'The beautiful young Laura Courtland is looking forward to marriage with Captain Ray Trafford, but when he discovers that she was adopted when arrested as a child-pickpocket, he turns from her. In despair, she runs away from home and ends in court, where the villainous Byke claims to be her father. A decent one-armed ex-soldier Snorkey and a repentant Trafford intervene to prevent Byke abducting Laura to New Jersey. In the ensuing fight, Byke throws Laura in the river. She swims to safety and returns to her adoptive home, where she selflessly urges Trafford to marry her cousin Pearl. When Snorkey tries to foil Byke's plan to burgle the Courtlands' home, Byke ties him to a railroad track in the path of an advancing train. Laura breaks out of the shed where Byke has trapped her and frees Snorkey in the nick of time. She returns home and learns that she and Pearl were exchanged as babies, and that Laura is the legitimate Courtland heir. She is now able to marry Trafford' (Oxford Reference).
Although likely a burlesque on Augustin Daly's 1867 melodrama Under the Gaslight (the play that introduced the famous thrill scene in which a villain ties someone to the railroad tracks), the Sydney Morning Herald indicates in 1893 that part of the action revolves around two waiters who go through 'all sorts of antics with the knives, plates, bottles, fruit and lamp found on a table conveniently at hand.' Among the other specialty acts included in the production were a butterfly dance and some American trick dancing (26 June 1893, p.4).
First produced at the New York Theater, New York, 12 August 1867.
First produced in the UK at the Tyne Theatre, Newcastle, UK, 20 April 1868.
Performed at the Duke of Edinburgh Theatre (aka Haymarket Theatre), Melbourne, April-May 1868.
Performed at the Royal Victoria Theatre, Sydney, May 1868.
Performed at the Prince of Wales Opera House, Sydney, September 1868.
A review of the performance of John Augustin Daly’s Under the Gaslight at the Duke of Edinburgh Theatre, Melbourne, June 1868.
Jaques also reviews the various farewell performances of Walter Montgomery at the Theatre Royal.
Jaques reviews productions of Lady of Lyons, Macbeth, Othello and The Merchant of Vencie at the Theatre Royal, and Under the Gaslight at the Duke of Edinburgh Theatre, focusing particularly on the quality of the acting.
Jaques reviews productions of Hamlet and Much Ado about Nothing at the Theatre Royal, and Under the Gaslight at the Duke of Edinburgh Theatre, focusing particularly on the quality of the acting.
Buggins comments on the use of opera glasses before proceeding to review and discuss the Royal Victoria Theatre's production of John Augustin Daly's Under the Gaslight.
Buggins concludes his thoughts on the play thus:
'I believe a Mr. Daly claims to be the author of Under the Gaslight, it should be adapter – not author. In a Christmas work entitled 'Fireflash', (written by Mr. Garnet Walch) at page 34 I read the following: – "Neither poison, the knife, nor the pistol, was this murderous weapon. He had led his half stupefied [sic] victim to within twenty yards of the railway. There was no embankment hereabouts; it was all level ground. In five minutes the remorseless wretch had dragged him over the rough ballast and had placed him with his head across the nearest rail. The down express would pass over that spot in ten minutes, and there would be no such person as Alice Marshall in existence to come between him and his coveted prize." I think the Dramatist has borrowed a good idea from a young and promising colonial author and failed to acknowledge the obligation.'
It should be noted that Daly's play was first produced in New York on 12 August 1867; Walch's 'Fireflash' probably went to press in December 1867.
A review of a performance of Augustin Daly's Under the Gaslight at the Royal Victoria Theatre, Sydney, on 17 May 1868.
A very brief review of the Royal Victoria Theatre production of Augustin Daly's Under the Gaslight and Samuel D. Johnson's Our Gal on 27 May 1868.
Jaques reviews productions of Lady of Lyons, Macbeth, Othello and The Merchant of Vencie at the Theatre Royal, and Under the Gaslight at the Duke of Edinburgh Theatre, focusing particularly on the quality of the acting.
Jaques reviews productions of Hamlet and Much Ado about Nothing at the Theatre Royal, and Under the Gaslight at the Duke of Edinburgh Theatre, focusing particularly on the quality of the acting.
An advertisement for the Royal Victoria Theatre production of Augustin Daly's Under the Gaslight and Tom Taylor's Nine Points of the Law on 16 May 1868.
An advertisement for the Royal Victoria Theatre production of Augustin Daly's Under the Gaslight and Tom Taylor's Nine Points of the Law on 18 May 1868.
A brief report on the Royal Victoria Theatre production of Augustin Daly's Under the Gaslight on 18 May 1868.
An advertisement for the Royal Victoria Theatre production of Augustin Daly's Under the Gaslight and of Toodles on 20 May 1868.
A brief report on the Royal Victoria Theatre production of Augustin Daly's Under the Gaslight on 19 May 1868.