y separately published work icon The Crimson Petal and the White single work   novel   historical fiction  
Issue Details: First known date: 2002... 2002 The Crimson Petal and the White
The material on this page is available to AustLit subscribers. If you are a subscriber or are from a subscribing organisation, please log in to gain full access. To explore options for subscribing to this unique teaching, research, and publishing resource for Australian culture and storytelling, please contact us or find out more.

Notes

  • Reading Group Guide available through the Text Publishing website.

Publication Details of Only Known VersionEarliest 2 Known Versions of

    • New York (City), New York (State),
      c
      United States of America (USA),
      c
      Americas,
      :
      Harcourt ,
      2002 .
      Extent: 838p.
      Edition info: 1st U.S. ed.
      ISBN: 015100692X (alk. paper)
    • Edinburgh,
      c
      Scotland,
      c
      c
      United Kingdom (UK),
      c
      Western Europe, Europe,
      :
      Canongate ,
      2002 .
      Extent: 838p.
      ISBN: 1841953237, 1841953245
Alternative title: Tenshi no kawaki
Alternative title: 天使の渇き
Language: Japanese

Works about this Work

‘Blotted into the Unreadable Darkness’: Feminist Solidarity as Feminist Utopia in Michel Faber's The Crimson Petal and the White (2002) Georgia Ntola , 2024 single work criticism
— Appears in: Victoriographies , March vol. 14 no. 1 2024;

'This article investigates the representation of feminist solidarity as feminist utopia through the relationship between Sugar and Agnes, the female protagonists of Michel Faber's neo-Victorian novel The Crimson Petal and the White (2002). The article argues that the two women's relationship serves as a metaphor for the feminist debate on difference, negotiated in neo-Victorian fiction, and dramatises the process whereby support is consciously and actively offered in order to defy oppression and alleviate suffering, despite their different positionalities. A key aspect of this process is the (literal and metaphorical) journey which Sugar undertakes to the sites of Agnes's lived experience, which provides her with an insight into the kind of oppression Agnes experiences and enables her to offer the latter woman the assistance she needs. Feminist solidarity, the article asserts, is ultimately conceptualised as a feminist utopia, as Agnes's desired mode of aid entails that she chase her own utopia once Sugar liberates her. In this way, the text asserts the necessity of thinking about feminist solidarity as feasible within the context of late-twentieth and early-twenty-first-century feminist controversies on that issue.'  (Publication abstract)

Whither Postmodernism? Four Tentative Neo-Victorian Answers Christian Gutleben , 2015 single work criticism
— Appears in: Etudes Anglaises , April-June vol. 68 no. 2 2015; (p. 224-236)
'This paper sets out to examine in what ways recent neo-Victorian fiction illustrates twenty-first-century fiction’s quest for new novelistic possibilities. On the basis of David Mitchell’s Cloud Atlas (2004), Andrea Levy’s The Long Song (2010), Michel Faber’s The Crimson Petal and the White (2002) and Rosie Garland’s The Palace of Curiosities (2013), it will be argued that neo-Victorianism broadens the scope of postmodernism by conceiving a cosmopoetics in which a referential and an aesthetic globalisation are combined, by imagining alternative forms of fictional historiography, by challenging various forms of orthodoxy and by questioning the limits of the human. Although it suggests evolutions and variations in relation to late twentieth-century historiographic metafiction, the novel of the new millennium nevertheless cannot be said to forsake postmodernism.' (Publication abstract)
'The Private Rooms and Public Haunts' : Theatricality and the City of London in Michel Faber's The Crimson Petal and the White Lin Pettersson , 2013 single work criticism
— Appears in: Twenty-First Century Fiction : What Happens Now 2013; (p. 97-114)
International Success: Selling Niche Titles Beyond the Prime Home Market Rachel Noorda , 2012 single work criticism
— Appears in: Publishing Research Quarterly , December vol. 28 no. 4 2012; (p. 359–368)

'As the world becomes increasingly international and new markets open up for business, questions arise for small, niche publishers: what makes a book sell well internationally? Can niche titles sell well abroad? And, more importantly: How can I find and publish a book that will be a global success? To answer these questions in this article, Scottish publishing companies will be used as examples to illustrate the ways in which even region-specific niche publishers can successfully sell and market abroad.'  (Publication abstract)

Neo-Victorianism: On the Ethics and Aesthetics of Appropriation Mark Llewellyn , 2009 single work criticism
— Appears in: Literature Interpretation Theory , January - June vol. 20 no. 1-2 2009; (p. 27-44)
Two Sides to the Story : For Andrew Laing , 2003 single work review
— Appears in: The Sydney Morning Herald , 13-14 September 2003; (p. 16)

— Review of The Crimson Petal and the White Michel Faber , 2002 single work novel
Two Sides to the Story : Against Cameron Woodhead , 2003 single work review
— Appears in: The Sydney Morning Herald , 13-14 September 2003; (p. 16)

— Review of The Crimson Petal and the White Michel Faber , 2002 single work novel
Under His Skin Jane Sullivan , 2003 single work biography
— Appears in: The Age , 6 September 2003; (p. 3)
Unhealthy Obsession Meg Sorensen , 2003 single work criticism
— Appears in: The Courier-Mail , 13 September 2003; (p. 6)
The Crimson Petal and the White : A Neo-Victorian Classic Georges Letissier , 2009 single work criticism
— Appears in: Rewriting/Reprising : Plural Intertextualities 2009; (p. 126-137)
In-Yer-Victorian-Face: A Subcultural Hermeneutics of Neo-Victorianism Eckart Voigts-Virchow , 2009 single work criticism
— Appears in: Literature Interpretation Theory , January - June vol. 20 no. 1-2 2009; (p. 108-125)
Neo-Victorianism: On the Ethics and Aesthetics of Appropriation Mark Llewellyn , 2009 single work criticism
— Appears in: Literature Interpretation Theory , January - June vol. 20 no. 1-2 2009; (p. 27-44)
Last amended 16 Nov 2011 14:09:24
Settings:
  • London,
    c
    England,
    c
    c
    United Kingdom (UK),
    c
    Western Europe, Europe,
Newspapers:
    Powered by Trove
    X