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In the year 2026, three young Australians, a brother and two sisters, are kidnapped by space pirates and taken to another galaxy to perform for aliens in a futuristic amphitheatre
Also published in Holland 1994 and Denmark 1994 (details not known).
Prequel to Terra-Farma.
Author's note: The new edition of Galax-Arena (2001) differs slightly from the original Galax-Arena, first published in 1992. It is set a little further into the future and the idea of an international sports acrobatics competition called Contest has been introduced. I have based Terra-Farma on this edition because I wanted to develop the idea of the Contest. - frontmatter Terra-Farma (2001)
Publication Details of Only Known VersionEarliest 2 Known Versions of
'No-one has ever escaped from the Galax-Arena before. Now Project Genesis Five wants to know how Joella, Peter and Liane did it.On the run from the all-seeing, all-knowing Project, the girls find shelter at Terra-Farma, while Peter tries to survive in the outback. But Terra-Farma is not what it seems. Can Joelle escape again?'
Intra-Active : The Child/Animal in Children's SFNaarah Sawers,
2006single work criticism — Appears in:
Papers : Explorations into Children's Literature,Decembervol.
16no.
22006;(p. 23-28)In a close reading of Gillian Rubenstein's Galax-Arena, Sawers examines how children's science fiction novels reflect and mediate the overarching influence of science and biotechnology as an authority on the production of 'new realities' (23). Sawers contends that narratives that engender a particular set of responses to science and its treatment of bodies are fundamentally political and hence, deserve close analysis, particularly as children's bodies are a crucial part of biomedical research. Sawers argues that children's SF is both constitutive of and produced by the biotechnological imaginary and it is through 'literature that challenges the boundaries of science and fiction that the anxieties surrounding the animal-human hybrid are articulated' (27). What needs to be considered and critiqued, says Sawers, is whether such articulations 'simply reinscribe humanist ideology and the division between science and humanities or offer a more responsible engagement with scientific practices' (23).
Representations of the 'Absent Mother' in Australian Adolescent FictionDiana Beere,
1998single work criticism — Appears in:
Papers : Explorations into Children's Literature,Decembervol.
8no.
31998;(p. 16-24)Beere analyses the ways in which the 'absent mother' is represented in the novel Galax-Arena and the short story 'Andrew', from the collection, Love Me, Love Me Not. (These monograph titles were shortlisted for the Children's Book Council Book of the Year Awards in 1992 and 1993 respectively). Beer's argument is that in recent fictions for children and adolescents, representations of the 'absent mother' continue to maintain and support dominant patrirachal constructions of motherhood which fundamentally categorize women within a rigid dualistic system of signification. Beere's reading of Galax-Arena looks at how literal and metaphorical representations of the absent mother - ie. contemporary society as 'bad parent' (19), are closely associated with biological femininity. By contrast, she argues that the short story 'Andrew' offers a more positive representation which challenges prevailing ideologies of motherhood that construct 'absent mothers' as only a negative force in the lives of children (22). Despite signs of resistance in some narratives, Beere concludes that the either/or subject positioning of women as good mothers or bad mothers is part of the post-feminist 'backlash' (22), which continues 'to limit the range of legitimate identities available to women and girls and hence to undermine the achievements of contemporary feminist movements' (17). She ends her critique by questioning the implications of 'conventional normative versions of motherhood' in relation to the judging of children's literature and the awards merited by the Children's Book Council of Australia.
Intra-Active : The Child/Animal in Children's SFNaarah Sawers,
2006single work criticism — Appears in:
Papers : Explorations into Children's Literature,Decembervol.
16no.
22006;(p. 23-28)In a close reading of Gillian Rubenstein's Galax-Arena, Sawers examines how children's science fiction novels reflect and mediate the overarching influence of science and biotechnology as an authority on the production of 'new realities' (23). Sawers contends that narratives that engender a particular set of responses to science and its treatment of bodies are fundamentally political and hence, deserve close analysis, particularly as children's bodies are a crucial part of biomedical research. Sawers argues that children's SF is both constitutive of and produced by the biotechnological imaginary and it is through 'literature that challenges the boundaries of science and fiction that the anxieties surrounding the animal-human hybrid are articulated' (27). What needs to be considered and critiqued, says Sawers, is whether such articulations 'simply reinscribe humanist ideology and the division between science and humanities or offer a more responsible engagement with scientific practices' (23).