Macbeth (International) assertion single work   drama  
This international work is included in AustLit to identify a relationship with Australian literature.
Issue Details: First known date: 1606... 1606 Macbeth
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Adaptations

form y separately published work icon Macbeth Victoria Hill , Geoffrey Wright , ( dir. Geoffrey Wright ) Melbourne : Mushroom Pictures , 2006 6130626 2006 single work film/TV thriller crime

A contemporary re-imagining of Shakespeare's Macbeth, constructed as a struggle for power among Melbourne gangs. The setting is contemporary Melbourne and the dialogue is delivered in Australian accents, but the script largely uses Shakespeare's text.

Signifying Nothing Greg Fleet , 2016 single work drama

'A modern take on the tale of Macbeth set in the world of Western Australian state politics. Macbeth: Thane of Cannington, Thane of Claremont… he who would be ‘King.’

'Paul and Lainey Macbeth are the ultimate power couple: ambitious, ruthless and willing to risk everything for something more.

'Signifying Nothing is a mash-up of the original Shakespeare text and the somewhat arrogant scribing of Greg Fleet (too daft or blinded by his own ambition to know his literary place). Fleet also wrote This Is Not A Long Song and the hit memoir These Things Happen.

'“It is a tale told by an idiot

Full of sound and fury

Signifying nothing”

'With actors appearing both on stage and on screen, the cast is a who’s who of Australian theatre, film and television, including Roz Hammond, Lawrence Mooney, Greg Fleet, Luke Hewitt, and Caitliyn Beresford-Ord.

'Friendship, love, sex, power. All is currency.

'Vote 1 – Macbeth.' (Production summary)

Wyrd : The Season of the Witch 2018 single work drama

'Wyrd: The Season of The Witch draws on the tropes of urban legend to rework Shakespeare’s Scottish Play into a striking new narrative that follows the rise and fall of a powerful warrior identified only as ‘Our Lady.’ Her insatiable ambition makes her a target for the malevolent Wyrd Sisters who have their own designs for the infamous Scottish noble. The high energy and tightly choreographed performance will feature Shakespeare’s original text cut from Macbeth, reordered and stitched back together with toe-tapping 50s pop songs, powerful choral speaking and high energy movement. Wyrd is a truly unexpected performance of the Bard’s ‘unlucky’ play.'

Source: Ninefold Ensemble.

Hecate Kylie Farmer , Kylie Farmer (translator), Clint Bracknell (translator), 2020 single work drama
— Appears in: Shakespeare on the Noongar Stage : Language Revival and Hecate 2024; (p. 57-177)

'In a world where the Noongar language is spoken by all, a yarn about a Scottish king is retold.

'Join Yirra Yaakin, one of Australia’s leading Aboriginal performing arts organisations for Australia’s first large-scale Shakespeare production entirely in Noongar. 

'Hecate, queen of the witches, is usually omitted from productions of Shakespeare’s Macbeth. Most directors are unsure of what to do with her. Here, she is at the heart of everything watching as Macbeth strives toward power at any cost, all the while knowing that order must be restored; that Country always trumps human ambition and greed.

'In 1833 colonist Robert Menli Lyon wrote in reference to Noongar people that ‘the whole of each tribe are bards’. This world premiere event puts those words to the test. Having spent years studying and reclaiming their endangered Noongar language, a star ensemble use this audacious adaptation as a springboard to showcase its poetic and expressive qualities.'

Source: Perth Festival.

Notes

  • This international work is included in AustLit because it is published (in part or in full), advertised or reviewed in Australian newspapers and magazines during the colonial era; and/or is the subject of Australian literary comment, adaptation or creative writing.

Publication Details of Only Known VersionEarliest 2 Known Versions of

First known date: ca. 1606

Works about this Work

y separately published work icon Scourge of Scotland Marissa Price , Ningi : The Literature Factory , 2018 19928076 2018 single work novel historical fiction fantasy

'Harriet thinks her life has returned to normal, yet she is intrigued about exactly how she was able to travel to Verona. While she is immersing herself in the world of the Bard in an attempt to find some answers, she is catapulted back to the bloody court of King Duncan, just in time to witness his demise at the hands of Macbeth.

'Confused about what she is there to achieve, Harriet wrestles with powerful personalities, murderous intentions and a lust for power and revenge that seems can never be sated. She must figure it out before it’s too late...there’s only a limited amount of time she can stay in this world, and her choices have the power to affect generations to come. 

'Harriet Hunter's story continues with the second instalment of the Into the Abyss series, 
Scourge of Scotland
 

'The classic Shakespearean tragedy, Macbeth, is a tale of greed, passion and murderous intentions, slain kinsmen and beguiling witchcraft. Book Two of the Into the Abyss series follows a series of changes that complicate the lives of more than just Harriet, where a single dubious decision could change lives in multiple centuries. 

'Will Harriet make it home, or will it all be over this time?'

(Source: publisher's blurb)

y separately published work icon Cinnamon Stevens : Ghost Light Pauline Hosking , Wellington Point : Lilly Pilly Publishing , 2018 13971029 2018 single work children's fiction children's mystery

'Cinnamon Stevens is a twelve-year-old sleuth who solves crimes in and around Melbourne. When Cinnamon's Year 7 class has an excursion to the old gold-mining town of Walhalla in Gippsland, trouble-maker Showy Daniels dares her to visit the out-of-bounds graveyard at night. It's an eerie and dangerous place. Showy has an 'accident'. His friends blame Meera, one of Cinnamon's besties. To stop Meera being bullied, Cinnamon must find out exactly what happened to Showy AND solve the mystery of a haunted theatre.' (Source: Publisher's blurb)

form y separately published work icon Tomorrow, and Tomorrow, and Tomorrow Sunday Emerson Gullifer , ( dir. Sunday Emerson Gullifer ) Victoria : Victorian College of the Arts and Music. Film and Television Faculty , 2017 16834120 2017 single work film/TV

'A working theatre actor questions her calling when she plays Lady Macduff in an increasingly violent production of Shakespeare's Macbeth, with an internationally celebrated director.'

Source: Screen Australia.

Statespeare Nelle Lee , 2012 single work drama humour

'Studying Shakespeare Suckeths

'STATESPEARE', the Helpmann Award-nominated show that audiences (of all ages) across the country adored, is back and Barder than ever… For two nights only!

'Is Shakespeare still relevant? It’s the first rehearsal for the year 12’s Performance Task and Lachlan and Nerys know that with their knowledge of The Bard they cannot fail. Their allocated group members Jay and Rob don’t know the difference between Shakespeare and Schwarzenegger.

'As this mismatched foursome battle it out on the drama room floor they surprise and shock themselves as they gain a greater understanding of Shakespeare’s most famous plays including Macbeth, Romeo & Juliet, A Midsummer Night’s Dream, Titus Andronicus, Much Ado About Nothing, Othello, The Taming of the Shrew and Hamlet.

'Fast-paced and hilarious, don’t miss this very special opportunity to catch STATESPEARE as part of the 2013 Inaugural QLD Youth Shakespeare Festival. The Festival gives high school students the chance to compete against other talented Shakespeare fans for the chance to be part of a live Shakespeare stage show. The general public is encouraged to come along to the finals and see the students competing for this exciting opportunity.

'Originally co-produced with La Boite Theatre Company.' (Source: Brisbane Powerhouse website)

form y separately published work icon 10 Days to Die Philip Witts , Michael Sergi , ( dir. Casie Coddington et. al. )agent Australia : BUL , 2011 6930849 2011 single work film/TV thriller horror

'When Maddy McCathy, star of Ray Abbott’s theatrical production of Macbeth, has a breakdown, Ray turns to Zac Freeman to come up with a plan to save the show. With the help of Maddy’s understudy, Connie Burns, Zac kidnaps Maddy, and plays it as a publicity stunt. While Zac and Maddy hide out in an old secluded cabin the press go crazy with speculation. But soon the plan unravels and Maddy, Zac and Connie become pitched in a terrifying battle of survival.'

Source: Publisher's blurb.

Victoria Theatre 1868 single work review
— Appears in: The Empire , 15 April no. 5118 1868; (p. 2)

— Review of Macbeth William Shakespeare , 1606 single work drama

A review of the 14 April 1868 Royal Victoria Theatre production of William Shakespeare's Macbeth.

The Theatres, &c. Jaques (fl. 1866-1868) , 1868 single work single work review
— Appears in: The Australasian , 1 February vol. 4 no. 96 (New Series) 1868; (p. 146)

— Review of Macbeth William Shakespeare , 1606 single work drama

An extensive review of the production of Verdi's Ballo in Maschera at the Duke of Edinburgh Theatre, followed by a detailed commentary on the entertainments at the Theatre Royal. Jaques focuses his attention on the production of William Shakespeare's Macbeth and commends the actors – in particular James R. Anderson – for their performances.

The Theatres, &c. Jaques (fl. 1866-1868) , 1868 single work review
— Appears in: The Australasian , 9 May vol. 4 no. 110 (New Series) 1868; (p. 594)

— Review of The Lady of Lyons; or, Love and Pride Edward Bulwer Lytton , 1838 single work drama ; Macbeth William Shakespeare , 1606 single work drama ; Othello William Shakespeare , 1604 single work drama ; The Merchant of Venice William Shakespeare , 1594-1597 single work drama ; Under the Gaslight ; Or, Life and Love in These Times John Augustin Daly , 1867 single work drama

Jaques reviews productions of Lady of Lyons, Macbeth, Othello and The Merchant of Vencie at the Theatre Royal, and Under the Gaslight at the Duke of Edinburgh Theatre, focusing particularly on the quality of the acting.

Bobby J. on Macbeth Den , 1934 single work short story
— Appears in: The Herald , 22 May no. 17789 1934; (p. 6)
Lady Macbeth i "She was never very good", Jill Gloyne , 2005 single work poetry
— Appears in: Friendly Street Poets : Twenty-Nine : Blur 2005; (p. 51)
Weird Sister Shortcut i "They have dredged your long body from the paperbark swamp.", Rebecca Edwards , 1994 single work poetry
— Appears in: Eating the Experience 1994; (p. 19) Scar Country 2000; (p. 39)
Theatre Royal : Macbeth 1867 single work review
— Appears in: The Ballarat Courier , Saturday, 31 August no. 72 1867; (p. 2)
A laudatory review of the previous night's performance of Macbeth. The reviewer finds no fault with Mr Anderson's portrayal of Macbeth and is of the opinion that it is almost 'the Shakespearian student's ideal of the character'. The audience was appreciative and particularly enjoyed the sword play, which brought down the gallery and, in the opinion of the reviewer, 'showed that few things are more acceptable to a British audience than a good hand-to-hand fight'.
[Untitled] 1867 single work review
— Appears in: The Ballarat Courier , Monday, 28 October no. 121 1867; (p. 2)
Mr Montgomery made his last appearance on Saturday night as Macbeth. His reading of the character was 'masterly and effective' and the soliloquies were excellent.
Last amended 19 Nov 2014 15:34:10
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