Cirrus@Austlit

Home and Away is a television serial created by Alan Bateman and produced by the Seven Network. The idea for the series came to Bateman (then head of drama at Seven) after he stopped to buy ice-creams in a small country town in southern NSW. While chatting to some locals, he learned that the town was unhappy about plans to build a home for foster kids from the city. At that time, Channel Seven was still smarting from its decision to let Neighbours go to the Ten Network, where it had become hugely popular, and was looking to create another series to rival its success. Bateman saw in the idea that became Home and Away the potential for plenty of storylines and conflict by having streetwise city kids being relocated to a small regional environment,

In the beginning, the series focused on Pippa and Tom Fletcher, who, being unable to have children of their own, decide to become foster parents. When Tom is retrenched from his city job, the couple buy the rundown Summer Bay Caravan Park and move there with their five foster children. Soon after arriving, they also take in troublesome Bobby Simpson.

The series debuted in January 1988 with an hour-long telemovie. Although this rated well, the series itself took some while to develop an audience. Having learned their lesson from the Neighbours debacle, Network Seven gave its new show time, and its ratings gradually increased. As with Neighbours, the Home and Away series and performers became very popular in the United Kingdom.

The 1986 television series is set seven years after the events of the 1983 mini-series. Stephanie Harper, Australia's richest woman, is happily married to her plastic-surgeon husband. Her two children are now young adults, involved in the Harper 'empire' but with their own problems. The release of Jilly Stewart from prison starts a dramatic chain of events.

A daily television drama series set in the fictional Melbourne suburb of Erinsborough, Neighbours chronicles the lives of the residents of Ramsay Street. The series initially revolved around three families: the Ramsays (at number 24 Ramsay Street), the Robinsons (at number 26), and the Clarkes (at number 28). The scope of the series has since broadened to include new Ramsay Street familes.

Sons and Daughters explores the dramatic incidents in the lives of the wealthy Hamilton family and the working-class Palmer family. The premise that underpinned the show's early years concerned the character John Palmer, on the run from the Melbourne police, who suspect him of murder. He travels to Sydney and falls in love with the wealthy Angela Hamilton, but they are later revealed to be twins who were separated at birth and raised separately: John raised by the wise former prostitute Fiona Thompson before returning to live with his father and Angela raised by her mother, who subsequently married into money. More wealth later arrives through the introduction of the Morrell clan, who have managed to marry their way into the Hamilton family.

Set in the fictional Riverside Police Station, Cop Shop combined self-contained stories focusing on specific police investigations with the type of open-ended serial storylines familiar from soap operas. This allowed Crawford Productions to make use of the expertise gained from their highly successful police procedurals (all recently cancelled) and serials such as The Sullivans (then still airing).

According to Moran, in his Guide to Australian Television Series,

Although the format may sound predictable and routine, in fact it was pioneering. In putting women police on the screen, Crawford's were moving Australian crime drama away from being an all-male domain. In addition, by choosing a suburban police station populated both by uniformed police and plainclothes detectives, Cop Shop introduced an upstairs and a downstairs world. The latter, in particular, began to exert its own attractions with handsome young men and women in the roles of the new constables.

An hour-long sit-com set in a men's prison, The Bluestone Boys ran to twenty-six episodes, but was not one of Crawford Productions' more successful programs. According to Moran, in his Guide to Australian Television Series, 'The boys in question were male prisoners supervised by a mixture of idiot trustees headed by a Nazi-like Chuck Faulkner. The comedy of the male group outsmarting its supervisors should have been funnier, given the experience of Crawford writers such as Ian Jones and Terry Stapleton, but The Bluestone Boys fades into insignificance when compared with programs such as Bilko, McHale's Navy and Porridge.'

Set in the Melbourne suburb of Camberwell during World War Two, The Sullivans follows the lives of Dave and Grace Sullivan and their children John, Tom, Dave, and Kitty. However, the storylines reach beyond the immediate Sullivan family, allowing viewers to see their extended family, friends, and neighbours also struggle through everyday war-time life.

The series also featured war-action sequences involving various characters. Arguably the most dramatic moment, and the event that effectively became a turning point in the series, was the death of Grace Sullivan in a London air raid. The series finished after a seven-year run, by which point most of the original cast had left the series and the remaining characters had settled into a new life in the post-war era.

Another Crawford Productions soap opera, The Box was set in a Melbourne television-production studio. According to Moran, in his Guide to Australian Television Series:

The setting for the continuous drama was a television station populated by a series of familiar types. These included Sir Henry Usher, chairman of the company; Max Knight, the harrassed station manager; Tony Wild, the egotistical star of the station's on-air detective series; the inevitable tea lady; Paul Donovan, a harrassed station executive, and many others. Most memorable of all was a wonderful bitch-figure in the person of reporter Vicki Stafford.

Like Number 96, The Box was designed for a late-night timeslot, and so focused on 'adult themes', including adultery and bisexuality.

Moran also suggests that The Box was 'very important to Crawford's in generating a cash flow at a time when they were losing the contracts on their police dramas' and that writers used the character of television police officer Tony Wild as 'an opportunity to settle the books against the egotism of some of the actors in Crawford's police series'.

Australia's first successful television soap opera, Bellbird was devised by writer Barbara Vernon and telecast by ABC Television between 1967 and 1977. The serial is set in a rural farming community, with the storylines examining the lives of various people from in and around the fictional township of Bellbird. Among the long list of characters introduced during the course of the series were the crusty farmer Jim 'The Colonel' Emerson and his glamorous wife Maggie, the local mechanic Joe Turner and his wife Olive, local policeman Constable Des Davies and his wife Fiona, the unpleasant stock and station agent John Quinney, and Jim and Marge Bacom, proprietors of the local pub that served as a central meeting place.

Revue.

Directed and co-written by Barb Angell, Every Child's Garden of Revue comprised twenty-two items, ranging in topic from advertisements to teenagers, school, and the beach. The Peter Pinne, Don Battye, and Ray Kolle piece, 'A Miracle a Day', is a 'mini-musical spoof' of Rogers and Hammerstein.

The items as indicated in the production program are:

• 1. 'Opening' (company)
• 2. 'Where are They?' (company)
• 3. 'Our Own Delphine' (Barbara and David)
• 4. 'All at Sea' (Marion)
• 5. 'On the Hole' (Paul and David)
• 6. 'Run Rabbit Run' (Barbara)
• 7. 'Services Rendered' (Marion, David, and Paul)
• 8. 'Loyal Tour' (David)
• 9. 'May I Have the Next?' (company)
• 10. 'Ad Fad' (Marion and Barbara)
• 11. 'On the Beach' (Barbara, David, and Paul)
• 12. 'A Miracle a Day' (David, Marion, and Barbara)
• 13. 'East is West' (Paul)
• 14. 'Teen Age Mail Bag' (David)
• 15. 'Building Blocks' (Paul and Barbara)
• 16. 'Small Talk' (David and Marion)
• 17. 'Waste Not Want Not' (Paul)
• 18. 'In a Brown Study' (Marion)
• 19. 'All Mod Cons' (Barbara and Paul)
• 20. 'Let's Have a Party' (Marion, David, and Paul)
• 21. 'School Daze' (Barbara)
• 22. 'Have Fun, Damn You!' (company).