'Ada, her nine-year-old daughter, and her piano, arrive to an arranged marriage in the remote bush of 19th century New Zealand. Of all her belongings, her husband refuses to transport the piano and it is left behind on the beach. Unable to bear its certain destruction, Ada strikes a bargain with an illiterate neighbour. She may earn her piano back if she allows him to do certain things while she plays: one black key for every lesson. The arrangement draws all three deeper and deeper into a complex emotional, sexual bond, remarkable for its naive passion and frightening disregard for limits.'
Source: Screen Australia.
'Samson and Delilah tells the story of two Aboriginal teenagers in a remote community. They live in a sparse environment but one that absorbs all manner of cultural influences, where dot painting and country music exist side by side. Samson gets through his days by sniffing, while Delilah is the caregiver for her nana before taking a moment for herself to listen to Latino music. Their journey ranges across many of the most urgent issues concerning Indigenous people in Australia, homelessness, poverty, domestic violence and substance abuse, but it does so with tenderness, dignity, and even humour.'
Source: Adelaide Film Festival website, www.adelaidefilmfestival.org/ Sighted: 23/02/2009
Collaborative Assignment - 20%
Major Essay - 50%
Ashcroft, Bill, Post-Colonial Transformation London: Routledge 2001
Ashcroft, Bill, Gareth Griffiths and Helen Tiffin, The Empire Writes Back (2nd ed.) London: Routledge 2002