Cirrus@Austlit

Described by Dorothy Hewett in her 1979 Hecate article as 'a romantic comedy, written around the principles of celebration and reconciliation... with love and the realisation of love... central to the story' (78), The Man From Mukinupin also deals with the juxtaposition of surface aspects of life and those which lie beneath the surface. The narrative concerns the courtship and eventual marriage of Polly and Jack, along with their doubles Lily and Harry. The two couples lives, played out in the mythical Western Australia wheat belt town of Mukinupin, are starkly contrasted. Jack and Polly belong to the seemingly respectable and conventional daytime society. Polly, is a double figure - an "about to be disappointed in love an life girl" but for whom everything does come out roses. Her other self is Lily (Touch-of-the-Tar), represents the outsider and outcast. Although Lily and Harry roam the dark netherworld of night-time Mukinupin, she too is able to realise her dream, to escape from the narrow little bush town with her lover. In contrast to these four are the grotesque characters, Widow Tuesday, the Black Widow of Mukinupin who delights in death and destruction; and Edie Perkins, the old lady who recites snatches of Victorian poetry. In discussing the role of her female characters Hewett indicates that the thematic struggle mostly lies within the range of the women : 'They are the most aware of the predicament and are the most violently affected by it' ('Creating Heroines', p79).

'Michelle Dicinoski has found the love of her life, and now she just wants to get married and live happily ever after. The only problem is, she's in love with an American woman, Heather, and neither Australia nor America recognises same-sex marriage. What to do when love and the law collide? For Michelle, the answer is clear: go to Canada and get hitched there.

'Ghost Wife is the deep, funny, heartwarming and brave story of that trip. Along the way, Michelle reflects on why anyone would want to get married anyway, on the power of acceptance, and on the startling stories she uncovers in her family's past. She investigates the hidden worlds of people who live their lives outside social norms, sometimes illegally. Michelle doesn't want to disappear, not from her family and not from society. But living in Australia, will she always be a ghost wife?' (Publisher's blurb)

'When Jimmie Blacksmith marries a white woman, the backlash from both Jimmie's tribe and white society initiates a series of dramatic events. As Jimmie tries to survive between two cultures, tensions reach a head when the Newbys, Jimmie's white employers, try to break up his marriage. The Newby women are murdered and Jimmie flees, pursued by police and vigilantes. The hunt intensifies as further murders are committed, and concludes with tragic results.'

Source: Publisher's blurb (HarperCollins ed.)

'In October 1997 a clever young law student at ANU made a bizarre plan to murder her devoted boyfriend after a dinner party at their house. Some of the dinner guests - most of them university students - had heard rumours of the plan. Nobody warned Joe Cinque. He died one Sunday, in his own bed, of a massive dose of rohypnol and heroin. His girlfriend and her best friend were charged with murder. Helen Garner followed the trials in the ACT Supreme Court. Compassionate but unflinching, this is a book about how and why Joe Cinque died. It probes the gap between ethics and the law; examines the helplessness of the courts in the face of what we think of as 'evil'; and explores conscience, culpability, and the battered ideal of duty of care.' (Source: Pan Macmillan website)

Garner takes 'a deliberately subjective and "literary" approach' to her material with an 'emphasis on a sympatheitic authorial persona as the source of the reader's perspective' (Susan Lever 'The Crimes of the Past: Anna Funder's Stasiland and Helen Garner's Joe Cinque's Consolation'. Paper delivered at the Association for the Study of Australian Literature (ASAL) conference 2006).

'Who or what is watching Jake Whyte from the woods?

'Jake Whyte is the sole resident of an old farmhouse on an unnamed island, a place of ceaseless rains and battering winds. It's just her, her untamed companion, Dog, and a flock of sheep. Which is how she wanted it to be. But something is coming for the sheep - every few nights it picks one off, leaves it in rags.

'It could be anything. There are foxes in the woods, a strange boy and a strange man, rumours of an obscure, formidable beast. And there is Jake's unknown past, perhaps breaking into the present, a story hidden thousands of miles away and years ago, in a landscape of different colour and sound, a story held in the scars that stripe her back.

'Set between Australia and a remote English island, All the Birds, Singing is the story of one how one woman's present comes from a terrible past. It is the second novel from the award-winning author of After the Fire, A Still Small Voice.' (Publisher's blurb)

'Eyrie tells the story of Tom Keely, a man who’s lost his bearings in middle age and is now holed up in a flat at the top of a grim highrise, looking down on the world he’s fallen out of love with. He’s cut himself off, until one day he runs into some neighbours: a woman he used to know when they were kids, and her introverted young boy. The encounter shakes him up in a way he doesn’t understand. Despite himself, Keely lets them in. What follows is a heart-stopping, groundbreaking novel for our times – funny, confronting, exhilarating and haunting – populated by unforgettable characters. It asks how, in an impossibly compromised world, we can ever hope to do the right thing..' (Publisher's blurb)

'A novel of the cruelty of war, and tenuousness of life and the impossibility of love.

'August, 1943. In the despair of a Japanese POW camp on the Thai-Burma death railway, Australian surgeon Dorrigo Evans is haunted by his love affair with his uncle's young wife two years earlier. Struggling to save the men under his command from starvation, from cholera, from beatings, he receives a letter that will change his life forever.

'This savagely beautiful novel is a story about the many forms of love and death, of war and truth, as one man comes of age, prospers, only to discover all that he has lost.' (Publisher's blurb)

'She hears her own thick voice deep inside her ears when she says, 'I need to know where I am.' The man stands there, tall and narrow, hand still on the doorknob, surprised. He says, almost in sympathy, 'Oh, sweetie. You need to know what you are.'

'Two women awaken from a drugged sleep to find themselves imprisoned in a broken-down property in the middle of a desert. Strangers to each other, they have no idea where they are or how they came to be there with eight other girls, forced to wear strange uniforms, their heads shaved, guarded by two inept yet vicious armed jailers and a 'nurse'. The girls all have something in common, but what is it? What crime has brought them here from the city? Who is the mysterious security company responsible for this desolate place with its brutal rules, its total isolation from the contemporary world? Doing hard labour under a sweltering sun, the prisoners soon learn what links them: in each girl's past is a sexual scandal with a powerful man. They pray for rescue - but when the food starts running out it becomes clear that the jailers have also become the jailed. The girls can only rescue themselves.

'The Natural Way of Things is a gripping, starkly imaginative exploration of contemporary misogyny and corporate control, and of what it means to hunt and be hunted. Most of all, it is the story of two friends, their sisterly love and courage.

'With extraordinary echoes of The Handmaid's Tale and Lord of the Flies, The Natural Way of Things is a compulsively readable, scarifying and deeply moving contemporary novel. It confirms Charlotte Wood's position as one of our most thoughtful, provocative and fearless truth-tellers, as she unflinchingly reveals us and our world to ourselves.' (Publication summary)

'The debut of a major Australian writer, The Night Guest is a mesmerising novel about trust, love, dependence, and the fear that the things you think you know may become the things you're least sure about.

One morning an elderly widow called Ruth wakes thinking a tiger has been in her seaside house. Later that day a formidable woman called Frida arrives, looking as if she's blown in from the sea, but who has in fact come to care for Ruth.

Frida and the tiger: both are here to stay, and neither is what they seem. How far can Ruth trust them? And as memories of childhood in Fiji press upon her with increasing urgency, how far can she trust herself?

The Night Guest, Fiona McFarlane's hypnotic first novel, is no simple tale of a crime committed and a mystery solved. This is a tale that soars above its own suspense to tell us, with exceptional grace and beauty, about ageing, love, power and perception; about how the past can colonise the present, and about things (and people) in places they shouldn't be. Above all, it's a brilliantly involving story about two very particular women.' (Publisher's blurb)

'Romulus Gaita fled his home in his native Yugoslavia at the age of thirteen, and came to Australia with his young wife Christina and their infant son Raimond soon after the end of World War II.

'Tragic events were to overtake the boy’s life, but Raimond Gaita has an extraordinary story to tell about growing up with his father amid the stony paddocks and flowing grasses of country Australia.

'Written simply and movingly, Romulus, My Father is about how a compassionate and honest man taught his son the meaning of living a decent life. It is about passion, betrayal and madness, about friendship and the joy and dignity of work, about character and fate, affliction and spirituality.'

Source: Publisher's blurb (Text Publishing).

'Five plays from around the country which illustrate that the rich tradition of indigenous storytelling is flourishing in contemporary Australian theatre.' (Source: Australianplays.org)

'In The Best Australian Essays 2014, Robert Manne assembles his picks of contemporary non-fiction writing. Tim Winton reflects on the impact of landscape on the Australian character; Helen Garner remembers her mother with a raw and stirring poignancy; Christos Tsiolkas wonders how the Left forgot their origins; Tim Flannery traces the history of the Great Barrier Reef and fears its destruction. With essays traversing madness, liberty under the rule of Tony Abbott, the enslaving of horses and the legacy of Doris Lessing, this sharp collection offers lucid insight, shrewd understanding and heartbreaking empathy.' (Publication summary)

'For many years, the Tasmanian wilderness has been the site of a fierce struggle. At stake is the future of old-growth forests. Loggers and police face off with protesters deep in the forest, while savage political games are played in the courts and parliaments.

'In Into the Woods, Anna Krien, armed with a notebook, a sleeping bag and a rusty sedan, ventures behind the battlelines to see what it is like to risk everything for a cause. She speaks to ferals and premiers, sawmillers and whistle-blowers. She investigates personalities and convictions, methods and motives. This is a book about a company that wanted its way and the resistance that eventually forced it to change.

'Updated with a new afterword, Into the Woods is intimate, intrepid reporting by a fearless new voice.' (Publication summary)

'Five plays from around the country which illustrate that the rich tradition of indigenous storytelling is flourishing in contemporary Australian theatre.' (Source: Australianplays.org)

'Who or what is watching Jake Whyte from the woods?

'Jake Whyte is the sole resident of an old farmhouse on an unnamed island, a place of ceaseless rains and battering winds. It's just her, her untamed companion, Dog, and a flock of sheep. Which is how she wanted it to be. But something is coming for the sheep - every few nights it picks one off, leaves it in rags.

'It could be anything. There are foxes in the woods, a strange boy and a strange man, rumours of an obscure, formidable beast. And there is Jake's unknown past, perhaps breaking into the present, a story hidden thousands of miles away and years ago, in a landscape of different colour and sound, a story held in the scars that stripe her back.

'Set between Australia and a remote English island, All the Birds, Singing is the story of one how one woman's present comes from a terrible past. It is the second novel from the award-winning author of After the Fire, A Still Small Voice.' (Publisher's blurb)

'Eyrie tells the story of Tom Keely, a man who’s lost his bearings in middle age and is now holed up in a flat at the top of a grim highrise, looking down on the world he’s fallen out of love with. He’s cut himself off, until one day he runs into some neighbours: a woman he used to know when they were kids, and her introverted young boy. The encounter shakes him up in a way he doesn’t understand. Despite himself, Keely lets them in. What follows is a heart-stopping, groundbreaking novel for our times – funny, confronting, exhilarating and haunting – populated by unforgettable characters. It asks how, in an impossibly compromised world, we can ever hope to do the right thing..' (Publisher's blurb)

'A novel of the cruelty of war, and tenuousness of life and the impossibility of love.

'August, 1943. In the despair of a Japanese POW camp on the Thai-Burma death railway, Australian surgeon Dorrigo Evans is haunted by his love affair with his uncle's young wife two years earlier. Struggling to save the men under his command from starvation, from cholera, from beatings, he receives a letter that will change his life forever.

'This savagely beautiful novel is a story about the many forms of love and death, of war and truth, as one man comes of age, prospers, only to discover all that he has lost.' (Publisher's blurb)

'The debut of a major Australian writer, The Night Guest is a mesmerising novel about trust, love, dependence, and the fear that the things you think you know may become the things you're least sure about.

One morning an elderly widow called Ruth wakes thinking a tiger has been in her seaside house. Later that day a formidable woman called Frida arrives, looking as if she's blown in from the sea, but who has in fact come to care for Ruth.

Frida and the tiger: both are here to stay, and neither is what they seem. How far can Ruth trust them? And as memories of childhood in Fiji press upon her with increasing urgency, how far can she trust herself?

The Night Guest, Fiona McFarlane's hypnotic first novel, is no simple tale of a crime committed and a mystery solved. This is a tale that soars above its own suspense to tell us, with exceptional grace and beauty, about ageing, love, power and perception; about how the past can colonise the present, and about things (and people) in places they shouldn't be. Above all, it's a brilliantly involving story about two very particular women.' (Publisher's blurb)

'Searching for the Secret River is the extraordinary story of how Kate Grenville came to write her award-winning novel, [The Secret River].

'It all begins with her ancestor Solomon Wiseman, transported to New South Wales for the term of his natural life, who later became a wealthy man and built his colonial mansion on the Hawkesbury. Increasingly obsessed with his story, Grenville pursues him from Sydney to London and back, and then up the Hawkesbury itself. Slowly she begins to realise she must write about him, and begins to discover what kind of book she will write. Grenville opens the door and invites the reader into her writing room, and tells us about how this novel was formed, the research she did, the false starts she made and the frustrations she experienced.' (Publisher's blurb)

"The Arrival is a migrant story told as a series of wordless images that might seem to come from a long forgotten time. A man leaves his wife and child in an impoverished town, seeking better prospects in an unknown country on the other side of a vast ocean. He eventually finds himself in a bewildering city of foreign customs, peculiar animals, curious floating objects and indecipherable languages. With nothing more than a suitcase and a handful of currency, the immigrant must find a place to live, food to eat and some kind of gainful employment. He is helped along the way by sympathetic strangers, each carrying their own unspoken history: stories of struggle and survival in a world of incomprehensible violence, upheaval and hope." (Source: Shaun Tan website)

"The Arrival is a migrant story told as a series of wordless images that might seem to come from a long forgotten time. A man leaves his wife and child in an impoverished town, seeking better prospects in an unknown country on the other side of a vast ocean. He eventually finds himself in a bewildering city of foreign customs, peculiar animals, curious floating objects and indecipherable languages. With nothing more than a suitcase and a handful of currency, the immigrant must find a place to live, food to eat and some kind of gainful employment. He is helped along the way by sympathetic strangers, each carrying their own unspoken history: stories of struggle and survival in a world of incomprehensible violence, upheaval and hope." (Source: Shaun Tan website)

'A coming-of-age story of a spontaneous heroine who finds herself ensconced in the rigidity of a turn-of-the-century boarding school. The clever and highly imaginative Laura has difficulty fitting in with her wealthy classmates and begins to compromise her ideals in her search for popularity and acceptance.' (From the publisher's website.)

'Five plays from around the country which illustrate that the rich tradition of indigenous storytelling is flourishing in contemporary Australian theatre.' (Source: Australianplays.org)

Nine connected stories, ' Things We Didn't See Coming follows a man over three decades as he tries to survive - and to retain his humanity - in a world savaged by successive cataclysmic events.

Opening on the eve of the millennium, when the world as we know it is still recognisable, we meet the then nine-year-old narrator fleeing the city with his parents, just ahead of a Y2K breakdown of the grid which signals the world's transformation and decline. In the wake of this develop strange, sometimes horrific, sometimes unexpectedly funny circumstances as he goes about the no longer simple act of survival: trying to protect squatters against floods in a place where the rains never stop; harassed (and possibly infected) by a man wracked with plague; functioning as a salaried embezzler of 'the state'; escorting the gravely ill on adventure trips.

Yet despite the violence and brutality of these days, we learn that even as the world is spinning out of control essential human impulses still hold sway - that we never entirely escape our parents, envy the success of those around us and, chiefly, that we crave love' (Harvill Secker website).

'Searching for the Secret River is the extraordinary story of how Kate Grenville came to write her award-winning novel, [The Secret River].

'It all begins with her ancestor Solomon Wiseman, transported to New South Wales for the term of his natural life, who later became a wealthy man and built his colonial mansion on the Hawkesbury. Increasingly obsessed with his story, Grenville pursues him from Sydney to London and back, and then up the Hawkesbury itself. Slowly she begins to realise she must write about him, and begins to discover what kind of book she will write. Grenville opens the door and invites the reader into her writing room, and tells us about how this novel was formed, the research she did, the false starts she made and the frustrations she experienced.' (Publisher's blurb)

'My Brilliant Career was written by Stella Franklin (1879-1954) when she was just nineteen years old. The novel struggled to find an Australian publisher, but was published in London and Edinburgh in 1901 after receiving an endorsement from Henry Lawson. Although Franklin wrote under the pseudonym 'Miles Franklin', Lawson’s preface makes it clear that Franklin is, as Lawson puts it 'a girl.'

'The novel relates the story of Sybylla Melvyn, a strong-willed young woman of the 1890s growing up in the Goulburn area of New South Wales and longing to be a writer.' (Publication summary)

'For many years, the Tasmanian wilderness has been the site of a fierce struggle. At stake is the future of old-growth forests. Loggers and police face off with protesters deep in the forest, while savage political games are played in the courts and parliaments.

'In Into the Woods, Anna Krien, armed with a notebook, a sleeping bag and a rusty sedan, ventures behind the battlelines to see what it is like to risk everything for a cause. She speaks to ferals and premiers, sawmillers and whistle-blowers. She investigates personalities and convictions, methods and motives. This is a book about a company that wanted its way and the resistance that eventually forced it to change.

'Updated with a new afterword, Into the Woods is intimate, intrepid reporting by a fearless new voice.' (Publication summary)

'In October 1997 a clever young law student at ANU made a bizarre plan to murder her devoted boyfriend after a dinner party at their house. Some of the dinner guests - most of them university students - had heard rumours of the plan. Nobody warned Joe Cinque. He died one Sunday, in his own bed, of a massive dose of rohypnol and heroin. His girlfriend and her best friend were charged with murder. Helen Garner followed the trials in the ACT Supreme Court. Compassionate but unflinching, this is a book about how and why Joe Cinque died. It probes the gap between ethics and the law; examines the helplessness of the courts in the face of what we think of as 'evil'; and explores conscience, culpability, and the battered ideal of duty of care.' (Source: Pan Macmillan website)

Garner takes 'a deliberately subjective and "literary" approach' to her material with an 'emphasis on a sympatheitic authorial persona as the source of the reader's perspective' (Susan Lever 'The Crimes of the Past: Anna Funder's Stasiland and Helen Garner's Joe Cinque's Consolation'. Paper delivered at the Association for the Study of Australian Literature (ASAL) conference 2006).

'At a suburban barbecue, a man slaps a child who is not his own.

'This event has a shocking ricochet effect on a group of people, mostly friends, who are directly or indirectly influenced by the event.

'In this remarkable novel, Christos Tsiolkas turns his unflinching and all-seeing eye onto that which connects us all: the modern family and domestic life in the twenty-first century. The Slap is told from the points of view of eight people who were present at the barbecue. The slap and its consequences force them all to question their own families and the way they live, their expectations, beliefs and desires.

'What unfolds is a powerful, haunting novel about love, sex and marriage, parenting and children, and the fury and intensity - all the passions and conflicting beliefs - that family can arouse. In its clear-eyed and forensic dissection of the ever-growing middle class and its aspirations and fears, The Slap is also a poignant, provocative novel about the nature of loyalty and happiness, compromise and truth.' (Publisher's blurb)

Nine connected stories, ' Things We Didn't See Coming follows a man over three decades as he tries to survive - and to retain his humanity - in a world savaged by successive cataclysmic events.

Opening on the eve of the millennium, when the world as we know it is still recognisable, we meet the then nine-year-old narrator fleeing the city with his parents, just ahead of a Y2K breakdown of the grid which signals the world's transformation and decline. In the wake of this develop strange, sometimes horrific, sometimes unexpectedly funny circumstances as he goes about the no longer simple act of survival: trying to protect squatters against floods in a place where the rains never stop; harassed (and possibly infected) by a man wracked with plague; functioning as a salaried embezzler of 'the state'; escorting the gravely ill on adventure trips.

Yet despite the violence and brutality of these days, we learn that even as the world is spinning out of control essential human impulses still hold sway - that we never entirely escape our parents, envy the success of those around us and, chiefly, that we crave love' (Harvill Secker website).

'It begins with a miracle. On a rainy day in Alice Springs in 2039 a fish falls like manna from heaven to bless the reunion of a father with his long lost son. Perhaps it's a sign that the pattern of betrayal and abandonment that began on another rainy day in London in 1959 will come to an end.

'Who'll stop the rain? Andrew Bovell's award-winning When the Rain Stops Falling is powerful storytelling in which the voices of our past echo into our future.' (Publisher's blurb)

'Indigenous Australian art today is recognised throughout Australia and the world for its strength and vitality. 

'In her book Art, Land, Story, Christine Nicholls looks at some of the traditions this art has come from and emphasises the continuous links between Indigenous art, place and The Dreaming the central core of Indigenous law and religion. 

'Sections on body painting, art from the central and western deserts and bark painting from Arnhem Land, highlight the extraordinary diversity that is and always has been a hallmark of Indigenous Australian art.' (Publication summary)

Nine connected stories, ' Things We Didn't See Coming follows a man over three decades as he tries to survive - and to retain his humanity - in a world savaged by successive cataclysmic events.

Opening on the eve of the millennium, when the world as we know it is still recognisable, we meet the then nine-year-old narrator fleeing the city with his parents, just ahead of a Y2K breakdown of the grid which signals the world's transformation and decline. In the wake of this develop strange, sometimes horrific, sometimes unexpectedly funny circumstances as he goes about the no longer simple act of survival: trying to protect squatters against floods in a place where the rains never stop; harassed (and possibly infected) by a man wracked with plague; functioning as a salaried embezzler of 'the state'; escorting the gravely ill on adventure trips.

Yet despite the violence and brutality of these days, we learn that even as the world is spinning out of control essential human impulses still hold sway - that we never entirely escape our parents, envy the success of those around us and, chiefly, that we crave love' (Harvill Secker website).

Contains six plays.

Enuff by John Harding is a frightening and funny play about an Australian future where black patience has run out. A violent uprising is planned for Reconciliation Day – will retribution or forgiveness prevail?

I Don't wanna Play House by Tammy Anderson is the moving story of her childhood. A truly remarkable account of the triumph of the human spirit.

Belonging by Tracey Rigney recounts the taunts and temptations of a school girl, and her personal struggle to remain true to her culture, and herself.

Casting Doubts by Maryanne Sam is a funny, and at times heart-wrenching, play about an actors' casting agency with more colour charts than a paint shop, and the problems that Indigenous actors face.

Crowfire by Jadah Milroy is the story of a young, urban Indigenous Australian woman, and a man from a desert community lured into the city. The moving story of a search for identity and the need for reconciliation.

Conservations with the Dead by Richard J Frankland is a poetic and savage play that takes you into the aching sorrow of deaths in custody.

'On the white frontier in mid-nineteenth century Australia, a lone, bloodied woman arrives at a traveller's rest in the midst of a violent desert storm with a shocking story to tell. Aborigines have allegedly murdered her husband and stolen her infant child. But an Aboriginal woman has a different story to tell. What would cause a missionary's wife to lie? What chance does the word of an Aboriginal woman have against hers? A chilling mystery that draws together the lives of four extraordinary women and their men, all struggling to survive in a hostile and misunderstood landscape. (1 act, 4 male, 4 female).' (Publication summary)

'This is a proud milestone in Australian theatre history; a contemporary Indigenous performance text from the highly acclaimed Kooemba Jdarra. Appropriating western forms whilst using traditional storytelling, it gives emotional insight into Murri life. This one-woman show follows the journey of an Aboriginal ‘Everywoman’ as she tells poignant and humorous stories of grief and reconciliation. A powerful, demanding and culturally profound text, The 7 Stages of Grieving is a celebration of Indigenous survival, an invitation to grieve publicly, a time to exorcize pain. It has a universal theme told through the personal experiences of one incredible character.'

Source: Publisher's blurb (Playlab).

'Lockie Leonard, hot surf-rat, is in love. The human torpedo is barely settled into his new school, and already he's got a girl on his mind. And not just any girl: it has to be Vicki Streeton, the smartest, prettiest, richest girl in the class. What chance have you got when your dad's a cop, your mum's a frighteningly understanding parent, your brother wets the bed and the teachers take an instant dislike to you and then you fall in love at twelve-and-three-quarter years old? It can only mean trouble, worry, mega-embarrassment and some wild, wild times ' (Publication summary)

'My Place, the classic Australian picture book, is a "time machine" which takes the reader back into the past. It depicts the history of one particular piece of land in Sydney from 1788 to 1988 through the stories of the various children who have lived there. It aims to teach the reader about the history of Australia, about families, settlers, multiculturalism, and the traditional owners of the land. Each child's story covers a decade in time, showing their particular dress, customs and family life.

'The book also features maps that the successive generations of children have 'drawn' which demonstrate the things that have changed - as well as the things that have remained constant. My Place ultimately aims to show "that everyone is part of History" and that "every place has a story as old as the earth".' -- Provided by publisher (2008 ed.)

'When a small boy ignores his parents’ advice and follows them out hunting, he meets a huge, wild-eyed, knotty-haired monster known as the Pangkarlangu! ' (Publisher's blurb)

'An evil monster is terrorising the land. The Spotted Cat must act quickly.

But how will he do it when he is so small and the monster is so big.' (Publisher's blurb)

'A boy and his father travel in their boat, ‘Time Machine’ to a stretch of beach beside a primordial tropical rainforest. As the boy walks among the trees he imagines the forest as it might have been in the past. Dinosaurs emerge, barely perceptible, from a tangle of trunks and vines; the faint outlines of an aboriginal child melt into a background of trees and in the final haunting scene the unspoiled vista readers have toured is overlaid with translucent images of a possible future civilisation..' (Source: Author's website)

'In October 1997 a clever young law student at ANU made a bizarre plan to murder her devoted boyfriend after a dinner party at their house. Some of the dinner guests - most of them university students - had heard rumours of the plan. Nobody warned Joe Cinque. He died one Sunday, in his own bed, of a massive dose of rohypnol and heroin. His girlfriend and her best friend were charged with murder. Helen Garner followed the trials in the ACT Supreme Court. Compassionate but unflinching, this is a book about how and why Joe Cinque died. It probes the gap between ethics and the law; examines the helplessness of the courts in the face of what we think of as 'evil'; and explores conscience, culpability, and the battered ideal of duty of care.' (Source: Pan Macmillan website)

Garner takes 'a deliberately subjective and "literary" approach' to her material with an 'emphasis on a sympatheitic authorial persona as the source of the reader's perspective' (Susan Lever 'The Crimes of the Past: Anna Funder's Stasiland and Helen Garner's Joe Cinque's Consolation'. Paper delivered at the Association for the Study of Australian Literature (ASAL) conference 2006).

A series of nine interviews conducted by Leah Purcell with Indigenous Australian women. Each woman is separately interviewed about her experience of growing up, her family life (particularly her relationship with her mother), her sense of Aboriginality and her career. The collection closes with a record of the collective conversation between the women during a meal at Sydney's Edna's Table II restaurant which serves 'Australia's finest Aboriginal cuisine'.

'[This] is a pioneering account of the transnational production of whiteness in the late nineteenth and early twentieth centuries. A work remarkable both for its international breadth and for its sensitivity to local particularity, it is a model for the new global history.

Marilyn Lake and Henry Reynolds expertly and imaginatively reconstruct how leading white intellectuals and politicians in Australia, South Africa, the United States, and Great Britain fought demands for racial equality and jointly invented new doctrines of racial superiority to justify the maintenance and, in some cases, the reinvigoration of white privilege in every part of the world that Britain either controlled or in which it had once deposited its settlers.

A powerful and sobering history, incisively and elegantly told.' Gary Gerstle, author of American Crucible: Race and Nation in the Twentieth Century

'Blackfellas' Point' lies on the Towamba River in south-eastern New South Wales. As the river descends rapidly from its source on the Monaro plains, it winds its way through state forest, national park and farming land. Around twenty-five kilometres before it reaches the sea, just south of Eden, it passes through Towamba, the small village in which Mark McKenna now owns eight acres of land. Mark's land looks across the river to Blackfellas' Point , once an Aboriginal camping ground and meeting place.'

Looking for Blackfellas' Point is a history that begins by looking across the river to arc of bush that is Blackfellas' Point. From there, Mark McKenna's gaze pans out - from the history of one place he knows intimately, to the history of one region and, ultimately, to the history of Australia's quest for reconciliation between Indigenous and non-Indigenous Australians.'

'In the nineteenth and twentieth centuries, people of mixed Aboriginal and European ancestry were commonly assumed to be morally and physically defective, unstable and degenerate. They bore the brunt of society's contempt, and the removal of their children created Australia's stolen generations. Nowhere People is a history of beliefs about people of mixed race, both in Australia and overseas. It explores the concept of racial purity, eugenics, and the threat posed by miscegenation.' (Publication summary)

'Up from the Mission charts the life and thought of Noel Pearson, from his early days as a native title lawyer to his position today as one of Australia's most influential figures.

'This is writing of great passion and power, which introduces a fascinating man and a compelling writer. Many of the pieces included have been hard to find until now. Gathered together in a cohesive, broad-ranging book, they show a key Australian thinker coming into being.

'Pearson evokes his early life in Hope Vale, Queensland. He includes sections of his epoch-making essay Our Right To Take Responsibility, which exposed the trap of passive welfare and proposed new ways forward. There are pieces on the apology; on Barack Obama and black leadership; on Australian party politics - Keating, Howard and Rudd; and on alcoholism, despair and what can be done to mend Aboriginal communities that have fallen apart.' (Publisher's blurb)

Catriona Elder explores the origins, meanings and effects of the many stories we tell about ourselves, and how they have changed over time. She outlines some of the traditional stories and their role in Australian nationalism, and she shows how concepts of egalitarianism, peaceful settlement and sporting prowess have been used to create a national identity.
(Publisher's blurb)

'Part road movie, part memoir, part murder mystery, Seven Versions of an Australian Badland embarks on an enthralling journey through time, into the realms of myth and magic, narcissism and genocide.' (Back cover)

Robyn Davidson tells the story of her 1977 journey across the desert, from Alice Springs to Western Australia. She and a Pitjantjara elder completed their crossing on camel's back. Tracks is the story of her adventure, not only across the desert, but also into self-discovery, and the discovery of the beauty, nobility, and history of the country and its people. (Source: Trove)

'In the Dreaming, the cocky, the crow and the hawk lived together and shared their food. But one day, the cocky and the crow began to argue, and everything changed.' (Publisher's blurb)

'Lockie Leonard, hot surf-rat, is in love. The human torpedo is barely settled into his new school, and already he's got a girl on his mind. And not just any girl: it has to be Vicki Streeton, the smartest, prettiest, richest girl in the class. What chance have you got when your dad's a cop, your mum's a frighteningly understanding parent, your brother wets the bed and the teachers take an instant dislike to you and then you fall in love at twelve-and-three-quarter years old? It can only mean trouble, worry, mega-embarrassment and some wild, wild times ' (Publication summary)

'My Place, the classic Australian picture book, is a "time machine" which takes the reader back into the past. It depicts the history of one particular piece of land in Sydney from 1788 to 1988 through the stories of the various children who have lived there. It aims to teach the reader about the history of Australia, about families, settlers, multiculturalism, and the traditional owners of the land. Each child's story covers a decade in time, showing their particular dress, customs and family life.

'The book also features maps that the successive generations of children have 'drawn' which demonstrate the things that have changed - as well as the things that have remained constant. My Place ultimately aims to show "that everyone is part of History" and that "every place has a story as old as the earth".' -- Provided by publisher (2008 ed.)

'When a small boy ignores his parents’ advice and follows them out hunting, he meets a huge, wild-eyed, knotty-haired monster known as the Pangkarlangu! ' (Publisher's blurb)

'A boy and his father travel in their boat, ‘Time Machine’ to a stretch of beach beside a primordial tropical rainforest. As the boy walks among the trees he imagines the forest as it might have been in the past. Dinosaurs emerge, barely perceptible, from a tangle of trunks and vines; the faint outlines of an aboriginal child melt into a background of trees and in the final haunting scene the unspoiled vista readers have toured is overlaid with translucent images of a possible future civilisation..' (Source: Author's website)

'In prose that is both elegant and lyrical, David Malouf departs from the little-known facts of Ovid's exile beyond the pale of civilization to create a deeply moving novel of extraordinary beauty. An outcast in a vast wasteland at the edge of the Black Sea, Ovid discovers a feral child. As he teaches the boy to speak the language of the civilized world, the child tutors him in his own tongue, the language of nature, and the once barren landscape begins to resonate with meaning.' (Publisher's blurb)

'Indigenous Australian art today is recognised throughout Australia and the world for its strength and vitality. 

'In her book Art, Land, Story, Christine Nicholls looks at some of the traditions this art has come from and emphasises the continuous links between Indigenous art, place and The Dreaming the central core of Indigenous law and religion. 

'Sections on body painting, art from the central and western deserts and bark painting from Arnhem Land, highlight the extraordinary diversity that is and always has been a hallmark of Indigenous Australian art.' (Publication summary)

'In 1806 William Thornhill, a man of quick temper and deep feelings, is transported from the slums of London to New South Wales for the term of his natural life. With his wife Sal and their children he arrives in a harsh land he cannot understand.

'But the colony can turn a convict into a free man. Eight years later Thornhill sails up the Hawkesbury to claim a hundred acres for himself.

'Aboriginal people already live on that river. And other recent arrivals - Thomas Blackwood, Smasher Sullivan and Mrs Herring - are finding their own ways to respond to them.

'Thornhill, a man neither better nor worse than most, soon has to make the most difficult choice of his life.

'Inspired by research into her own family history, Kate Grenville vividly creates the reality of settler life, its longings, dangers and dilemmas. The Secret River is a brilliantly written book, a groundbreaking story about identity, belonging and ownership.' (From the publisher's website.)

'"I lost my own father at 12 yr. of age and know what it is to be raised on lies and silences my dear daughter you are presently too young to understand a word I write but this history is for you and will contain no single lie may I burn in Hell if I speak false."

'In TRUE HISTORY OF THE KELLY GANG, the legendary Ned Kelly speaks for himself, scribbling his narrative on errant scraps of paper in semi-literate but magically descriptive prose as he flees from the police. To his pursuers, Kelly is nothing but a monstrous criminal, a thief and a murderer. To his own people, the lowly class of ordinary Australians, the bushranger is a hero, defying the authority of the English to direct their lives. Indentured by his bootlegger mother to a famous horse thief (who was also her lover), Ned saw his first prison cell at 15 and by the age of 26 had become the most wanted man in the wild colony of Victoria, taking over whole towns and defying the law until he was finally captured and hanged. Here is a classic outlaw tale, made alive by the skill of a great novelist.' (From the publisher's website.)