image of person or book cover 4349810942752941667.jpg
This image has been sourced from Booktopia
y separately published work icon Art, Land, Story single work   non-fiction   children's  
Issue Details: First known date: 2003... 2003 Art, Land, Story
The material on this page is available to AustLit subscribers. If you are a subscriber or are from a subscribing organisation, please log in to gain full access. To explore options for subscribing to this unique teaching, research, and publishing resource for Australian culture and storytelling, please contact us or find out more.
* AustLit's TAL data covers the period 2009-2016, with a small number of courses logged in 2008. Data for 2013 is estimated to cover only half of the eligible courses. Please use this data with caution and contact us if you plan to use it in research or analysis.

Units Teaching this Work

Text Unit Name Institution Year
y separately published work icon Art, Land, Story Christine Nicholls , Kingswood : Working Title Press , 2003 Z1211618 2003 single work non-fiction children's (taught in 4 units)

'Indigenous Australian art today is recognised throughout Australia and the world for its strength and vitality. 

'In her book Art, Land, Story, Christine Nicholls looks at some of the traditions this art has come from and emphasises the continuous links between Indigenous art, place and The Dreaming the central core of Indigenous law and religion. 

'Sections on body painting, art from the central and western deserts and bark painting from Arnhem Land, highlight the extraordinary diversity that is and always has been a hallmark of Indigenous Australian art.' (Publication summary)

 		Australian Studies: Indigenous Australian Art Flinders University 2011 (Semester 1)
y separately published work icon Art, Land, Story Christine Nicholls , Kingswood : Working Title Press , 2003 Z1211618 2003 single work non-fiction children's (taught in 4 units)

'Indigenous Australian art today is recognised throughout Australia and the world for its strength and vitality. 

'In her book Art, Land, Story, Christine Nicholls looks at some of the traditions this art has come from and emphasises the continuous links between Indigenous art, place and The Dreaming the central core of Indigenous law and religion. 

'Sections on body painting, art from the central and western deserts and bark painting from Arnhem Land, highlight the extraordinary diversity that is and always has been a hallmark of Indigenous Australian art.' (Publication summary)

 		Indigenous Australian Art Today Flinders University 2009
y separately published work icon Art, Land, Story Christine Nicholls , Kingswood : Working Title Press , 2003 Z1211618 2003 single work non-fiction children's (taught in 4 units)

'Indigenous Australian art today is recognised throughout Australia and the world for its strength and vitality. 

'In her book Art, Land, Story, Christine Nicholls looks at some of the traditions this art has come from and emphasises the continuous links between Indigenous art, place and The Dreaming the central core of Indigenous law and religion. 

'Sections on body painting, art from the central and western deserts and bark painting from Arnhem Land, highlight the extraordinary diversity that is and always has been a hallmark of Indigenous Australian art.' (Publication summary)

 		Indigenous Arts, Cultures and Design University of South Australia 2010 (Semester 2)
y separately published work icon Art, Land, Story Christine Nicholls , Kingswood : Working Title Press , 2003 Z1211618 2003 single work non-fiction children's (taught in 4 units)

'Indigenous Australian art today is recognised throughout Australia and the world for its strength and vitality. 

'In her book Art, Land, Story, Christine Nicholls looks at some of the traditions this art has come from and emphasises the continuous links between Indigenous art, place and The Dreaming the central core of Indigenous law and religion. 

'Sections on body painting, art from the central and western deserts and bark painting from Arnhem Land, highlight the extraordinary diversity that is and always has been a hallmark of Indigenous Australian art.' (Publication summary)

 		Indigenous Arts, Cultures and Design University of South Australia 2009 (Semester 2)
X