Cirrus@Austlit

Athena and Dexter lead an enclosed family life, innocent of fashion and bound towards a disturbed child. Their comfortable rut is disrupted by the arrival of Elizabeth, a tough nut from Dexter's past. With her three charming, chaotic hangers-on, she draws the couple out into a world whose casual egotism they had barely dreamed of. How can they get home again? (Source: publisher's website)

'My life is about to begin. This is the only thought in Irene’s head on the day she marries a handsome Second World War veteran and becomes a farmer’s wife. But Irene quickly grows restless. Bored to her back teeth, she is scornful of her dutiful husband, heedless of her children. She wants adventure, to experience whatever is on offer: men, travel, culture. As Irene and Rex raise children and crops, the tension between them builds and builds …

'Kate Jennings’s black humour and pared-back prose, at once understated and rich in startling imagery, resonate long after the final unnerving chapter. Set in an irrigation area – barren soil blessed by water – Snake is a modern classic.' (Publication summary)

'Liza used to say that she saw her past life as a string of roughly-graded balls, and so did Hilda have a linear conception of hers, thinking of it as a track with detours. But for some years now I have likened mine to a globe suspended in my head, and ever since the shocking realisation that waste is irretrievalbe, I have been careful not to let this globe spin to expose the nether side on which my marriage has left its multitude of images.

'Nora Porteous has spent most of her life waiting to escape. Fleeing from her small-town family and then from her stifling marriage to a mean-spirited husband, Nora arrives finally in London where she creates a new life for herself as a successful dressmaker.

'Now in her seventies, Nora returns to Queensland to settle into her childhood home.

'But Nora has been away a long time, and the people and events of her past are not at all like she remembered them. And while some things never change, Nora is about to discover just how selective her 'globe of memory' has been.

'Tirra Lirra by the River is a moving account of one woman's remarkable life, a beautifully written novel which displays the lyrical brevity of Jessica Anderson's award-winning style.' (Publication summary)

'Beneath the palm tree she'd perished like a stone fruit amongst the leaves and insects: her flesh bruised a variety of shades, from black through to yellow; her facial features, for all their lovely detail, completely indistinguishable. Look what happened to me, I could hear her say. This is what they did to me.

'In February 2005, German backpacker Simone Strobel went missing in Lismore, New South Wales. Six days later her naked body was discovered, crudely hidden beneath a palm tree. At the inquest into her death the police stated their belief that her boyfriend, Tobias Suckfuell, had killed her, although he has never been charged with any offence concerning Simone.

'Writer Virginia Peters was captivated by the case, and committed herself to uncovering the truth. With the agreement of the police, she analysed the evidence, uncovered new lines of investigation and travelled to Germany to interview the couple's families and friends. Ultimately, she tracked down and questioned Suckfuell himself, who remained the prime suspect.

'Having become intimately involved in the case, Peters came to understand that the story of Simone Strobel's murder was about much more than the crime itself or the investigation that followed. Written with great honesty and self-awareness, and with echoes of Joe Cinque's Consolation, Have You Seen Simone? explores grief and loss, truth and accountability, and asks whether justice in this case can ever be done.'

Source: Publisher's blurb.

'A true crime classic, the bestselling Huckstepp investigates the murder of a charismatic woman who has fascinated Australians since she first appeared on national television to accuse NSW detectives of shooting her boyfriend in cold blood. Throughout her short life, Sallie-Anne Huckstepp lived a dangerous existence.

'This is a true story, brilliantly told, of a courageous woman who spoke out against corruption and murder.'

Source : publisher's blurb

'When David's 11-year-old nephew goes missing and he finds the finger pointed at him, he has no choice but to strike out on his own – an unlikely vigilante running away from the police and his own family, and running towards what he hopes desperately is the truth about Andrew's disappearance.

David Kingsgrove is a man on a mission. An ordinary man – and an extraordinary mission. It is a mission that will turn him into someone he never thought he would be: the King of the Road, the loner on the highway, the crusader for a sort of justice he has never before had to seek.

Andrew had been a regular visitor to David's home right up until the day he disappeared, walking out the front door to visit a neighbour. It doesn't take long for the police to decide that David – a single man in his thirties, living alone – is their suspect. Soon Andrew's parents will share that opinion. But David knows that he didn't take Andrew.

Realising that the only way Andrew will be found is if he finds him – the police, after all, are fixated on David as their suspect and are not looking anywhere else – David turns to the one person who he knows will help him: Matty an ex-cop now his personal trainer, whose own son disappeared several years before.

David's crusade to find Andrew will also take him into his own dark heart – to do things he never thought he would have to do, and go places he has never wanted to go. And the choices David makes lead us all to ask: How far would I go to save someone I love?

This is a compelling story that is almost impossible to stop reading – a hero's journey, of sorts, with a momentum that is breathtaking even while the subject matter is confronting.' (Random House Australia)

'He asked the water to lift him, to carry him, to avenge him. He made his muscles shape his fury, made every stroke declare his hate. And the water obeyed; the water would give him his revenge. No one could beat him, no one came close.

'His whole life Danny Kelly's only wanted one thing: to win Olympic gold. Everything he's ever done - every thought, every dream, every action - takes him closer to that moment of glory, of vindication, when the world will see him for what he is: the fastest, the strongest and the best. His life has been a preparation for that moment.

'His parents struggle to send him to the most prestigious private school with the finest swimming program; Danny loathes it there and is bullied and shunned as an outsider, but his coach is the best and knows Danny is, too, better than all those rich boys, those pretenders. Danny's win-at-all-cost ferocity gradually wins favour with the coolest boys - he's Barracuda, he's the psycho, he's everything they want to be but don't have the guts to get there. He's going to show them all.

'He would be first, everything would be alright when he came first, all would be put back in place. When he thought of being the best, only then did he feel calm.

'A searing and provocative novel by the acclaimed author of the international bestseller The Slap, Barracuda is an unflinching look at modern Australia, at our hopes and dreams, our friendships, and our families.

'Should we teach our children to win, or should we teach them to live? How do we make and remake our lives? Can we atone for our past? Can we overcome shame? And what does it mean to be a good person?

'Barracuda is about living in Australia right now, about class and sport and politics and migration and education. It contains everything a person is: family and friendship and love and work, the identities we inhabit and discard, the means by which we fill the holes at our centre. It's brutal and tender and blazingly brilliant; everything we have come to expect from this fearless vivisector of our lives and world. ' (Publisher's blurb)

'In October 1997 a clever young law student at ANU made a bizarre plan to murder her devoted boyfriend after a dinner party at their house. Some of the dinner guests - most of them university students - had heard rumours of the plan. Nobody warned Joe Cinque. He died one Sunday, in his own bed, of a massive dose of rohypnol and heroin. His girlfriend and her best friend were charged with murder. Helen Garner followed the trials in the ACT Supreme Court. Compassionate but unflinching, this is a book about how and why Joe Cinque died. It probes the gap between ethics and the law; examines the helplessness of the courts in the face of what we think of as 'evil'; and explores conscience, culpability, and the battered ideal of duty of care.' (Source: Pan Macmillan website)

Garner takes 'a deliberately subjective and "literary" approach' to her material with an 'emphasis on a sympatheitic authorial persona as the source of the reader's perspective' (Susan Lever 'The Crimes of the Past: Anna Funder's Stasiland and Helen Garner's Joe Cinque's Consolation'. Paper delivered at the Association for the Study of Australian Literature (ASAL) conference 2006).

'Two Americans are presumed dead and nine people are trapped in a cabin after an avalanche falls in the remote Andes...

Told from five points of view, What the Ground Can't Hold follows:

Emma, an Australian faced with an impossible decision that could see her parents jailed.

Jack, a teenager obsessed with Jack Kerouac, anti-globalism and sex.

Carmen, a tango dancer whose estranged father is dying of cancer.

Pedro, the cabin manager, who's in hiding from his ex-wife.

And Wolfe, an American on a deadly family quest.

With food supplies dwindling, these unlikely companions are forced to extremes and discover they are bound by more than their surroundings – each has a secret that links them to Argentina's Dirty War.

What the Ground Can't Hold is a mesmerising debut about the ways the past closes in on the present, and shatters the foundations upon which we build our lives.' (Publisher's blurb)

'A civilian chaplain records whispered confessions and low urgings into a notebook during his summer tenure at Central Street Police Station. His Summer Exercises are habitual - five times a day - his terseness can generate feelings so sharp that sometimes a great notion gets pared clean with a meagre swatch of syllables.

'Constructing this notebook of a sharp observer, author Ross Gibson builds a world: Sydney in 1946 - sordid and bruised after decades of depredations. A war will take your innards out. In The Summer Exercises, Gibson uses approximately 175 carefully selected black and white photographs from the collection of the Justice & Police Museum taken during the years immediately after World War II.

'These photographs, generated by NSW Police in the course of their investigations between 1945-1960, form a visual reference for richly imagined and experimental storytelling to take place. Anchored in the realities of 1940s Sydney police investigative procedure, the work is an artistic re-invention of history as it happened.' (Publisher's blurb)

'Liza used to say that she saw her past life as a string of roughly-graded balls, and so did Hilda have a linear conception of hers, thinking of it as a track with detours. But for some years now I have likened mine to a globe suspended in my head, and ever since the shocking realisation that waste is irretrievalbe, I have been careful not to let this globe spin to expose the nether side on which my marriage has left its multitude of images.

'Nora Porteous has spent most of her life waiting to escape. Fleeing from her small-town family and then from her stifling marriage to a mean-spirited husband, Nora arrives finally in London where she creates a new life for herself as a successful dressmaker.

'Now in her seventies, Nora returns to Queensland to settle into her childhood home.

'But Nora has been away a long time, and the people and events of her past are not at all like she remembered them. And while some things never change, Nora is about to discover just how selective her 'globe of memory' has been.

'Tirra Lirra by the River is a moving account of one woman's remarkable life, a beautifully written novel which displays the lyrical brevity of Jessica Anderson's award-winning style.' (Publication summary)

'Stan Parker, with only a horse and a dog for company journeys to a remote patch of land he has inherited in the Australian hills. Once the land is cleared and a rudimentary house built, he brings his wife Amy to the wilderness. Together they face lives of joy and sorrow as they struggle against the environment.' (Publication summary)

'The hilariously compelling memoir that was hailed as an instant classic.

'Hoi Polloi recounts a childhood spent on racetracks and in bars, as the author’s parents struggle to climb the social ladder. It begins in 1968 in the small town of Heritage, New Zealand. Living above the bar of his family’s hotel, the young Craig is exposed to violence, drinking and murky racial politics. His parents, whom Sherborne thinks of as “Winks” and “Heels” in his eccentric personal language, decide to sell the hotel and move to Sydney, Australia – which they imagine as New Zealand’s “England”, a place of boundless wealth, prestige and social opportunities.

'Once in Sydney, the family begins a love affair with the racing scene. Written with extraordinary sympathy and verve, Hoi Polloi is the portrait of an extraordinary childhood – brutal, poignant and unforgettable.' (Publication summary)

'In 1806 William Thornhill, a man of quick temper and deep feelings, is transported from the slums of London to New South Wales for the term of his natural life. With his wife Sal and their children he arrives in a harsh land he cannot understand.

'But the colony can turn a convict into a free man. Eight years later Thornhill sails up the Hawkesbury to claim a hundred acres for himself.

'Aboriginal people already live on that river. And other recent arrivals - Thomas Blackwood, Smasher Sullivan and Mrs Herring - are finding their own ways to respond to them.

'Thornhill, a man neither better nor worse than most, soon has to make the most difficult choice of his life.

'Inspired by research into her own family history, Kate Grenville vividly creates the reality of settler life, its longings, dangers and dilemmas. The Secret River is a brilliantly written book, a groundbreaking story about identity, belonging and ownership.' (From the publisher's website.)

'do you remember the water buffalo at the end of our street?

or the deep-sea diver we found near the underpass?

do you know why dogs bark in the middle of the night?

Shaun Tan, creator of The Arrival, The Lost Thing and The Red Tree, reveals the quiet mysteries of everyday life: homemade pets, dangerous weddings, stranded sea mammals, tiny exchange students and secret rooms filled with darkness and delight.'

Source: Back cover.

"The Arrival is a migrant story told as a series of wordless images that might seem to come from a long forgotten time. A man leaves his wife and child in an impoverished town, seeking better prospects in an unknown country on the other side of a vast ocean. He eventually finds himself in a bewildering city of foreign customs, peculiar animals, curious floating objects and indecipherable languages. With nothing more than a suitcase and a handful of currency, the immigrant must find a place to live, food to eat and some kind of gainful employment. He is helped along the way by sympathetic strangers, each carrying their own unspoken history: stories of struggle and survival in a world of incomprehensible violence, upheaval and hope." (Source: Shaun Tan website)

'Here is Plum Coyle, on the threshold of adolescence, striving to be new. Her fourteenth birthday is approaching: her old life and her old body will fall away, and she will become graceful, powerful, at ease. The strength in the objects she stores in a briefcase under her bed - a crystal lamb, a yoyo, an antique watch, a penny - will make sure of it.

'Over the next couple of weeks, Plum's life will change. Her beautiful neighbour Maureen will begin to show her how she might fly. The older brothers she adores - the charismatic Justin, the enigmatic Cydar - will court catastrophe in worlds that she barely knows exist. And her friends - her worst enemies - will tease and test, smelling weakness. They will try to lead her on and take her down.

'Who ever forgets what happens when you're fourteen?' (Publisher's blurb)

From the vantage point of 1898, Captain Frederick Benteen recalls his years of service, some two decades past, with General George A. Custer.

'My life is about to begin. This is the only thought in Irene’s head on the day she marries a handsome Second World War veteran and becomes a farmer’s wife. But Irene quickly grows restless. Bored to her back teeth, she is scornful of her dutiful husband, heedless of her children. She wants adventure, to experience whatever is on offer: men, travel, culture. As Irene and Rex raise children and crops, the tension between them builds and builds …

'Kate Jennings’s black humour and pared-back prose, at once understated and rich in startling imagery, resonate long after the final unnerving chapter. Set in an irrigation area – barren soil blessed by water – Snake is a modern classic.' (Publication summary)

'In October 1997 a clever young law student at ANU made a bizarre plan to murder her devoted boyfriend after a dinner party at their house. Some of the dinner guests - most of them university students - had heard rumours of the plan. Nobody warned Joe Cinque. He died one Sunday, in his own bed, of a massive dose of rohypnol and heroin. His girlfriend and her best friend were charged with murder. Helen Garner followed the trials in the ACT Supreme Court. Compassionate but unflinching, this is a book about how and why Joe Cinque died. It probes the gap between ethics and the law; examines the helplessness of the courts in the face of what we think of as 'evil'; and explores conscience, culpability, and the battered ideal of duty of care.' (Source: Pan Macmillan website)

Garner takes 'a deliberately subjective and "literary" approach' to her material with an 'emphasis on a sympatheitic authorial persona as the source of the reader's perspective' (Susan Lever 'The Crimes of the Past: Anna Funder's Stasiland and Helen Garner's Joe Cinque's Consolation'. Paper delivered at the Association for the Study of Australian Literature (ASAL) conference 2006).

'At a suburban barbecue, a man slaps a child who is not his own.

'This event has a shocking ricochet effect on a group of people, mostly friends, who are directly or indirectly influenced by the event.

'In this remarkable novel, Christos Tsiolkas turns his unflinching and all-seeing eye onto that which connects us all: the modern family and domestic life in the twenty-first century. The Slap is told from the points of view of eight people who were present at the barbecue. The slap and its consequences force them all to question their own families and the way they live, their expectations, beliefs and desires.

'What unfolds is a powerful, haunting novel about love, sex and marriage, parenting and children, and the fury and intensity - all the passions and conflicting beliefs - that family can arouse. In its clear-eyed and forensic dissection of the ever-growing middle class and its aspirations and fears, The Slap is also a poignant, provocative novel about the nature of loyalty and happiness, compromise and truth.' (Publisher's blurb)

'Bush Studies is famous for its stark realism—for not romanticising bush life, instead showing all its bleakness and harshness.

'Economic of style, influenced by the great nineteenth-century Russian novelists, Barbara Baynton’s short-story collection presents the Australian bush as dangerous and isolating for the women who inhabit it.' (Publication summary : Text Classics)

'A civilian chaplain records whispered confessions and low urgings into a notebook during his summer tenure at Central Street Police Station. His Summer Exercises are habitual - five times a day - his terseness can generate feelings so sharp that sometimes a great notion gets pared clean with a meagre swatch of syllables.

'Constructing this notebook of a sharp observer, author Ross Gibson builds a world: Sydney in 1946 - sordid and bruised after decades of depredations. A war will take your innards out. In The Summer Exercises, Gibson uses approximately 175 carefully selected black and white photographs from the collection of the Justice & Police Museum taken during the years immediately after World War II.

'These photographs, generated by NSW Police in the course of their investigations between 1945-1960, form a visual reference for richly imagined and experimental storytelling to take place. Anchored in the realities of 1940s Sydney police investigative procedure, the work is an artistic re-invention of history as it happened.' (Publisher's blurb)

'Liza used to say that she saw her past life as a string of roughly-graded balls, and so did Hilda have a linear conception of hers, thinking of it as a track with detours. But for some years now I have likened mine to a globe suspended in my head, and ever since the shocking realisation that waste is irretrievalbe, I have been careful not to let this globe spin to expose the nether side on which my marriage has left its multitude of images.

'Nora Porteous has spent most of her life waiting to escape. Fleeing from her small-town family and then from her stifling marriage to a mean-spirited husband, Nora arrives finally in London where she creates a new life for herself as a successful dressmaker.

'Now in her seventies, Nora returns to Queensland to settle into her childhood home.

'But Nora has been away a long time, and the people and events of her past are not at all like she remembered them. And while some things never change, Nora is about to discover just how selective her 'globe of memory' has been.

'Tirra Lirra by the River is a moving account of one woman's remarkable life, a beautifully written novel which displays the lyrical brevity of Jessica Anderson's award-winning style.' (Publication summary)

'In October 1997 a clever young law student at ANU made a bizarre plan to murder her devoted boyfriend after a dinner party at their house. Some of the dinner guests - most of them university students - had heard rumours of the plan. Nobody warned Joe Cinque. He died one Sunday, in his own bed, of a massive dose of rohypnol and heroin. His girlfriend and her best friend were charged with murder. Helen Garner followed the trials in the ACT Supreme Court. Compassionate but unflinching, this is a book about how and why Joe Cinque died. It probes the gap between ethics and the law; examines the helplessness of the courts in the face of what we think of as 'evil'; and explores conscience, culpability, and the battered ideal of duty of care.' (Source: Pan Macmillan website)

Garner takes 'a deliberately subjective and "literary" approach' to her material with an 'emphasis on a sympatheitic authorial persona as the source of the reader's perspective' (Susan Lever 'The Crimes of the Past: Anna Funder's Stasiland and Helen Garner's Joe Cinque's Consolation'. Paper delivered at the Association for the Study of Australian Literature (ASAL) conference 2006).

'At a suburban barbecue, a man slaps a child who is not his own.

'This event has a shocking ricochet effect on a group of people, mostly friends, who are directly or indirectly influenced by the event.

'In this remarkable novel, Christos Tsiolkas turns his unflinching and all-seeing eye onto that which connects us all: the modern family and domestic life in the twenty-first century. The Slap is told from the points of view of eight people who were present at the barbecue. The slap and its consequences force them all to question their own families and the way they live, their expectations, beliefs and desires.

'What unfolds is a powerful, haunting novel about love, sex and marriage, parenting and children, and the fury and intensity - all the passions and conflicting beliefs - that family can arouse. In its clear-eyed and forensic dissection of the ever-growing middle class and its aspirations and fears, The Slap is also a poignant, provocative novel about the nature of loyalty and happiness, compromise and truth.' (Publisher's blurb)

At the beginning of World War II, Lady Sarah Ashley travels from her home in England to Northern Australia to confront her husband, whom she believes is having an affair. He is in the country to oversee the selling of his enormous cattle station, Faraway Downs. Her husband sends Drover, an independent stockman, to transport her to Faraway Downs. When Lady Sarah arrives at the station, however, she finds that her husband has been murdered (allegedly by King George, an Aboriginal elder) and that cattle station manager Neil Fletcher is trying to gain control of Faraway Downs, so that Lesley 'King' Carney will have a complete cattle monopoly in the Northern Territory.

Lady Sarah is captivated by Nullah (King George's grandson) son of an Aboriginal mother and an unknown white father. When Nullah tells her that he has seen her cattle being driven onto Carney's land, Fletcher beats him. Lady Sarah fires Fletcher, deciding to try to run the cattle station herself. To save the property from Carney, she enlists the aid of Drover; together, they drive 2,000 head of cattle across hundreds of miles of the country's most unforgiving land. In the course of the journey, she falls in love with both Drover and the Australian landscape.

Lady Sarah, Nullah, and Drover live together happily at Faraway Downs for two years, while Fletcher (the actual murderer of Lady Sarah's husband and very likely the father of Nullah) kills Carney, marries his daughter, and takes over Carney's cattle empire. When the authorities send Nullah to live on Mission Island with the other half-Aboriginal children, Lady Sarah is devastated. In the meantime, she works as a radio operator in Darwin.

When the Japanese attack the island and Darwin in 1942, Lady Sarah fears that Nullah has been killed and Drover, who had quarrelled with Lady Sarah and left the station, believes Lady Sarah has been killed. Learning of Nullah's abduction to Mission Island, however, he sets out to rescue him. Lady Sarah decides to sell Faraway Downs to Fletcher and return to England. Drover and Nulla sail back into port at Darwin as Lady Sarah is about to depart, and the three are reunited. Fletcher, distraught at the death of his wife, attempts to shoot Nullah, but is speared by King George and dies.

'The hilariously compelling memoir that was hailed as an instant classic.

'Hoi Polloi recounts a childhood spent on racetracks and in bars, as the author’s parents struggle to climb the social ladder. It begins in 1968 in the small town of Heritage, New Zealand. Living above the bar of his family’s hotel, the young Craig is exposed to violence, drinking and murky racial politics. His parents, whom Sherborne thinks of as “Winks” and “Heels” in his eccentric personal language, decide to sell the hotel and move to Sydney, Australia – which they imagine as New Zealand’s “England”, a place of boundless wealth, prestige and social opportunities.

'Once in Sydney, the family begins a love affair with the racing scene. Written with extraordinary sympathy and verve, Hoi Polloi is the portrait of an extraordinary childhood – brutal, poignant and unforgettable.' (Publication summary)

'In 1806 William Thornhill, a man of quick temper and deep feelings, is transported from the slums of London to New South Wales for the term of his natural life. With his wife Sal and their children he arrives in a harsh land he cannot understand.

'But the colony can turn a convict into a free man. Eight years later Thornhill sails up the Hawkesbury to claim a hundred acres for himself.

'Aboriginal people already live on that river. And other recent arrivals - Thomas Blackwood, Smasher Sullivan and Mrs Herring - are finding their own ways to respond to them.

'Thornhill, a man neither better nor worse than most, soon has to make the most difficult choice of his life.

'Inspired by research into her own family history, Kate Grenville vividly creates the reality of settler life, its longings, dangers and dilemmas. The Secret River is a brilliantly written book, a groundbreaking story about identity, belonging and ownership.' (From the publisher's website.)

'do you remember the water buffalo at the end of our street?

or the deep-sea diver we found near the underpass?

do you know why dogs bark in the middle of the night?

Shaun Tan, creator of The Arrival, The Lost Thing and The Red Tree, reveals the quiet mysteries of everyday life: homemade pets, dangerous weddings, stranded sea mammals, tiny exchange students and secret rooms filled with darkness and delight.'

Source: Back cover.

'They were society's golden ones, endowed with the privileges of youth and wealth, bred to live in a world of limitless possibility, but none of this could save them from self-destruction.

'Richard sits on the shores of Sydney Harbour, a hollowed out man remembering a lost paradise as he recounts the years he shared with his best friend, the charismatic heir Hugh Bowman. Gliding through a life of endless luxury and ease, they formed a charmed quartet with their childhood sweethearts, Helen and Pup.

'As adults they married and continued their tradition of summer holidays at Palm Beach, giving every appearance of leading charmed and immaculate lives. Like those beautiful people in magazines, their skin was unblemished, their smiles dazzling, the lighting just so. But as Richard confronts his memories what seemed so idyllic is revealed as a sinister drama of secrets, lies and betrayals.

'A masterful and compelling dissection of friendship, morality and society from a startling new talent.'

Source: Publisher's blurb.

'This dark, intelligent, aching tale within a tale within a tale tells the story of young Clemenza's last day of life in Ludlow, Vermont. You are seduced into enjoying yourself only to find at a most uncomfortable moment that this is for real.--Sydney Morning Herald.' 

In Prospect Bay, a remote fishing town in South Australian, the only thing that connects the two communities - the Goonyas (whites) and the Nungas (blacks) - is football. The underlying racism and class warfare threatens to make the team's greatest victories irrelevant, though. Two members of the team, Gary Black (the son of a white fisherman) and Dumby Red (the team's star player), are an exception, however, having been best friends since childhood despite their different cultural and family backgrounds. The jubilation that occurs when the team wins the local premiership is short-lived when Dumby is inexplicably overlooked for the 'best on ground' award. This incident subsequently sets off a chain of events that ends in tragedy.

[Sources: Weekend Australian 22-23 December 2001 pp.14-15 and Australian Screen]

'B.L.A.C.K. is a cypher scribed by independent and indigenous Hip Hop artist, Wire MC, which stands for Born Long Ago Creation's Keeper. Through interview and observation the song is visually and dialectically deconstructed to speak of contemporary issues around Aboriginal blackness, politics and culture. The filmmaker with his own roots in hip hop aligns himself with Wire and through a rapped narrative adds antoher layer of complexity to notions of blackness, by pulling apart his own identity. This is a musical documentary that exposes an authentic and empowering B.L.A.C.K. voice existing underneath the hype of 'bling-bling' hip hop.'

Source: http://www.cultureunplugged.com (Sighted 7/9/11)

'To some, black skin and country music may seem unlikely bedfellows. But from early stars like Jimmy Little and Herb Laughton through Dougie and Wilga Williams to Vic Sims, Bob 'Brown Skin baby' Randal, Bobby McLeod, Issac Yama and Roger Knox. Aboriginal country music is a very real phenomenon. A long rich tradition that's still alive today in Troy Cassar-Daley and Archie Roach.' (Source: On-line)

'When Jimmie Blacksmith marries a white woman, the backlash from both Jimmie's tribe and white society initiates a series of dramatic events. As Jimmie tries to survive between two cultures, tensions reach a head when the Newbys, Jimmie's white employers, try to break up his marriage. The Newby women are murdered and Jimmie flees, pursued by police and vigilantes. The hunt intensifies as further murders are committed, and concludes with tragic results.'

Source: Publisher's blurb (HarperCollins ed.)

"Set in Australia in the 1840s, A FRINGE OF LEAVES combines dramatic action with a finely distilled moral vision. Returning home to England from Van Diemen's land, the Bristol Maid is shipwrecked on the Queensland coast and Mrs Roxburgh is taken prisoner by a tribe of aborigines, along with the rest of the passengers and crew. In the course of her escape, she is torn by conflicting loyalties - to her dead husband, to her rescuer, to her own and to her adoptive class."

'On a lonely cattle station in the Northern Territory, a newly born Aboriginal baby is adopted by a white woman in place of her own child who has died. The child is raised as a white child and forbidden any contact with the Aborigines on the station. Years later, Jedda is drawn by the mysteries of the Aboriginal people but restrained by her upbringing. Eventually she is fascinated by a full-blood Aboriginal, Marbuck, who arrives at the station seeking work and is drawn to his campfire by his song. He takes her away as his captive and returns to his tribal lands, but he is rejected by his tribe for having broken their marriage taboos. Pursued by the men from Jedda's station and haunted by the death wish of his own tribe, Marbuck is driven insane and finally falls, with Jedda, over a cliff.'

(Synopsis from the Australian Film, Television and Radio School website, http://library.aftrs.edu.au)

'An authoritative survey of Australian Aboriginal writing over two centuries, across a wide range of fiction and non-fiction genres. Including some of the most distinctive writing produced in Australia, it offers rich insights into Aboriginal culture and experience...

'The anthology includes journalism, petitions and political letters from both the nineteenth and twentieth centuries, as well as major works that reflect the blossoming of Aboriginal poetry, prose and drama from the mid-twentieth century onwards. Literature has been used as a powerful political tool by Aboriginal people in a political system which renders them largely voiceless. These works chronicle the ongoing suffering of dispossession, but also the resilience of Aboriginal people across the country, and the hope and joy in their lives.' (Publisher's blurb)

'This is the first collection to span the diverse range of Black Australian writings. Thirty-six Aboriginal and Islander authors have contributed, including David Unaipon, Oodgeroo Noonuccal, Gerry Bostock, Ruby Langford, Robert Bropho, Jack Davis, Hyllus Maris, William Ferguson, Sally Morgan, Mudrooroo Narogin and Archie Weller. Many more are represented through community writings such as petitions and letters.

Collected over six years from all the states and territories of Australia, Paperbark ranges widely across time and genre from the 1840s to the present, from transcriptions of oral literature to rock opera. Prose, poetry, song, drama and polemic are accompanied by the selected artworks of Jimmy Pike, and an extensive, up-to-date bibliography.The voices of Black Australia speak with passion and power in this challenging and important anthology.' Source: Publisher's blurb.

'In Writing Never Arrives Naked, Penny van Toorn engages our minds and hearts. In this academically innovative book she reveals the resourceful and often poignant ways that Indigenous Australians involved themselves in the colonisers' paper culture. The first Aboriginal readers were children stolen from the clans around Sydney Harbour. The first Aboriginal author was Bennelong – a stolen adult. From the early years of colonisation, Aboriginal people used written texts to negotiate a changing world, to challenge their oppressors, protect country and kin, and occasionally for economic gain. Van Toorn argues that Aboriginal people were curious about books and papers, and in time began to integrate letters of the alphabet into their graphic traditions. During the 19th and 20th centuries, Aboriginal people played key roles in translating the Bible, and made their political views known in community and regional newspapers. They also sent numerous letters and petitions to political figures, including Queen Victoria. Penny van Toorn challenges the established notion that the colonists' paper culture superseded Indigenous oral cultures. She argues that Indigenous communities developed their own cultures of reading and writing, which involved a complex interplay between their own social protocols and the practices of literacy introduced by the British. Many distinctive features of Aboriginal writing today were shaped by the cultural, socio-political and institutional conditions in which Aboriginal people were living in colonial times.' (Source: Publisher's website)

The Turning comprises seventeen overlapping stories of second thoughts and mid-life regret set in the brooding small-town world of coastal Western Australia. Here are turnings of all kinds - changes of heart, nasty surprises, slow awakenings, sudden detours - where people struggle against the terrible weight of the past and challenge the lives they've made for themselves.

These elegiac stories examine the darkness and frailty of ordinary people and celebrate the moments when the light shines through.

'Searching for the Secret River is the extraordinary story of how Kate Grenville came to write her award-winning novel, [The Secret River].

'It all begins with her ancestor Solomon Wiseman, transported to New South Wales for the term of his natural life, who later became a wealthy man and built his colonial mansion on the Hawkesbury. Increasingly obsessed with his story, Grenville pursues him from Sydney to London and back, and then up the Hawkesbury itself. Slowly she begins to realise she must write about him, and begins to discover what kind of book she will write. Grenville opens the door and invites the reader into her writing room, and tells us about how this novel was formed, the research she did, the false starts she made and the frustrations she experienced.' (Publisher's blurb)

'In 1806 William Thornhill, a man of quick temper and deep feelings, is transported from the slums of London to New South Wales for the term of his natural life. With his wife Sal and their children he arrives in a harsh land he cannot understand.

'But the colony can turn a convict into a free man. Eight years later Thornhill sails up the Hawkesbury to claim a hundred acres for himself.

'Aboriginal people already live on that river. And other recent arrivals - Thomas Blackwood, Smasher Sullivan and Mrs Herring - are finding their own ways to respond to them.

'Thornhill, a man neither better nor worse than most, soon has to make the most difficult choice of his life.

'Inspired by research into her own family history, Kate Grenville vividly creates the reality of settler life, its longings, dangers and dilemmas. The Secret River is a brilliantly written book, a groundbreaking story about identity, belonging and ownership.' (From the publisher's website.)

'In October 1997 a clever young law student at ANU made a bizarre plan to murder her devoted boyfriend after a dinner party at their house. Some of the dinner guests - most of them university students - had heard rumours of the plan. Nobody warned Joe Cinque. He died one Sunday, in his own bed, of a massive dose of rohypnol and heroin. His girlfriend and her best friend were charged with murder. Helen Garner followed the trials in the ACT Supreme Court. Compassionate but unflinching, this is a book about how and why Joe Cinque died. It probes the gap between ethics and the law; examines the helplessness of the courts in the face of what we think of as 'evil'; and explores conscience, culpability, and the battered ideal of duty of care.' (Source: Pan Macmillan website)

Garner takes 'a deliberately subjective and "literary" approach' to her material with an 'emphasis on a sympatheitic authorial persona as the source of the reader's perspective' (Susan Lever 'The Crimes of the Past: Anna Funder's Stasiland and Helen Garner's Joe Cinque's Consolation'. Paper delivered at the Association for the Study of Australian Literature (ASAL) conference 2006).

'His father dead by fire and his mother plagued by demons of her own, William is cast upon the charity of his unknown uncle - an embittered old man encamped in the ruins of a once great station homestead, Kuran House. It's a baffling and sinister new world for the boy, a place of decay and secret histories. His uncle is obsessed by a long life of decline and by a dark quest for revival, his mother is desperate for a wealth and security she has never known, and all their hopes it seems come to rest upon William's young shoulders. But as the past and present of Kuran Station unravel and merge together, the price of that inheritance may prove to be the downfall of them all. The White Earth is a haunting, disturbing and cautionary tale.' (publisher's website)