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y separately published work icon Every Secret Thing selected work   short story  
Issue Details: First known date: 2008... 2008 Every Secret Thing
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AbstractHistoryArchive Description

'In the Aboriginal missions of far northern Australia, it was a battle between saving souls and saving traditional culture.

'Every Secret Thing is a rough, tough, hilarious portrayal of the Bush Mob and the Mission Mob, and the hapless clergy trying to convert them. In these tales, everyone is fair game.

'At once playful and sharp, Marie Munkara's wonderfully original stories cast a taunting new light on the mission era in Australia.' (From the publisher's website.)

Exhibitions

7740091
8931289

Notes

  • Dedication: This book is dedicated to Pardy (Brian Sweet), who told me I could do it. 10 November 1923 - 7 March 2006.

Contents

* Contents derived from the St Lucia, Indooroopilly - St Lucia area, Brisbane - North West, Brisbane, Queensland,:University of Queensland Press , 2009 version. Please note that other versions/publications may contain different contents. See the Publication Details.
The Bishop, Marie Munkara , single work short story humour (p. 1-13)
The Brotherhood, Marie Munkara , single work short story humour (p. 14-27)
Pwomiga, Marie Munkara , single work short story (p. 28-34)
The Immaculate Misconception, Marie Munkara , single work short story humour (p. 35-38)
The Sound of Music, Marie Munkara , single work short story humour (p. 39-46)
Mira, Marie Munkara , single work short story humour (p. 47-55)
The Big Wind, Marie Munkara , single work short story humour (p. 56-63)
Wurruwataka, Marie Munkara , single work short story humour (p. 64-74)
The Garden of Eden, Marie Munkara , single work short story humour

'...An so it was with great sadness that the coloured kids were taken from the arms of their families. Some mothers handed them over in the hope that...their kids' lives would be the better for their sacrifice. Others fought tooth and nail to the bitter end...' (Source: Munkara, Marie. Every Secret Thing, 2009:80)

(p. 75-81)
The Bride-to-be, Marie Munkara , single work short story humour (p. 82-87)
Tides of Change, Marie Munkara , single work short story humour (p. 88-97)
Taking Leave, Marie Munkara , single work short story humour (p. 98-103)
Noah's Revenge, Marie Munkara , single work short story (p. 104-109)
The Missionaries, Marie Munkara , single work short story humour (p. 110-120)
Thomas, Marie Munkara , single work short story humour (p. 121-127)
The Castaways, Marie Munkara , single work short story humour (p. 128-139)
Punapi, Marie Munkara , single work short story (p. 140-149)
The Good Doctor, Marie Munkara , single work short story humour (p. 150-158)
Marigold, Marie Munkara , single work short story humour (p. 159-170)
The Movies, Marie Munkara , single work short story humour (p. 179-171)

Publication Details of Only Known VersionEarliest 2 Known Versions of

First known date: 2008

Other Formats

  • Also sound recording.
  • Large print.

Works about this Work

y separately published work icon Polities and Poetics : Race Relations and Reconciliation in Australian Literature Adelle Sefton-Rowston , Oxford : Peter Lang , 2022 24390199 2022 multi chapter work criticism

'A reconciliation movement spread across Australia during the 1990s, bringing significant marches, speeches, and policies across the country. Indigenous and non-Indigenous Australians began imagining race relations in new ways and articulations of place, belonging, and being together began informing literature of a unique new genre. This book explores the political and poetic paradigms of reconciliation represented in Australian writing of this period. The author brings together textual evidence of themes and a vernacular contributing to the emergent genre of reconciliatory literature. The nexus between resistance and reconciliation is explored as a complex process to understanding sovereignty, colonial history, and the future of society. Moreover, this book argues it is creative writing that is most necessary for a deeper understanding of each other and of place, because it is writing that calls one to witness, to feel, and to imagine all at the same time.'

Source: Publisher's blurb.

Laughter and the Indigenous Trickster Aesthetics of Marie Munkara’s Every Secret Thing Anne Brewster , 2018 single work criticism
— Appears in: Postcolonial Past & Present : Negotiating Literary and Cultural Geographies : Essays for Paul Sharrad 2018; (p. 103–120)

'The trickster features in a wide range of folkloric, mythic, popular, and literary texts. Spanning antiquity and the contemporary world, tricksters appear in African, Arabic, Asian, Caribbean, European (including Greek, Norse, and Slavic), Pacific, and South American cultures, as well as those of Indigenous peoples in settler nations. Literary trickster figures include the Odyssean wandering hero, the animals in Aesop's fables, the Shakespearean wise fool, and the confidence man in nineteenth-century novels by Herman Melville, Edgar Allan Poe, and Mark Twain. More recently, trickster figures have been deployed across a range of minority literatures. Jeanne Rosier Smith, for example, discusses the trickster's recent resurgence in the fiction of what she terms ethnic American women writers., Trickster figures have also appeared in Indigenous writing from both the USA and Canada. '  (Introduction)

Sovereignty as a State of Craziness : Empowering Female Indigenous Psychologies in Australian “Reconciliatory Literature” Adelle Sefton-Rowston , 2017 single work criticism
— Appears in: Hypatia : A Journal of Feminist Philosophy , Summer vol. 32 no. 3 2017; (p. 644-659)

'Reading and writing must be more than passive processes of mimetic display; rather, they should offer a platform for psychological transformations across race and gender. Thus literary sovereignty vis-a-vis ownership of creative expression and representations of self can be reclaimed.This essay offers close analysis of contemporary Australian Indigenous literature to explore the sovereignty of feminist psychologies. Does creative writing reflect a strengthening of female Indigenous psychologies, and how might this implicate race relations and the decolonization of textual worlds? These questions are inspired by Alexis Wright’s most recent novel The Swan Book where she writes about “the quest to regain sovereignty over [her] own brain.” This article will explore the term craziness in a metaphorical sense: looking at whether rejecting dominant white culture equates to psychological sovereignty, improved mental well-being, and better race relations in imaginary realms. Indigenous characters in Wright’s The Swan Book and Marie Munkara’s Every Secret Thing may appear “crazy” for living in a state of indifference, but paradoxically, it is this state of “craziness” or indifference that empowers them to find psycho-logical peace and resist assimilation. Seeking psychological sovereignty means assuming a position so averse to patriarchy and colonization that it renders transformation in imaginary worlds,and urges transformation in the psyches of white readers too.'  (Publication abstract)

Every Secret Thing - Interview with Marie Munkara. Part 1 Bob Gosford , 2014 single work interview
— Appears in: Crikey 2014;
'This is Part One of an interview with Darwin-based writer Marie Munkara in early October...'
Humor in Contemporary Aboriginal Adult Fiction Paula Anca Farca , 2013 single work criticism
— Appears in: A Companion to Australian Aboriginal Literature 2013; (p. 125-138)

In this chapter the author explores the creation of humor in recent publications by Aboriginal authors who address issues of social injustice and racism.

Off the Shelf : Stories Owen Richardson , 2009 single work review
— Appears in: The Age , 19 September 2009; (p. 28)

— Review of Every Secret Thing Marie Munkara , 2008 selected work short story
[Review] Every Secret Thing Shane Strange , 2009 single work review
— Appears in: Bookseller + Publisher Magazine , September vol. 89 no. 2 2009; (p. 25)

— Review of Every Secret Thing Marie Munkara , 2008 selected work short story
[Review] Every Secret Thing Marie Munkara Adrienne Walker , 2009 single work review
— Appears in: InCite , November vol. 30 no. 11 2009; (p. 22-23)

— Review of Every Secret Thing Marie Munkara , 2008 selected work short story
[Review] Every Secret Thing Marie Munkara Dominique Wilson , 2009 single work review
— Appears in: Wet Ink , December no. 17 2009; (p. 55)

— Review of Every Secret Thing Marie Munkara , 2008 selected work short story
Nuns and Priests Patrick Allington , 2010 single work review
— Appears in: Australian Book Review , April no. 320 2010; (p. 15)

— Review of Every Secret Thing Marie Munkara , 2008 selected work short story
Black Chicks Talking : Indigenous Women's Writing in JSNWL's Collection Jane Pollard , 2011 single work column
— Appears in: Jessie Street National Women's Library Newsletter , May vol. 22 no. 2 2011; (p. 6-7)
'The library has a small but growing collection of Aboriginal material in the form of books, posters, audio-visual items and the few journals. This article overviews these holdings and makes a plea for more donations in this area.' (p. 6)
Marie Munkara Marie Munkara , 2011 single work criticism
— Appears in: Overland , Summer no. 205 2011; (p. 59-60)
Every Secret Thing - Interview with Marie Munkara. Part 1 Bob Gosford , 2014 single work interview
— Appears in: Crikey 2014;
'This is Part One of an interview with Darwin-based writer Marie Munkara in early October...'
It's Not Black and White : Who Should Be Practically and Affectively Implicated in Reconciliation and Its Textual Discourses Adelle Barry , 2011 single work essay
— Appears in: Northern Territory Literary Awards 2011 2011; (p. 93-99)

'Fiction writing is a proliferating vocation in the Northern Territory (NT) and the increasing number of publications by Territory authors is testament to the work of The NT Writers’ Centre to encourage, guide and inspire Territorians to imagine and write. The NT Writers’ Festival, ‘Word Storm’, was held by the NT Writers’ Centre in 2010 and proved to be a highly commendable success which attracted renowned authors such as Arnold Zabel, Germaine Greer and Lionel Fogarty to promote literature, critical debate and cultural production through the Arts. According to audience surveys, however, Northern Territory author, Marie Munkara was voted as the most popular guest writer at the festival for her work, Every Secret Thing (2009). ...'

Sovereignty as a State of Craziness : Empowering Female Indigenous Psychologies in Australian “Reconciliatory Literature” Adelle Sefton-Rowston , 2017 single work criticism
— Appears in: Hypatia : A Journal of Feminist Philosophy , Summer vol. 32 no. 3 2017; (p. 644-659)

'Reading and writing must be more than passive processes of mimetic display; rather, they should offer a platform for psychological transformations across race and gender. Thus literary sovereignty vis-a-vis ownership of creative expression and representations of self can be reclaimed.This essay offers close analysis of contemporary Australian Indigenous literature to explore the sovereignty of feminist psychologies. Does creative writing reflect a strengthening of female Indigenous psychologies, and how might this implicate race relations and the decolonization of textual worlds? These questions are inspired by Alexis Wright’s most recent novel The Swan Book where she writes about “the quest to regain sovereignty over [her] own brain.” This article will explore the term craziness in a metaphorical sense: looking at whether rejecting dominant white culture equates to psychological sovereignty, improved mental well-being, and better race relations in imaginary realms. Indigenous characters in Wright’s The Swan Book and Marie Munkara’s Every Secret Thing may appear “crazy” for living in a state of indifference, but paradoxically, it is this state of “craziness” or indifference that empowers them to find psycho-logical peace and resist assimilation. Seeking psychological sovereignty means assuming a position so averse to patriarchy and colonization that it renders transformation in imaginary worlds,and urges transformation in the psyches of white readers too.'  (Publication abstract)

Last amended 20 Jan 2023 05:35:34
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