'A reconciliation movement spread across Australia during the 1990s, bringing significant marches, speeches, and policies across the country. Indigenous and non-Indigenous Australians began imagining race relations in new ways and articulations of place, belonging, and being together began informing literature of a unique new genre. This book explores the political and poetic paradigms of reconciliation represented in Australian writing of this period. The author brings together textual evidence of themes and a vernacular contributing to the emergent genre of reconciliatory literature. The nexus between resistance and reconciliation is explored as a complex process to understanding sovereignty, colonial history, and the future of society. Moreover, this book argues it is creative writing that is most necessary for a deeper understanding of each other and of place, because it is writing that calls one to witness, to feel, and to imagine all at the same time.'
Source: Publisher's blurb.
'Notwithstanding criticism of the project or process of reconciliation, literary scholars have continued to use it as a productive framework for analysing (mostly) non-Indigenous authored novels of the 1990s and 2000s. This monograph also embraces reconciliation as a framework, though it expands that frame in two ways. First, it looks beyond the novel to also incorporate an eclectic range of memoirs, poetry and fictional and non-fictional stories within a more broadly defined ‘reconciliatory literature’. Second, Indigenous-authored texts are also examined here as reconciliatory. The author sees an empowering role for literature in seeking to explore ‘how creative writing can “do” reconciliation’. Each of the five analytical chapters concentrates on a major ‘trope of reconciliation’ in Australian writing from the period 1990–2010.' (Introduction)
'Notwithstanding criticism of the project or process of reconciliation, literary scholars have continued to use it as a productive framework for analysing (mostly) non-Indigenous authored novels of the 1990s and 2000s. This monograph also embraces reconciliation as a framework, though it expands that frame in two ways. First, it looks beyond the novel to also incorporate an eclectic range of memoirs, poetry and fictional and non-fictional stories within a more broadly defined ‘reconciliatory literature’. Second, Indigenous-authored texts are also examined here as reconciliatory. The author sees an empowering role for literature in seeking to explore ‘how creative writing can “do” reconciliation’. Each of the five analytical chapters concentrates on a major ‘trope of reconciliation’ in Australian writing from the period 1990–2010.' (Introduction)