'Cathy arrives in Alice Springs from cattle country, looking for a new way to live. But new is a serious challenge for a girl who's used to being measured by her actions, not her feelings. Feelings are slippery, like water. Hard to hold onto.
Jay is working for the local radio station, far from his own saltwater people, wary of this no-water country. He's searching for something, trying to survive.
Margie is a wild city girl, up for a good time, confronted by a world she's never known and a friend she can't always understand.
When lives collide at the heart of the country, no one stays unchanged.' - back cover
'More than a love story, this is a bold, confronting book about friendship, love, sex and identity at the heart of Australia, where black and white, bush and city collide.' (Publisher's blurb)
'A reconciliation movement spread across Australia during the 1990s, bringing significant marches, speeches, and policies across the country. Indigenous and non-Indigenous Australians began imagining race relations in new ways and articulations of place, belonging, and being together began informing literature of a unique new genre. This book explores the political and poetic paradigms of reconciliation represented in Australian writing of this period. The author brings together textual evidence of themes and a vernacular contributing to the emergent genre of reconciliatory literature. The nexus between resistance and reconciliation is explored as a complex process to understanding sovereignty, colonial history, and the future of society. Moreover, this book argues it is creative writing that is most necessary for a deeper understanding of each other and of place, because it is writing that calls one to witness, to feel, and to imagine all at the same time.'
Source: Publisher's blurb.
'A reconciliation movement spread across Australia during the 1990s, bringing significant marches, speeches, and policies across the country. Indigenous and non-Indigenous Australians began imagining race relations in new ways and articulations of place, belonging, and being together began informing literature of a unique new genre. This book explores the political and poetic paradigms of reconciliation represented in Australian writing of this period. The author brings together textual evidence of themes and a vernacular contributing to the emergent genre of reconciliatory literature. The nexus between resistance and reconciliation is explored as a complex process to understanding sovereignty, colonial history, and the future of society. Moreover, this book argues it is creative writing that is most necessary for a deeper understanding of each other and of place, because it is writing that calls one to witness, to feel, and to imagine all at the same time.'
Source: Publisher's blurb.