'An authoritative survey of Australian Aboriginal writing over two centuries, across a wide range of fiction and non-fiction genres. Including some of the most distinctive writing produced in Australia, it offers rich insights into Aboriginal culture and experience...
'The anthology includes journalism, petitions and political letters from both the nineteenth and twentieth centuries, as well as major works that reflect the blossoming of Aboriginal poetry, prose and drama from the mid-twentieth century onwards. Literature has been used as a powerful political tool by Aboriginal people in a political system which renders them largely voiceless. These works chronicle the ongoing suffering of dispossession, but also the resilience of Aboriginal people across the country, and the hope and joy in their lives.' (Publisher's blurb)
Marcia Langton analyses the making and watching of films, videos and TV programs by Aboriginal people in remote and settled Australia. She introduces theoretical perspectives to investigate concepts of Aboriginality and presents case studies of films such as Jedda, Tracey Moffat's Night Cries, Brian Syron's Jindalee Lady and Ned Lander and Rachel Perkin's film of the Warlpiri Fire Ceremony Jardiwarnpa. The central requirement is to develop a body of knowledge on representation of Aboriginal people and their concerns in art, film, television or other media and a critical perspective to do with aesthetics and politics, drawing from Aboriginal world views, from western traditions and from history.
'Alice Aigner is successful, independent and a confirmed serial dater - but at her ten-year school reunion she has a sudden change of heart. Bored rigid by her married, mortgaged and motherly former classmates, Alice decides to prove that a woman can have it all: a man, marriage, career, kids and a mind of her own.
'She sets herself a goal: meet the perfect man and marry him before her thirtieth birthday, just under two years away. Together with her best friends Dannie, Liza and Peta, Alice draws up a ten-point plan. Then, with a little help from her mum, her dad, her brothers, her colleagues and her neighbour across the hall, she sets out to find Mr Right. Unfortunately for Alice, it's not quite as easy as she imagines.
'Who could not fall in love with our Koori heroine as she dates (among others): Renan, whose career goal is to be the world's best moonwalker and male hula dancer; Tufu the commitment-phobic Samoan football player; scary Simon the one-night stand; and Paul - Mr Dreamboat, but perhaps too good to be true. All the while, Alice skilfully avoids dating Cliff, son of her mum's friend, a confirmed bachelor who isn't likely to settle down with a woman anytime soon.' (Publisher's blurb)
Course Objectives:
Upon successful completion of this course, students will be able to:
1. Describe how representations of identity are constructed and used in literature.
2. Discuss issues related to "race" relations today.
3. Critically evaluate the construction of "whiteness" in Indigenous and non-Indigenous representations.
4. Identify responses to change and difference.
5. Respond to and engage in local, national and global cultural communities.
6. Communicate a scholarly attitude towards representation of Indigenous and non-Indigenous knowledges.
Course Content:
The course covers:
* Different cultural and political uses of literary texts
* Representations of colonisation and post-colonial discourses
* Theoretical and practical examples of Indigenous knowledges, pedagogies and communication tools
* Exploration of Indigenous and non-Indigenous constructions of Australian identity
Essay of 1500 words = 30%
Essay of 2000 words = 40%
Journal
5 reading journal entries @ 300 words each = 30%.