Racial Literacy: Indigeneity & Whiteness (AIND30009 (106-317))
Semester 1 / 2010

Texts

y separately published work icon Blacklines : Contemporary Critical Writing by Indigenous Australians Michèle Grossman (editor), Carlton : Melbourne University Press , 2003 Z1072525 2003 anthology criticism essay (taught in 11 units)
Tiddas Talkin' Up to the White Woman When Huggins et al. Took on Bell Aileen Moreton-Robinson , 2003 single work essay (taught in 1 units)
— Appears in: Blacklines : Contemporary Critical Writing by Indigenous Australians 2003; (p. 66-77)
Discusses a debate between black and white Australian feminists in the 1990s. The debate centred on an article written by Diane Bell and Topsy Napurrula Nelson, 'Speaking About Rape is Everyone's Business' (Women's Studies International Forum, 1989). The author concludes that aboriginal women 'enter feminism and its debates...not on our terms, but on the terms of white feminists whose race confers dominance and privilege.' (Blacklines p. 77)
y separately published work icon 'Well I Heard It on the Radio and I Saw It on the Television' : An Essay for the Australian Film Commission on the Politics and Aesthetics of Filmmaking by and about Aboriginal People and Things Marcia Langton , North Sydney : Australian Film Commission , 1993 Z1645838 1993 single work criticism (taught in 8 units)

Marcia Langton analyses the making and watching of films, videos and TV programs by Aboriginal people in remote and settled Australia. She introduces theoretical perspectives to investigate concepts of Aboriginality and presents case studies of films such as Jedda, Tracey Moffat's Night Cries, Brian Syron's Jindalee Lady and Ned Lander and Rachel Perkin's film of the Warlpiri Fire Ceremony Jardiwarnpa. The central requirement is to develop a body of knowledge on representation of Aboriginal people and their concerns in art, film, television or other media and a critical perspective to do with aesthetics and politics, drawing from Aboriginal world views, from western traditions and from history.

Description

This subject aims to enhance student"s racial literacy with a focus on representations of Indigeneity and whiteness in Australia. The term, "racial literacy", devised to describe anti-racist practices, entails students becoming literate in critically reading and understanding multiple modes of race representation. The inter-disciplinary approach enables students to analyse the relationships among texts, images, language and social practices, drawing on Australian literature, media, film and the visual arts. In this way, the subject equips students to become multi-literate in critiquing race constructions of identity formation and nation building through the creative and communicative arts. The subject introduces students to critical theoretical frameworks incorporating postcolonial, race and whiteness studies. It will engage with questions of voice, position, power, agency, capital and social justice issues to explore how representations of Indigeneity and whiteness operate with regard to the intersections of race, gender and class relations in an Australian context (with links and comparisons also made to examples of race representation in a global context).

Assessment

Tutorial participation and a 10-minute paper presentation done in class, 10%, an essay of 1500 words 30% (due mid-semester), and an essay of 2500 words 60% (due at the end of semester). Students are required to attend a minimum of nine tutorials in order to qualify to have their written work assessed.

Other Details

Levels: Undergraduate
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