Cirrus@Austlit

''It was a spring evening in Washington DC; a chilly autumn morning in Melbourne; it was exactly 22.00 Greenwich Mean Time when a worm entered the computerised control systems of hundreds of Australian prisons and released the locks in many places of incarceration, some of which the hacker could not have known existed. Because Australian prison security was, in the year 2010, mostly designed and sold by American corporations the worm immediately infected 117 US federal correctional facilities, 1,700 prisons, and over 3,000 county jails. Wherever it went, it traveled underground, in darkness, like a bushfire burning in the roots of trees. Reaching its destinations it announced itself: THE CORPORATION IS UNDER OUR CONTROL. THE ANGEL DECLARES YOU FREE.'

'Has a young Australian woman declared cyber war on the United States? Or was her Angel Worm intended only to open the prison doors of those unfortunates detained by Australia's harsh immigration policies? Did America suffer collateral damage? Is she innocent? Can she be saved? ' (Publication abstract)

'Gilgamesh is the epic story of a mother's search for the father of her child - from Australia to Armenia via England and Mesopotamia - all under the shadow of the imminent, and soon to be very real, Second World War. Narrated in a clear, poetic voice, it is a portrayal of the different journeys we choose to take through life and what happens when ordinary people get caught up in extraordinary, seismic events.'

Source: Publisher's blurb (2018 ed.).

'A Guide to Berlin” is the name of a short story written by Vladimir Nabokov in 1925, when he was a young man of 26, living in Berlin.

'A group of six international travellers, two Italians, two Japanese, an American and an Australian, meet in empty apartments in Berlin to share stories and memories. Each is enthralled in some way to the work of Vladimir Nabokov, and each is finding their way in deep winter in a haunted city. A moment of devastating violence shatters the group, and changes the direction of everyone's story.

'Brave and brilliant, A Guide to Berlin traces the strength and fragility of our connections through biographies and secrets. ' (Publication summary)

'These offbeat, fragmentary yet often discursive poems were written over three years up to spring 2015. In part, they epitomize the absurdities of contemporary materialism. Pam Brown's well-practised scepticism dismantles monumental intent and splices the remains into a shrewd melange of imagery and thoughtful lyric complemented by playfulness. For Pam writing poetry is a habit, a disorganised ritual. Her poetic inventories begin in everyday bricolage. Real things interrupt the poems the same way thoughts and phrases do. You know - the fridge over there, the bus stop, surf music on a radio, a raisin squashed against a floor tile - always backgrounding a connection to the 'social' as the poems make political and personal associative links. Though disquiet is present it is usually temporary - an optimistic wit plays through this idiosyncratic poetry as a kind of placebo. But, in the end, Pam Brown simply lets the language do the work.' (Publication summary)

'She hears her own thick voice deep inside her ears when she says, 'I need to know where I am.' The man stands there, tall and narrow, hand still on the doorknob, surprised. He says, almost in sympathy, 'Oh, sweetie. You need to know what you are.'

'Two women awaken from a drugged sleep to find themselves imprisoned in a broken-down property in the middle of a desert. Strangers to each other, they have no idea where they are or how they came to be there with eight other girls, forced to wear strange uniforms, their heads shaved, guarded by two inept yet vicious armed jailers and a 'nurse'. The girls all have something in common, but what is it? What crime has brought them here from the city? Who is the mysterious security company responsible for this desolate place with its brutal rules, its total isolation from the contemporary world? Doing hard labour under a sweltering sun, the prisoners soon learn what links them: in each girl's past is a sexual scandal with a powerful man. They pray for rescue - but when the food starts running out it becomes clear that the jailers have also become the jailed. The girls can only rescue themselves.

'The Natural Way of Things is a gripping, starkly imaginative exploration of contemporary misogyny and corporate control, and of what it means to hunt and be hunted. Most of all, it is the story of two friends, their sisterly love and courage.

'With extraordinary echoes of The Handmaid's Tale and Lord of the Flies, The Natural Way of Things is a compulsively readable, scarifying and deeply moving contemporary novel. It confirms Charlotte Wood's position as one of our most thoughtful, provocative and fearless truth-tellers, as she unflinchingly reveals us and our world to ourselves.' (Publication summary)

'Set in nineteenth-century Australia, Voss is the story of the secret passion between an explorer and a naïve young woman. Although they have met only a few times, Voss and Laura are joined by overwhelming, obsessive feelings for each other. Voss sets out to cross the continent. As hardships, mutiny and betrayal whittle away his power to endure and to lead, his attachment to Laura gradually increases. Laura, waiting in Sydney, moves through the months of separation as if they were a dream and Voss the only reality.

'From the careful delineation of Victorian society to the sensitive rendering of hidden love to the stark narrative of adventure in the Australian desert, Patrick White's novel is a work of extraordinary power and virtuosity.'

Source: Random House Books (Sighted 21/09/2012)

'In 1939, a lost tribe of Europeans was discovered in the Tasmanian wilderness. They were a band of outcasts who had escaped the torture of convict life, scratching out an existence at the forgotten edge of the island, alone for almost a century.

'Inspired by this true story, writer Louis Nowra (Cosi, Radiance) penned The Golden Age – an extraordinary play that blends historical fact, Australian folklore and poetic language to create a post-colonial myth for our times. Nowra’s outcasts have developed a culture and dialect all of their own, but their bodies are failing them and their very existence is in danger. Brought back into the fold of Australian society, what fate awaits this band of exiles?'

Source: Sydney Theatre Company (2016 revival).

'When a brothel madam is shot on a Perth golf course in 1975 it should be a routine murder enquiry. But it isn't. In fact there's barely an investigation at all, and Superintendent Swann thinks he knows why. Heroin is the new drug in town and the money is finding its way into some very respectable hands.

'It's the brave or the foolish who accuse their fellow cops of corruption, and sometimes not even Swann is sure which he is. Especially when those he's pointing the finger at have mates in every stronghold of power in the state - big business, organised crime, the government. He might have won the first round by forcing a royal commission, but the judge is an ailing patsy and the outcome seems predetermined. If that's not enough to contend with, Swann's teenage daughter has disappeared, he doesn't know whether she's alive or not, and the word on the street is he's a dead man walking.

'Line of Sight is classic crime noir, a tale of dark corruption set in a city of sun and heat.'

'My Brilliant Career was written by Stella Franklin (1879-1954) when she was just nineteen years old. The novel struggled to find an Australian publisher, but was published in London and Edinburgh in 1901 after receiving an endorsement from Henry Lawson. Although Franklin wrote under the pseudonym 'Miles Franklin', Lawson’s preface makes it clear that Franklin is, as Lawson puts it 'a girl.'

'The novel relates the story of Sybylla Melvyn, a strong-willed young woman of the 1890s growing up in the Goulburn area of New South Wales and longing to be a writer.' (Publication summary)

'At a suburban barbecue, a man slaps a child who is not his own.

'This event has a shocking ricochet effect on a group of people, mostly friends, who are directly or indirectly influenced by the event.

'In this remarkable novel, Christos Tsiolkas turns his unflinching and all-seeing eye onto that which connects us all: the modern family and domestic life in the twenty-first century. The Slap is told from the points of view of eight people who were present at the barbecue. The slap and its consequences force them all to question their own families and the way they live, their expectations, beliefs and desires.

'What unfolds is a powerful, haunting novel about love, sex and marriage, parenting and children, and the fury and intensity - all the passions and conflicting beliefs - that family can arouse. In its clear-eyed and forensic dissection of the ever-growing middle class and its aspirations and fears, The Slap is also a poignant, provocative novel about the nature of loyalty and happiness, compromise and truth.' (Publisher's blurb)

Swallow the Air follows the life of 15-year-old May Gibson, an Aboriginal girl from New South Wales whose mother commits suicide. May and her brother go to live with their aunt, but eventually May travels further afield, first to Redfern's Block in Sydney, then to the Northern Territory, and finally into central New South Wales. She travels to escape, but also in pursuit of a sense of her own history, family, and identity.

'Set in nineteenth-century Australia, Voss is the story of the secret passion between an explorer and a naïve young woman. Although they have met only a few times, Voss and Laura are joined by overwhelming, obsessive feelings for each other. Voss sets out to cross the continent. As hardships, mutiny and betrayal whittle away his power to endure and to lead, his attachment to Laura gradually increases. Laura, waiting in Sydney, moves through the months of separation as if they were a dream and Voss the only reality.

'From the careful delineation of Victorian society to the sensitive rendering of hidden love to the stark narrative of adventure in the Australian desert, Patrick White's novel is a work of extraordinary power and virtuosity.'

Source: Random House Books (Sighted 21/09/2012)

'Sixty Lights is the captivating chronicle of Lucy Strange, an independent girl growing up in the Victorian world. From her childhood in Australia through to her adolescence in England and Bombay and finally to London, Lucy is fascinated by light and by the new photographic technology. Her perception of the world is passionate and moving, revealed in a series of frozen images captured in the camera of her mind's eye showing her feelings about love, life and loss. In this confident, finely woven and intricate novel Jones has created an unforgettable character in Lucy; visionary, gifted and exuberant, she touches the lives of all who know her.' (Publication summary)

"The Arrival is a migrant story told as a series of wordless images that might seem to come from a long forgotten time. A man leaves his wife and child in an impoverished town, seeking better prospects in an unknown country on the other side of a vast ocean. He eventually finds himself in a bewildering city of foreign customs, peculiar animals, curious floating objects and indecipherable languages. With nothing more than a suitcase and a handful of currency, the immigrant must find a place to live, food to eat and some kind of gainful employment. He is helped along the way by sympathetic strangers, each carrying their own unspoken history: stories of struggle and survival in a world of incomprehensible violence, upheaval and hope." (Source: Shaun Tan website)

Big-hearted, moving and richly rewarding, That Deadman Dance is set in the first decades of the 19th century in the area around what is now Albany, Western Australia. In playful, musical prose, the book explores the early contact between the Aboriginal Noongar people and the first European settlers.

'The novel's hero is a young Noongar man named Bobby Wabalanginy. Clever, resourceful and eager to please, Bobby befriends the new arrivals, joining them hunting whales, tilling the land, exploring the hinterland and establishing the fledgling colony. He is even welcomed into a prosperous local white family where he falls for the daughter, Christine, a beautiful young woman who sees no harm in a liaison with a native.

'But slowly - by design and by accident - things begin to change. Not everyone is happy with how the colony is developing. Stock mysteriously start to disappear; crops are destroyed; there are "accidents" and injuries on both sides. As the Europeans impose ever stricter rules and regulations in order to keep the peace, Bobby's Elders decide they must respond in kind. A friend to everyone, Bobby is forced to take sides: he must choose between the old world and the new, his ancestors and his new friends. Inexorably, he is drawn into a series of events that will forever change not just the colony but the future of Australia...' (From the publisher's website.)

'Watkin Tench stepped ashore at Botany Bay with the First Fleet in January 1788. He was in his late twenties, a captain of the marines, and on the adventure of his life. Insatiably curious, with a natural genius for storytelling, Tench wrote two enthralling accounts of the infant colony - A Narrative of the Expedition to Botany Bay and A Complete Account of the Settlement at Port Jackson. Tench brings to life the legendary figures of Bennelong, Arabanoo and Governor Phillip, and records the voices of convicts trying to make new lives in their new country.'(Source: Goodreads website)

'When Lieutenant William Dawes came to Botany Bay with the First Fleet Marines in January 1788 he delved into the world of a small group of Indigenous people from around Sydney Harbour. Dawes called his collaborators 'the Eora'. They told him it was their word for 'people', and it might have been the first thing they watched him write down.

'Chasing the fascinations that thrilled the Lieutenant during his disorienting time in Eora country, 26 Views of the Starburst World captures the wonder that shone for Dawes and rearranged him at Sydney Cove, amplified and illuminated, engulfed by language, stars and landscape.' (Publisher's website)

Athena and Dexter lead an enclosed family life, innocent of fashion and bound towards a disturbed child. Their comfortable rut is disrupted by the arrival of Elizabeth, a tough nut from Dexter's past. With her three charming, chaotic hangers-on, she draws the couple out into a world whose casual egotism they had barely dreamed of. How can they get home again? (Source: publisher's website)

'Daniel Rooke, soldier and astronomer, was always an outsider. As a young lieutenant of marines he arrives in New South Wales on the First Fleet in 1788 and sees his chance. He sets up his observatory away from the main camp, and begins the scientific work that he hopes will make him famous.

'Aboriginal people soon start to visit his isolated promontory, and a child named Tagaran begins to teach him her language. With meticulous care he records their conversations. An extraordinary friendship forms, and Rooke has almost forgotten he is a soldier when a man is fatally wounded in the infant colony. The lieutenant faces a decision that will define not only who he is but the course of his entire life.

'In this profoundly moving novel Kate Grenville returns to the landscape of her much-loved bestseller The Secret River. Inspired by the notebooks of William Dawes, The Lieutenant is a compelling story about friendship and self-discovery by a writer at the peak of her powers.' (Publisher's blurb)

'1829, Tasmania.

'John Batman, ruthless, singleminded; four convicts, the youngest still only a stripling; Gould, a downtrodden farmhand; two free black trackers; and powerful, educated Black Bill, brought up from childhood as a white man. This is the roving party and their purpose is massacre. With promises of freedom, land grants and money, each is willing to risk his life for the prize.

'Passing over many miles of tortured country, the roving party searches for Aborigines, taking few prisoners and killing freely, Batman never abandoning the visceral intensity of his hunt. And all the while, Black Bill pursues his personal quarry, the much-feared warrior, Manalargena.

'A surprisingly beautiful evocation of horror and brutality, The Roving Party is a meditation on the intricacies of human nature at its most raw.' (From the publisher's website.)

'Gilgamesh is the epic story of a mother's search for the father of her child - from Australia to Armenia via England and Mesopotamia - all under the shadow of the imminent, and soon to be very real, Second World War. Narrated in a clear, poetic voice, it is a portrayal of the different journeys we choose to take through life and what happens when ordinary people get caught up in extraordinary, seismic events.'

Source: Publisher's blurb (2018 ed.).

'Goad Omen is Corey Wakeling's first full-length collection of poems, a vibrant and witty interplay of depths and resurfacings, portraying a world littered with grim foreshadowings and kitschy memorabilia alike.' (Publisher's blurb)

'Stephen Villani is the acting head of the Victoria Police homicide squad. But his first months on the job have not gone well: two Aboriginal teenagers shot dead in a botched operation he authorised in the provincial city of Cromarty; and, no progress on the killing of a man in front of his daughter outside a private girls' school.

Now five men are found dead in horrifying circumstances on the outskirts of the city. Villani's superiors and the media are baying for arrests. To add to his woes, some of the country's richest people are alarmed by the baffling killing of a young woman in the high-security tower where they live.

Villani, a man who has built his life around his work, begins to find the certainties of both crumbling. As the pressure mounts, he finds that he must contemplate things formerly unthinkable. Truth is a novel about murder, corruption, family, friends, honour, honesty, deceit, love, betrayal and truth.' (from Quercus website)

'Gilgamesh is the epic story of a mother's search for the father of her child - from Australia to Armenia via England and Mesopotamia - all under the shadow of the imminent, and soon to be very real, Second World War. Narrated in a clear, poetic voice, it is a portrayal of the different journeys we choose to take through life and what happens when ordinary people get caught up in extraordinary, seismic events.'

Source: Publisher's blurb (2018 ed.).

'In the remote outback of Western Australia during World War II, English anthropologist Nicholas Keene and his wife, Stella, raise a lonely child, Perdita. Her upbringing is far from ordinary: in a shack in the wilderness, with a distant father burying himself in books and an unstable mother whose knowledge of Shakespeare forms the backbone of the girl's limited education.

'Emotionally adrift, Perdita becomes friends with a deaf and mute boy, Billy, and an Aboriginal girl, Mary. Perdita and Mary come to call one another sister and to share a very special bond. They are content with life in this remote corner of the globe, until a terrible event lays waste to their lives.' (Publisher's blurb)

'Stephen Villani is the acting head of the Victoria Police homicide squad. But his first months on the job have not gone well: two Aboriginal teenagers shot dead in a botched operation he authorised in the provincial city of Cromarty; and, no progress on the killing of a man in front of his daughter outside a private girls' school.

Now five men are found dead in horrifying circumstances on the outskirts of the city. Villani's superiors and the media are baying for arrests. To add to his woes, some of the country's richest people are alarmed by the baffling killing of a young woman in the high-security tower where they live.

Villani, a man who has built his life around his work, begins to find the certainties of both crumbling. As the pressure mounts, he finds that he must contemplate things formerly unthinkable. Truth is a novel about murder, corruption, family, friends, honour, honesty, deceit, love, betrayal and truth.' (from Quercus website)

'In the late afternoon of a day in February, that hottest of Australian summer months, when a brutal sun stood bronze above the river flats which you may see from the dormitory windows of Chatterton, Charles came to the school with his mother, walking from the railway station to the gates by a private path across a burnt, untidy field, overhung with Cape lilacs that still drooped, dusty and melancholy…In the lower part of his belly fear kicked and pulsed like a child in the womb, ready to be born.

'Fifteen-year-old Charles Fox is sent away to boarding school, innocent, alone and afraid. There one of his masters develops an intense attachment to him. But when Charles meets Margaret, a girl staying at a nearby farm for the holidays, he is besotted, and a passionate, unforgettable romance begins. ' (Publication summary : Text Classics)

'Sixty Lights is the captivating chronicle of Lucy Strange, an independent girl growing up in the Victorian world. From her childhood in Australia through to her adolescence in England and Bombay and finally to London, Lucy is fascinated by light and by the new photographic technology. Her perception of the world is passionate and moving, revealed in a series of frozen images captured in the camera of her mind's eye showing her feelings about love, life and loss. In this confident, finely woven and intricate novel Jones has created an unforgettable character in Lucy; visionary, gifted and exuberant, she touches the lives of all who know her.' (Publication summary)

'Gilgamesh is the epic story of a mother's search for the father of her child - from Australia to Armenia via England and Mesopotamia - all under the shadow of the imminent, and soon to be very real, Second World War. Narrated in a clear, poetic voice, it is a portrayal of the different journeys we choose to take through life and what happens when ordinary people get caught up in extraordinary, seismic events.'

Source: Publisher's blurb (2018 ed.).

Wresting his family from the easy living of nineteenth-century Sydney, Cornelius Laffey takes them to northern Queensland where thousands of hopefuls are digging for gold in the mud. They confront the horror of Aboriginal dispossession, and Cornelius is sacked for reporting the slaughter. This is an unforgettable tale of the other side of Australia's heritage.

Source: Penguin Random House Australia.

(https://penguin.com.au/books/its-raining-in-mango-popular-penguins-9780143204749)

'Who or what is watching Jake Whyte from the woods?

'Jake Whyte is the sole resident of an old farmhouse on an unnamed island, a place of ceaseless rains and battering winds. It's just her, her untamed companion, Dog, and a flock of sheep. Which is how she wanted it to be. But something is coming for the sheep - every few nights it picks one off, leaves it in rags.

'It could be anything. There are foxes in the woods, a strange boy and a strange man, rumours of an obscure, formidable beast. And there is Jake's unknown past, perhaps breaking into the present, a story hidden thousands of miles away and years ago, in a landscape of different colour and sound, a story held in the scars that stripe her back.

'Set between Australia and a remote English island, All the Birds, Singing is the story of one how one woman's present comes from a terrible past. It is the second novel from the award-winning author of After the Fire, A Still Small Voice.' (Publisher's blurb)

'Joe Cashin was different once. He moved easily then; was surer and less thoughtful. But there are consequences when you've come so close to dying. For Cashin, they included a posting away from the world of Homicide to the quiet place on the coast where he grew up. Now all he has to do is play the country cop and walk the dogs. And sometimes think about how he was before.

'Then prominent local Charles Bourgoyne is bashed and left for dead. Everything seems to point to three boys from the nearby Aboriginal community; everyone seems to want it to. But Cashin is unconvinced. And as tragedy unfolds relentlessly into tragedy, he finds himself holding onto something that might be better let go.'
Source: Publisher's website (Sighted 22/8/11)

'In the Shade of the Shady Tree is a collection of stories set in the Western Australian wheatbelt, a vast grain-growing area that ranges across the southwestern end of the immense Australian interior. Kinsella's stories offer glimpses into the lives of the people who call this area home.

Cast against a backdrop of indigenous dispossession, settler migration, and the destructive impact of land-clearing and monocultural farming methods, the stories offer moments of connection with the inhabitants, ranging from the matter-of-fact to the bizarre and inexplicable. Something about the nature of the place wrestles with all human interactions and affects their outcomes. The land itself is a dominant character, with dust, gnarled scrubland, and the need for rain underpinning human endeavour.

Inflected with both contemporary ideas of short fiction and the "everyman" tradition of Australian storytelling, this collection will introduce many readers to a new landscape and unforgettable characters' (Publisher's blurb).

'In the mid-1840s, a thirteen-year-old boy, Gemmy Fairley, is cast ashore in the far north of Australia and taken in by Aborigines. Sixteen years later, when settlers reach the area, he moves back into the world of Europeans, men and women who are staking out their small patch of home in an alien place, hopeful and yet terrified of what it might do to them.

Given shelter by the McIvors, the family of the children who originally made contact with him, Gemmy seems at first to be guaranteed a secure role in the settlement, but there are currents of fear and mistrust in the air. To everyone he meets - from George Abbot, the romantically aspiring young teacher, to Mr Frazer, the minister, whose days are spent with Gemmy recording the local flora; from Janet McIvor, just coming to adulthood and discovering new versions of the world, to the eccentric Governor of Queensland himself - Gemmy stands as a different kind of challenge, as a force which both fascinates and repels. And Gemmy himself finds his own whiteness as unsettling in this new world as the knowledge he brings with him of the savage, the Aboriginal.' - Publisher's blurb (Chatto & Windus, 1993).

Big-hearted, moving and richly rewarding, That Deadman Dance is set in the first decades of the 19th century in the area around what is now Albany, Western Australia. In playful, musical prose, the book explores the early contact between the Aboriginal Noongar people and the first European settlers.

'The novel's hero is a young Noongar man named Bobby Wabalanginy. Clever, resourceful and eager to please, Bobby befriends the new arrivals, joining them hunting whales, tilling the land, exploring the hinterland and establishing the fledgling colony. He is even welcomed into a prosperous local white family where he falls for the daughter, Christine, a beautiful young woman who sees no harm in a liaison with a native.

'But slowly - by design and by accident - things begin to change. Not everyone is happy with how the colony is developing. Stock mysteriously start to disappear; crops are destroyed; there are "accidents" and injuries on both sides. As the Europeans impose ever stricter rules and regulations in order to keep the peace, Bobby's Elders decide they must respond in kind. A friend to everyone, Bobby is forced to take sides: he must choose between the old world and the new, his ancestors and his new friends. Inexorably, he is drawn into a series of events that will forever change not just the colony but the future of Australia...' (From the publisher's website.)

'"I lost my own father at 12 yr. of age and know what it is to be raised on lies and silences my dear daughter you are presently too young to understand a word I write but this history is for you and will contain no single lie may I burn in Hell if I speak false."

'In TRUE HISTORY OF THE KELLY GANG, the legendary Ned Kelly speaks for himself, scribbling his narrative on errant scraps of paper in semi-literate but magically descriptive prose as he flees from the police. To his pursuers, Kelly is nothing but a monstrous criminal, a thief and a murderer. To his own people, the lowly class of ordinary Australians, the bushranger is a hero, defying the authority of the English to direct their lives. Indentured by his bootlegger mother to a famous horse thief (who was also her lover), Ned saw his first prison cell at 15 and by the age of 26 had become the most wanted man in the wild colony of Victoria, taking over whole towns and defying the law until he was finally captured and hanged. Here is a classic outlaw tale, made alive by the skill of a great novelist.' (From the publisher's website.)

'Set in Washington during the 1930s, Sam and Henny Pollit are a warring husband and wife. Their tempestuous marriage, aggravated by too little money, lies at the centre of Stead's satirical and brilliantly observed novel about the relations between husbands and wives, and parents and children.

'Sam, a scientist, uses words as weapons of attack and control on his children and is prone to illusions of power and influence that fail to extend beyond his family. His wife Henny, who hails from a wealthy Baltimore family, is disastrously impractical and enmeshed in her own fantasies of romance and vengeance. Much of the care of their six children is left to Louisa, Sam's 14-year-old daughter from his first marriage. Within this psychological battleground, Louisa must attempt to make a life of her own.'

Source: Publisher's blurb (MUP).

Set in inner suburban 1970s Melbourne, Monkey Grip describes the fluid relationships of a community of friends who are living and loving in new ways. Single parent Nora falls in love with Javo, a heroin addict, and together they try to make sense of their lives and the choices they have made.

'My Brilliant Career was written by Stella Franklin (1879-1954) when she was just nineteen years old. The novel struggled to find an Australian publisher, but was published in London and Edinburgh in 1901 after receiving an endorsement from Henry Lawson. Although Franklin wrote under the pseudonym 'Miles Franklin', Lawson’s preface makes it clear that Franklin is, as Lawson puts it 'a girl.'

'The novel relates the story of Sybylla Melvyn, a strong-willed young woman of the 1890s growing up in the Goulburn area of New South Wales and longing to be a writer.' (Publication summary)

'At a suburban barbecue, a man slaps a child who is not his own.

'This event has a shocking ricochet effect on a group of people, mostly friends, who are directly or indirectly influenced by the event.

'In this remarkable novel, Christos Tsiolkas turns his unflinching and all-seeing eye onto that which connects us all: the modern family and domestic life in the twenty-first century. The Slap is told from the points of view of eight people who were present at the barbecue. The slap and its consequences force them all to question their own families and the way they live, their expectations, beliefs and desires.

'What unfolds is a powerful, haunting novel about love, sex and marriage, parenting and children, and the fury and intensity - all the passions and conflicting beliefs - that family can arouse. In its clear-eyed and forensic dissection of the ever-growing middle class and its aspirations and fears, The Slap is also a poignant, provocative novel about the nature of loyalty and happiness, compromise and truth.' (Publisher's blurb)

'The most famous Australian play and one of the best loved, Summer of the Seventeenth Doll is a tragicomic story of Roo and Barney, two Queensland sugar-cane cutters who go to Melbourne every year during the 'layoff' to live it up with their barmaid girl friends. The title refers to kewpie dolls, tawdry fairground souvenirs, that they brings as gifts and come, in some readings of the play, to represent adolescent dreams in which the characters seem to be permanently trapped. The play tells the story in traditional well-made, realistic form, with effective curtains and an obligatory scene. Its principal appeal – and that of two later plays with which it forms The Doll Trilogy – is the freshness and emotional warmth, even sentimentality, with which it deals with simple virtues of innocence and youthful energy that lie at the heart of the Australian bush legend.

'Ray Lawler’s play confronts that legend with the harsh new reality of modern urban Australia. The 17th year of the canecutters’ arrangement is different. There has been a fight on the canefields and Roo, the tough, heroic, bushman, has arrived with his ego battered and without money. Barney’s girl friend Nancy has left to get married and is replaced by Pearl, who is suspicious of the whole set-up and hopes to trap Barney into marriage. The play charts the inevitable failure of the dream of the layoff, the end of the men’s supremacy as bush heroes and, most poignantly, the betrayal of the idealistic self-sacrifice made by Roo’s girl friend Olive – the most interesting character – to keep the whole thing going. The city emerges victorious, but the emotional tone of the play vindicates the fallen bushman.'

Source: McCallum, John. 'Summer of the Seventeenth Doll.' Companion to Theatre in Australia. Ed. Philip Parson and Victoria Chance. Sydney: Currency Press , 1997: 564-656.

'In northern Iceland, 1829, Agnes Magnusdottir is condemned to death for her part in the brutal murder of two men.

'Agnes is sent to wait out the time leading to her execution on the farm of District Officer Jon Jonsson, his wife and their two daughters. Horrified to have a convicted murderess in their midst, the family avoids speaking with Agnes. Only Toti, the young assistant reverend appointed as Agnes's spiritual guardian, is compelled to try to understand her, as he attempts to salvage her soul. As the summer months fall away to winter and the hardships of rural life force the household to work side by side, Agnes's ill-fated tale of longing and betrayal begins to emerge. And as the days to her execution draw closer, the question burns: did she or didn't she?

'Based on a true story, Burial Rites is a deeply moving novel about personal freedom: who we are seen to be versus who we believe ourselves to be, and the ways in which we will risk everything for love. In beautiful, cut-glass prose, Hannah Kent portrays Iceland's formidable landscape, where every day is a battle for survival, and asks, how can one woman hope to endure when her life depends upon the stories told by others?' (Publisher's blurb)

In Elizabeth Costello: Eight Lessons, the eponymous protagonist is a retired author of international literary acclaim, who now spends her time giving guest lectures and interviews at scholarly events around the world. Old age has loosened, rather than reified, her ethical and literary convictions, and swelled her emotional reserves; rather than provide the staid academic wisdom expected of her, Costello offers provocative, unsettling opinions on issues such as animal rights, literary censorship, and the nature of belief - opinions she may or may not believe in herself. Profoundly aware of itself, Coetzee's novel is about human morality and mortality, but above all, about literature itself and the ethical responsibilities of writers and readers.

"The Arrival is a migrant story told as a series of wordless images that might seem to come from a long forgotten time. A man leaves his wife and child in an impoverished town, seeking better prospects in an unknown country on the other side of a vast ocean. He eventually finds himself in a bewildering city of foreign customs, peculiar animals, curious floating objects and indecipherable languages. With nothing more than a suitcase and a handful of currency, the immigrant must find a place to live, food to eat and some kind of gainful employment. He is helped along the way by sympathetic strangers, each carrying their own unspoken history: stories of struggle and survival in a world of incomprehensible violence, upheaval and hope." (Source: Shaun Tan website)

Seven prose pieces written using 'BrekDown', a text analysis and text generation program written in Turbo Pascal for IBM-compatible personal computers, devised in 1985 by the San Francisco programmer Neil J. Rubenking. 'Brekdown' can also blend the styles of two or more texts, and reconstruct a text with the characteristics of this blended style.

Big-hearted, moving and richly rewarding, That Deadman Dance is set in the first decades of the 19th century in the area around what is now Albany, Western Australia. In playful, musical prose, the book explores the early contact between the Aboriginal Noongar people and the first European settlers.

'The novel's hero is a young Noongar man named Bobby Wabalanginy. Clever, resourceful and eager to please, Bobby befriends the new arrivals, joining them hunting whales, tilling the land, exploring the hinterland and establishing the fledgling colony. He is even welcomed into a prosperous local white family where he falls for the daughter, Christine, a beautiful young woman who sees no harm in a liaison with a native.

'But slowly - by design and by accident - things begin to change. Not everyone is happy with how the colony is developing. Stock mysteriously start to disappear; crops are destroyed; there are "accidents" and injuries on both sides. As the Europeans impose ever stricter rules and regulations in order to keep the peace, Bobby's Elders decide they must respond in kind. A friend to everyone, Bobby is forced to take sides: he must choose between the old world and the new, his ancestors and his new friends. Inexorably, he is drawn into a series of events that will forever change not just the colony but the future of Australia...' (From the publisher's website.)

First appearing in The Bulletin in 1892, Henry Lawson's short story 'The Drovers Wife' is today regarded as a seminal work in the Australian literary tradition. Noted for it's depiction of the bush as harsh, potentially threatening and both isolated and isolating, the story opens with a simple enough premise: an aggressive--and presumably deadly--snake disrupts the working life of a bushwoman and her young children. Brave but cautious, the woman resolves to protect her children since her husband is, characteristically, away from home and of no help. 

As time passes within the story, tension builds, and the snake's symbolic threat takes on layers of meaning as the sleepless heroine recalls previous challenges she faced while her husband was away. A series of flashbacks and recollections propel the story through the single night over which it takes place, and by the time the climax arrives--the confrontation with the snake--readers have learned much about the heroine's strengths and fears, most of the latter involving the loss of children and dark figures who encroach upon her small, vulnerable homestead. To be sure, this "darkness" is highly symbolic, and Lawson's use of imagery invokes Western notions of good and evil as well as gendered and racial stereotypes. 

'I have been wronged and my mother and four or five men lagged innocent and is my brothers and sisters and my mother not to be pitied also who has no alternative only to put up with the brutal and cowardly conduct of a parcel of big ugly fat-necked wombat headed big bellied magpie legged narrow hipped splaw-footed sons of Irish Bailiffs or english landlords which is better known as Officers of Justice or Victorian Police…

'Outlaw, murderer, self-proclaimed victim, Ned Kelly is an Australian icon. But who was he? Kelly’s extraordinary achievement is to have provided his own answer to that question. The Jerilderie Letter is his remarkable manifesto and a startling record of his voice.

'Kelly delivered his letter, which Joe Byrne had diligently written out, on Monday 10 February 1879, immediately after his gang had held up the Bank of New South Wales in Jerilderie. He gives an impassioned defence of his actions, condemns those who have wronged him, and sends a chilling warning to those who may yet defy him.

'This illustrated edition, transcribed from the manuscript now housed in the State Library of Victoria, includes a fascinating new introduction by the historian Alex McDermott. The Jerilderie Letter remains one of the most astonishing documents in Australian history.' (Publication summary)

'Set in Washington during the 1930s, Sam and Henny Pollit are a warring husband and wife. Their tempestuous marriage, aggravated by too little money, lies at the centre of Stead's satirical and brilliantly observed novel about the relations between husbands and wives, and parents and children.

'Sam, a scientist, uses words as weapons of attack and control on his children and is prone to illusions of power and influence that fail to extend beyond his family. His wife Henny, who hails from a wealthy Baltimore family, is disastrously impractical and enmeshed in her own fantasies of romance and vengeance. Much of the care of their six children is left to Louisa, Sam's 14-year-old daughter from his first marriage. Within this psychological battleground, Louisa must attempt to make a life of her own.'

Source: Publisher's blurb (MUP).

'My Brilliant Career was written by Stella Franklin (1879-1954) when she was just nineteen years old. The novel struggled to find an Australian publisher, but was published in London and Edinburgh in 1901 after receiving an endorsement from Henry Lawson. Although Franklin wrote under the pseudonym 'Miles Franklin', Lawson’s preface makes it clear that Franklin is, as Lawson puts it 'a girl.'

'The novel relates the story of Sybylla Melvyn, a strong-willed young woman of the 1890s growing up in the Goulburn area of New South Wales and longing to be a writer.' (Publication summary)

'At a suburban barbecue, a man slaps a child who is not his own.

'This event has a shocking ricochet effect on a group of people, mostly friends, who are directly or indirectly influenced by the event.

'In this remarkable novel, Christos Tsiolkas turns his unflinching and all-seeing eye onto that which connects us all: the modern family and domestic life in the twenty-first century. The Slap is told from the points of view of eight people who were present at the barbecue. The slap and its consequences force them all to question their own families and the way they live, their expectations, beliefs and desires.

'What unfolds is a powerful, haunting novel about love, sex and marriage, parenting and children, and the fury and intensity - all the passions and conflicting beliefs - that family can arouse. In its clear-eyed and forensic dissection of the ever-growing middle class and its aspirations and fears, The Slap is also a poignant, provocative novel about the nature of loyalty and happiness, compromise and truth.' (Publisher's blurb)

'In Melbourne, a baby girl is found abandoned in the Victorian Art Gallery. She is wrapped in a shawl decorated with a motif that links her to ancient rock paintings in the Kimberley...In Los Angeles, a movie producer's dying daughter is haunted by nightmares after visiting the Kimberley...And it is to the Kimberley that ex-nun Beth Van Horton brings a disparate group of travellers whose lives will be changed forever.'

'The Kimberley - a land that cradles Australia's ancient treasures - is also home to a people whose powerful secrets could unlock the future for modern mankind.' (Source: Publishers website)

'The most famous Australian play and one of the best loved, Summer of the Seventeenth Doll is a tragicomic story of Roo and Barney, two Queensland sugar-cane cutters who go to Melbourne every year during the 'layoff' to live it up with their barmaid girl friends. The title refers to kewpie dolls, tawdry fairground souvenirs, that they brings as gifts and come, in some readings of the play, to represent adolescent dreams in which the characters seem to be permanently trapped. The play tells the story in traditional well-made, realistic form, with effective curtains and an obligatory scene. Its principal appeal – and that of two later plays with which it forms The Doll Trilogy – is the freshness and emotional warmth, even sentimentality, with which it deals with simple virtues of innocence and youthful energy that lie at the heart of the Australian bush legend.

'Ray Lawler’s play confronts that legend with the harsh new reality of modern urban Australia. The 17th year of the canecutters’ arrangement is different. There has been a fight on the canefields and Roo, the tough, heroic, bushman, has arrived with his ego battered and without money. Barney’s girl friend Nancy has left to get married and is replaced by Pearl, who is suspicious of the whole set-up and hopes to trap Barney into marriage. The play charts the inevitable failure of the dream of the layoff, the end of the men’s supremacy as bush heroes and, most poignantly, the betrayal of the idealistic self-sacrifice made by Roo’s girl friend Olive – the most interesting character – to keep the whole thing going. The city emerges victorious, but the emotional tone of the play vindicates the fallen bushman.'

Source: McCallum, John. 'Summer of the Seventeenth Doll.' Companion to Theatre in Australia. Ed. Philip Parson and Victoria Chance. Sydney: Currency Press , 1997: 564-656.

'Who the hell’s Nino Culotta. That’s what you asked yourself when you first picked up this book, wasn’t it? Well I’m Nino Culotta. My father baptised me Giovanni—John—well Giovannino is like Johnny, and Nino is an easier way of saying it. Or a lazier way, if you like.

'Just off the boat from Italy—the north—Nino Culotta arrives in Sydney. He thought he spoke English but he’s never heard anything like the language these Australians are speaking.

'They’re a Weird Mob is an hilarious snapshot of the immigrant experience in Menzies-era Australia, by a writer with a brilliant ear for the Australian way with words.' (Publication summary : Text Classics)

'The film Rabbit-Proof Fence is based on this true account of Doris Nugi Garimara Pilkington's mother Molly, who as a young girl led her two sisters on an extraordinary 1,600 kilometre walk home. Under Western Australia's invidious removal policy of the 1930s, the girls were taken from their Aboriginal family at Jigalong on the edge of the Little Sandy Desert, and transported halfway across the state to the Native Settlement at Moore River, north of Perth...

The three girls - aged 8, 11 and 14 - managed to escape from the settlement's repressive conditions and brutal treatment. Barefoot without provisions or maps, they set out to find the rabbit-proof fence, knowing it passed near their home in the north. Tracked by native police and search planes, they hid in terror, surviving on bush tucker, desperate to return to the world they knew.

The journey to freedom - longer than many of the legendary walks of [the Australian nation's] explorer heroes... told from family recollections, letters between the authorities and the Aboriginal Protector, and ... newspaper reports of the runaway children.' Source: Publisher's blurb

Set over the course of one night, Head On focuses on Ari, a handsome nineteen-year-old boy of Greek descent who finds himself torn between his traditional upbringing and his sexual identity. As he attempts to come to terms with where he fits in, Ari careens between hanging out with his friends and bickering with his family while also becoming involved in several heterosexual and homosexual encounters.

'Families can detonate. Some families are torn apart forever by one small act, one solitary mistake. In my family it was a series of small explosions; consistent, passionate, pathetic. Cruel words, crude threats... We spurred each other on till we reached a crescendo of pain and we retired exhausted to our rooms, in tears or in fury.

'Ari is nineteen, unemployed and a poofter who doesn't want to be gay. He is looking for something - anything - to take him away from his aimless existence in suburban Melbourne. He doesn't believe in anyone or anything, except the power of music. All he wants to do is dance, take drugs, have sex and change the world.

'For Ari, all the orthodoxies of family, sex, politics and work have collapsed. Caught between the traditional Greek world of his parents and friends and the alluring, destructive world of clubs, chemicals and anonymous sex, all Ari can do is ease his pain in the only ways he knows how.

'Written in stark, uncompromising prose, Loaded is a first novel of great passion and power.' (From the publisher's website.)

Set in inner suburban 1970s Melbourne, Monkey Grip describes the fluid relationships of a community of friends who are living and loving in new ways. Single parent Nora falls in love with Javo, a heroin addict, and together they try to make sense of their lives and the choices they have made.

Set in inner Melbourne over two summers, Monkey Grip is a frank portrayal of a divorced mother who is attempting to cope with both her thirteen-year-old daughter and her own relationship with a drug addict, while also trying to get into the music business. As she battles to regain control of her life, we meet an array of talented and reckless musicians, actors, and writers, all of whom play a part in her world and most of whom refuse to live by society's rules.

Based on real life events that occurred in 1931, Rabbit-Proof Fence is the story of three mixed-race Aboriginal children who are forcibly abducted from their mothers by the Western Australian government. Molly (aged fourteen), her sister Daisy (aged eight), and their cousin Gracie (aged ten) are taken from their homes at Jigalong, situated in the Pilbara region of Western Australia, at the orders of the Protector of Aborigines, A.O. Neville, and sent to an institution at Moore River to be educated and trained as domestic servants. After a few days, Molly leads the other two girls in an escape. What ensues is an epic journey that tests the girls' will to survive and their hope of finding the rabbit-proof fence to guide them home.

Although they are pursued by the institution's Aboriginal tracker and the police, Molly knows enough about bush craft to help them hide their tracks. They head east in search of the world's longest fence - built to keep rabbits out - because Molly knows that this will lead them back to Jigalong. Over the course of nine weeks, the girls walk almost 2,400 kilometres before Gracie is captured attempting to catch a train. Molly and Daisy avoid capture but eventually collapse from exhaustion on the saltpans not far from Jigalong. When they wake, they see the spirit bird, an eagle, flying overhead. Its significance gives the girls the extra energy they need and they are able to make it back to their home.

Wake in Fright is the harrowing story of a young schoolteacher, John Grant, who leaves his isolated outback school to go on holidays to Sydney (and civilization). Things start to go horribly wrong, however, when stays overnight in a rough outback mining town called Bundanyabba. After a drink fuelled night, in which he loses all his momey, Grant finds himself both broke and stuck in the town with means of escape. He subsequently descends into a cycle of hangovers, fumbling sexual encounters, and increasing self-loathing as he becomes more and more immersed in the grotesque and surreal nightmare that is 'the Yabba.'

John Grant, a young Englishman, teaches in Tiboonda, a tiny railway junction on the far western plains of New South Wales. He sets off to spend his summer vacation in Sydney but doesn't make it beyond Bundanyabba, a nearby mining town known as 'the Yabba'. Stranded in town after losing all his money in a two-up game, he finds himself engulfed by the Yabba's claustrophobic, nightmarish, beer-fuelled stupor, an atmosphere compounded of repressed sexuality, squalid violence, and the sinister mateship of the locals. After being sexually assaulted by the town's alcoholic doctor, he attempts to hitchhike out of the town but is brought back by a truckie. In anger, he tries to shoot the doctor but ends up only shooting himself. After discharging himself from the hospital, Grant takes the train back to Tiboonda, resigned to another year of teaching.

'In the magnificent opening story, "Love and Honor and Pity and Pride and Compassion and Sacrifice," a young writer is urged by his friends to mine his father's experiences in Vietnam - and what seems at first a satire on turning one's life into literary commerce becomes a transcendent exploration of homeland, and the ties between father and son. "Cartagena" provides a visceral glimpse of life in Colombia as it enters the mind of a fourteen-year-old hit man facing the ultimate test. In "Meeting Elise" an ageing New York painter mourns his body's decline as he prepares to meet his daughter on the eve of her Carnegie Hall debut. And with graceful symmetry, the final, title story returns to Vietnam, to a fishing trawler crowded with refugees where a young woman's bond with a mother and her small son forces both women to a shattering decision.' (From the author's website.)

'Night falls. In a lonely valley called the Sink, four people prepare for a quiet evening. Then in his orchard, Murray Jaccob sees a moving shadow. Across the swamp, his neighbour Ronnie watches her lover leave and feels her baby roll inside her. And on the verandah of the Stubbses’ house, a small dog is torn screaming from its leash by something unseen. Nothing will ever be the same again. ' (Publication summary)

'Set in the 1880s, [The Proposition] opens in the middle of a frenzied gunfight between the police and a gang of outlaws. Charlie Burns ... and his brother Mikey are captured by Captain Stanley... Together with their psychopathic brother Arthur, ... they are wanted for a brutal crime. Stanley makes Charlie a seemingly impossible proposition in an attempt to bring an end to the cycle of bloody violence.'

Source: Nick Cave's website (http://www.nickcaveandthebadseeds.com/)

Sighted: 20/09/2005

Film adaptation of Raymond Gaita's biography.

"The world had changed. As far as the eye could see, the earth was red. It wasn't orange, or soil red, or brown red, or perhaps all of them at once. It was profound rich red, glittering deeply in the mid-morning light. She was vaguely aware of having known that somewhere in Australia the land was this colour but the reality of it was startling and stunning.'

Hiam is the story of a journey through both a psychic and geographic landscape, a journey through disintegration and loss. Hiam, an Arab migrant woman, abandons Adelaide to unravel her life and memories on the road North after her family and identity have been destroyed. In the course of the novel she weaves an identity out of past, present, stories, dreams and the Australian landscape with which she engages for the first time.

On one level, this is the story of a migrant's experience in a strange land, a novel which explores the pressures, fragilities and strengths of exiled communities. It is also a story of universal human grief, individual courage and the will, not only to survive, but to live fully in the world."

Source.

'A seductive love story set in contemporary Shanghai, The Red Thread intertwines the lives of two pairs of lovers across the centuries. Shen is a young, American-educated appraiser for an auction house. Ruth is a gifted Australian artist he meets, it seems, by chance. And Han is a beautiful, enigmatic woman who both facilitates and complicates their relationship. Yet all three lives mysteriously mirror characters described in a rare, eighteenth-century book that comes up for auction – a book that is missing its final chapters. As the characters in the original tale move toward an ominous, unknown end, Shen’s search for the missing pages goes from curiosity to desperation as he hopes to discover – and perhaps alter – his fated future with Ruth.'

Source: Author's blurb.

'The true story of Mavis, an 86 year old retired haberdasher from regional Victoria. Stung into action by the suffering of the East Timorese, Mavis took her sewing machines to Timor and set about making a practical contribution. Amid the destruction and buoyed by the people's overwhelming faith Mavis tackles the bureaucracy. This work is based on stories told by Mavis Taylor, Elwyn Taylor and the women of East Timor.' Libraries Australia record.

‘Set me as a seal on your heart, for love is stronger than death.'

'Spanning many years, travelling across Australia's vast continent and through some of Europe's great cities, The Submerged Cathedral is a beguiling, heartbreaking story of paradise and the fall, of sacrifice and atonement, and of sisterly love and rivalry. Most of all, however, it is about an enduring and sacred love – a love stronger than death – and the journeys undertaken in its name. Written in spare, haunting prose, this novel is a work of the highest literary merit, as well as a timeless love story that will enthrall readers. The release of Charlotte Wood's acclaimed first novel, Pieces of a Girl, marked her as a young writer of great promise; The Submerged Cathedral thrillingly confirms that promise with astonishing assurance and lyricism.'

Source: Publisher's blurb.

'A coming-of-age story of a spontaneous heroine who finds herself ensconced in the rigidity of a turn-of-the-century boarding school. The clever and highly imaginative Laura has difficulty fitting in with her wealthy classmates and begins to compromise her ideals in her search for popularity and acceptance.' (From the publisher's website.)