Text | Unit Name | Institution | Year |
---|---|---|---|
y
'Well I Heard It on the Radio and I Saw It on the Television' : An Essay for the Australian Film Commission on the Politics and Aesthetics of Filmmaking by and about Aboriginal People and Things
North Sydney
:
Australian Film Commission
,
1993
Z1645838
1993
single work
criticism
(taught in 8 units)
Marcia Langton analyses the making and watching of films, videos and TV programs by Aboriginal people in remote and settled Australia. She introduces theoretical perspectives to investigate concepts of Aboriginality and presents case studies of films such as Jedda, Tracey Moffat's Night Cries, Brian Syron's Jindalee Lady and Ned Lander and Rachel Perkin's film of the Warlpiri Fire Ceremony Jardiwarnpa. The central requirement is to develop a body of knowledge on representation of Aboriginal people and their concerns in art, film, television or other media and a critical perspective to do with aesthetics and politics, drawing from Aboriginal world views, from western traditions and from history. |
Racial Literacy: Indigeneity & Whiteness | University of Melbourne | 2013 (Semester 1) |
y
'Well I Heard It on the Radio and I Saw It on the Television' : An Essay for the Australian Film Commission on the Politics and Aesthetics of Filmmaking by and about Aboriginal People and Things
North Sydney
:
Australian Film Commission
,
1993
Z1645838
1993
single work
criticism
(taught in 8 units)
Marcia Langton analyses the making and watching of films, videos and TV programs by Aboriginal people in remote and settled Australia. She introduces theoretical perspectives to investigate concepts of Aboriginality and presents case studies of films such as Jedda, Tracey Moffat's Night Cries, Brian Syron's Jindalee Lady and Ned Lander and Rachel Perkin's film of the Warlpiri Fire Ceremony Jardiwarnpa. The central requirement is to develop a body of knowledge on representation of Aboriginal people and their concerns in art, film, television or other media and a critical perspective to do with aesthetics and politics, drawing from Aboriginal world views, from western traditions and from history. |
Racial Literacy: Indigeneity & Whiteness | University of Melbourne | 2010 (Semester 1) |
y
'Well I Heard It on the Radio and I Saw It on the Television' : An Essay for the Australian Film Commission on the Politics and Aesthetics of Filmmaking by and about Aboriginal People and Things
North Sydney
:
Australian Film Commission
,
1993
Z1645838
1993
single work
criticism
(taught in 8 units)
Marcia Langton analyses the making and watching of films, videos and TV programs by Aboriginal people in remote and settled Australia. She introduces theoretical perspectives to investigate concepts of Aboriginality and presents case studies of films such as Jedda, Tracey Moffat's Night Cries, Brian Syron's Jindalee Lady and Ned Lander and Rachel Perkin's film of the Warlpiri Fire Ceremony Jardiwarnpa. The central requirement is to develop a body of knowledge on representation of Aboriginal people and their concerns in art, film, television or other media and a critical perspective to do with aesthetics and politics, drawing from Aboriginal world views, from western traditions and from history. |
Racial Literacy: Indigeneity and Whiteness | University of Melbourne | 2014 (Semester 1) |
y
'Well I Heard It on the Radio and I Saw It on the Television' : An Essay for the Australian Film Commission on the Politics and Aesthetics of Filmmaking by and about Aboriginal People and Things
North Sydney
:
Australian Film Commission
,
1993
Z1645838
1993
single work
criticism
(taught in 8 units)
Marcia Langton analyses the making and watching of films, videos and TV programs by Aboriginal people in remote and settled Australia. She introduces theoretical perspectives to investigate concepts of Aboriginality and presents case studies of films such as Jedda, Tracey Moffat's Night Cries, Brian Syron's Jindalee Lady and Ned Lander and Rachel Perkin's film of the Warlpiri Fire Ceremony Jardiwarnpa. The central requirement is to develop a body of knowledge on representation of Aboriginal people and their concerns in art, film, television or other media and a critical perspective to do with aesthetics and politics, drawing from Aboriginal world views, from western traditions and from history. |
Racial Literacy: Indigeneity & Whiteness | University of Melbourne | 2011 (Semester 1) |
y
'Well I Heard It on the Radio and I Saw It on the Television' : An Essay for the Australian Film Commission on the Politics and Aesthetics of Filmmaking by and about Aboriginal People and Things
North Sydney
:
Australian Film Commission
,
1993
Z1645838
1993
single work
criticism
(taught in 8 units)
Marcia Langton analyses the making and watching of films, videos and TV programs by Aboriginal people in remote and settled Australia. She introduces theoretical perspectives to investigate concepts of Aboriginality and presents case studies of films such as Jedda, Tracey Moffat's Night Cries, Brian Syron's Jindalee Lady and Ned Lander and Rachel Perkin's film of the Warlpiri Fire Ceremony Jardiwarnpa. The central requirement is to develop a body of knowledge on representation of Aboriginal people and their concerns in art, film, television or other media and a critical perspective to do with aesthetics and politics, drawing from Aboriginal world views, from western traditions and from history. |
Racial Literacy: Indigeneity & Whiteness | University of Melbourne | 2012 (Semester 1) |
y
'Well I Heard It on the Radio and I Saw It on the Television' : An Essay for the Australian Film Commission on the Politics and Aesthetics of Filmmaking by and about Aboriginal People and Things
North Sydney
:
Australian Film Commission
,
1993
Z1645838
1993
single work
criticism
(taught in 8 units)
Marcia Langton analyses the making and watching of films, videos and TV programs by Aboriginal people in remote and settled Australia. She introduces theoretical perspectives to investigate concepts of Aboriginality and presents case studies of films such as Jedda, Tracey Moffat's Night Cries, Brian Syron's Jindalee Lady and Ned Lander and Rachel Perkin's film of the Warlpiri Fire Ceremony Jardiwarnpa. The central requirement is to develop a body of knowledge on representation of Aboriginal people and their concerns in art, film, television or other media and a critical perspective to do with aesthetics and politics, drawing from Aboriginal world views, from western traditions and from history. |
Racial Literacy: Indigeneity & Whiteness | University of Melbourne | 2016 (Semester 1) |
y
'Well I Heard It on the Radio and I Saw It on the Television' : An Essay for the Australian Film Commission on the Politics and Aesthetics of Filmmaking by and about Aboriginal People and Things
North Sydney
:
Australian Film Commission
,
1993
Z1645838
1993
single work
criticism
(taught in 8 units)
Marcia Langton analyses the making and watching of films, videos and TV programs by Aboriginal people in remote and settled Australia. She introduces theoretical perspectives to investigate concepts of Aboriginality and presents case studies of films such as Jedda, Tracey Moffat's Night Cries, Brian Syron's Jindalee Lady and Ned Lander and Rachel Perkin's film of the Warlpiri Fire Ceremony Jardiwarnpa. The central requirement is to develop a body of knowledge on representation of Aboriginal people and their concerns in art, film, television or other media and a critical perspective to do with aesthetics and politics, drawing from Aboriginal world views, from western traditions and from history. |
Indigenous Australia in Literature: Listenin' Up | University of Newcastle | 2011 (Semester 1) |
y
'Well I Heard It on the Radio and I Saw It on the Television' : An Essay for the Australian Film Commission on the Politics and Aesthetics of Filmmaking by and about Aboriginal People and Things
North Sydney
:
Australian Film Commission
,
1993
Z1645838
1993
single work
criticism
(taught in 8 units)
Marcia Langton analyses the making and watching of films, videos and TV programs by Aboriginal people in remote and settled Australia. She introduces theoretical perspectives to investigate concepts of Aboriginality and presents case studies of films such as Jedda, Tracey Moffat's Night Cries, Brian Syron's Jindalee Lady and Ned Lander and Rachel Perkin's film of the Warlpiri Fire Ceremony Jardiwarnpa. The central requirement is to develop a body of knowledge on representation of Aboriginal people and their concerns in art, film, television or other media and a critical perspective to do with aesthetics and politics, drawing from Aboriginal world views, from western traditions and from history. |
Indigenous Australia in Literature: Listenin' Up | University of Newcastle | 2012 (Semester 1) |