A contemporary re-imagining of Shakespeare's Macbeth, constructed as a struggle for power among Melbourne gangs. The setting is contemporary Melbourne and the dialogue is delivered in Australian accents, but the script largely uses Shakespeare's text.
'A modern take on the tale of Macbeth set in the world of Western Australian state politics. Macbeth: Thane of Cannington, Thane of Claremont… he who would be ‘King.’
'Paul and Lainey Macbeth are the ultimate power couple: ambitious, ruthless and willing to risk everything for something more.
'Signifying Nothing is a mash-up of the original Shakespeare text and the somewhat arrogant scribing of Greg Fleet (too daft or blinded by his own ambition to know his literary place). Fleet also wrote This Is Not A Long Song and the hit memoir These Things Happen.
'“It is a tale told by an idiot
Full of sound and fury
Signifying nothing”
'With actors appearing both on stage and on screen, the cast is a who’s who of Australian theatre, film and television, including Roz Hammond, Lawrence Mooney, Greg Fleet, Luke Hewitt, and Caitliyn Beresford-Ord.
'Friendship, love, sex, power. All is currency.
'Vote 1 – Macbeth.' (Production summary)
'Wyrd: The Season of The Witch draws on the tropes of urban legend to rework Shakespeare’s Scottish Play into a striking new narrative that follows the rise and fall of a powerful warrior identified only as ‘Our Lady.’ Her insatiable ambition makes her a target for the malevolent Wyrd Sisters who have their own designs for the infamous Scottish noble. The high energy and tightly choreographed performance will feature Shakespeare’s original text cut from Macbeth, reordered and stitched back together with toe-tapping 50s pop songs, powerful choral speaking and high energy movement. Wyrd is a truly unexpected performance of the Bard’s ‘unlucky’ play.'
Source: Ninefold Ensemble.
'In a world where the Noongar language is spoken by all, a yarn about a Scottish king is retold.
'Join Yirra Yaakin, one of Australia’s leading Aboriginal performing arts organisations for Australia’s first large-scale Shakespeare production entirely in Noongar.
'Hecate, queen of the witches, is usually omitted from productions of Shakespeare’s Macbeth. Most directors are unsure of what to do with her. Here, she is at the heart of everything watching as Macbeth strives toward power at any cost, all the while knowing that order must be restored; that Country always trumps human ambition and greed.
'In 1833 colonist Robert Menli Lyon wrote in reference to Noongar people that ‘the whole of each tribe are bards’. This world premiere event puts those words to the test. Having spent years studying and reclaiming their endangered Noongar language, a star ensemble use this audacious adaptation as a springboard to showcase its poetic and expressive qualities.'
Source: Perth Festival.
'Harriet thinks her life has returned to normal, yet she is intrigued about exactly how she was able to travel to Verona. While she is immersing herself in the world of the Bard in an attempt to find some answers, she is catapulted back to the bloody court of King Duncan, just in time to witness his demise at the hands of Macbeth.
'Confused about what she is there to achieve, Harriet wrestles with powerful personalities, murderous intentions and a lust for power and revenge that seems can never be sated. She must figure it out before it’s too late...there’s only a limited amount of time she can stay in this world, and her choices have the power to affect generations to come.
'Harriet Hunter's story continues with the second instalment of the Into the Abyss series, Scourge of Scotland.
'The classic Shakespearean tragedy, Macbeth, is a tale of greed, passion and murderous intentions, slain kinsmen and beguiling witchcraft. Book Two of the Into the Abyss series follows a series of changes that complicate the lives of more than just Harriet, where a single dubious decision could change lives in multiple centuries.
'Will Harriet make it home, or will it all be over this time?'
(Source: publisher's blurb)
'Cinnamon Stevens is a twelve-year-old sleuth who solves crimes in and around Melbourne. When Cinnamon's Year 7 class has an excursion to the old gold-mining town of Walhalla in Gippsland, trouble-maker Showy Daniels dares her to visit the out-of-bounds graveyard at night. It's an eerie and dangerous place. Showy has an 'accident'. His friends blame Meera, one of Cinnamon's besties. To stop Meera being bullied, Cinnamon must find out exactly what happened to Showy AND solve the mystery of a haunted theatre.' (Source: Publisher's blurb)
'A working theatre actor questions her calling when she plays Lady Macduff in an increasingly violent production of Shakespeare's Macbeth, with an internationally celebrated director.'
Source: Screen Australia.
'Studying Shakespeare Suckeths
'STATESPEARE', the Helpmann Award-nominated show that audiences (of all ages) across the country adored, is back and Barder than ever… For two nights only!
'Is Shakespeare still relevant? It’s the first rehearsal for the year 12’s Performance Task and Lachlan and Nerys know that with their knowledge of The Bard they cannot fail. Their allocated group members Jay and Rob don’t know the difference between Shakespeare and Schwarzenegger.
'As this mismatched foursome battle it out on the drama room floor they surprise and shock themselves as they gain a greater understanding of Shakespeare’s most famous plays including Macbeth, Romeo & Juliet, A Midsummer Night’s Dream, Titus Andronicus, Much Ado About Nothing, Othello, The Taming of the Shrew and Hamlet.
'Fast-paced and hilarious, don’t miss this very special opportunity to catch STATESPEARE as part of the 2013 Inaugural QLD Youth Shakespeare Festival. The Festival gives high school students the chance to compete against other talented Shakespeare fans for the chance to be part of a live Shakespeare stage show. The general public is encouraged to come along to the finals and see the students competing for this exciting opportunity.
'Originally co-produced with La Boite Theatre Company.' (Source: Brisbane Powerhouse website)
'When Maddy McCathy, star of Ray Abbott’s theatrical production of Macbeth, has a breakdown, Ray turns to Zac Freeman to come up with a plan to save the show. With the help of Maddy’s understudy, Connie Burns, Zac kidnaps Maddy, and plays it as a publicity stunt. While Zac and Maddy hide out in an old secluded cabin the press go crazy with speculation. But soon the plan unravels and Maddy, Zac and Connie become pitched in a terrifying battle of survival.'
Source: Publisher's blurb.
A review of the 14 April 1868 Royal Victoria Theatre production of William Shakespeare's Macbeth.
An extensive review of the production of Verdi's Ballo in Maschera at the Duke of Edinburgh Theatre, followed by a detailed commentary on the entertainments at the Theatre Royal. Jaques focuses his attention on the production of William Shakespeare's Macbeth and commends the actors – in particular James R. Anderson – for their performances.
Jaques reviews productions of Lady of Lyons, Macbeth, Othello and The Merchant of Vencie at the Theatre Royal, and Under the Gaslight at the Duke of Edinburgh Theatre, focusing particularly on the quality of the acting.