Text | Unit Name | Institution | Year |
---|---|---|---|
form
y
Nice Coloured Girls
( dir. Tracey Moffatt
)
Canberra
:
Women's Film Fund of the Australian Film Commission
Creative Development Branch of the Australian Film Commission
,
1987
Z1462203
1987
single work
film/TV
(taught in 9 units)
An experimental narrative which departs from realist conventions by suggesting connections and differences in the relationship between Aboriginal women and European men in the early years of settlement and in contemporary Sydney, Nice Coloured Girls is also 'a ground-breaking film stylistically and thematically. The audience is left to question history, in particular the reliability of primary sources. The absence of the Aboriginal point of view in Australia's "history" becomes glaringly obvious as we are left to question the nature of traditional representations of Aborigines. As Australians, Aboriginal people have been marginalized and stereotyped but Moffatt who is a young, contemporary Aboriginal Australian offers an Aboriginal perspective through her work and questions dominant representations which have excluded Aborigines (or offered unrealistic images of them)' (French, 'An Analysis of Nice Coloured Girls', q.v.). |
Australian Literature: National Literature 1 | Australian Defence Force Academy (ADFA) at UNSW | 2010 (Semester 1) |
form
y
Nice Coloured Girls
( dir. Tracey Moffatt
)
Canberra
:
Women's Film Fund of the Australian Film Commission
Creative Development Branch of the Australian Film Commission
,
1987
Z1462203
1987
single work
film/TV
(taught in 9 units)
An experimental narrative which departs from realist conventions by suggesting connections and differences in the relationship between Aboriginal women and European men in the early years of settlement and in contemporary Sydney, Nice Coloured Girls is also 'a ground-breaking film stylistically and thematically. The audience is left to question history, in particular the reliability of primary sources. The absence of the Aboriginal point of view in Australia's "history" becomes glaringly obvious as we are left to question the nature of traditional representations of Aborigines. As Australians, Aboriginal people have been marginalized and stereotyped but Moffatt who is a young, contemporary Aboriginal Australian offers an Aboriginal perspective through her work and questions dominant representations which have excluded Aborigines (or offered unrealistic images of them)' (French, 'An Analysis of Nice Coloured Girls', q.v.). |
Aboriginal Women and Coloniality | University of Melbourne | 2013 (Semester 1) |
form
y
Nice Coloured Girls
( dir. Tracey Moffatt
)
Canberra
:
Women's Film Fund of the Australian Film Commission
Creative Development Branch of the Australian Film Commission
,
1987
Z1462203
1987
single work
film/TV
(taught in 9 units)
An experimental narrative which departs from realist conventions by suggesting connections and differences in the relationship between Aboriginal women and European men in the early years of settlement and in contemporary Sydney, Nice Coloured Girls is also 'a ground-breaking film stylistically and thematically. The audience is left to question history, in particular the reliability of primary sources. The absence of the Aboriginal point of view in Australia's "history" becomes glaringly obvious as we are left to question the nature of traditional representations of Aborigines. As Australians, Aboriginal people have been marginalized and stereotyped but Moffatt who is a young, contemporary Aboriginal Australian offers an Aboriginal perspective through her work and questions dominant representations which have excluded Aborigines (or offered unrealistic images of them)' (French, 'An Analysis of Nice Coloured Girls', q.v.). |
Aboriginal Women and Coloniality | University of Melbourne | 2010 (Semester 1) |
form
y
Nice Coloured Girls
( dir. Tracey Moffatt
)
Canberra
:
Women's Film Fund of the Australian Film Commission
Creative Development Branch of the Australian Film Commission
,
1987
Z1462203
1987
single work
film/TV
(taught in 9 units)
An experimental narrative which departs from realist conventions by suggesting connections and differences in the relationship between Aboriginal women and European men in the early years of settlement and in contemporary Sydney, Nice Coloured Girls is also 'a ground-breaking film stylistically and thematically. The audience is left to question history, in particular the reliability of primary sources. The absence of the Aboriginal point of view in Australia's "history" becomes glaringly obvious as we are left to question the nature of traditional representations of Aborigines. As Australians, Aboriginal people have been marginalized and stereotyped but Moffatt who is a young, contemporary Aboriginal Australian offers an Aboriginal perspective through her work and questions dominant representations which have excluded Aborigines (or offered unrealistic images of them)' (French, 'An Analysis of Nice Coloured Girls', q.v.). |
Aboriginal Women and Coloniality | University of Melbourne | 2014 (Semester 1) |
form
y
Nice Coloured Girls
( dir. Tracey Moffatt
)
Canberra
:
Women's Film Fund of the Australian Film Commission
Creative Development Branch of the Australian Film Commission
,
1987
Z1462203
1987
single work
film/TV
(taught in 9 units)
An experimental narrative which departs from realist conventions by suggesting connections and differences in the relationship between Aboriginal women and European men in the early years of settlement and in contemporary Sydney, Nice Coloured Girls is also 'a ground-breaking film stylistically and thematically. The audience is left to question history, in particular the reliability of primary sources. The absence of the Aboriginal point of view in Australia's "history" becomes glaringly obvious as we are left to question the nature of traditional representations of Aborigines. As Australians, Aboriginal people have been marginalized and stereotyped but Moffatt who is a young, contemporary Aboriginal Australian offers an Aboriginal perspective through her work and questions dominant representations which have excluded Aborigines (or offered unrealistic images of them)' (French, 'An Analysis of Nice Coloured Girls', q.v.). |
Aboriginal Women and Coloniality | University of Melbourne | 2011 (Semester 1) |
form
y
Nice Coloured Girls
( dir. Tracey Moffatt
)
Canberra
:
Women's Film Fund of the Australian Film Commission
Creative Development Branch of the Australian Film Commission
,
1987
Z1462203
1987
single work
film/TV
(taught in 9 units)
An experimental narrative which departs from realist conventions by suggesting connections and differences in the relationship between Aboriginal women and European men in the early years of settlement and in contemporary Sydney, Nice Coloured Girls is also 'a ground-breaking film stylistically and thematically. The audience is left to question history, in particular the reliability of primary sources. The absence of the Aboriginal point of view in Australia's "history" becomes glaringly obvious as we are left to question the nature of traditional representations of Aborigines. As Australians, Aboriginal people have been marginalized and stereotyped but Moffatt who is a young, contemporary Aboriginal Australian offers an Aboriginal perspective through her work and questions dominant representations which have excluded Aborigines (or offered unrealistic images of them)' (French, 'An Analysis of Nice Coloured Girls', q.v.). |
Aboriginal Women and Coloniality | University of Melbourne | 2012 (Semester 1) |
form
y
Nice Coloured Girls
( dir. Tracey Moffatt
)
Canberra
:
Women's Film Fund of the Australian Film Commission
Creative Development Branch of the Australian Film Commission
,
1987
Z1462203
1987
single work
film/TV
(taught in 9 units)
An experimental narrative which departs from realist conventions by suggesting connections and differences in the relationship between Aboriginal women and European men in the early years of settlement and in contemporary Sydney, Nice Coloured Girls is also 'a ground-breaking film stylistically and thematically. The audience is left to question history, in particular the reliability of primary sources. The absence of the Aboriginal point of view in Australia's "history" becomes glaringly obvious as we are left to question the nature of traditional representations of Aborigines. As Australians, Aboriginal people have been marginalized and stereotyped but Moffatt who is a young, contemporary Aboriginal Australian offers an Aboriginal perspective through her work and questions dominant representations which have excluded Aborigines (or offered unrealistic images of them)' (French, 'An Analysis of Nice Coloured Girls', q.v.). |
Aboriginal Women and Coloniality | University of Melbourne | 2015 (Semester 1) |
form
y
Nice Coloured Girls
( dir. Tracey Moffatt
)
Canberra
:
Women's Film Fund of the Australian Film Commission
Creative Development Branch of the Australian Film Commission
,
1987
Z1462203
1987
single work
film/TV
(taught in 9 units)
An experimental narrative which departs from realist conventions by suggesting connections and differences in the relationship between Aboriginal women and European men in the early years of settlement and in contemporary Sydney, Nice Coloured Girls is also 'a ground-breaking film stylistically and thematically. The audience is left to question history, in particular the reliability of primary sources. The absence of the Aboriginal point of view in Australia's "history" becomes glaringly obvious as we are left to question the nature of traditional representations of Aborigines. As Australians, Aboriginal people have been marginalized and stereotyped but Moffatt who is a young, contemporary Aboriginal Australian offers an Aboriginal perspective through her work and questions dominant representations which have excluded Aborigines (or offered unrealistic images of them)' (French, 'An Analysis of Nice Coloured Girls', q.v.). |
Aboriginal Women and Coloniality | University of Melbourne | 2016 (Semester 1) |
form
y
Nice Coloured Girls
( dir. Tracey Moffatt
)
Canberra
:
Women's Film Fund of the Australian Film Commission
Creative Development Branch of the Australian Film Commission
,
1987
Z1462203
1987
single work
film/TV
(taught in 9 units)
An experimental narrative which departs from realist conventions by suggesting connections and differences in the relationship between Aboriginal women and European men in the early years of settlement and in contemporary Sydney, Nice Coloured Girls is also 'a ground-breaking film stylistically and thematically. The audience is left to question history, in particular the reliability of primary sources. The absence of the Aboriginal point of view in Australia's "history" becomes glaringly obvious as we are left to question the nature of traditional representations of Aborigines. As Australians, Aboriginal people have been marginalized and stereotyped but Moffatt who is a young, contemporary Aboriginal Australian offers an Aboriginal perspective through her work and questions dominant representations which have excluded Aborigines (or offered unrealistic images of them)' (French, 'An Analysis of Nice Coloured Girls', q.v.). |
Advanced Creative Writing | University of New South Wales | 2010 (Semester 2) |