Cirrus@Austlit

The Miraculous Mellops centred on the curious adventures of the Mellop children who, after the death of their mother, live at the Lazy Daisy Nursery with their father and aunt, but manage to get caught up in events of intergalactic significance. Series one centred on the search for the new Grand Baby, leader of the Moon, after the former Grand Baby's powers were accidentally fractured into ordinary objects in the Mellops' home. Series two concerned the intergalactic threat offered by the Grubs, who turn anything into their path into toffee before devouring it.

When Jools Trevaller's parents announce that the city is becoming too dangerous and that they're moving to a rundown former staging inn in the small town of Waterloo Creek, Jools is furious. But the house is already occupied by the ghost of a girl called Elly Lockett, who died mysteriously in the nineteenth century. Only Jools can see Elly, and they form a strong friendship as they seek to understand exactly how and why Elly died and where her body lies. Neither realises that once the mystery is solved, they'll be parted forever.

Home and Away is a television serial created by Alan Bateman and produced by the Seven Network. The idea for the series came to Bateman (then head of drama at Seven) after he stopped to buy ice-creams in a small country town in southern NSW. While chatting to some locals, he learned that the town was unhappy about plans to build a home for foster kids from the city. At that time, Channel Seven was still smarting from its decision to let Neighbours go to the Ten Network, where it had become hugely popular, and was looking to create another series to rival its success. Bateman saw in the idea that became Home and Away the potential for plenty of storylines and conflict by having streetwise city kids being relocated to a small regional environment,

In the beginning, the series focused on Pippa and Tom Fletcher, who, being unable to have children of their own, decide to become foster parents. When Tom is retrenched from his city job, the couple buy the rundown Summer Bay Caravan Park and move there with their five foster children. Soon after arriving, they also take in troublesome Bobby Simpson.

The series debuted in January 1988 with an hour-long telemovie. Although this rated well, the series itself took some while to develop an audience. Having learned their lesson from the Neighbours debacle, Network Seven gave its new show time, and its ratings gradually increased. As with Neighbours, the Home and Away series and performers became very popular in the United Kingdom.

A daily television drama series set in the fictional Melbourne suburb of Erinsborough, Neighbours chronicles the lives of the residents of Ramsay Street. The series initially revolved around three families: the Ramsays (at number 24 Ramsay Street), the Robinsons (at number 26), and the Clarkes (at number 28). The scope of the series has since broadened to include new Ramsay Street familes.

Sons and Daughters explores the dramatic incidents in the lives of the wealthy Hamilton family and the working-class Palmer family. The premise that underpinned the show's early years concerned the character John Palmer, on the run from the Melbourne police, who suspect him of murder. He travels to Sydney and falls in love with the wealthy Angela Hamilton, but they are later revealed to be twins who were separated at birth and raised separately: John raised by the wise former prostitute Fiona Thompson before returning to live with his father and Angela raised by her mother, who subsequently married into money. More wealth later arrives through the introduction of the Morrell clan, who have managed to marry their way into the Hamilton family.

Another soap opera from Grundy's, The Restless Years followed a group of teenagers from the end of school to early adulthood: the 'restless years' of the title.

According to Moran, in his Guide to Australian TV Series,

On paper, The Restless Years should not have worked because the central idea of a group of teenagers and adults variously involved with a kids' refuge was not a particularly strong one. Nevertheless, the series did click with audiences and the program built up a loyal band of viewers who tuned in each evening to watch this tale of lost, confused teenagers and adults. Chief among the latter was the essentially castrating mother played by June Salter.

Mimicking the title of Lesley Stern's article (below), Moran sums up The Restless Years as 'this most Freudian of serials'.