Rolf De Heer Rolf De Heer i(A2122 works by)
Born: Established: 1951
c
Netherlands,
c
Western Europe, Europe,
;
Gender: Male
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BiographyHistory

Director, producer, and script-writer.

Born in Heemskerk in The Netherlands, Rolf de Heer emigrated to Australia when he was eight years old. He graduated from the Australian Film, Televison and Radio School (AFTRS) in Sydney in 1980.

His first film, produced independently in 1984 and both written and directed by de Heer, was Tale of a Tiger, in which schoolboy Orville's fascination with model planes accelerates when he meets Harry, owner of a genuine but sadly neglected Tiger Moth. He followed this with the telemovie (produced for Southern Star) Thank You Jack (1986), in which a boy with a terminal and rare neuromuscular disease befriends an old man who is also dying: de Heer directed the film to a screenplay by James Balian.

In 1988, de Heer directed his first science-fiction film: Encounter at Raven's Gate. De Heer co-wrote the film with Marc Rosenberg and James M. Vernon, and it attracted two AFI Award nominations (for production design and score).

In 1990, de Heer directed the film Dingo (written by Raven's Gate co-writer Marc Rosenberg), about an Australian jazz trumpeter who longs to meet his idol again.

In 1993, he wrote, directed and co-produced the film for which he is perhaps best know: Bad Boy Bubby, which won the Grand Jury Special Prize at the Venice Film Festival (1993), the International Jury of Film Critics Award (1993), and the Bronze Plaque of the International Catholic Organisation for Cinema (1993). It also won de Heer two AFI Awards (Best Screenplay: Original and Best Director) and was nominated for Best Film (all 1994) and won the Audience Award at the Valenciennes International Festival of Action and Adventure Films (1995).

De Heer's next film was The Quiet Room (1996), written and directed by de Heer: showing the disintegration of a marriage through the eyes of a ten-year-old child, it was nominated for the Palme d'Or at the Cannes Film festival (1996) and the Golden Spike at the Valladolid International Film Festival. De Heer followed this film with Almost Alien (also known as Epsilon), an ecological science-fiction film. De Heer's final film of the 1990s was Dance Me to My Song (1998), co-written with lead actress Heather Rose and Frederick Stahl.

In 2001, de Heer wrote and directed The Old Man Who Read Love Stories, based on a novel by Luis Sepúlveda: the film won de Heer an FCCA Award (Best Screenplay: Adapted, 2004) and attracted nominations for IF Awards for both Best Feature Film and Best Script (2004). He followed this with The Tracker (2002), which was nominated for AFI Awards for Best Film and Best Original Screenplay (2002), won an AWGIE award for Feature Film: Original (2002), was nominated for an FCCA Award for Best Screenplay: Original (2002), won Best Screenplay at the Ghent International Film Festival (2003) and was nominated for their Grand Prix, was nominated for IF Awards for Best Direction and Best Script (2002), won the Press Award at the Paris Film Festival (2003), won the Jury Special Prize at the Valladolid International Film Festival and was nominated for their Golden Spike (2002), and was nominated for the the Golden Lion at the Venice Film Festival.

De Heer's next three films were Alexandra's Project, Ten Canoes, and Dr Plonk (2007), for all of which de Heer was was both script-writer and director. Both Alexandra's Project and Ten Canoes attracted a high number of awards and nominations, both domestic and international. Alexandra's Project attracted awards and nominations from the Australian Film Institute, the Berlin International Film Festival, the Chicago International Film Festival, the Film Critics Circle of Australia, IF Awards, and the Valladolid International Film Festival. Ten Canoes attracted awards and nominations from the Australian Film Institute, Cannes Film Festival (where it won a special jury prize), the Film Critics Circle of Australia, the Ghent International Film Festival, the IF Awards, and the Satellite Awards. It is also unique as the first feature film filmed entirely in Indigenous Australian dialects.

Dr Plonk, a silent, black-and-white film, is a return to de Heer's interest in science fiction, showing a scientist experimenting with time travel.

De Heer's most recent film is The King is Dead! (2012), which Screen Australia describes as 'a dark comedy about neighbours, ice and baseball bats.'

Exhibitions

Most Referenced Works

Notes

  • Author writes in these languages:ENGLISH

Personal Awards

Awards for Works

form y separately published work icon The Survival of Kindness ( dir. Rolf De Heer ) Australia : Triptych Pictures Vertigo Productions , 2022 23639313 2022 single work film/TV

'In a cage on a trailer in the middle of the desert, BlackWoman (Mwajemi Hussein) is abandoned, left to die. But BlackWoman seems not ready. She escapes, journeying through pestilence and persecution, from desert to mountain and finally to city, on a quest for an unknown beginning. But the city is more uncertain even than the desert, and recaptured, BlackWoman must find another escape. Or does she?'

Source: Adelaide Film Festival.

2023 nominated Film Critics Circle of Australia Best Director
2024 nominated Australian Academy of Cinema and Television Arts Awards Best Indie Film
form y separately published work icon Another Country Australia : Vertigo Productions , 2015 8808085 2015 single work film/TV biography

'According to the great Australian Aboriginal actor David Gulpilil, Another Country is what happened when his way of life was interrupted by ours. This documentary film speaks to the havoc caused by superimposing a new culture over an old culture and the consequent clashes about all manner of things, such as time, money, garbage and errant kangaroos.' (Source: Screen Australia website)

2016 nominated Film Critics Circle of Australia Best Feature Documentary
form y separately published work icon Charlie's Country ( dir. Rolf De Heer ) Australia : Vertigo Productions , 2013 5993547 2013 single work film/TV

Rolf de Heer and David Gulpilil collaborate to create a tragi-comic portrait of Charlie's struggle to understand how he should define himself as an Aboriginal in modern Australia.

2014 shortlisted Film Critics Circle of Australia Best Screenplay - Original or Adapted
2014 winner Film Critics Circle of Australia Best Film
2014 nominated Australian Academy of Cinema and Television Arts Awards Best Original Screenplay
2014 nominated Australian Academy of Cinema and Television Arts Awards Best Film
2015 nominated AFCA Film Awards Best Director
2015 winner AFCA Film Awards Best Screenplay
2015 nominated AFCA Film Awards Best Film
2014 winner Film Critics Circle of Australia Best Director
Last amended 22 May 2019 07:38:55
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