Moreton-Robinson gives us a compelling analysis of white Australian feminism seen through Indigenous Australian women's eyes. She unpacks the unspoken normative subject of feminism as white middle-class woman, where whitemess marks their position of power and privilege vis-a-vis Indigenous women, and where silence about whitemess sustains the exercise of that power. And she examines the consequences of practices for Indigenous women and White women.' (Source: Preface, Talkin' Up to the White Women, 2000)
'In this compelling reimagining of the Orpheus story, Leela May travels into an underworld of kidnapping, torture and despair in search of her lover, Mishka.
'Leela is a mathematical genius who escaped her hardscrabble Southern home town to study in Boston. It's there that she meets a young Australian musician, Mishka. From the moment she first hears him play, busking in a subway, his music grips her, and they quickly become lovers.
'Then one day Leela is picked up off the street and taken to an interrogation centre somewhere outside the city. There has been an 'incident', an explosion on the underground; terrorists are suspected, security is high. And her old childhood friend Cobb is conducting a very questionable interrogation. Over the years Cobb has never forgotten Leela and the secrets she knows.
'Now he reveals to her that Mishka may not be all he seems. That there may be more to him than growing up in the Daintree rainforest in northern Queensland in an eccentric musical family. Leela has already discovered on her own account that some nights when Mishka claims to be at the music lab are actually spent at a cafe. A cafe, Cobb tells her, known to be a terrorist contact point.
'Who can she believe?
'And then Mishka disappears.' (Publisher's blurb)
'With humane irony the Western Australian poet, Jack Davis gives a painful insight into the process of colonisation and the transformation of his people.'
'The Dreamers is the story of a country-town family and old Uncle Worru, who in his dying days, recedes from urban hopelessness to the life and language of the Nyoongah spirit which in him has survived 'civilisation'.' (Currency Press website)
The action takes place in Melbourne in the weeks leading up to a federal election. The Women’s Anti-Socialist League have selected Doris Quiverton—daughter of the conservative Prime Minister, Sir Joseph Quiverton—to stand for the seat of Wombat. However, no sooner than Doris learns that she has been selected, her fiancé, Sydney Barrett, reveals that he is competing for the same seat. A socialist and an atheist, Barrett opposes everything both Doris’ Liberal father and the Women’s Anti-Socialist League stand for. Doris must carefully navigate extreme political ideals and intense personal relationships.
"That hilarious comedy, "The Time is Not Ripe," published in 1912, is rather a breathless play, in which the political distractions of that era are complicated by the invention of a love affair between the socialist leader and the daughter of his principal opponent."
The Daily Mercury (1943). Louis Esson. [online] p.2. Available [Accessed 5 Mar. 2018].
'With the death of her mother, middle-aged Theodora Goodman contemplates the desert of her life. Freed from the trammels of convention, she leaves Australia for a European tour and becomes involved with the residents of a small French hotel. But creating other people's lives, even in love and pity, can lead to madness. Her ability to reconcile joy and sorrow is an unbearable torture to her. On the journey home, Theodora finds there is little to choose between the reality of illusion and the illusion of reality. She looks for peace, even if it is beyond the borders of insanity.' (From the publisher's website.)
'The young Wooreddy recognised the omen immediately, accidentally stepping on it while bounding along the beach: something slimy, something eerily cold and not from the earth. Since it had come from the sea, it was an evil omen.
Soon after, many people died mysteriously, others disappeared without a trace, and once-friendly families became bitter enemies. The islanders muttered, 'It's the times', but Wooreddy alone knew more: the world was coming to an end.
In Mudrooroo's unforgettable novel, considered by many to be his masterpiece, the author evokes with fullest irony the bewilderment and frailty of the last native Tasmanians, as they come face to face with the clumsy but inexorable power of their white destroyers. ...' (Source: Goodreads website)
'A coming-of-age story of a spontaneous heroine who finds herself ensconced in the rigidity of a turn-of-the-century boarding school. The clever and highly imaginative Laura has difficulty fitting in with her wealthy classmates and begins to compromise her ideals in her search for popularity and acceptance.' (From the publisher's website.)
'Set in Washington during the 1930s, Sam and Henny Pollit are a warring husband and wife. Their tempestuous marriage, aggravated by too little money, lies at the centre of Stead's satirical and brilliantly observed novel about the relations between husbands and wives, and parents and children.
'Sam, a scientist, uses words as weapons of attack and control on his children and is prone to illusions of power and influence that fail to extend beyond his family. His wife Henny, who hails from a wealthy Baltimore family, is disastrously impractical and enmeshed in her own fantasies of romance and vengeance. Much of the care of their six children is left to Louisa, Sam's 14-year-old daughter from his first marriage. Within this psychological battleground, Louisa must attempt to make a life of her own.'
Source: Publisher's blurb (MUP).
'In 1982, Sally Morgan travelled back to her grandmother's birthplace. What started as a tentative search for information about her family, turned into an overwhelming emotional and spiritual pilgrimage. My Place is a moving account of a search for truth into which a whole family is gradually drawn, finally freeing the tongues of the author's mother and grandmother, allowing them to tell their own stories.' Source: Publisher's blurb.
'This is a comprehensive survey of Australian poetic achievement, ranging from early colonial and indigenous verse to contemporary work, from the major poets to those who deserve to be better recognised.' (Provided by the publisher).
Catriona Elder explores the origins, meanings and effects of the many stories we tell about ourselves, and how they have changed over time. She outlines some of the traditional stories and their role in Australian nationalism, and she shows how concepts of egalitarianism, peaceful settlement and sporting prowess have been used to create a national identity.
(Publisher's blurb)
'Culture in Australia, published in 2001, offers an incisive and up-to-date examination of the forces that are reshaping Australian cultural priorities, policies and practices at the start of the twenty-first century. Drawing on the work of some of Australia's leading cultural analysts, its concerns range broadly across the cultural sector encompassing art and heritage institutions, publishing, broadcasting, tourism, museums, the music industry, film and youth cultures. These are placed in the context of the major national and international forces that are redrawing the cultural landscape in contemporary Australia. Engagingly and accessibly written, Culture in Australia offers a challenging introduction to current debates and dialogues focused on the need to imagine new culture futures for an increasingly diverse and mobile people.' (Publication summary)
'On a radiant day in Sydney, four adults converge on Circular Quay, site of the iconic Opera House and the Sydney Harbour Bridge. Crowds of tourists mix with the locals, enjoying the glorious surroundings and the play of light on water.
'But each of the four carries a complicated history from elsewhere; each is haunted by past intimacies, secrets and guilt: Ellie is preoccupied by her sexual experiences as a girl, James by a tragedy for which he feels responsible, Catherine by the loss of her beloved brother in Dublin and Pei Xing by her imprisonment during China's Cultural Revolution.
'Told over the course of a single Saturday, Five Bells describes four lives which chime and resonate, sharing mysterious patterns and symbols. But it is a fifth person, a child, whose presence at the Quay haunts the day and who will overshadow everything that unfolds. By night-time, when Sydney is drenched in a rainstorm, each life has been transformed.' (From the publisher's website.)
'The sound of horses' hooves turns hollow on the farms west of Wirri. If a man can still ride, if he hasn't totally lost the use of his legs, if he hasn't died to the part of his heart that understands such things, then he should go for a gallop. At the very least he should stand at the road by the river imagining that he's pushing a horse up the steep hill that leads to the house on the farm once known as One Tree.
'Set in hardscrabble farming country and around the country show high-jumping circuit that prevailed in rural New South Wales prior to the Second World War, Foal's Bread tells the story of two generations of the Nancarrow family and their fortunes as dictated by the vicissitudes of the land.
'It is a love story of impossible beauty and sadness, a chronicle of dreams 'turned inside out', and miracles that never last, framed against a world both tender and unspeakably hard. Written in luminous prose and with an aching affinity for the landscape the book describes, Foal's Bread is the work of a born writer at the height of her considerable powers. It is a stunning work of remarkable originality and power, one that confirms Gillian Mears' reputation as one of our most exciting and acclaimed writers.' (From the publisher's website.)
'The year is 1947. The great fire of the Second World War has convulsed Europe and Asia. In its wake, Aldred Leith, an acclaimed hero of the conflict, has spent two years in China at work on an account of world-transforming change there. Son of a famed and sexually ruthless novelist, Leith begins to resist his own self-sufficiency, nurtured by war. Peter Exley, another veteran and an art historian by training, is prosecuting war crimes committed by the Japanese. Both men have narrowly escaped death in battle, and Leith saved Exley's life. The men have maintained long-distance friendship in a postwar loneliness that haunts them both, and which has swallowed Exley whole. Now in their thirties, with their youth behind them and their world in ruins, both must invent the future and retrieve a private humanity.
'Arriving in Occupied Japan to record the effects of the bomb at Hiroshima, Leith meets Benedict and Helen Driscoll, the Australian son and daughter of a tyrannical medical administrator. Benedict, at twenty, is doomed by a rare degenerative disease. Helen, still younger, is inseparable from her brother. Precocious, brilliant, sensitive, at home in the books they read together, these two have been, in Leith's words, delivered by literature. The young people capture Leith's sympathy; indeed, he finds himself struggling with his attraction to this girl whose feelings are as intense as his own and from whom he will soon be fatefully parted.'
Source: Publisher's blurb.
Big-hearted, moving and richly rewarding, That Deadman Dance is set in the first decades of the 19th century in the area around what is now Albany, Western Australia. In playful, musical prose, the book explores the early contact between the Aboriginal Noongar people and the first European settlers.
'The novel's hero is a young Noongar man named Bobby Wabalanginy. Clever, resourceful and eager to please, Bobby befriends the new arrivals, joining them hunting whales, tilling the land, exploring the hinterland and establishing the fledgling colony. He is even welcomed into a prosperous local white family where he falls for the daughter, Christine, a beautiful young woman who sees no harm in a liaison with a native.
'But slowly - by design and by accident - things begin to change. Not everyone is happy with how the colony is developing. Stock mysteriously start to disappear; crops are destroyed; there are "accidents" and injuries on both sides. As the Europeans impose ever stricter rules and regulations in order to keep the peace, Bobby's Elders decide they must respond in kind. A friend to everyone, Bobby is forced to take sides: he must choose between the old world and the new, his ancestors and his new friends. Inexorably, he is drawn into a series of events that will forever change not just the colony but the future of Australia...' (From the publisher's website.)
'Urban Myths: 210 Poems brings the best work to date from a poet considered one of the most original of his generation in Australia, together with a generous selection of new work. Smart, wry and very stylish, John Tranter’s poems investigate the vagaries of perception and the ability of language to converge life, imagination and art so that we arrive, unexpectedly, at the deepest human mysteries.' (Publication summary)
'Justin Cheong, Tien Ho and Nigel Gibbo' Gibson have been best friends since school in a world divided along ethnic lines into skips, wogs and slopes. Together they've survived a suburban tragedy, compulsory karaoke nights and Justin's mother's obsession with clean toilets. They thought they would always be there for each other but they hadn't counted on the effects of jealousy, betrayal, and their desire to escape themselves.
'Ho Ly-Linh, Tien's mother, wasn't around for much of Tien's childhood. Left behind in a rapidly changing Vietnam, she risked everything to follow her family to Australia. Having spent so much of this dangerous journey alone, she is ready now to find love. On Saturday, 6 September 1997 they all meet at the Cheongs' house for the first time in years because Princess Diana is dead and their mothers have decided to hold a Dead Diana Dinner to watch the funeral on television. Nobody realises just how explosive this dinner will be, or how complicated life is going to get.
'This is a story of three families' discovery of the meaning of love and friendship.' [Source: publisher's website]
'With the death of her mother, middle-aged Theodora Goodman contemplates the desert of her life. Freed from the trammels of convention, she leaves Australia for a European tour and becomes involved with the residents of a small French hotel. But creating other people's lives, even in love and pity, can lead to madness. Her ability to reconcile joy and sorrow is an unbearable torture to her. On the journey home, Theodora finds there is little to choose between the reality of illusion and the illusion of reality. She looks for peace, even if it is beyond the borders of insanity.' (From the publisher's website.)
'A coming-of-age story of a spontaneous heroine who finds herself ensconced in the rigidity of a turn-of-the-century boarding school. The clever and highly imaginative Laura has difficulty fitting in with her wealthy classmates and begins to compromise her ideals in her search for popularity and acceptance.' (From the publisher's website.)
'In this potent tale of love and loneliness, Elizabeth Jolley has woven two parallel stories into a dazzlingly original novel. Arabella Thorne is a brilliant, witty and accomplished woman. The exotic tale of this flamboyant eccentric and her European travels – with jealous secretary and shy schoolgirl protégée – is the inheritance that transforms the uneventful suburban life of Miss Peabody.' (Publication summary)
'My Brilliant Career was written by Stella Franklin (1879-1954) when she was just nineteen years old. The novel struggled to find an Australian publisher, but was published in London and Edinburgh in 1901 after receiving an endorsement from Henry Lawson. Although Franklin wrote under the pseudonym 'Miles Franklin', Lawson’s preface makes it clear that Franklin is, as Lawson puts it 'a girl.'
'The novel relates the story of Sybylla Melvyn, a strong-willed young woman of the 1890s growing up in the Goulburn area of New South Wales and longing to be a writer.' (Publication summary)
'In 1982, Sally Morgan travelled back to her grandmother's birthplace. What started as a tentative search for information about her family, turned into an overwhelming emotional and spiritual pilgrimage. My Place is a moving account of a search for truth into which a whole family is gradually drawn, finally freeing the tongues of the author's mother and grandmother, allowing them to tell their own stories.' Source: Publisher's blurb.
'This is a comprehensive survey of Australian poetic achievement, ranging from early colonial and indigenous verse to contemporary work, from the major poets to those who deserve to be better recognised.' (Provided by the publisher).
'Liza used to say that she saw her past life as a string of roughly-graded balls, and so did Hilda have a linear conception of hers, thinking of it as a track with detours. But for some years now I have likened mine to a globe suspended in my head, and ever since the shocking realisation that waste is irretrievalbe, I have been careful not to let this globe spin to expose the nether side on which my marriage has left its multitude of images.
'Nora Porteous has spent most of her life waiting to escape. Fleeing from her small-town family and then from her stifling marriage to a mean-spirited husband, Nora arrives finally in London where she creates a new life for herself as a successful dressmaker.
'Now in her seventies, Nora returns to Queensland to settle into her childhood home.
'But Nora has been away a long time, and the people and events of her past are not at all like she remembered them. And while some things never change, Nora is about to discover just how selective her 'globe of memory' has been.
'Tirra Lirra by the River is a moving account of one woman's remarkable life, a beautifully written novel which displays the lyrical brevity of Jessica Anderson's award-winning style.' (Publication summary)
'On a radiant day in Sydney, four adults converge on Circular Quay, site of the iconic Opera House and the Sydney Harbour Bridge. Crowds of tourists mix with the locals, enjoying the glorious surroundings and the play of light on water.
'But each of the four carries a complicated history from elsewhere; each is haunted by past intimacies, secrets and guilt: Ellie is preoccupied by her sexual experiences as a girl, James by a tragedy for which he feels responsible, Catherine by the loss of her beloved brother in Dublin and Pei Xing by her imprisonment during China's Cultural Revolution.
'Told over the course of a single Saturday, Five Bells describes four lives which chime and resonate, sharing mysterious patterns and symbols. But it is a fifth person, a child, whose presence at the Quay haunts the day and who will overshadow everything that unfolds. By night-time, when Sydney is drenched in a rainstorm, each life has been transformed.' (From the publisher's website.)
Big-hearted, moving and richly rewarding, That Deadman Dance is set in the first decades of the 19th century in the area around what is now Albany, Western Australia. In playful, musical prose, the book explores the early contact between the Aboriginal Noongar people and the first European settlers.
'The novel's hero is a young Noongar man named Bobby Wabalanginy. Clever, resourceful and eager to please, Bobby befriends the new arrivals, joining them hunting whales, tilling the land, exploring the hinterland and establishing the fledgling colony. He is even welcomed into a prosperous local white family where he falls for the daughter, Christine, a beautiful young woman who sees no harm in a liaison with a native.
'But slowly - by design and by accident - things begin to change. Not everyone is happy with how the colony is developing. Stock mysteriously start to disappear; crops are destroyed; there are "accidents" and injuries on both sides. As the Europeans impose ever stricter rules and regulations in order to keep the peace, Bobby's Elders decide they must respond in kind. A friend to everyone, Bobby is forced to take sides: he must choose between the old world and the new, his ancestors and his new friends. Inexorably, he is drawn into a series of events that will forever change not just the colony but the future of Australia...' (From the publisher's website.)
'Urban Myths: 210 Poems brings the best work to date from a poet considered one of the most original of his generation in Australia, together with a generous selection of new work. Smart, wry and very stylish, John Tranter’s poems investigate the vagaries of perception and the ability of language to converge life, imagination and art so that we arrive, unexpectedly, at the deepest human mysteries.' (Publication summary)
'On a radiant day in Sydney, four adults converge on Circular Quay, site of the iconic Opera House and the Sydney Harbour Bridge. Crowds of tourists mix with the locals, enjoying the glorious surroundings and the play of light on water.
'But each of the four carries a complicated history from elsewhere; each is haunted by past intimacies, secrets and guilt: Ellie is preoccupied by her sexual experiences as a girl, James by a tragedy for which he feels responsible, Catherine by the loss of her beloved brother in Dublin and Pei Xing by her imprisonment during China's Cultural Revolution.
'Told over the course of a single Saturday, Five Bells describes four lives which chime and resonate, sharing mysterious patterns and symbols. But it is a fifth person, a child, whose presence at the Quay haunts the day and who will overshadow everything that unfolds. By night-time, when Sydney is drenched in a rainstorm, each life has been transformed.' (From the publisher's website.)
Big-hearted, moving and richly rewarding, That Deadman Dance is set in the first decades of the 19th century in the area around what is now Albany, Western Australia. In playful, musical prose, the book explores the early contact between the Aboriginal Noongar people and the first European settlers.
'The novel's hero is a young Noongar man named Bobby Wabalanginy. Clever, resourceful and eager to please, Bobby befriends the new arrivals, joining them hunting whales, tilling the land, exploring the hinterland and establishing the fledgling colony. He is even welcomed into a prosperous local white family where he falls for the daughter, Christine, a beautiful young woman who sees no harm in a liaison with a native.
'But slowly - by design and by accident - things begin to change. Not everyone is happy with how the colony is developing. Stock mysteriously start to disappear; crops are destroyed; there are "accidents" and injuries on both sides. As the Europeans impose ever stricter rules and regulations in order to keep the peace, Bobby's Elders decide they must respond in kind. A friend to everyone, Bobby is forced to take sides: he must choose between the old world and the new, his ancestors and his new friends. Inexorably, he is drawn into a series of events that will forever change not just the colony but the future of Australia...' (From the publisher's website.)
'Urban Myths: 210 Poems brings the best work to date from a poet considered one of the most original of his generation in Australia, together with a generous selection of new work. Smart, wry and very stylish, John Tranter’s poems investigate the vagaries of perception and the ability of language to converge life, imagination and art so that we arrive, unexpectedly, at the deepest human mysteries.' (Publication summary)
'Justin Cheong, Tien Ho and Nigel Gibbo' Gibson have been best friends since school in a world divided along ethnic lines into skips, wogs and slopes. Together they've survived a suburban tragedy, compulsory karaoke nights and Justin's mother's obsession with clean toilets. They thought they would always be there for each other but they hadn't counted on the effects of jealousy, betrayal, and their desire to escape themselves.
'Ho Ly-Linh, Tien's mother, wasn't around for much of Tien's childhood. Left behind in a rapidly changing Vietnam, she risked everything to follow her family to Australia. Having spent so much of this dangerous journey alone, she is ready now to find love. On Saturday, 6 September 1997 they all meet at the Cheongs' house for the first time in years because Princess Diana is dead and their mothers have decided to hold a Dead Diana Dinner to watch the funeral on television. Nobody realises just how explosive this dinner will be, or how complicated life is going to get.
'This is a story of three families' discovery of the meaning of love and friendship.' [Source: publisher's website]
'Dante and Johnno are unlikely childhood friends, growing up in the bustle of steamy, wartime Brisbane. Later, as teenagers, they learn about love and life amidst the city's pubs and public libraries, backyards and brothels, Moreton Bay figs and tennis parties. As adults, they make the great pilgrimage overseas and maintain an uneasy friendship as they seek to build their lives.
'An affectionate and bittersweet portrait, Johnno brilliantly recreates the sleazy, tropical half-city that was Brisbane and captures a generation locked in combat with the elusive Australian dream.'
Source: Publisher's blurb (Penguin).
'With the death of her mother, middle-aged Theodora Goodman contemplates the desert of her life. Freed from the trammels of convention, she leaves Australia for a European tour and becomes involved with the residents of a small French hotel. But creating other people's lives, even in love and pity, can lead to madness. Her ability to reconcile joy and sorrow is an unbearable torture to her. On the journey home, Theodora finds there is little to choose between the reality of illusion and the illusion of reality. She looks for peace, even if it is beyond the borders of insanity.' (From the publisher's website.)
'A coming-of-age story of a spontaneous heroine who finds herself ensconced in the rigidity of a turn-of-the-century boarding school. The clever and highly imaginative Laura has difficulty fitting in with her wealthy classmates and begins to compromise her ideals in her search for popularity and acceptance.' (From the publisher's website.)
'In this potent tale of love and loneliness, Elizabeth Jolley has woven two parallel stories into a dazzlingly original novel. Arabella Thorne is a brilliant, witty and accomplished woman. The exotic tale of this flamboyant eccentric and her European travels – with jealous secretary and shy schoolgirl protégée – is the inheritance that transforms the uneventful suburban life of Miss Peabody.' (Publication summary)
'My Brilliant Career was written by Stella Franklin (1879-1954) when she was just nineteen years old. The novel struggled to find an Australian publisher, but was published in London and Edinburgh in 1901 after receiving an endorsement from Henry Lawson. Although Franklin wrote under the pseudonym 'Miles Franklin', Lawson’s preface makes it clear that Franklin is, as Lawson puts it 'a girl.'
'The novel relates the story of Sybylla Melvyn, a strong-willed young woman of the 1890s growing up in the Goulburn area of New South Wales and longing to be a writer.' (Publication summary)
'In 1982, Sally Morgan travelled back to her grandmother's birthplace. What started as a tentative search for information about her family, turned into an overwhelming emotional and spiritual pilgrimage. My Place is a moving account of a search for truth into which a whole family is gradually drawn, finally freeing the tongues of the author's mother and grandmother, allowing them to tell their own stories.' Source: Publisher's blurb.
'This is a comprehensive survey of Australian poetic achievement, ranging from early colonial and indigenous verse to contemporary work, from the major poets to those who deserve to be better recognised.' (Provided by the publisher).
'Liza used to say that she saw her past life as a string of roughly-graded balls, and so did Hilda have a linear conception of hers, thinking of it as a track with detours. But for some years now I have likened mine to a globe suspended in my head, and ever since the shocking realisation that waste is irretrievalbe, I have been careful not to let this globe spin to expose the nether side on which my marriage has left its multitude of images.
'Nora Porteous has spent most of her life waiting to escape. Fleeing from her small-town family and then from her stifling marriage to a mean-spirited husband, Nora arrives finally in London where she creates a new life for herself as a successful dressmaker.
'Now in her seventies, Nora returns to Queensland to settle into her childhood home.
'But Nora has been away a long time, and the people and events of her past are not at all like she remembered them. And while some things never change, Nora is about to discover just how selective her 'globe of memory' has been.
'Tirra Lirra by the River is a moving account of one woman's remarkable life, a beautifully written novel which displays the lyrical brevity of Jessica Anderson's award-winning style.' (Publication summary)
'Culture in Australia, published in 2001, offers an incisive and up-to-date examination of the forces that are reshaping Australian cultural priorities, policies and practices at the start of the twenty-first century. Drawing on the work of some of Australia's leading cultural analysts, its concerns range broadly across the cultural sector encompassing art and heritage institutions, publishing, broadcasting, tourism, museums, the music industry, film and youth cultures. These are placed in the context of the major national and international forces that are redrawing the cultural landscape in contemporary Australia. Engagingly and accessibly written, Culture in Australia offers a challenging introduction to current debates and dialogues focused on the need to imagine new culture futures for an increasingly diverse and mobile people.' (Publication summary)
'The Best Australian Poetry 2009 celebrates the originality and verve of Australian poetry at this moment. In this collection of 40 poems Alan Wearne brings long experience as a poet and teacher of poetry, and a sharp eye for the surprising. Bookended with an introduction by Wearne and the poets' commentary on their work, this year's collection is a sophisticated and accessible sampling of recent achievements in Australian poetry.' (From the publisher's website.)
Biographical notes on the contributing poets are included, together with a substantial comment by each poet their selected poem.
'There is a serial killer stalking the streets of Melbourne. The victims are killed gently, lovingly, a gold mark traced on their forehead. This killer doesn't hate children. This killer believes in childhood innocence at any cost...El Dorado is the story of a friendship under siege, and the very long shadows that jealousy and betrayal can cast.' - back cover
'Eddie Twyborn is bisexual and beautiful, the son of a Judge and a drunken mother. With his androgynous hero - Eudoxia/Eddie/Eadith Twyborn - and through his search for identity, for self-affirmation and love in its many forms, Patrick White takes us into the ambiguous landscapes, sexual, psychological and spiritual, of the human condition.' (From the publisher's website.)
'The year is 1947. The great fire of the Second World War has convulsed Europe and Asia. In its wake, Aldred Leith, an acclaimed hero of the conflict, has spent two years in China at work on an account of world-transforming change there. Son of a famed and sexually ruthless novelist, Leith begins to resist his own self-sufficiency, nurtured by war. Peter Exley, another veteran and an art historian by training, is prosecuting war crimes committed by the Japanese. Both men have narrowly escaped death in battle, and Leith saved Exley's life. The men have maintained long-distance friendship in a postwar loneliness that haunts them both, and which has swallowed Exley whole. Now in their thirties, with their youth behind them and their world in ruins, both must invent the future and retrieve a private humanity.
'Arriving in Occupied Japan to record the effects of the bomb at Hiroshima, Leith meets Benedict and Helen Driscoll, the Australian son and daughter of a tyrannical medical administrator. Benedict, at twenty, is doomed by a rare degenerative disease. Helen, still younger, is inseparable from her brother. Precocious, brilliant, sensitive, at home in the books they read together, these two have been, in Leith's words, delivered by literature. The young people capture Leith's sympathy; indeed, he finds himself struggling with his attraction to this girl whose feelings are as intense as his own and from whom he will soon be fatefully parted.'
Source: Publisher's blurb.
'Justin Cheong, Tien Ho and Nigel Gibbo' Gibson have been best friends since school in a world divided along ethnic lines into skips, wogs and slopes. Together they've survived a suburban tragedy, compulsory karaoke nights and Justin's mother's obsession with clean toilets. They thought they would always be there for each other but they hadn't counted on the effects of jealousy, betrayal, and their desire to escape themselves.
'Ho Ly-Linh, Tien's mother, wasn't around for much of Tien's childhood. Left behind in a rapidly changing Vietnam, she risked everything to follow her family to Australia. Having spent so much of this dangerous journey alone, she is ready now to find love. On Saturday, 6 September 1997 they all meet at the Cheongs' house for the first time in years because Princess Diana is dead and their mothers have decided to hold a Dead Diana Dinner to watch the funeral on television. Nobody realises just how explosive this dinner will be, or how complicated life is going to get.
'This is a story of three families' discovery of the meaning of love and friendship.' [Source: publisher's website]
'Dante and Johnno are unlikely childhood friends, growing up in the bustle of steamy, wartime Brisbane. Later, as teenagers, they learn about love and life amidst the city's pubs and public libraries, backyards and brothels, Moreton Bay figs and tennis parties. As adults, they make the great pilgrimage overseas and maintain an uneasy friendship as they seek to build their lives.
'An affectionate and bittersweet portrait, Johnno brilliantly recreates the sleazy, tropical half-city that was Brisbane and captures a generation locked in combat with the elusive Australian dream.'
Source: Publisher's blurb (Penguin).
'...always remember where you're from... To the Aboriginal Families of Mundra this saying brings either comfort or pain. To Nana Vida it is what binds the generations. To the unwilling savant Archie Corella it portends a fate too cruel to name. For Sophie Salte, whose woman's body and child's mind make her easy prey, nothing matters while her sister Murilla is there to watch over her.
For Murilla, fierce protector and unlikely friend to Caroline Drysdale, wife of the town patriarch, what matters is survival. In a town with a history of vigilante raids, missing persons and unsolved murders, survival can be all that matters'. (Source: back cover, 2002 edition)
'Should a woman bear a child knowing that there are traces of insanity in her family? Linda Hainlin, niece of a famous biologist, was aware of the danger when she married Dr. Nigel Hendon, a practical idealist, whose creed was normality and the rational ordering of the world. This book tells how, years later, while temporarily deprived of her husband's sane companionship, Linda feels the oncoming of those homicidal impulses which presage madness. On this tragic theme, 'Prelude to Christopher' is written with strong literary art as a narrative of four days of crisis. The story goes back in memory to the happiness of Linda's love for Nigel, and forward in her frightened imagination to a future from which the strongest must flinch. Christopher, the unborn child, dominates terrific events in which he has no living part to play. The prelude to his birth is told with emotional power.'
Source: Publisher's blurb.
'Seven Poor Men of Sydney is a brilliant portrayal of a group of men and women living in Sydney in the 1920s amid conditions of poverty and social turmoil.
Set against the vividly drawn backgrounds of Fisherman's (Watson's) Bay and the innercity slums, the various characters seek to resolve their individual spiritual dilemmas; through politics, religion and philosophy.
Their struggles, their pain and their frustrations are portrayed with consummate skill in this memorable evocation of a city and an era.' (Publication summary)
'Miss Hester Harper, middle-aged and eccentric, brings Katherine into her emotionally impoverished life. Together they sew, cook gourmet dishes for two, run the farm, make music and throw dirty dishes down the well. One night, driving along the deserted track that leads to the farm, they run into a mysterious creature. They heave the body from the roo bar and dump it into the farm's deep well. But the voice of the injured intruder will not be stilled and, most disturbing of all, the closer Katherine is drawn to the edge of the well, the farther away she gets from Hester.' (From the publisher's website.)
'In February 1983 a significant event took place at Murdoch University - the first Aboriginal Writers' Conference. And, as the editors point out, no mere collection of papers can do justice to that historic gathering,. Nevertheless, anyone interested in Aboriginal writing - from its proud beginnings as an oral tradition through its exciting contemporary voice to the strong promise of its future - will want to read Aboriginal Writing Today.'
'Faith Bandler gives a fascinating account of how she researched her novels. Catherine Berndt offers a sensitive analysis of oral literature and, as an added bonus, introduces three story tellers...Gerry Bostock describes the early days of black theatre and points out how Aboriginal drama fits into a long tradition of protest literature stretching back to classical Greek dramatists. Jack Davis provides a valuable overview of Aboriginal writing... and Kevin Gilbert discusses the policies Aboriginal writers have adopted and offers some provocative suggestions for future policies.'
'Colin Johnson talks about the problems of trying to handle Aboriginal themes within white forms, whilst Cliff Watego continues the discussion with a penetrating analysis of Kath Walker's poetry. Finally, Bruce McGuinness and Denis Walker combine two formidable talents to talk about the politics of Aboriginal literature.'
Shoemaker's primary concern is to look at the beginning of 'black people's' writing in Australia since the 1960s and focus on the nascent literary canon emerging through Aboriginal writing. Shoemaker moves the readership through non-Aboriginal authors such as Katharine Susannah Prichard (1929) and Xavier Herbert (1938) in a chapter entitled 'Popular Perceptions of Unpopular People to Progress and Frustrated Expectations: The Era Since 1961'. Where Aboriginal writing begins, for Shoemaker's purposes, is an area of literary production he describes as 'fourth world literature'.
'For the Record offers the reader an unusual glimpse, through Aboriginal eyes, of key issues and events in Aboriginal and Australian history by bringing together examples of Aboriginal journalism from a wide range of Aboriginal and mainstream publications.' (Source: Back cover)
'This is the first collection to span the diverse range of Black Australian writings. Thirty-six Aboriginal and Islander authors have contributed, including David Unaipon, Oodgeroo Noonuccal, Gerry Bostock, Ruby Langford, Robert Bropho, Jack Davis, Hyllus Maris, William Ferguson, Sally Morgan, Mudrooroo Narogin and Archie Weller. Many more are represented through community writings such as petitions and letters.
Collected over six years from all the states and territories of Australia, Paperbark ranges widely across time and genre from the 1840s to the present, from transcriptions of oral literature to rock opera. Prose, poetry, song, drama and polemic are accompanied by the selected artworks of Jimmy Pike, and an extensive, up-to-date bibliography.The voices of Black Australia speak with passion and power in this challenging and important anthology.' Source: Publisher's blurb.
'In Writing Never Arrives Naked, Penny van Toorn engages our minds and hearts. In this academically innovative book she reveals the resourceful and often poignant ways that Indigenous Australians involved themselves in the colonisers' paper culture. The first Aboriginal readers were children stolen from the clans around Sydney Harbour. The first Aboriginal author was Bennelong – a stolen adult. From the early years of colonisation, Aboriginal people used written texts to negotiate a changing world, to challenge their oppressors, protect country and kin, and occasionally for economic gain. Van Toorn argues that Aboriginal people were curious about books and papers, and in time began to integrate letters of the alphabet into their graphic traditions. During the 19th and 20th centuries, Aboriginal people played key roles in translating the Bible, and made their political views known in community and regional newspapers. They also sent numerous letters and petitions to political figures, including Queen Victoria. Penny van Toorn challenges the established notion that the colonists' paper culture superseded Indigenous oral cultures. She argues that Indigenous communities developed their own cultures of reading and writing, which involved a complex interplay between their own social protocols and the practices of literacy introduced by the British. Many distinctive features of Aboriginal writing today were shaped by the cultural, socio-political and institutional conditions in which Aboriginal people were living in colonial times.' (Source: Publisher's website)
'Ten stories that delight, shock, intrigue, amuse and move the reader to tears with their imaginative reach, their dark humour, their subtlety, their humanity and depth of feeling: As part of a public execution, a young boy forlornly helps to sing his sister down. A servant learns about grace and loyalty from a mistress who would rather dance with Gypsies than sit on her throne. A terrifying encounter with a demonic angel gives a young man the strength he needs to break free of his oppressor. On a bleak and dreary afternoon a gleeful shooting spree leads to tragedy for a desperate clown unable to escape his fate.'
'Black Juice offers glimpses into familiar, shadowy worlds that push the boundaries of the spirit and leave the mind haunted with the knowledge that black juice runs through us all.'
'"Deadly, unna?" He was always saying that. All the Nungas did, but Dumby more than any of them. Dumby Red and Blacky don't have a lot in common. Dumby's the star of the footy team, he's got a killer smile and the knack with girls, and he's a Nunga. Blacky's a gutless wonder, needs braces, never knows what to say, and he's white. But they're friends... and it could be deadly, unna? This gutsy novel, set in a small coastal town in South Australia is a rites-of-passage story about two boys confronting the depth of racism that exists all around them.'
Source: Publisher's blurb.
'A powerful story of love and loss, secrets and revelations - and making sense of a past that once seemed perfect.
'For Tom Brennan, life is about rugby, mates and family - until a night of celebration changes his life forever. Tom's world explodes as his brother Daniel is sent to jail and the Brennans are forced to leave the small town Tom's lived in his whole life. Tom is a survivor, but he needs a ticket out of the past just as much as Daniel. He will find it in many forms . . .' (Publication summary)
'Culture in Australia, published in 2001, offers an incisive and up-to-date examination of the forces that are reshaping Australian cultural priorities, policies and practices at the start of the twenty-first century. Drawing on the work of some of Australia's leading cultural analysts, its concerns range broadly across the cultural sector encompassing art and heritage institutions, publishing, broadcasting, tourism, museums, the music industry, film and youth cultures. These are placed in the context of the major national and international forces that are redrawing the cultural landscape in contemporary Australia. Engagingly and accessibly written, Culture in Australia offers a challenging introduction to current debates and dialogues focused on the need to imagine new culture futures for an increasingly diverse and mobile people.' (Publication summary)
'His selection of 40 poems from Australia's print and online journals captures a sense of poetry as passion, as lived experience, and momentary distillations into action.' (Source: Publisher's website)
'Lowell tries not to think about the past, about the hijacking that killed his mother. Samantha, on the other hand, cannot let go. As a child she survived the hijacking of Air France 64, and as an adult she obsessively digs for answers, seeking a man called Salamander whom she believes holds key information.
'It is the death of Lowell's father, and his legacy of a blue sports bag crammed with documents and videotapes, that finally brings Lowell and Samantha together and unravels the interconnections between victims and perpetrators, saved and damned.
'But in this murky world of endless aliases and surveillance, who can be trusted? When does the quest for truth become a dangerous obsession? And what difference can the truth make?
'Janette Turner Hospital has crafted a taut and confronting novel that propels us into the chaos of terror and the cruelty - and unexpected hope - of survival. ' (Publication summary)
'There is a serial killer stalking the streets of Melbourne. The victims are killed gently, lovingly, a gold mark traced on their forehead. This killer doesn't hate children. This killer believes in childhood innocence at any cost...El Dorado is the story of a friendship under siege, and the very long shadows that jealousy and betrayal can cast.' - back cover
'The year is 1947. The great fire of the Second World War has convulsed Europe and Asia. In its wake, Aldred Leith, an acclaimed hero of the conflict, has spent two years in China at work on an account of world-transforming change there. Son of a famed and sexually ruthless novelist, Leith begins to resist his own self-sufficiency, nurtured by war. Peter Exley, another veteran and an art historian by training, is prosecuting war crimes committed by the Japanese. Both men have narrowly escaped death in battle, and Leith saved Exley's life. The men have maintained long-distance friendship in a postwar loneliness that haunts them both, and which has swallowed Exley whole. Now in their thirties, with their youth behind them and their world in ruins, both must invent the future and retrieve a private humanity.
'Arriving in Occupied Japan to record the effects of the bomb at Hiroshima, Leith meets Benedict and Helen Driscoll, the Australian son and daughter of a tyrannical medical administrator. Benedict, at twenty, is doomed by a rare degenerative disease. Helen, still younger, is inseparable from her brother. Precocious, brilliant, sensitive, at home in the books they read together, these two have been, in Leith's words, delivered by literature. The young people capture Leith's sympathy; indeed, he finds himself struggling with his attraction to this girl whose feelings are as intense as his own and from whom he will soon be fatefully parted.'
Source: Publisher's blurb.
'Justin Cheong, Tien Ho and Nigel Gibbo' Gibson have been best friends since school in a world divided along ethnic lines into skips, wogs and slopes. Together they've survived a suburban tragedy, compulsory karaoke nights and Justin's mother's obsession with clean toilets. They thought they would always be there for each other but they hadn't counted on the effects of jealousy, betrayal, and their desire to escape themselves.
'Ho Ly-Linh, Tien's mother, wasn't around for much of Tien's childhood. Left behind in a rapidly changing Vietnam, she risked everything to follow her family to Australia. Having spent so much of this dangerous journey alone, she is ready now to find love. On Saturday, 6 September 1997 they all meet at the Cheongs' house for the first time in years because Princess Diana is dead and their mothers have decided to hold a Dead Diana Dinner to watch the funeral on television. Nobody realises just how explosive this dinner will be, or how complicated life is going to get.
'This is a story of three families' discovery of the meaning of love and friendship.' [Source: publisher's website]
'Dante and Johnno are unlikely childhood friends, growing up in the bustle of steamy, wartime Brisbane. Later, as teenagers, they learn about love and life amidst the city's pubs and public libraries, backyards and brothels, Moreton Bay figs and tennis parties. As adults, they make the great pilgrimage overseas and maintain an uneasy friendship as they seek to build their lives.
'An affectionate and bittersweet portrait, Johnno brilliantly recreates the sleazy, tropical half-city that was Brisbane and captures a generation locked in combat with the elusive Australian dream.'
Source: Publisher's blurb (Penguin).
An allegorical novel written in sympathy with the shearers involved in the 1891 Shearer's Strike.
'With the death of her mother, middle-aged Theodora Goodman contemplates the desert of her life. Freed from the trammels of convention, she leaves Australia for a European tour and becomes involved with the residents of a small French hotel. But creating other people's lives, even in love and pity, can lead to madness. Her ability to reconcile joy and sorrow is an unbearable torture to her. On the journey home, Theodora finds there is little to choose between the reality of illusion and the illusion of reality. She looks for peace, even if it is beyond the borders of insanity.' (From the publisher's website.)
' Handsome, proud, reprehensible, misunderstood. Dominic Langton is the dark heart of A Difficult Young Man. His brother Guy can scarcely understand where he fits into the pattern of things or what he might do next. Martin Boyd’s much loved novel is an elegant, witty and compelling family tale about the contradictions of growing up.' (Publication summary)
Wresting his family from the easy living of nineteenth-century Sydney, Cornelius Laffey takes them to northern Queensland where thousands of hopefuls are digging for gold in the mud. They confront the horror of Aboriginal dispossession, and Cornelius is sacked for reporting the slaughter. This is an unforgettable tale of the other side of Australia's heritage.
Source: Penguin Random House Australia.
(https://penguin.com.au/books/its-raining-in-mango-popular-penguins-9780143204749)
'Set in Washington during the 1930s, Sam and Henny Pollit are a warring husband and wife. Their tempestuous marriage, aggravated by too little money, lies at the centre of Stead's satirical and brilliantly observed novel about the relations between husbands and wives, and parents and children.
'Sam, a scientist, uses words as weapons of attack and control on his children and is prone to illusions of power and influence that fail to extend beyond his family. His wife Henny, who hails from a wealthy Baltimore family, is disastrously impractical and enmeshed in her own fantasies of romance and vengeance. Much of the care of their six children is left to Louisa, Sam's 14-year-old daughter from his first marriage. Within this psychological battleground, Louisa must attempt to make a life of her own.'
Source: Publisher's blurb (MUP).
'My Brilliant Career was written by Stella Franklin (1879-1954) when she was just nineteen years old. The novel struggled to find an Australian publisher, but was published in London and Edinburgh in 1901 after receiving an endorsement from Henry Lawson. Although Franklin wrote under the pseudonym 'Miles Franklin', Lawson’s preface makes it clear that Franklin is, as Lawson puts it 'a girl.'
'The novel relates the story of Sybylla Melvyn, a strong-willed young woman of the 1890s growing up in the Goulburn area of New South Wales and longing to be a writer.' (Publication summary)
''The thing I am trying to get at is what made Jack different from me. Different all through our lives, I mean, and in a special sense, not just older or nobler or braver or less clever.'
'David and Jack Meredith grow up in a patriotic suburban Melbourne household during the First World War, and go on to lead lives that could not be more different. Through the story of the two brothers, George Johnston created an enduring exploration of two Australian myths: that of the man who loses his soul as he gains worldly success, and that of the tough, honest Aussie battler, whose greatest ambition is to serve his country during the war. Acknowledged as one of the true Australian classics, My Brother Jack is a deeply satisfying, complex and moving literary masterpiece. ' (Publication summary)
'This is a comprehensive survey of Australian poetic achievement, ranging from early colonial and indigenous verse to contemporary work, from the major poets to those who deserve to be better recognised.' (Provided by the publisher).
'...always remember where you're from... To the Aboriginal Families of Mundra this saying brings either comfort or pain. To Nana Vida it is what binds the generations. To the unwilling savant Archie Corella it portends a fate too cruel to name. For Sophie Salte, whose woman's body and child's mind make her easy prey, nothing matters while her sister Murilla is there to watch over her.
For Murilla, fierce protector and unlikely friend to Caroline Drysdale, wife of the town patriarch, what matters is survival. In a town with a history of vigilante raids, missing persons and unsolved murders, survival can be all that matters'. (Source: back cover, 2002 edition)
'Should a woman bear a child knowing that there are traces of insanity in her family? Linda Hainlin, niece of a famous biologist, was aware of the danger when she married Dr. Nigel Hendon, a practical idealist, whose creed was normality and the rational ordering of the world. This book tells how, years later, while temporarily deprived of her husband's sane companionship, Linda feels the oncoming of those homicidal impulses which presage madness. On this tragic theme, 'Prelude to Christopher' is written with strong literary art as a narrative of four days of crisis. The story goes back in memory to the happiness of Linda's love for Nigel, and forward in her frightened imagination to a future from which the strongest must flinch. Christopher, the unborn child, dominates terrific events in which he has no living part to play. The prelude to his birth is told with emotional power.'
Source: Publisher's blurb.
'Seven Poor Men of Sydney is a brilliant portrayal of a group of men and women living in Sydney in the 1920s amid conditions of poverty and social turmoil.
Set against the vividly drawn backgrounds of Fisherman's (Watson's) Bay and the innercity slums, the various characters seek to resolve their individual spiritual dilemmas; through politics, religion and philosophy.
Their struggles, their pain and their frustrations are portrayed with consummate skill in this memorable evocation of a city and an era.' (Publication summary)
'Miss Hester Harper, middle-aged and eccentric, brings Katherine into her emotionally impoverished life. Together they sew, cook gourmet dishes for two, run the farm, make music and throw dirty dishes down the well. One night, driving along the deserted track that leads to the farm, they run into a mysterious creature. They heave the body from the roo bar and dump it into the farm's deep well. But the voice of the injured intruder will not be stilled and, most disturbing of all, the closer Katherine is drawn to the edge of the well, the farther away she gets from Hester.' (From the publisher's website.)
Identifies six different types of Australian autobiography.
'Don’t Take Your Love to Town is a story of courage in the face of poverty and tragedy. Ruby recounts losing her mother when she was six, growing up in a mission in northern New South Wales and leaving home when she was fifteen. She lived in tin huts and tents in the bush and picked up work on the land while raising nine children virtually single-handedly. Later she struggled to make ends meet in the Koori areas of Sydney. Ruby is an amazing woman whose sense of humour has endured through all the hardships she has experienced.' (Source UQP website: www.uqp.uq.edu.au)
'The hilariously compelling memoir that was hailed as an instant classic.
'Hoi Polloi recounts a childhood spent on racetracks and in bars, as the author’s parents struggle to climb the social ladder. It begins in 1968 in the small town of Heritage, New Zealand. Living above the bar of his family’s hotel, the young Craig is exposed to violence, drinking and murky racial politics. His parents, whom Sherborne thinks of as “Winks” and “Heels” in his eccentric personal language, decide to sell the hotel and move to Sydney, Australia – which they imagine as New Zealand’s “England”, a place of boundless wealth, prestige and social opportunities.
'Once in Sydney, the family begins a love affair with the racing scene. Written with extraordinary sympathy and verve, Hoi Polloi is the portrait of an extraordinary childhood – brutal, poignant and unforgettable.' (Publication summary)
'"Deadly, unna?" He was always saying that. All the Nungas did, but Dumby more than any of them. Dumby Red and Blacky don't have a lot in common. Dumby's the star of the footy team, he's got a killer smile and the knack with girls, and he's a Nunga. Blacky's a gutless wonder, needs braces, never knows what to say, and he's white. But they're friends... and it could be deadly, unna? This gutsy novel, set in a small coastal town in South Australia is a rites-of-passage story about two boys confronting the depth of racism that exists all around them.'
Source: Publisher's blurb.
'A powerful story of love and loss, secrets and revelations - and making sense of a past that once seemed perfect.
'For Tom Brennan, life is about rugby, mates and family - until a night of celebration changes his life forever. Tom's world explodes as his brother Daniel is sent to jail and the Brennans are forced to leave the small town Tom's lived in his whole life. Tom is a survivor, but he needs a ticket out of the past just as much as Daniel. He will find it in many forms . . .' (Publication summary)
'The Best Australian Poetry 2007 celebrates the vibrancy and force of poetry in Australia now. Guest Editor John Tranter has selected 40 of the best poems of the preceding year. With revealing comments from the poets, The Best Australian Poetry 2007 is an indispensable addition to a series. Now in its fifth year, it is widely recognised as the most dependable guide to what is new and remarkable in Australian poetry.' (Publication summary)
'The year is 1947. The great fire of the Second World War has convulsed Europe and Asia. In its wake, Aldred Leith, an acclaimed hero of the conflict, has spent two years in China at work on an account of world-transforming change there. Son of a famed and sexually ruthless novelist, Leith begins to resist his own self-sufficiency, nurtured by war. Peter Exley, another veteran and an art historian by training, is prosecuting war crimes committed by the Japanese. Both men have narrowly escaped death in battle, and Leith saved Exley's life. The men have maintained long-distance friendship in a postwar loneliness that haunts them both, and which has swallowed Exley whole. Now in their thirties, with their youth behind them and their world in ruins, both must invent the future and retrieve a private humanity.
'Arriving in Occupied Japan to record the effects of the bomb at Hiroshima, Leith meets Benedict and Helen Driscoll, the Australian son and daughter of a tyrannical medical administrator. Benedict, at twenty, is doomed by a rare degenerative disease. Helen, still younger, is inseparable from her brother. Precocious, brilliant, sensitive, at home in the books they read together, these two have been, in Leith's words, delivered by literature. The young people capture Leith's sympathy; indeed, he finds himself struggling with his attraction to this girl whose feelings are as intense as his own and from whom he will soon be fatefully parted.'
Source: Publisher's blurb.
'In the dying town of Drylands, Janet Deakin sells papers to lonely locals. At night, in her flat above the newsagency, she attempts to write a novel for a world in which no one reads—‘full of people, she envisaged, glaring at a screen that glared glassily back.’ Drylands is the story of the townsfolk’s harsh, violent lives. Trenchant and brilliant, Thea Astley’s final novel is a dark portrait of outback Australia in decline.'
Source: Publisher's blurb (Text ed.)
'Superbly evoking life in Sydney and London in the 1930s, For Love Alone is the story of the intelligent and determined Teresa Hawkins, who believes in passionate love and yearns to experience it. She focuses her energy on Jonathan Crow, an unlikeable and arrogant man whom she follows to London after four long years of working in a factory and living at home with her loveless family. Reunited with Crow in London, she begins to realise that perhaps he is not as worthy of her affections as originally thought and abandons her idealised vision of love for something quite different.' (From Melbourne University Publishing's website, new ed., 2011)
'A coming-of-age story of a spontaneous heroine who finds herself ensconced in the rigidity of a turn-of-the-century boarding school. The clever and highly imaginative Laura has difficulty fitting in with her wealthy classmates and begins to compromise her ideals in her search for popularity and acceptance.' (From the publisher's website.)
'In this potent tale of love and loneliness, Elizabeth Jolley has woven two parallel stories into a dazzlingly original novel. Arabella Thorne is a brilliant, witty and accomplished woman. The exotic tale of this flamboyant eccentric and her European travels – with jealous secretary and shy schoolgirl protégée – is the inheritance that transforms the uneventful suburban life of Miss Peabody.' (Publication summary)
'In 1982, Sally Morgan travelled back to her grandmother's birthplace. What started as a tentative search for information about her family, turned into an overwhelming emotional and spiritual pilgrimage. My Place is a moving account of a search for truth into which a whole family is gradually drawn, finally freeing the tongues of the author's mother and grandmother, allowing them to tell their own stories.' Source: Publisher's blurb.
'In The Pea Pickers, a novel based on Eve Langley's own experiences, Steve and Blue are two girls who, dressed as men, are taken on as itinerant workers for the farmers of Gippsland. They pack apples and pick peas. But their disguise is partial - and their quest is for love. For Blue the novel ends in marriage; but not for Steve. For her, desire is never straightforward, and love - for men, for women, for country - leaves her confused, but independent. ' (Publication summary)
'Sixty Lights is the captivating chronicle of Lucy Strange, an independent girl growing up in the Victorian world. From her childhood in Australia through to her adolescence in England and Bombay and finally to London, Lucy is fascinated by light and by the new photographic technology. Her perception of the world is passionate and moving, revealed in a series of frozen images captured in the camera of her mind's eye showing her feelings about love, life and loss. In this confident, finely woven and intricate novel Jones has created an unforgettable character in Lucy; visionary, gifted and exuberant, she touches the lives of all who know her.' (Publication summary)
'Liza used to say that she saw her past life as a string of roughly-graded balls, and so did Hilda have a linear conception of hers, thinking of it as a track with detours. But for some years now I have likened mine to a globe suspended in my head, and ever since the shocking realisation that waste is irretrievalbe, I have been careful not to let this globe spin to expose the nether side on which my marriage has left its multitude of images.
'Nora Porteous has spent most of her life waiting to escape. Fleeing from her small-town family and then from her stifling marriage to a mean-spirited husband, Nora arrives finally in London where she creates a new life for herself as a successful dressmaker.
'Now in her seventies, Nora returns to Queensland to settle into her childhood home.
'But Nora has been away a long time, and the people and events of her past are not at all like she remembered them. And while some things never change, Nora is about to discover just how selective her 'globe of memory' has been.
'Tirra Lirra by the River is a moving account of one woman's remarkable life, a beautifully written novel which displays the lyrical brevity of Jessica Anderson's award-winning style.' (Publication summary)
'Families can detonate. Some families are torn apart forever by one small act, one solitary mistake. In my family it was a series of small explosions; consistent, passionate, pathetic. Cruel words, crude threats... We spurred each other on till we reached a crescendo of pain and we retired exhausted to our rooms, in tears or in fury.
'Ari is nineteen, unemployed and a poofter who doesn't want to be gay. He is looking for something - anything - to take him away from his aimless existence in suburban Melbourne. He doesn't believe in anyone or anything, except the power of music. All he wants to do is dance, take drugs, have sex and change the world.
'For Ari, all the orthodoxies of family, sex, politics and work have collapsed. Caught between the traditional Greek world of his parents and friends and the alluring, destructive world of clubs, chemicals and anonymous sex, all Ari can do is ease his pain in the only ways he knows how.
'Written in stark, uncompromising prose, Loaded is a first novel of great passion and power.' (From the publisher's website.)
An allegorical novel written in sympathy with the shearers involved in the 1891 Shearer's Strike.
'Bush Studies is famous for its stark realism—for not romanticising bush life, instead showing all its bleakness and harshness.
'Economic of style, influenced by the great nineteenth-century Russian novelists, Barbara Baynton’s short-story collection presents the Australian bush as dangerous and isolating for the women who inhabit it.' (Publication summary : Text Classics)
"Set in Australia in the 1840s, A FRINGE OF LEAVES combines dramatic action with a finely distilled moral vision. Returning home to England from Van Diemen's land, the Bristol Maid is shipwrecked on the Queensland coast and Mrs Roxburgh is taken prisoner by a tribe of aborigines, along with the rest of the passengers and crew. In the course of her escape, she is torn by conflicting loyalties - to her dead husband, to her rescuer, to her own and to her adoptive class."
Source: Goodreads'Judith Wright's own definitive selection of her poetry, covering the best and most memorable of her remarkable oeuvre.
'From the elegant and moving precision of the first collection, The Moving Image (1946), to the political passion of Phantom Dwelling (1985), Wright's poetry speaks with intelligence and courage - and gracefully sensuous imagery.
'Forty years of poetic production from Australia's best-loved poet.' (Publication summary)
'Set in Washington during the 1930s, Sam and Henny Pollit are a warring husband and wife. Their tempestuous marriage, aggravated by too little money, lies at the centre of Stead's satirical and brilliantly observed novel about the relations between husbands and wives, and parents and children.
'Sam, a scientist, uses words as weapons of attack and control on his children and is prone to illusions of power and influence that fail to extend beyond his family. His wife Henny, who hails from a wealthy Baltimore family, is disastrously impractical and enmeshed in her own fantasies of romance and vengeance. Much of the care of their six children is left to Louisa, Sam's 14-year-old daughter from his first marriage. Within this psychological battleground, Louisa must attempt to make a life of her own.'
Source: Publisher's blurb (MUP).
''The thing I am trying to get at is what made Jack different from me. Different all through our lives, I mean, and in a special sense, not just older or nobler or braver or less clever.'
'David and Jack Meredith grow up in a patriotic suburban Melbourne household during the First World War, and go on to lead lives that could not be more different. Through the story of the two brothers, George Johnston created an enduring exploration of two Australian myths: that of the man who loses his soul as he gains worldly success, and that of the tough, honest Aussie battler, whose greatest ambition is to serve his country during the war. Acknowledged as one of the true Australian classics, My Brother Jack is a deeply satisfying, complex and moving literary masterpiece. ' (Publication summary)
'...always remember where you're from... To the Aboriginal Families of Mundra this saying brings either comfort or pain. To Nana Vida it is what binds the generations. To the unwilling savant Archie Corella it portends a fate too cruel to name. For Sophie Salte, whose woman's body and child's mind make her easy prey, nothing matters while her sister Murilla is there to watch over her.
For Murilla, fierce protector and unlikely friend to Caroline Drysdale, wife of the town patriarch, what matters is survival. In a town with a history of vigilante raids, missing persons and unsolved murders, survival can be all that matters'. (Source: back cover, 2002 edition)
'Should a woman bear a child knowing that there are traces of insanity in her family? Linda Hainlin, niece of a famous biologist, was aware of the danger when she married Dr. Nigel Hendon, a practical idealist, whose creed was normality and the rational ordering of the world. This book tells how, years later, while temporarily deprived of her husband's sane companionship, Linda feels the oncoming of those homicidal impulses which presage madness. On this tragic theme, 'Prelude to Christopher' is written with strong literary art as a narrative of four days of crisis. The story goes back in memory to the happiness of Linda's love for Nigel, and forward in her frightened imagination to a future from which the strongest must flinch. Christopher, the unborn child, dominates terrific events in which he has no living part to play. The prelude to his birth is told with emotional power.'
Source: Publisher's blurb.
'Seven Poor Men of Sydney is a brilliant portrayal of a group of men and women living in Sydney in the 1920s amid conditions of poverty and social turmoil.
Set against the vividly drawn backgrounds of Fisherman's (Watson's) Bay and the innercity slums, the various characters seek to resolve their individual spiritual dilemmas; through politics, religion and philosophy.
Their struggles, their pain and their frustrations are portrayed with consummate skill in this memorable evocation of a city and an era.' (Publication summary)
'Miss Hester Harper, middle-aged and eccentric, brings Katherine into her emotionally impoverished life. Together they sew, cook gourmet dishes for two, run the farm, make music and throw dirty dishes down the well. One night, driving along the deserted track that leads to the farm, they run into a mysterious creature. They heave the body from the roo bar and dump it into the farm's deep well. But the voice of the injured intruder will not be stilled and, most disturbing of all, the closer Katherine is drawn to the edge of the well, the farther away she gets from Hester.' (From the publisher's website.)
'"Deadly, unna?" He was always saying that. All the Nungas did, but Dumby more than any of them. Dumby Red and Blacky don't have a lot in common. Dumby's the star of the footy team, he's got a killer smile and the knack with girls, and he's a Nunga. Blacky's a gutless wonder, needs braces, never knows what to say, and he's white. But they're friends... and it could be deadly, unna? This gutsy novel, set in a small coastal town in South Australia is a rites-of-passage story about two boys confronting the depth of racism that exists all around them.'
Source: Publisher's blurb.
'A powerful story of love and loss, secrets and revelations - and making sense of a past that once seemed perfect.
'For Tom Brennan, life is about rugby, mates and family - until a night of celebration changes his life forever. Tom's world explodes as his brother Daniel is sent to jail and the Brennans are forced to leave the small town Tom's lived in his whole life. Tom is a survivor, but he needs a ticket out of the past just as much as Daniel. He will find it in many forms . . .' (Publication summary)
'In making her selection of the best 40 poems from Australia’s literary journals, Beveridge – one of Australia’s leading poets – has searched for poems that enact ‘a serious showdown between the word and the poet’. Passionate, vigorous and filled with visitations and mysterious narratives, The Best Australian Poetry 2006 is the liveliest gathering of Australian poetry. ' (Publication summary)
'In October 1997 a clever young law student at ANU made a bizarre plan to murder her devoted boyfriend after a dinner party at their house. Some of the dinner guests - most of them university students - had heard rumours of the plan. Nobody warned Joe Cinque. He died one Sunday, in his own bed, of a massive dose of rohypnol and heroin. His girlfriend and her best friend were charged with murder. Helen Garner followed the trials in the ACT Supreme Court. Compassionate but unflinching, this is a book about how and why Joe Cinque died. It probes the gap between ethics and the law; examines the helplessness of the courts in the face of what we think of as 'evil'; and explores conscience, culpability, and the battered ideal of duty of care.' (Source: Pan Macmillan website)
Garner takes 'a deliberately subjective and "literary" approach' to her material with an 'emphasis on a sympatheitic authorial persona as the source of the reader's perspective' (Susan Lever 'The Crimes of the Past: Anna Funder's Stasiland and Helen Garner's Joe Cinque's Consolation'. Paper delivered at the Association for the Study of Australian Literature (ASAL) conference 2006).
'In 1806 William Thornhill, a man of quick temper and deep feelings, is transported from the slums of London to New South Wales for the term of his natural life. With his wife Sal and their children he arrives in a harsh land he cannot understand.
'But the colony can turn a convict into a free man. Eight years later Thornhill sails up the Hawkesbury to claim a hundred acres for himself.
'Aboriginal people already live on that river. And other recent arrivals - Thomas Blackwood, Smasher Sullivan and Mrs Herring - are finding their own ways to respond to them.
'Thornhill, a man neither better nor worse than most, soon has to make the most difficult choice of his life.
'Inspired by research into her own family history, Kate Grenville vividly creates the reality of settler life, its longings, dangers and dilemmas. The Secret River is a brilliantly written book, a groundbreaking story about identity, belonging and ownership.' (From the publisher's website.)
'Families can detonate. Some families are torn apart forever by one small act, one solitary mistake. In my family it was a series of small explosions; consistent, passionate, pathetic. Cruel words, crude threats... We spurred each other on till we reached a crescendo of pain and we retired exhausted to our rooms, in tears or in fury.
'Ari is nineteen, unemployed and a poofter who doesn't want to be gay. He is looking for something - anything - to take him away from his aimless existence in suburban Melbourne. He doesn't believe in anyone or anything, except the power of music. All he wants to do is dance, take drugs, have sex and change the world.
'For Ari, all the orthodoxies of family, sex, politics and work have collapsed. Caught between the traditional Greek world of his parents and friends and the alluring, destructive world of clubs, chemicals and anonymous sex, all Ari can do is ease his pain in the only ways he knows how.
'Written in stark, uncompromising prose, Loaded is a first novel of great passion and power.' (From the publisher's website.)
'"I lost my own father at 12 yr. of age and know what it is to be raised on lies and silences my dear daughter you are presently too young to understand a word I write but this history is for you and will contain no single lie may I burn in Hell if I speak false."
'In TRUE HISTORY OF THE KELLY GANG, the legendary Ned Kelly speaks for himself, scribbling his narrative on errant scraps of paper in semi-literate but magically descriptive prose as he flees from the police. To his pursuers, Kelly is nothing but a monstrous criminal, a thief and a murderer. To his own people, the lowly class of ordinary Australians, the bushranger is a hero, defying the authority of the English to direct their lives. Indentured by his bootlegger mother to a famous horse thief (who was also her lover), Ned saw his first prison cell at 15 and by the age of 26 had become the most wanted man in the wild colony of Victoria, taking over whole towns and defying the law until he was finally captured and hanged. Here is a classic outlaw tale, made alive by the skill of a great novelist.' (From the publisher's website.)
'Bush Studies is famous for its stark realism—for not romanticising bush life, instead showing all its bleakness and harshness.
'Economic of style, influenced by the great nineteenth-century Russian novelists, Barbara Baynton’s short-story collection presents the Australian bush as dangerous and isolating for the women who inhabit it.' (Publication summary : Text Classics)
"Set in Australia in the 1840s, A FRINGE OF LEAVES combines dramatic action with a finely distilled moral vision. Returning home to England from Van Diemen's land, the Bristol Maid is shipwrecked on the Queensland coast and Mrs Roxburgh is taken prisoner by a tribe of aborigines, along with the rest of the passengers and crew. In the course of her escape, she is torn by conflicting loyalties - to her dead husband, to her rescuer, to her own and to her adoptive class."
Source: Goodreads'Judith Wright's own definitive selection of her poetry, covering the best and most memorable of her remarkable oeuvre.
'From the elegant and moving precision of the first collection, The Moving Image (1946), to the political passion of Phantom Dwelling (1985), Wright's poetry speaks with intelligence and courage - and gracefully sensuous imagery.
'Forty years of poetic production from Australia's best-loved poet.' (Publication summary)
'My Brilliant Career was written by Stella Franklin (1879-1954) when she was just nineteen years old. The novel struggled to find an Australian publisher, but was published in London and Edinburgh in 1901 after receiving an endorsement from Henry Lawson. Although Franklin wrote under the pseudonym 'Miles Franklin', Lawson’s preface makes it clear that Franklin is, as Lawson puts it 'a girl.'
'The novel relates the story of Sybylla Melvyn, a strong-willed young woman of the 1890s growing up in the Goulburn area of New South Wales and longing to be a writer.' (Publication summary)
''The thing I am trying to get at is what made Jack different from me. Different all through our lives, I mean, and in a special sense, not just older or nobler or braver or less clever.'
'David and Jack Meredith grow up in a patriotic suburban Melbourne household during the First World War, and go on to lead lives that could not be more different. Through the story of the two brothers, George Johnston created an enduring exploration of two Australian myths: that of the man who loses his soul as he gains worldly success, and that of the tough, honest Aussie battler, whose greatest ambition is to serve his country during the war. Acknowledged as one of the true Australian classics, My Brother Jack is a deeply satisfying, complex and moving literary masterpiece. ' (Publication summary)
'In 1982, Sally Morgan travelled back to her grandmother's birthplace. What started as a tentative search for information about her family, turned into an overwhelming emotional and spiritual pilgrimage. My Place is a moving account of a search for truth into which a whole family is gradually drawn, finally freeing the tongues of the author's mother and grandmother, allowing them to tell their own stories.' Source: Publisher's blurb.
'Superbly evoking life in Sydney and London in the 1930s, For Love Alone is the story of the intelligent and determined Teresa Hawkins, who believes in passionate love and yearns to experience it. She focuses her energy on Jonathan Crow, an unlikeable and arrogant man whom she follows to London after four long years of working in a factory and living at home with her loveless family. Reunited with Crow in London, she begins to realise that perhaps he is not as worthy of her affections as originally thought and abandons her idealised vision of love for something quite different.' (From Melbourne University Publishing's website, new ed., 2011)
'...always remember where you're from... To the Aboriginal Families of Mundra this saying brings either comfort or pain. To Nana Vida it is what binds the generations. To the unwilling savant Archie Corella it portends a fate too cruel to name. For Sophie Salte, whose woman's body and child's mind make her easy prey, nothing matters while her sister Murilla is there to watch over her.
For Murilla, fierce protector and unlikely friend to Caroline Drysdale, wife of the town patriarch, what matters is survival. In a town with a history of vigilante raids, missing persons and unsolved murders, survival can be all that matters'. (Source: back cover, 2002 edition)
'Miss Hester Harper, middle-aged and eccentric, brings Katherine into her emotionally impoverished life. Together they sew, cook gourmet dishes for two, run the farm, make music and throw dirty dishes down the well. One night, driving along the deserted track that leads to the farm, they run into a mysterious creature. They heave the body from the roo bar and dump it into the farm's deep well. But the voice of the injured intruder will not be stilled and, most disturbing of all, the closer Katherine is drawn to the edge of the well, the farther away she gets from Hester.' (From the publisher's website.)
'"Deadly, unna?" He was always saying that. All the Nungas did, but Dumby more than any of them. Dumby Red and Blacky don't have a lot in common. Dumby's the star of the footy team, he's got a killer smile and the knack with girls, and he's a Nunga. Blacky's a gutless wonder, needs braces, never knows what to say, and he's white. But they're friends... and it could be deadly, unna? This gutsy novel, set in a small coastal town in South Australia is a rites-of-passage story about two boys confronting the depth of racism that exists all around them.'
Source: Publisher's blurb.
'Liza used to say that she saw her past life as a string of roughly-graded balls, and so did Hilda have a linear conception of hers, thinking of it as a track with detours. But for some years now I have likened mine to a globe suspended in my head, and ever since the shocking realisation that waste is irretrievalbe, I have been careful not to let this globe spin to expose the nether side on which my marriage has left its multitude of images.
'Nora Porteous has spent most of her life waiting to escape. Fleeing from her small-town family and then from her stifling marriage to a mean-spirited husband, Nora arrives finally in London where she creates a new life for herself as a successful dressmaker.
'Now in her seventies, Nora returns to Queensland to settle into her childhood home.
'But Nora has been away a long time, and the people and events of her past are not at all like she remembered them. And while some things never change, Nora is about to discover just how selective her 'globe of memory' has been.
'Tirra Lirra by the River is a moving account of one woman's remarkable life, a beautifully written novel which displays the lyrical brevity of Jessica Anderson's award-winning style.' (Publication summary)
'"I lost my own father at 12 yr. of age and know what it is to be raised on lies and silences my dear daughter you are presently too young to understand a word I write but this history is for you and will contain no single lie may I burn in Hell if I speak false."
'In TRUE HISTORY OF THE KELLY GANG, the legendary Ned Kelly speaks for himself, scribbling his narrative on errant scraps of paper in semi-literate but magically descriptive prose as he flees from the police. To his pursuers, Kelly is nothing but a monstrous criminal, a thief and a murderer. To his own people, the lowly class of ordinary Australians, the bushranger is a hero, defying the authority of the English to direct their lives. Indentured by his bootlegger mother to a famous horse thief (who was also her lover), Ned saw his first prison cell at 15 and by the age of 26 had become the most wanted man in the wild colony of Victoria, taking over whole towns and defying the law until he was finally captured and hanged. Here is a classic outlaw tale, made alive by the skill of a great novelist.' (From the publisher's website.)
An allegorical novel written in sympathy with the shearers involved in the 1891 Shearer's Strike.
'Bush Studies is famous for its stark realism—for not romanticising bush life, instead showing all its bleakness and harshness.
'Economic of style, influenced by the great nineteenth-century Russian novelists, Barbara Baynton’s short-story collection presents the Australian bush as dangerous and isolating for the women who inhabit it.' (Publication summary : Text Classics)
"Set in Australia in the 1840s, A FRINGE OF LEAVES combines dramatic action with a finely distilled moral vision. Returning home to England from Van Diemen's land, the Bristol Maid is shipwrecked on the Queensland coast and Mrs Roxburgh is taken prisoner by a tribe of aborigines, along with the rest of the passengers and crew. In the course of her escape, she is torn by conflicting loyalties - to her dead husband, to her rescuer, to her own and to her adoptive class."
Source: Goodreads'Judith Wright's own definitive selection of her poetry, covering the best and most memorable of her remarkable oeuvre.
'From the elegant and moving precision of the first collection, The Moving Image (1946), to the political passion of Phantom Dwelling (1985), Wright's poetry speaks with intelligence and courage - and gracefully sensuous imagery.
'Forty years of poetic production from Australia's best-loved poet.' (Publication summary)
'My Brilliant Career was written by Stella Franklin (1879-1954) when she was just nineteen years old. The novel struggled to find an Australian publisher, but was published in London and Edinburgh in 1901 after receiving an endorsement from Henry Lawson. Although Franklin wrote under the pseudonym 'Miles Franklin', Lawson’s preface makes it clear that Franklin is, as Lawson puts it 'a girl.'
'The novel relates the story of Sybylla Melvyn, a strong-willed young woman of the 1890s growing up in the Goulburn area of New South Wales and longing to be a writer.' (Publication summary)
''The thing I am trying to get at is what made Jack different from me. Different all through our lives, I mean, and in a special sense, not just older or nobler or braver or less clever.'
'David and Jack Meredith grow up in a patriotic suburban Melbourne household during the First World War, and go on to lead lives that could not be more different. Through the story of the two brothers, George Johnston created an enduring exploration of two Australian myths: that of the man who loses his soul as he gains worldly success, and that of the tough, honest Aussie battler, whose greatest ambition is to serve his country during the war. Acknowledged as one of the true Australian classics, My Brother Jack is a deeply satisfying, complex and moving literary masterpiece. ' (Publication summary)
'In 1982, Sally Morgan travelled back to her grandmother's birthplace. What started as a tentative search for information about her family, turned into an overwhelming emotional and spiritual pilgrimage. My Place is a moving account of a search for truth into which a whole family is gradually drawn, finally freeing the tongues of the author's mother and grandmother, allowing them to tell their own stories.' Source: Publisher's blurb.
'Superbly evoking life in Sydney and London in the 1930s, For Love Alone is the story of the intelligent and determined Teresa Hawkins, who believes in passionate love and yearns to experience it. She focuses her energy on Jonathan Crow, an unlikeable and arrogant man whom she follows to London after four long years of working in a factory and living at home with her loveless family. Reunited with Crow in London, she begins to realise that perhaps he is not as worthy of her affections as originally thought and abandons her idealised vision of love for something quite different.' (From Melbourne University Publishing's website, new ed., 2011)
'...always remember where you're from... To the Aboriginal Families of Mundra this saying brings either comfort or pain. To Nana Vida it is what binds the generations. To the unwilling savant Archie Corella it portends a fate too cruel to name. For Sophie Salte, whose woman's body and child's mind make her easy prey, nothing matters while her sister Murilla is there to watch over her.
For Murilla, fierce protector and unlikely friend to Caroline Drysdale, wife of the town patriarch, what matters is survival. In a town with a history of vigilante raids, missing persons and unsolved murders, survival can be all that matters'. (Source: back cover, 2002 edition)
'Miss Hester Harper, middle-aged and eccentric, brings Katherine into her emotionally impoverished life. Together they sew, cook gourmet dishes for two, run the farm, make music and throw dirty dishes down the well. One night, driving along the deserted track that leads to the farm, they run into a mysterious creature. They heave the body from the roo bar and dump it into the farm's deep well. But the voice of the injured intruder will not be stilled and, most disturbing of all, the closer Katherine is drawn to the edge of the well, the farther away she gets from Hester.' (From the publisher's website.)
'The hilariously compelling memoir that was hailed as an instant classic.
'Hoi Polloi recounts a childhood spent on racetracks and in bars, as the author’s parents struggle to climb the social ladder. It begins in 1968 in the small town of Heritage, New Zealand. Living above the bar of his family’s hotel, the young Craig is exposed to violence, drinking and murky racial politics. His parents, whom Sherborne thinks of as “Winks” and “Heels” in his eccentric personal language, decide to sell the hotel and move to Sydney, Australia – which they imagine as New Zealand’s “England”, a place of boundless wealth, prestige and social opportunities.
'Once in Sydney, the family begins a love affair with the racing scene. Written with extraordinary sympathy and verve, Hoi Polloi is the portrait of an extraordinary childhood – brutal, poignant and unforgettable.' (Publication summary)
'Growing up in Queensland amid alcoholism, poverty and domestic violence, Audrey Evans was told she would never be as good as white people. But after a lifetime of struggle, she was determined to prove everyone wrong, and at the age of 55 she attended university for the first time. There she would not just get a piece of paper but would change her life. Many Lifetimes is Audrey's extraordinary true story and a powerful reminder that it's never too late to change your life.' (Publisher's description)