'A Guide to Berlin” is the name of a short story written by Vladimir Nabokov in 1925, when he was a young man of 26, living in Berlin.
'A group of six international travellers, two Italians, two Japanese, an American and an Australian, meet in empty apartments in Berlin to share stories and memories. Each is enthralled in some way to the work of Vladimir Nabokov, and each is finding their way in deep winter in a haunted city. A moment of devastating violence shatters the group, and changes the direction of everyone's story.
'Brave and brilliant, A Guide to Berlin traces the strength and fragility of our connections through biographies and secrets. ' (Publication summary)
'Set in nineteenth-century Australia, Voss is the story of the secret passion between an explorer and a naïve young woman. Although they have met only a few times, Voss and Laura are joined by overwhelming, obsessive feelings for each other. Voss sets out to cross the continent. As hardships, mutiny and betrayal whittle away his power to endure and to lead, his attachment to Laura gradually increases. Laura, waiting in Sydney, moves through the months of separation as if they were a dream and Voss the only reality.
'From the careful delineation of Victorian society to the sensitive rendering of hidden love to the stark narrative of adventure in the Australian desert, Patrick White's novel is a work of extraordinary power and virtuosity.'
Source: Random House Books (Sighted 21/09/2012)
'These offbeat, fragmentary yet often discursive poems were written over three years up to spring 2015. In part, they epitomize the absurdities of contemporary materialism. Pam Brown's well-practised scepticism dismantles monumental intent and splices the remains into a shrewd melange of imagery and thoughtful lyric complemented by playfulness. For Pam writing poetry is a habit, a disorganised ritual. Her poetic inventories begin in everyday bricolage. Real things interrupt the poems the same way thoughts and phrases do. You know - the fridge over there, the bus stop, surf music on a radio, a raisin squashed against a floor tile - always backgrounding a connection to the 'social' as the poems make political and personal associative links. Though disquiet is present it is usually temporary - an optimistic wit plays through this idiosyncratic poetry as a kind of placebo. But, in the end, Pam Brown simply lets the language do the work.' (Publication summary)
'She hears her own thick voice deep inside her ears when she says, 'I need to know where I am.' The man stands there, tall and narrow, hand still on the doorknob, surprised. He says, almost in sympathy, 'Oh, sweetie. You need to know what you are.'
'Two women awaken from a drugged sleep to find themselves imprisoned in a broken-down property in the middle of a desert. Strangers to each other, they have no idea where they are or how they came to be there with eight other girls, forced to wear strange uniforms, their heads shaved, guarded by two inept yet vicious armed jailers and a 'nurse'. The girls all have something in common, but what is it? What crime has brought them here from the city? Who is the mysterious security company responsible for this desolate place with its brutal rules, its total isolation from the contemporary world? Doing hard labour under a sweltering sun, the prisoners soon learn what links them: in each girl's past is a sexual scandal with a powerful man. They pray for rescue - but when the food starts running out it becomes clear that the jailers have also become the jailed. The girls can only rescue themselves.
'The Natural Way of Things is a gripping, starkly imaginative exploration of contemporary misogyny and corporate control, and of what it means to hunt and be hunted. Most of all, it is the story of two friends, their sisterly love and courage.
'With extraordinary echoes of The Handmaid's Tale and Lord of the Flies, The Natural Way of Things is a compulsively readable, scarifying and deeply moving contemporary novel. It confirms Charlotte Wood's position as one of our most thoughtful, provocative and fearless truth-tellers, as she unflinchingly reveals us and our world to ourselves.' (Publication summary)
'Gilgamesh is the epic story of a mother's search for the father of her child - from Australia to Armenia via England and Mesopotamia - all under the shadow of the imminent, and soon to be very real, Second World War. Narrated in a clear, poetic voice, it is a portrayal of the different journeys we choose to take through life and what happens when ordinary people get caught up in extraordinary, seismic events.'
Source: Publisher's blurb (2018 ed.).
''It was a spring evening in Washington DC; a chilly autumn morning in Melbourne; it was exactly 22.00 Greenwich Mean Time when a worm entered the computerised control systems of hundreds of Australian prisons and released the locks in many places of incarceration, some of which the hacker could not have known existed. Because Australian prison security was, in the year 2010, mostly designed and sold by American corporations the worm immediately infected 117 US federal correctional facilities, 1,700 prisons, and over 3,000 county jails. Wherever it went, it traveled underground, in darkness, like a bushfire burning in the roots of trees. Reaching its destinations it announced itself: THE CORPORATION IS UNDER OUR CONTROL. THE ANGEL DECLARES YOU FREE.'
'Has a young Australian woman declared cyber war on the United States? Or was her Angel Worm intended only to open the prison doors of those unfortunates detained by Australia's harsh immigration policies? Did America suffer collateral damage? Is she innocent? Can she be saved? ' (Publication abstract)
This unit offers students the opportunity for specialist studies in Australian literature. It draws on innovative approaches to the study of writing and literary institutions in Australia, and aims to provide a contextualised study of Australian texts. The nature of this contextualisation may vary from time to time, depending on the interests of the staff members available to teach the unit. Students reflect on the shifting definitions of Australian literature, on nationalist, revisionist and transcultural approaches to national literary histories, and on a variety of genres, modes and ideological aspects of Australian literature through the close study of a group of texts. The unit also introduces students to current debates about methodology in Australian literary studies, and develops digital resources of primary and secondary texts.