'Akhenaten was a fascinating, shadowy figure in Egyptian history – archaeologists have discovered attempts to eradicate all traces of his brief reign, but enough remains to tell a remarkable story of incest, heresy, androgyny and a massive cult of personality.
'Like Albert Camus celebrated Caligula, Dorothy Porter's Akhenaten is an attractive warped megalomaniac who attempted to construct an heretical religion around one Sun God, with himself at the centre.
'Akhenaten is a novel in verse that captures the obsessive, erotic nature of its central figure. It is a towering achievement.'
Source: Publisher's blurb (Picador ed.)
"Elizabeth Hunter, an ex-socialite in her eighties, has a mystical experience during a summer storm in Sydney which transforms all her relationships: her existence becomes charged with a meaning which communicates itself to those around her. From this simple scenario Patrick White unfurls a monumental exploration of the tides of love and hate, comedy and tragedy, impotence and and longing that fester within family relationships."
Source: Penguin Books Australia.'In prose that is both elegant and lyrical, David Malouf departs from the little-known facts of Ovid's exile beyond the pale of civilization to create a deeply moving novel of extraordinary beauty. An outcast in a vast wasteland at the edge of the Black Sea, Ovid discovers a feral child. As he teaches the boy to speak the language of the civilized world, the child tutors him in his own tongue, the language of nature, and the once barren landscape begins to resonate with meaning.' (Publisher's blurb)
'Families can detonate. Some families are torn apart forever by one small act, one solitary mistake. In my family it was a series of small explosions; consistent, passionate, pathetic. Cruel words, crude threats... We spurred each other on till we reached a crescendo of pain and we retired exhausted to our rooms, in tears or in fury.
'Ari is nineteen, unemployed and a poofter who doesn't want to be gay. He is looking for something - anything - to take him away from his aimless existence in suburban Melbourne. He doesn't believe in anyone or anything, except the power of music. All he wants to do is dance, take drugs, have sex and change the world.
'For Ari, all the orthodoxies of family, sex, politics and work have collapsed. Caught between the traditional Greek world of his parents and friends and the alluring, destructive world of clubs, chemicals and anonymous sex, all Ari can do is ease his pain in the only ways he knows how.
'Written in stark, uncompromising prose, Loaded is a first novel of great passion and power.' (From the publisher's website.)
'In the magnificent opening story, "Love and Honor and Pity and Pride and Compassion and Sacrifice," a young writer is urged by his friends to mine his father's experiences in Vietnam - and what seems at first a satire on turning one's life into literary commerce becomes a transcendent exploration of homeland, and the ties between father and son. "Cartagena" provides a visceral glimpse of life in Colombia as it enters the mind of a fourteen-year-old hit man facing the ultimate test. In "Meeting Elise" an ageing New York painter mourns his body's decline as he prepares to meet his daughter on the eve of her Carnegie Hall debut. And with graceful symmetry, the final, title story returns to Vietnam, to a fishing trawler crowded with refugees where a young woman's bond with a mother and her small son forces both women to a shattering decision.' (From the author's website.)
'Akhenaten was a fascinating, shadowy figure in Egyptian history – archaeologists have discovered attempts to eradicate all traces of his brief reign, but enough remains to tell a remarkable story of incest, heresy, androgyny and a massive cult of personality.
'Like Albert Camus celebrated Caligula, Dorothy Porter's Akhenaten is an attractive warped megalomaniac who attempted to construct an heretical religion around one Sun God, with himself at the centre.
'Akhenaten is a novel in verse that captures the obsessive, erotic nature of its central figure. It is a towering achievement.'
Source: Publisher's blurb (Picador ed.)
"Elizabeth Hunter, an ex-socialite in her eighties, has a mystical experience during a summer storm in Sydney which transforms all her relationships: her existence becomes charged with a meaning which communicates itself to those around her. From this simple scenario Patrick White unfurls a monumental exploration of the tides of love and hate, comedy and tragedy, impotence and and longing that fester within family relationships."
Source: Penguin Books Australia.'Families can detonate. Some families are torn apart forever by one small act, one solitary mistake. In my family it was a series of small explosions; consistent, passionate, pathetic. Cruel words, crude threats... We spurred each other on till we reached a crescendo of pain and we retired exhausted to our rooms, in tears or in fury.
'Ari is nineteen, unemployed and a poofter who doesn't want to be gay. He is looking for something - anything - to take him away from his aimless existence in suburban Melbourne. He doesn't believe in anyone or anything, except the power of music. All he wants to do is dance, take drugs, have sex and change the world.
'For Ari, all the orthodoxies of family, sex, politics and work have collapsed. Caught between the traditional Greek world of his parents and friends and the alluring, destructive world of clubs, chemicals and anonymous sex, all Ari can do is ease his pain in the only ways he knows how.
'Written in stark, uncompromising prose, Loaded is a first novel of great passion and power.' (From the publisher's website.)
"I haven't got a 'boyfriend', Mum." "Fine way to be carrying on then, out all Sat'dy night with a strange fella..." "Muuum. " "Don't you marm me, my girl. When I was your age I wasn't out running around with any stray bloke with a flash car and the gift of the gab. "And when I'm your age," thought Sue maliciously, "I won't be ringing up my kids to scab money and make their lives a misery into the bargain."
'Sue Wilson, young and Aboriginal, escapes her "too-large, too-poor family in a too-small" north Queensland town for Logan City's frontier sprawl. Entering "the mythic world of Work" she discovers that the view from behind the bar is less than glamorous, but pays the rent. When she meets Roger the good times begin to roll until she finds herself starring in a feature with medium level violence. Melissa Lucashenko's first novel makes no apologies. With direct and gutsy language, her characters live their lives in the shadows cast by indifferent affluence.'
(Source: UQP website: www.uqp.uq.edu.au)
'In the magnificent opening story, "Love and Honor and Pity and Pride and Compassion and Sacrifice," a young writer is urged by his friends to mine his father's experiences in Vietnam - and what seems at first a satire on turning one's life into literary commerce becomes a transcendent exploration of homeland, and the ties between father and son. "Cartagena" provides a visceral glimpse of life in Colombia as it enters the mind of a fourteen-year-old hit man facing the ultimate test. In "Meeting Elise" an ageing New York painter mourns his body's decline as he prepares to meet his daughter on the eve of her Carnegie Hall debut. And with graceful symmetry, the final, title story returns to Vietnam, to a fishing trawler crowded with refugees where a young woman's bond with a mother and her small son forces both women to a shattering decision.' (From the author's website.)
'Joe Cashin was different once. He moved easily then; was surer and less thoughtful. But there are consequences when you've come so close to dying. For Cashin, they included a posting away from the world of Homicide to the quiet place on the coast where he grew up. Now all he has to do is play the country cop and walk the dogs. And sometimes think about how he was before.
'Then prominent local Charles Bourgoyne is bashed and left for dead. Everything seems to point to three boys from the nearby Aboriginal community; everyone seems to want it to. But Cashin is unconvinced. And as tragedy unfolds relentlessly into tragedy, he finds himself holding onto something that might be better let go.'
Source: Publisher's website (Sighted 22/8/11)
'In October 1997 a clever young law student at ANU made a bizarre plan to murder her devoted boyfriend after a dinner party at their house. Some of the dinner guests - most of them university students - had heard rumours of the plan. Nobody warned Joe Cinque. He died one Sunday, in his own bed, of a massive dose of rohypnol and heroin. His girlfriend and her best friend were charged with murder. Helen Garner followed the trials in the ACT Supreme Court. Compassionate but unflinching, this is a book about how and why Joe Cinque died. It probes the gap between ethics and the law; examines the helplessness of the courts in the face of what we think of as 'evil'; and explores conscience, culpability, and the battered ideal of duty of care.' (Source: Pan Macmillan website)
Garner takes 'a deliberately subjective and "literary" approach' to her material with an 'emphasis on a sympatheitic authorial persona as the source of the reader's perspective' (Susan Lever 'The Crimes of the Past: Anna Funder's Stasiland and Helen Garner's Joe Cinque's Consolation'. Paper delivered at the Association for the Study of Australian Literature (ASAL) conference 2006).
'Set in the charming and deadly streets of Melbourne, this vivid and brilliantly plotted murder thriller tells the story of a crime committed by an unknown assassin. With its panoramic depiction of a bustling yet uneasy city, Hansom Cab has a central place in Australian literary history and, more importantly, it remains highly readable. ' (Publication summary)
'Making Stories shows ten acclaimed Australian authors at work.'
Based on the autobiographies of New Zealand author Janet Frame.
At the beginning of World War II, Lady Sarah Ashley travels from her home in England to Northern Australia to confront her husband, whom she believes is having an affair. He is in the country to oversee the selling of his enormous cattle station, Faraway Downs. Her husband sends Drover, an independent stockman, to transport her to Faraway Downs. When Lady Sarah arrives at the station, however, she finds that her husband has been murdered (allegedly by King George, an Aboriginal elder) and that cattle station manager Neil Fletcher is trying to gain control of Faraway Downs, so that Lesley 'King' Carney will have a complete cattle monopoly in the Northern Territory.
Lady Sarah is captivated by Nullah (King George's grandson) son of an Aboriginal mother and an unknown white father. When Nullah tells her that he has seen her cattle being driven onto Carney's land, Fletcher beats him. Lady Sarah fires Fletcher, deciding to try to run the cattle station herself. To save the property from Carney, she enlists the aid of Drover; together, they drive 2,000 head of cattle across hundreds of miles of the country's most unforgiving land. In the course of the journey, she falls in love with both Drover and the Australian landscape.
Lady Sarah, Nullah, and Drover live together happily at Faraway Downs for two years, while Fletcher (the actual murderer of Lady Sarah's husband and very likely the father of Nullah) kills Carney, marries his daughter, and takes over Carney's cattle empire. When the authorities send Nullah to live on Mission Island with the other half-Aboriginal children, Lady Sarah is devastated. In the meantime, she works as a radio operator in Darwin.
When the Japanese attack the island and Darwin in 1942, Lady Sarah fears that Nullah has been killed and Drover, who had quarrelled with Lady Sarah and left the station, believes Lady Sarah has been killed. Learning of Nullah's abduction to Mission Island, however, he sets out to rescue him. Lady Sarah decides to sell Faraway Downs to Fletcher and return to England. Drover and Nulla sail back into port at Darwin as Lady Sarah is about to depart, and the three are reunited. Fletcher, distraught at the death of his wife, attempts to shoot Nullah, but is speared by King George and dies.
Regarded as one of Australia's most successful and affectionately remembered documentaries, The Back of Beyond follows mailman Tom Kruse as he makes his fortnightly deliveries along the Birdsville Track. The theme explored is very much that of the ability of Australians to adapt to the harshness of the central Australian outback.
Instead of the typical documentary film's 'single voice of authority,' Back of Beyond's narration is provided by several storytellers representative of the voices of the outback. These people include Kruse, the women on the two-way radio, Malcolm (an Aboriginal man), and the Birdsville policeman.
'First Australians chronicles the birth of contemporary Australia as never told before, from the perspective of its first people. First Australians explores what unfolds when the oldest living culture in the world is overrun by the world's greatest empire.
'Over seven episodes, First Australians depicts the true stories of individuals - both black and white - caught in an epic drama of friendship, revenge, loss and victory in Australia's most transformative period of history.
'The story begins in 1788 in Sydney, with the friendship between an Englishmen (Governor Phillip) and a warrior (Bennelong) and ends in 1993 with Koiki Mabo's legal challenge to the foundation of Australia. First Australians chronicles the collision of two worlds and the genesis of a new nation.' Source: www.sbs.com.au (Sighted 27/09/2008).
Set over the course of one night, Head On focuses on Ari, a handsome nineteen-year-old boy of Greek descent who finds himself torn between his traditional upbringing and his sexual identity. As he attempts to come to terms with where he fits in, Ari careens between hanging out with his friends and bickering with his family while also becoming involved in several heterosexual and homosexual encounters.
'On a lonely cattle station in the Northern Territory, a newly born Aboriginal baby is adopted by a white woman in place of her own child who has died. The child is raised as a white child and forbidden any contact with the Aborigines on the station. Years later, Jedda is drawn by the mysteries of the Aboriginal people but restrained by her upbringing. Eventually she is fascinated by a full-blood Aboriginal, Marbuck, who arrives at the station seeking work and is drawn to his campfire by his song. He takes her away as his captive and returns to his tribal lands, but he is rejected by his tribe for having broken their marriage taboos. Pursued by the men from Jedda's station and haunted by the death wish of his own tribe, Marbuck is driven insane and finally falls, with Jedda, over a cliff.'
(Synopsis from the Australian Film, Television and Radio School website, http://library.aftrs.edu.au)
After enduring a prison sentence and attempting to eke out an existence on the Victorian goldfields, Daniel Morgan teams up with an Indigenous Australian outcast called Billy. Together, they terrorise southern NSW, killing policemen and raiding farms. Eventually, the authorities raise the reward for Morgan's capture to £1000, thus making his attempts to avoid capture even more difficult. He eventually crosses back into Victoria, but his behaviour has become increasingly erratic. Meanwhile, the police, led by Detective Mainwaring, close in.
A middle-aged Aboriginal woman nurses her old white mother. During her tending of the old woman, she expresses her frustrations and previously suppressed anger, her own need for warmth and love, and her personal loneliness. Her memories and dreams invade her nerve-fraying routine until the old woman dies and she begins to experience an immense sense of loss.
In the ABC Radio National program, It's Not A Race in May 2017, Marcia Langton notes that Night Cries is the retelling of Jedda as a horror story.
'Ada, her nine-year-old daughter, and her piano, arrive to an arranged marriage in the remote bush of 19th century New Zealand. Of all her belongings, her husband refuses to transport the piano and it is left behind on the beach. Unable to bear its certain destruction, Ada strikes a bargain with an illiterate neighbour. She may earn her piano back if she allows him to do certain things while she plays: one black key for every lesson. The arrangement draws all three deeper and deeper into a complex emotional, sexual bond, remarkable for its naive passion and frightening disregard for limits.'
Source: Screen Australia.
At the centre of this story of family life is the contrast between the deadpan, phobic Kay and the manic, excessive Dawn (Sweetie). The film explores aspects of Australian life and the Australian psyche, and probes into the viewer's consciousness by showing the narrow boundary between eccentricity, madness, and normality.
A story within a story and overlaid with narration, Ten Canoes takes place in two periods in the past. The first story, filmed in black-and-white as a reference to the 1930s ethnographic photography of Donald Thompson, concerns a young man called Dayindi who takes part in his first hunt for goose eggs. During the course of several trips to hunt, gather and build a bark canoe, his older brother Minygululu tells him a story about their ancestors and the old laws. The story is also about a young man who had no wife but who coveted one of his brother's wives, and also of the stranger who disrupted the harmony of their lives. It is cautionary tale because Minygululu is aware that Dayinidi desires his young and pretty third wife.
The second story (shot in colour) is set much further back in time. Yeeralparil is a young man who desires the third wife of his older brother Ridjimiraril. When Ridjimiraril's second wife disappears, he suspects a man from another tribe has been seen near the camp. After he spears the stranger he discovers that he was wrong. Knowing that he must face the man's relatives he chooses Yeeralparil to accompany him during the ritual payback. When Ridjimiraril dies from his wounds the tribe's traditions decree that Yeeralparil must inherit his brother's wives. The burden of these responsibilities, however, is more than the young man expects.
Italian sports journalist Nino Culotta is lured to Sydney during the mid-1960s to work for his brother's new magazine for migrant Italians. When he arrives in the country, however, Nino finds out that there is no magazine and that his brother has taken off with the investors' cash. Left in the lurch is his brother's business partner, Kay Kelly. Nino vows to pay off his brother's debt and gets a job as a builder's labourer. In doing so, he learns how to talk, act, and drink like an Australian male. His numerous attempts to woo Kay are repeatedly rebuffed with humorous results, but in the end she falls in love with him. Nino's introduction to the country and its culture finds him bemused but ultimately confident that he has a future here.
The Australian Centre for the Moving Image suggests this film is 'very much a product of the assimilationist view dominating Australian immigration policy at the time'.
'The film is set entirely in the remote Indigenous community of Toomelah, located on the NSW, QLD border. It was created as a mission during the 1930s, bringing together Gamilaroi and Bigambal people from the surrounding area.
'The story centres on Daniel, a small ten year old boy who dreams of being a gangster. He is kicked out of school and befriends a local gang leader, until a rival gangster arrives back from jail to reclaim his turf. A showdown ensues and Daniel is caught in the middle, leaving him with a choice to make about his uncertain future.
'Toomelah is a deeply personal story, that intimately depicts mission life in contemporary Australia. The film reveals the challenges facing the young Gamilaroi people of the Toomelah Community. Robbed of much of their traditional culture by Government policy, it is a community on a cultural edge, struggling for an identity. It is a provocative and yet comic story that transports audiences inside the community, creating an authentic world and way of life that is Toomelah.'
Source: Toomelah website.
Series one:
'A 12-year-old girl is found chest deep in the freezing waters of a South Island lake. She's five months pregnant and when asked who the father is she insists: "No one". Then she disappears. Detective Robin Griffin's obsessive search for Tui unravels both Robin and the compromised town of Laketop.' (Source: Screen Australia. Sighted: 13/6/2013)
Series two:
'Top of the Lake Season Two: China Girl is a crime mystery story concerning the unidentified body of an Asian girl that washes up on to Sydney's Bondi Beach. The case seems hopeless, until detective Robin Griffin discovers that China Girl didn't die alone.' (Source: Daily Life. Sighted: 24/3/2016)
John Grant, a young Englishman, teaches in Tiboonda, a tiny railway junction on the far western plains of New South Wales. He sets off to spend his summer vacation in Sydney but doesn't make it beyond Bundanyabba, a nearby mining town known as 'the Yabba'. Stranded in town after losing all his money in a two-up game, he finds himself engulfed by the Yabba's claustrophobic, nightmarish, beer-fuelled stupor, an atmosphere compounded of repressed sexuality, squalid violence, and the sinister mateship of the locals. After being sexually assaulted by the town's alcoholic doctor, he attempts to hitchhike out of the town but is brought back by a truckie. In anger, he tries to shoot the doctor but ends up only shooting himself. After discharging himself from the hospital, Grant takes the train back to Tiboonda, resigned to another year of teaching.
Adapted from James Vance Marshall's novel The Children, Walkabout begins with a father-of-two driving his fourteen-year-old daughter and six-year-old son into the desert. Overwhelmed by the pressure on his life, he plans to kill them and then commit suicide, but his plan goes wrong. The siblings wander the desert aimlessly until they meet a young Aboriginal boy who is on a solitary walkabout as part of his tribal initiation into manhood. The three become travelling companions. Gradually, sexual tension develops between the girl and the Aboriginal boy. When they approach white civilisation, the Aboriginal boy dances a night-long courtship dance, but the girl is ignorant of its meaning. When she and her brother awake in the morning, they find the boy dead, hanging from a tree. The brother and sister make their way to the nearby mining town, where they receive a cool welcome from the townsfolk.
Essie Coffey--black activist, musician, and resident of 'Dodge City' in north-west New South Wales--demonstrates the conflicts and tensions of living as an Aboriginal under white domination. Encouraging the black community to be proud of their identity and their culture in the face of such domination, Coffey shows how she is passing on knowledge of traditional bush ways to a generation of young Aboriginal children who have only ever known white education.
'A hypothetical account of what could have happened if Napolean had not died depicts the Emperor traveling incognito through Europe experiencing a series of bizarre adventures that bring him face to face with reality.' (Publication summary)
Fred Scully is in another country, a 'desert Irishman' far from home. After two long years of travelling through Europe, he decided to move his family from Australia to western Ireland. Scully arrived weeks ahead of his family to renovate the old farmhouse they'd bought in the shadow of a castle in County Offally, and which he's renovated by hand. Now, at the gate of Shannon's international airport, he anxiously awaits the arrival of his pregnant wife and seven-year-old daughter, envisioning a new life ahead, a fresh start. He has waited for and worried about this for months. He is a man who does not like being alone. The plane lands, the glass doors to the terminal slide open and his daughter emerges. Alone. There is no note, no word of explanation from his wife, only the mute silence of his stunned child. In an instant, Scully's life goes down in flames. This is a story of a marriage in our time. So begins a love-crazed odyssey across Europe, to the underside of the male psyche, in search of a woman vanished.
(Adapted from Trove)
'Liza used to say that she saw her past life as a string of roughly-graded balls, and so did Hilda have a linear conception of hers, thinking of it as a track with detours. But for some years now I have likened mine to a globe suspended in my head, and ever since the shocking realisation that waste is irretrievalbe, I have been careful not to let this globe spin to expose the nether side on which my marriage has left its multitude of images.
'Nora Porteous has spent most of her life waiting to escape. Fleeing from her small-town family and then from her stifling marriage to a mean-spirited husband, Nora arrives finally in London where she creates a new life for herself as a successful dressmaker.
'Now in her seventies, Nora returns to Queensland to settle into her childhood home.
'But Nora has been away a long time, and the people and events of her past are not at all like she remembered them. And while some things never change, Nora is about to discover just how selective her 'globe of memory' has been.
'Tirra Lirra by the River is a moving account of one woman's remarkable life, a beautifully written novel which displays the lyrical brevity of Jessica Anderson's award-winning style.' (Publication summary)
'At a suburban barbecue, a man slaps a child who is not his own.
'This event has a shocking ricochet effect on a group of people, mostly friends, who are directly or indirectly influenced by the event.
'In this remarkable novel, Christos Tsiolkas turns his unflinching and all-seeing eye onto that which connects us all: the modern family and domestic life in the twenty-first century. The Slap is told from the points of view of eight people who were present at the barbecue. The slap and its consequences force them all to question their own families and the way they live, their expectations, beliefs and desires.
'What unfolds is a powerful, haunting novel about love, sex and marriage, parenting and children, and the fury and intensity - all the passions and conflicting beliefs - that family can arouse. In its clear-eyed and forensic dissection of the ever-growing middle class and its aspirations and fears, The Slap is also a poignant, provocative novel about the nature of loyalty and happiness, compromise and truth.' (Publisher's blurb)
'The Smoking Book is a dreamlike structure built on the solid foundation of two questions: how does it feel to smoke, and what does smoking mean? Lesley Stern, in an innovative, hybrid form of writing, muses on these questions through interesting stories and essays that connect, expand, and contract like smoke rings floating through the air.' 'Stern writes of addictions and passionate attachments, of the body and bodily pleasure, of autobiography and cultural history. Stern has written a book, at once intensely personal and kaleidoscopically international, that weaves the intimate act of a solitary person smoking a cigarette into a broad cultural picture of desire, exchange, fulfillment, and the acts that bind people together, either in lasting ways or through ephemeral encounters.'- Book jacket.
'Akhenaten was a fascinating, shadowy figure in Egyptian history – archaeologists have discovered attempts to eradicate all traces of his brief reign, but enough remains to tell a remarkable story of incest, heresy, androgyny and a massive cult of personality.
'Like Albert Camus celebrated Caligula, Dorothy Porter's Akhenaten is an attractive warped megalomaniac who attempted to construct an heretical religion around one Sun God, with himself at the centre.
'Akhenaten is a novel in verse that captures the obsessive, erotic nature of its central figure. It is a towering achievement.'
Source: Publisher's blurb (Picador ed.)
'A coming-of-age story of a spontaneous heroine who finds herself ensconced in the rigidity of a turn-of-the-century boarding school. The clever and highly imaginative Laura has difficulty fitting in with her wealthy classmates and begins to compromise her ideals in her search for popularity and acceptance.' (From the publisher's website.)
'Families can detonate. Some families are torn apart forever by one small act, one solitary mistake. In my family it was a series of small explosions; consistent, passionate, pathetic. Cruel words, crude threats... We spurred each other on till we reached a crescendo of pain and we retired exhausted to our rooms, in tears or in fury.
'Ari is nineteen, unemployed and a poofter who doesn't want to be gay. He is looking for something - anything - to take him away from his aimless existence in suburban Melbourne. He doesn't believe in anyone or anything, except the power of music. All he wants to do is dance, take drugs, have sex and change the world.
'For Ari, all the orthodoxies of family, sex, politics and work have collapsed. Caught between the traditional Greek world of his parents and friends and the alluring, destructive world of clubs, chemicals and anonymous sex, all Ari can do is ease his pain in the only ways he knows how.
'Written in stark, uncompromising prose, Loaded is a first novel of great passion and power.' (From the publisher's website.)
'Set in Washington during the 1930s, Sam and Henny Pollit are a warring husband and wife. Their tempestuous marriage, aggravated by too little money, lies at the centre of Stead's satirical and brilliantly observed novel about the relations between husbands and wives, and parents and children.
'Sam, a scientist, uses words as weapons of attack and control on his children and is prone to illusions of power and influence that fail to extend beyond his family. His wife Henny, who hails from a wealthy Baltimore family, is disastrously impractical and enmeshed in her own fantasies of romance and vengeance. Much of the care of their six children is left to Louisa, Sam's 14-year-old daughter from his first marriage. Within this psychological battleground, Louisa must attempt to make a life of her own.'
Source: Publisher's blurb (MUP).
'In the magnificent opening story, "Love and Honor and Pity and Pride and Compassion and Sacrifice," a young writer is urged by his friends to mine his father's experiences in Vietnam - and what seems at first a satire on turning one's life into literary commerce becomes a transcendent exploration of homeland, and the ties between father and son. "Cartagena" provides a visceral glimpse of life in Colombia as it enters the mind of a fourteen-year-old hit man facing the ultimate test. In "Meeting Elise" an ageing New York painter mourns his body's decline as he prepares to meet his daughter on the eve of her Carnegie Hall debut. And with graceful symmetry, the final, title story returns to Vietnam, to a fishing trawler crowded with refugees where a young woman's bond with a mother and her small son forces both women to a shattering decision.' (From the author's website.)
Written in Hewett's freewheeling epic style, The Chapel Perilous is a journey play that spans the period between the 1930s and the late 1960s. The story concerns Sally Banner, an over-reacher who attempts to find fulfilment – whether through her gift of poetic expression, through her sexual relationships, or in later years through political activism - and ultimately finds it through self-acceptance. Thematically the play contains the qualities and concerns which are often associated with Hewett's style – female sexuality, questioning of authority and morality, and anarchic tendencies towards structure in both dramatic text and social attitudes.
As Hewett remarks in her 1979 Hecate article: 'Sally is balanced by several symbolic female figures, the "Authority figures" of Headmistress, Anglican teaching "sister", and mother... [along with the] lesbian love figure, Judith, who stands for intellectual control and denial of sensual love' ('Creating Heroines in Australian Plays', p. 77).
'The spirited story of the Millimurra family’s stand against government ‘protection’ policies in 1930s Australia.' (From the publisher's website.)
A young policeman’s first day on duty becomes a violent and highly charged initiation into law enforcement. Remarkable for its blend of boisterous humour and horrifying violence, the play has acquired a reputation as a classic statement on Australian authoritarianism and is a key work in the study of Australian drama.
(Publication Synopsis)
'The most famous Australian play and one of the best loved, Summer of the Seventeenth Doll is a tragicomic story of Roo and Barney, two Queensland sugar-cane cutters who go to Melbourne every year during the 'layoff' to live it up with their barmaid girl friends. The title refers to kewpie dolls, tawdry fairground souvenirs, that they brings as gifts and come, in some readings of the play, to represent adolescent dreams in which the characters seem to be permanently trapped. The play tells the story in traditional well-made, realistic form, with effective curtains and an obligatory scene. Its principal appeal – and that of two later plays with which it forms The Doll Trilogy – is the freshness and emotional warmth, even sentimentality, with which it deals with simple virtues of innocence and youthful energy that lie at the heart of the Australian bush legend.
'Ray Lawler’s play confronts that legend with the harsh new reality of modern urban Australia. The 17th year of the canecutters’ arrangement is different. There has been a fight on the canefields and Roo, the tough, heroic, bushman, has arrived with his ego battered and without money. Barney’s girl friend Nancy has left to get married and is replaced by Pearl, who is suspicious of the whole set-up and hopes to trap Barney into marriage. The play charts the inevitable failure of the dream of the layoff, the end of the men’s supremacy as bush heroes and, most poignantly, the betrayal of the idealistic self-sacrifice made by Roo’s girl friend Olive – the most interesting character – to keep the whole thing going. The city emerges victorious, but the emotional tone of the play vindicates the fallen bushman.'
Source: McCallum, John. 'Summer of the Seventeenth Doll.' Companion to Theatre in Australia. Ed. Philip Parson and Victoria Chance. Sydney: Currency Press , 1997: 564-656.
'In the magnificent opening story, "Love and Honor and Pity and Pride and Compassion and Sacrifice," a young writer is urged by his friends to mine his father's experiences in Vietnam - and what seems at first a satire on turning one's life into literary commerce becomes a transcendent exploration of homeland, and the ties between father and son. "Cartagena" provides a visceral glimpse of life in Colombia as it enters the mind of a fourteen-year-old hit man facing the ultimate test. In "Meeting Elise" an ageing New York painter mourns his body's decline as he prepares to meet his daughter on the eve of her Carnegie Hall debut. And with graceful symmetry, the final, title story returns to Vietnam, to a fishing trawler crowded with refugees where a young woman's bond with a mother and her small son forces both women to a shattering decision.' (From the author's website.)
An experimental narrative which departs from realist conventions by suggesting connections and differences in the relationship between Aboriginal women and European men in the early years of settlement and in contemporary Sydney, Nice Coloured Girls is also 'a ground-breaking film stylistically and thematically. The audience is left to question history, in particular the reliability of primary sources. The absence of the Aboriginal point of view in Australia's "history" becomes glaringly obvious as we are left to question the nature of traditional representations of Aborigines. As Australians, Aboriginal people have been marginalized and stereotyped but Moffatt who is a young, contemporary Aboriginal Australian offers an Aboriginal perspective through her work and questions dominant representations which have excluded Aborigines (or offered unrealistic images of them)' (French, 'An Analysis of Nice Coloured Girls', q.v.).
'A young Lebanese panel beater, struggling to realise his dreams, is offered a chance to set himself up for life. All he has to do is follow a plan to outsmart the cops and a gang of serious criminals. He wants the prize, but is he ready to pay the price?'
Source: Cedar Boys website, http://www.cedarboysthemovie.com/
Sighted: 11/11/2008
Series One of East West 101 focuses on two men whose destinies are irrevocably intertwined. Malik is driven by a hunger for justice. He was twelve when a masked gunman held up the family shop. Malik refused to hand over the money and his father was subsequently shot and injured. He later joined the police force and has been looking for the shadowy figure who pulled the trigger. When he finally finds him, Malik's belief in the justice system is challenged by a powerful desire for revenge. As he hunts down the truth, it is revealed that one of his colleagues, Crowley, had a part to play in the original investigation. Crowley is a man whose vision has been blighted by pain and prejudice. His son, Paul, was found dead of an overdose on drugs sold to him by a Lebanese dealer. When the drug dealer who sold Paul the heroin is found murdered, Internal Affairs come asking questions.
In Season Two, East West 101 expands to seven episodes as the Major Crime Squad investigate crime and murder in all quarters of multicultural Sydney. But overarching all is the quest for Detective Zane Malik to find the truth behind a car bomb attack which kills two men. The Major Crime Squad form a joint task force with the NSO (National Security Organisation) to deal with the crime. There is paranoia in the city and fallout on the Muslim community. Malik knows that in order to stop the circle of hate, he must solve the crime. Was the bomb really an act of extremists, as the media suggest, or a sophisticated killing by a career criminal? Malik doggedly pursues the truth until he, too, becomes a target. Inspector Patricia Wright questions his motives but her vision is clouded by personal issues that she wants to keep hidden from the squad. Crime has touched her own family.
Season Three : The Hero's Journey. 'In [this] third season of East West 101, the Major Crime Squad investigates a 36 million dollar robbery in Australia and its connections to the murder of 17 people in Afghanistan. Is the robbery to fund an act of terror by military trained radicals, or the work of sophisticated criminals? For Detective Zane Malik the case has savage personal and professional ramifications. Malik is obstructed in his quest to find those responsible by the interference of newcomer Detective Neil Travis. Travis has fought in Iraq and his attitude and approach to the investigation cause conflict with Malik. In the hunt for an elusive foe, ultimately both men are forced to confront what makes a man a hero, or a coward...'
(Source: East West 101, SBS website)
The Frontline television series presents a satirical take on the current-affairs format, through the setting of a fictional television station and its flagship show, Frontline. The fictional program is situated as competing directly with Nine's A Current Affair and Seven's Real Life (known as Today Tonight from 1995 onwards). The series further satirises the internal machinations of the producers, the self-obsessed host, and the ambitious, cynical reporters, all of whom resort to any sort of underhanded trick to get ratings and maintain their status. The reporters and host also ingratiate themselves with the all-powerful network bosses, while the real work is, in fact, done by their long-suffering production staff.
Throughout the series, other television shows aired by the 'station' are also referenced: notably the 6pm news program, the three-hour news-review show Sunday Forum, the sketch show The Komedy Bunch, the game show Jackpot, the teen soap opera Sunshine Cove (which later changes its name to Rainbow Island), the football show Ball-to-Ball, and other programs such as Late-Night OZ, Cartoon Crazies, and Vacation. Several real-life television celebrities also made guest appearances, including gardener Don Burke, fisherman/AFL commentator Rex Hunt, AFL commentator Sam Newman, music guru Ian 'Molly' Meldrum, and Media Watch host Stuart Littlemore.
The narrative begins in Western Australia in 1915 and follows the paths of Archie Hamilton and Frank Dunne, before and after their enlistment in the Australian Imperial Forces. Hamilton is the patriotic son of a grazier and Frank Dunne is a drifter with no great desire to fight for the British Empire. They meet as runners in an outback footrace and become best mates. After training in Egypt, they land at Gallipoli, just as the great Allied assaults of August 1915 are to begin.
Source: Australian Screen.
While Dennis O'Rourke's objective with this documentary was to explore prostitution in Thailand through the experiences of one woman, it also provides an unexpected insight into his relationship with his subject, Aoi. This issue raised much debate when the film was released, because his involvement was viewed as having played a part in the eventual outcome. The film begins with Dennis O'Rourke hiring Aoi and following her through the red-light area of Bangkok. These scenes are intercut with much more personal insights into Aoi's life.
'Sandy, a geologist, finds herself stuck on a field trip to the Pilbara desert with a Japanese man she finds inscrutable, annoying and decidedly arrogant. Hiromitsu's view of her is not much better. Things go from bad to worse when they become stranded in one of the most remote regions on earth. JAPANESE STORY is a journey of change and discovery for its two lead characters.'
Source: Screen Australia.
'A woman disappears. Four marriages are drawn into a tangled web of love, deceit, sex and death. Not all of them survive. LANTANA is a psychological thriller about love. It's about the mistakes we make, the consequences we suffer, and the attempts we make to fix things up.'
Source: Screen Australia. (Sighted: 4/12/2013)
A documentary that explores the life of Eddie Mabo, whose struggle for land rights, and his remarkable life in general, had a profound effect on Indigenous rights in Australia. It tells the story of an island man so passionate about family and home that he fought an entire nation and its legal system. Though he died before his great victory was won, it has forever ensured his place on Murray Island and in Australian history. Mabo effectively challenged the notion of terra nullus, which asserted that Aborigines and Torres Strait Islanders did not have a system of legal ownership predating white settlement. He devoted his life to a fight to gain legal recognition of his right to own ancestral land and his family home in the Murray Islands. Mabo died of cancer just five months before the High Court's historic decision.
In a post-apocalyptic Australia, law and order has begun to break down due to energy shortages, despite the efforts of Main Force Patrol (MFP) officers like Max Rockatansky. After Rockatansky encounters Toecutter's motorcycle gang, who are running runshod over isolated communities, he grows disillusioned with his role in the MFP. At first convinced by his superior officer not to resign, he is driven into a state of cold-blooded revenge when Toecutter's gang murder his wife and young son.
A tragi-comedy of mistaken identities and romance, Moulin Rouge is based on events that occurred at the Moulin Rouge dance hall towards the end of the 19th century. The story is told by Christian, an idealistic and impoverished English poet/playwright who is newly arrived in Monmartre and becomes inducted into a circle of young bohemians led by Toulouse-Lautrec. When Christian manages to convince the foppish Duke of Monroth to invest in his play, his life appears to be heading upwards. Things become difficult, however, when he falls in love with Satine ('The Sparkling Diamond'), a courtesan dancer at the Moulin Rouge. Although she returns his affections, they are forced to keep their love a secret from the duke because he too coverts Satine and is used to getting what he wants.
Muriel is a shy young woman living in the seaside resort of Porpoise Spit, a suburban wonderland of shopping malls, marine parks, and holiday homes. The excessive expectations of her 'friends' and family cause her to take refuge in a dreamworld of ABBA songs. She also dreams of a Prince Charming who will rescue her from her dull and boring life. Then one day, she steals some money and goes on a tropical vacation where she meets a wacky friend, changes her name to Mariel, and turns her entire world upside down.
Beginning in Australia in the late 1940s, when movie theatres were the only source of audiovisual news coverage, the narrative follows the exploits of Len Maguire and his young sidekick Chris as they cover the big news stories for the Cinetone newsreel company. Len is a doggedly dependable and ever-cautious senior cameraman, trapped in a world of changing values. Len always knows the right thing to do, but becomes troubled as his marriage falters, his job becomes threatened by the arrival of television, and Cinetone is taken over and its work marginalised. Len's loyalties to the Catholic Church, the Labor Party, and his family are juxtaposed against both his brother/rival cameraman Frank--who sells out his values, abandons his responsibilities, and heads off to success in the USA--and his cocky young assistant, Chris.
The first feature film for Phillip Noyce, Newsfront also depicts the increasing changes to the Australian cultural and political landscape, tracing social shifts from the first waves of European post-war immigration through to the 1956 Olympic Games in Melbourne.
A middle-aged Aboriginal woman nurses her old white mother. During her tending of the old woman, she expresses her frustrations and previously suppressed anger, her own need for warmth and love, and her personal loneliness. Her memories and dreams invade her nerve-fraying routine until the old woman dies and she begins to experience an immense sense of loss.
In the ABC Radio National program, It's Not A Race in May 2017, Marcia Langton notes that Night Cries is the retelling of Jedda as a horror story.
A young girl goes missing within the Australian landscape and her father refuses to let an Aboriginal man, Albert, be included in the search party and utilise his tracking skills. It is a decision that proves fatal. Months later, the child's mother approaches Albert to begin the tracking process that eventually leads her to her lost child.
'Set in the 1880s, [The Proposition] opens in the middle of a frenzied gunfight between the police and a gang of outlaws. Charlie Burns ... and his brother Mikey are captured by Captain Stanley... Together with their psychopathic brother Arthur, ... they are wanted for a brutal crime. Stanley makes Charlie a seemingly impossible proposition in an attempt to bring an end to the cycle of bloody violence.'
Source: Nick Cave's website (http://www.nickcaveandthebadseeds.com/)
Sighted: 20/09/2005
'Summer Heights High explores what happens over one school term in an average Australian high school.'
Source: ABC website, http://www.abc.net.au/tv/summerheightshigh/
Sighted: 03/09/2007
A story within a story and overlaid with narration, Ten Canoes takes place in two periods in the past. The first story, filmed in black-and-white as a reference to the 1930s ethnographic photography of Donald Thompson, concerns a young man called Dayindi who takes part in his first hunt for goose eggs. During the course of several trips to hunt, gather and build a bark canoe, his older brother Minygululu tells him a story about their ancestors and the old laws. The story is also about a young man who had no wife but who coveted one of his brother's wives, and also of the stranger who disrupted the harmony of their lives. It is cautionary tale because Minygululu is aware that Dayinidi desires his young and pretty third wife.
The second story (shot in colour) is set much further back in time. Yeeralparil is a young man who desires the third wife of his older brother Ridjimiraril. When Ridjimiraril's second wife disappears, he suspects a man from another tribe has been seen near the camp. After he spears the stranger he discovers that he was wrong. Knowing that he must face the man's relatives he chooses Yeeralparil to accompany him during the ritual payback. When Ridjimiraril dies from his wounds the tribe's traditions decree that Yeeralparil must inherit his brother's wives. The burden of these responsibilities, however, is more than the young man expects.
John Grant, a young Englishman, teaches in Tiboonda, a tiny railway junction on the far western plains of New South Wales. He sets off to spend his summer vacation in Sydney but doesn't make it beyond Bundanyabba, a nearby mining town known as 'the Yabba'. Stranded in town after losing all his money in a two-up game, he finds himself engulfed by the Yabba's claustrophobic, nightmarish, beer-fuelled stupor, an atmosphere compounded of repressed sexuality, squalid violence, and the sinister mateship of the locals. After being sexually assaulted by the town's alcoholic doctor, he attempts to hitchhike out of the town but is brought back by a truckie. In anger, he tries to shoot the doctor but ends up only shooting himself. After discharging himself from the hospital, Grant takes the train back to Tiboonda, resigned to another year of teaching.
'A coming-of-age story of a spontaneous heroine who finds herself ensconced in the rigidity of a turn-of-the-century boarding school. The clever and highly imaginative Laura has difficulty fitting in with her wealthy classmates and begins to compromise her ideals in her search for popularity and acceptance.' (From the publisher's website.)
'In prose that is both elegant and lyrical, David Malouf departs from the little-known facts of Ovid's exile beyond the pale of civilization to create a deeply moving novel of extraordinary beauty. An outcast in a vast wasteland at the edge of the Black Sea, Ovid discovers a feral child. As he teaches the boy to speak the language of the civilized world, the child tutors him in his own tongue, the language of nature, and the once barren landscape begins to resonate with meaning.' (Publisher's blurb)
'In the magnificent opening story, "Love and Honor and Pity and Pride and Compassion and Sacrifice," a young writer is urged by his friends to mine his father's experiences in Vietnam - and what seems at first a satire on turning one's life into literary commerce becomes a transcendent exploration of homeland, and the ties between father and son. "Cartagena" provides a visceral glimpse of life in Colombia as it enters the mind of a fourteen-year-old hit man facing the ultimate test. In "Meeting Elise" an ageing New York painter mourns his body's decline as he prepares to meet his daughter on the eve of her Carnegie Hall debut. And with graceful symmetry, the final, title story returns to Vietnam, to a fishing trawler crowded with refugees where a young woman's bond with a mother and her small son forces both women to a shattering decision.' (From the author's website.)
'Ada, her nine-year-old daughter, and her piano, arrive to an arranged marriage in the remote bush of 19th century New Zealand. Of all her belongings, her husband refuses to transport the piano and it is left behind on the beach. Unable to bear its certain destruction, Ada strikes a bargain with an illiterate neighbour. She may earn her piano back if she allows him to do certain things while she plays: one black key for every lesson. The arrangement draws all three deeper and deeper into a complex emotional, sexual bond, remarkable for its naive passion and frightening disregard for limits.'
Source: Screen Australia.
'Samson and Delilah tells the story of two Aboriginal teenagers in a remote community. They live in a sparse environment but one that absorbs all manner of cultural influences, where dot painting and country music exist side by side. Samson gets through his days by sniffing, while Delilah is the caregiver for her nana before taking a moment for herself to listen to Latino music. Their journey ranges across many of the most urgent issues concerning Indigenous people in Australia, homelessness, poverty, domestic violence and substance abuse, but it does so with tenderness, dignity, and even humour.'
Source: Adelaide Film Festival website, www.adelaidefilmfestival.org/ Sighted: 23/02/2009
'Born on a poor dairy farm in Queensland, Frank Harland's life is centred on his great artistic gift, his passionate love for his father and four brothers and his need to repossess, through a patch of land, his family's past. The story spans Frank's life; from before the First World War, through years as a swaggie in the Great Depression and Brisbane in the forties, to his retirement to a patch of Australian scrub where he at last takes possession of his dream. Solitude and society, possession and dispossession, the obsessive and often violent claims of family life and love, illuminate the imagination of the artist and the larger world of events. This is an ambitious novel, presented simply and poetically; the narrative is absorbing, full of incident, and peopled with characters of formidable humour and power.'
Source: Publisher's blurb (Vintage reprint).
'Landscape of Farewell ... is the story of Max Otto, an elderly German academic. After the death of his much-loved wife and his recognition that he will never write the great study of history that was to be his life's crowning work, Max believes his life is all but over. Everything changes, though, when his valedictory lecture is challenged by Professor Vita McLelland, a feisty young Australian Aboriginal academic visiting Germany. Their meeting and growing friendship sets Max on a journey that would have seemed unthinkable just a few short weeks earlier.
'When, at Vita's invitation, Max travels to Australia, he forms a deep friendship with her uncle, Aboriginal elder Dougald Gnapun. It is a friendship that not only gives new meaning and purpose to Max, but which teaches him the profound importance of truth-telling in reconciliation with his own and his country's past.' (Publisher's blurb)
'Families can detonate. Some families are torn apart forever by one small act, one solitary mistake. In my family it was a series of small explosions; consistent, passionate, pathetic. Cruel words, crude threats... We spurred each other on till we reached a crescendo of pain and we retired exhausted to our rooms, in tears or in fury.
'Ari is nineteen, unemployed and a poofter who doesn't want to be gay. He is looking for something - anything - to take him away from his aimless existence in suburban Melbourne. He doesn't believe in anyone or anything, except the power of music. All he wants to do is dance, take drugs, have sex and change the world.
'For Ari, all the orthodoxies of family, sex, politics and work have collapsed. Caught between the traditional Greek world of his parents and friends and the alluring, destructive world of clubs, chemicals and anonymous sex, all Ari can do is ease his pain in the only ways he knows how.
'Written in stark, uncompromising prose, Loaded is a first novel of great passion and power.' (From the publisher's website.)
On St Valentine's Day 1900, three schoolgirls and a teacher from an exclusive English-style boarding school go missing at the mysterious Hanging Rock in central Victoria. One of the girls is found alive a week later, but the others are never seen again. As morale within the school begins to disintegrate, the headmistress's increasingly incoherent anger is turned towards one student, leading to tragic consequences. Although the police suspect Michael Fitzhubert, a young English aristocrat, and his manservant Albert, who were in the area at the time the girls disappeared, the mystery is never solved. As Paul Byrnes (Australian Screen) notes, the suggested scenarios range from the 'banal and explicable (a crime of passion) to deeply mystical (a crime of nature).'
[Source: Australian Screen]Written in Hewett's freewheeling epic style, The Chapel Perilous is a journey play that spans the period between the 1930s and the late 1960s. The story concerns Sally Banner, an over-reacher who attempts to find fulfilment – whether through her gift of poetic expression, through her sexual relationships, or in later years through political activism - and ultimately finds it through self-acceptance. Thematically the play contains the qualities and concerns which are often associated with Hewett's style – female sexuality, questioning of authority and morality, and anarchic tendencies towards structure in both dramatic text and social attitudes.
As Hewett remarks in her 1979 Hecate article: 'Sally is balanced by several symbolic female figures, the "Authority figures" of Headmistress, Anglican teaching "sister", and mother... [along with the] lesbian love figure, Judith, who stands for intellectual control and denial of sensual love' ('Creating Heroines in Australian Plays', p. 77).
The son of Catherine the Great, who has been locked away since childhood, is set upon the throne of Russia knowing only his name
'The spirited story of the Millimurra family’s stand against government ‘protection’ policies in 1930s Australia.' (From the publisher's website.)
A young policeman’s first day on duty becomes a violent and highly charged initiation into law enforcement. Remarkable for its blend of boisterous humour and horrifying violence, the play has acquired a reputation as a classic statement on Australian authoritarianism and is a key work in the study of Australian drama.
(Publication Synopsis)
'The most famous Australian play and one of the best loved, Summer of the Seventeenth Doll is a tragicomic story of Roo and Barney, two Queensland sugar-cane cutters who go to Melbourne every year during the 'layoff' to live it up with their barmaid girl friends. The title refers to kewpie dolls, tawdry fairground souvenirs, that they brings as gifts and come, in some readings of the play, to represent adolescent dreams in which the characters seem to be permanently trapped. The play tells the story in traditional well-made, realistic form, with effective curtains and an obligatory scene. Its principal appeal – and that of two later plays with which it forms The Doll Trilogy – is the freshness and emotional warmth, even sentimentality, with which it deals with simple virtues of innocence and youthful energy that lie at the heart of the Australian bush legend.
'Ray Lawler’s play confronts that legend with the harsh new reality of modern urban Australia. The 17th year of the canecutters’ arrangement is different. There has been a fight on the canefields and Roo, the tough, heroic, bushman, has arrived with his ego battered and without money. Barney’s girl friend Nancy has left to get married and is replaced by Pearl, who is suspicious of the whole set-up and hopes to trap Barney into marriage. The play charts the inevitable failure of the dream of the layoff, the end of the men’s supremacy as bush heroes and, most poignantly, the betrayal of the idealistic self-sacrifice made by Roo’s girl friend Olive – the most interesting character – to keep the whole thing going. The city emerges victorious, but the emotional tone of the play vindicates the fallen bushman.'
Source: McCallum, John. 'Summer of the Seventeenth Doll.' Companion to Theatre in Australia. Ed. Philip Parson and Victoria Chance. Sydney: Currency Press , 1997: 564-656.
'Roo Glover has two highly desirable talents - he can fight, and he can run like the clappers. In the inner-city's harsh code there are losers and survivors, and Roo's a survivor. He's made it through adoption, through juvenile detention, through poverty. He's an athlete in training, aching towards the dream of Olympic qualification. He's even coping with being white in the turbulent Aboriginal family of his girlfriend. But when cousin Stanley dies in custody, and Roo finds his father the same week, trouble starts to catch up with him.' (Source: UQP Website: www.uqp.uq.edu.au)
'The Smoking Book is a dreamlike structure built on the solid foundation of two questions: how does it feel to smoke, and what does smoking mean? Lesley Stern, in an innovative, hybrid form of writing, muses on these questions through interesting stories and essays that connect, expand, and contract like smoke rings floating through the air.' 'Stern writes of addictions and passionate attachments, of the body and bodily pleasure, of autobiography and cultural history. Stern has written a book, at once intensely personal and kaleidoscopically international, that weaves the intimate act of a solitary person smoking a cigarette into a broad cultural picture of desire, exchange, fulfillment, and the acts that bind people together, either in lasting ways or through ephemeral encounters.'- Book jacket.
'A set of mountain ranges in the outback, 1922 ... horseback country, and the Fanatic leads the two other white men, the Follower and the Philosopher, and the Tracker, in the pursuit of the Fugitive. Through massacre and murder the hunt continues, until the clear-cut notions of truth and justice are subverted and the questions become not will the Fugitive be caught, but what is black and what is white and who is leading whom?'
Source: Screen Australia.
Inspired in part by Sydney nurse Anita Cobby, who was gang raped, tortured and murdered by five men who kidnapped her as she waited for a bus to take her home late one night, The Boys takes the viewer into the world of a violent and dysfunctional family controlled by the intelligent, malevolent, violent, and manipulative eldest son.
After being released from a twelve-month prison sentence, Brett Sprague returns to his mother's suburban Sydney home and the tension within the family rises almost immediately. His mother tries to keep the peace, only to see her three sons turn on her new boyfriend. The narrative climaxes when after eighteen hours of drinking and fighting, the boys go out and cruise the streets, looking for trouble. It is then that they see a girl waiting for a bus on her own.
[Source: Australian Screen]'This off-beat series follows the exploits of the Bush Mechanics, a group of engaging Aboriginal characters, as they travel through central Australia.
'In each episode, the Bush Mechanics from the remote Warlpiri community of Yuendumu are presented with a new set of challenges - catching a car thief, getting a nephew out of jail, racing to an outback rock concert and travelling thousands of miles to gather pearl shells for a rainmaking ceremony. As they travel through the desert in their clapped-out vehicles, they solve multiple car problems with wacky and inventive bush repair techniques.'
Source: ABC TV Documentaries (http://www.abc.net.au/tv/documentaries/stories/s359476.htm). (Sighted: 12/10/2012)
' Handsome, proud, reprehensible, misunderstood. Dominic Langton is the dark heart of A Difficult Young Man. His brother Guy can scarcely understand where he fits into the pattern of things or what he might do next. Martin Boyd’s much loved novel is an elegant, witty and compelling family tale about the contradictions of growing up.' (Publication summary)
Set over the course of one night, Head On focuses on Ari, a handsome nineteen-year-old boy of Greek descent who finds himself torn between his traditional upbringing and his sexual identity. As he attempts to come to terms with where he fits in, Ari careens between hanging out with his friends and bickering with his family while also becoming involved in several heterosexual and homosexual encounters.
'Eddie Twyborn is bisexual and beautiful, the son of a Judge and a drunken mother. With his androgynous hero - Eudoxia/Eddie/Eadith Twyborn - and through his search for identity, for self-affirmation and love in its many forms, Patrick White takes us into the ambiguous landscapes, sexual, psychological and spiritual, of the human condition.' (From the publisher's website.)
'In the magnificent opening story, "Love and Honor and Pity and Pride and Compassion and Sacrifice," a young writer is urged by his friends to mine his father's experiences in Vietnam - and what seems at first a satire on turning one's life into literary commerce becomes a transcendent exploration of homeland, and the ties between father and son. "Cartagena" provides a visceral glimpse of life in Colombia as it enters the mind of a fourteen-year-old hit man facing the ultimate test. In "Meeting Elise" an ageing New York painter mourns his body's decline as he prepares to meet his daughter on the eve of her Carnegie Hall debut. And with graceful symmetry, the final, title story returns to Vietnam, to a fishing trawler crowded with refugees where a young woman's bond with a mother and her small son forces both women to a shattering decision.' (From the author's website.)
'Ada, her nine-year-old daughter, and her piano, arrive to an arranged marriage in the remote bush of 19th century New Zealand. Of all her belongings, her husband refuses to transport the piano and it is left behind on the beach. Unable to bear its certain destruction, Ada strikes a bargain with an illiterate neighbour. She may earn her piano back if she allows him to do certain things while she plays: one black key for every lesson. The arrangement draws all three deeper and deeper into a complex emotional, sexual bond, remarkable for its naive passion and frightening disregard for limits.'
Source: Screen Australia.
'Samson and Delilah tells the story of two Aboriginal teenagers in a remote community. They live in a sparse environment but one that absorbs all manner of cultural influences, where dot painting and country music exist side by side. Samson gets through his days by sniffing, while Delilah is the caregiver for her nana before taking a moment for herself to listen to Latino music. Their journey ranges across many of the most urgent issues concerning Indigenous people in Australia, homelessness, poverty, domestic violence and substance abuse, but it does so with tenderness, dignity, and even humour.'
Source: Adelaide Film Festival website, www.adelaidefilmfestival.org/ Sighted: 23/02/2009
'In prose that is both elegant and lyrical, David Malouf departs from the little-known facts of Ovid's exile beyond the pale of civilization to create a deeply moving novel of extraordinary beauty. An outcast in a vast wasteland at the edge of the Black Sea, Ovid discovers a feral child. As he teaches the boy to speak the language of the civilized world, the child tutors him in his own tongue, the language of nature, and the once barren landscape begins to resonate with meaning.' (Publisher's blurb)
'A passionate and controversial novel set in turn-of-the-century Europe
'Henry Handel Richardson’s debut, published in London in 1908, is set in the music scene of Leipzig, a cosmopolitan centre for the arts drawing students from around the world—among them Maurice Guest, a young Englishman, who falls helplessly in love with an Australian woman, Louise Dufrayer. Maurice Guest is the story of this overwhelming passion.
'The novel was deemed too controversial to be published as Richardson intended, and she was forced to cut twenty thousand words from the original manuscript and tone down its language.' (Publication summary)
Look Who's Morphing is a collection of bizarre, funny, often menacing stories in which, along with his extended family, the central character undergoes a series of transformations, shape-shifting through figures drawn from film and television, music clips and video games, porn flicks and comics. He is Godzilla, a Muppet, and Whitney Houston's bodyguard; the Fonz, a robot, a Ford Bronco 4x4 - and, as a climax, a Gulliver-sized cock rock singer, played upon by an adoring troupe of sexy Lilliputians in short skirts and sailor suits and cheerleader outfits. Within these fantasies there is a deep intellectual and emotional engagement, a fundamental questioning of the nature of identity, and the way it constructs itself in a world dominated by the images of popular culture. – From the publisher's website.
'It is 1904. At the age of forty-two, the handsome and influential Australian George Morrison, Peking correspondent for The Times of London, is considered the most eligible Western bachelor in China. But Morrison has yet to meet his match - until one night, where the Great Wall meets the sea, he encounters Mae Perkins, the ravishing and free-spirited daughter of a California millionaire, and a turbulent affair begins.
'War, meanwhile, has broken out between Russia and Japan for domination over northeast China. Morrison's colleague Lionel James has an idea that will revolutionise war correspondence. But the Russians, the Japanese, and even The Times's own editor, it seems, would rather see James hung from the nearest yardarm. James believes that only Morrison can help. Just as Mae seems to be slipping away from him, James's quest propels Morrison into her magnetic orbit once more.
'Inspired by a true story, A Most Immoral Woman is a surprising, witty and erotic tale of sexual and other obsessions set in the "floating world" of Westerners in China and Japan at the turn of the twentieth century. At its heart stands an original and devastatingly honest woman, as seen from the perspective of the extraordinary man who was drawn to love her.'