Cirrus@Austlit

'In a trench on the Western Front a cat recalls her owner Colette's theatrical antics in Paris. In Nazi Germany, Himmler's dog seeks enlightenment. A Russian tortoise once owned by the Tolstoys drifts in space during the Cold War. In the siege of Sarajevo, a bear starving to death tells a fairytale; and a dolphin sent to Iraq by the US Navy writes a letter to Sylvia Plath.

'Ten animal souls tell extraordinary stories about their lives and deaths, caught up in human conflicts of the last century and its turnings. Together they form an animal's eye view of humans at both our brutal, violent worst and our creative, imaginative best. Exquisitely written, playful and poignant, Only the Animals is a remarkable literary achievement by one of our brightest young writers. It asks us to find our way back to empathy not only for animals, but for other people, and to believe again in the redemptive power of reading and writing fiction.' (Publication summary)

'The experience of colonization and the challenges of the post-colonial world have produced an explosion of new writing in English. This diverse and powerful body of literature has established a specific practice of colonial writing in cultures as diverse as India, Australia, the West Indies, Africa and Canada. This comprehensive study opens debates about the interrelationships of these literatures, investigates the powerful forces acting on language in the post-colonial text and shows how these texts constitute a radical critique of the assumptions underlying Eurocentric notions of literature and language.' (Publication summary) 

'In October 1997 a clever young law student at ANU made a bizarre plan to murder her devoted boyfriend after a dinner party at their house. Some of the dinner guests - most of them university students - had heard rumours of the plan. Nobody warned Joe Cinque. He died one Sunday, in his own bed, of a massive dose of rohypnol and heroin. His girlfriend and her best friend were charged with murder. Helen Garner followed the trials in the ACT Supreme Court. Compassionate but unflinching, this is a book about how and why Joe Cinque died. It probes the gap between ethics and the law; examines the helplessness of the courts in the face of what we think of as 'evil'; and explores conscience, culpability, and the battered ideal of duty of care.' (Source: Pan Macmillan website)

Garner takes 'a deliberately subjective and "literary" approach' to her material with an 'emphasis on a sympatheitic authorial persona as the source of the reader's perspective' (Susan Lever 'The Crimes of the Past: Anna Funder's Stasiland and Helen Garner's Joe Cinque's Consolation'. Paper delivered at the Association for the Study of Australian Literature (ASAL) conference 2006).

Big-hearted, moving and richly rewarding, That Deadman Dance is set in the first decades of the 19th century in the area around what is now Albany, Western Australia. In playful, musical prose, the book explores the early contact between the Aboriginal Noongar people and the first European settlers.

'The novel's hero is a young Noongar man named Bobby Wabalanginy. Clever, resourceful and eager to please, Bobby befriends the new arrivals, joining them hunting whales, tilling the land, exploring the hinterland and establishing the fledgling colony. He is even welcomed into a prosperous local white family where he falls for the daughter, Christine, a beautiful young woman who sees no harm in a liaison with a native.

'But slowly - by design and by accident - things begin to change. Not everyone is happy with how the colony is developing. Stock mysteriously start to disappear; crops are destroyed; there are "accidents" and injuries on both sides. As the Europeans impose ever stricter rules and regulations in order to keep the peace, Bobby's Elders decide they must respond in kind. A friend to everyone, Bobby is forced to take sides: he must choose between the old world and the new, his ancestors and his new friends. Inexorably, he is drawn into a series of events that will forever change not just the colony but the future of Australia...' (From the publisher's website.)

'In this compelling reimagining of the Orpheus story, Leela May travels into an underworld of kidnapping, torture and despair in search of her lover, Mishka.

'Leela is a mathematical genius who escaped her hardscrabble Southern home town to study in Boston. It's there that she meets a young Australian musician, Mishka. From the moment she first hears him play, busking in a subway, his music grips her, and they quickly become lovers.

'Then one day Leela is picked up off the street and taken to an interrogation centre somewhere outside the city. There has been an 'incident', an explosion on the underground; terrorists are suspected, security is high. And her old childhood friend Cobb is conducting a very questionable interrogation. Over the years Cobb has never forgotten Leela and the secrets she knows.

'Now he reveals to her that Mishka may not be all he seems. That there may be more to him than growing up in the Daintree rainforest in northern Queensland in an eccentric musical family. Leela has already discovered on her own account that some nights when Mishka claims to be at the music lab are actually spent at a cafe. A cafe, Cobb tells her, known to be a terrorist contact point.

'Who can she believe?

'And then Mishka disappears.' (Publisher's blurb)

'In 1806 William Thornhill, a man of quick temper and deep feelings, is transported from the slums of London to New South Wales for the term of his natural life. With his wife Sal and their children he arrives in a harsh land he cannot understand.

'But the colony can turn a convict into a free man. Eight years later Thornhill sails up the Hawkesbury to claim a hundred acres for himself.

'Aboriginal people already live on that river. And other recent arrivals - Thomas Blackwood, Smasher Sullivan and Mrs Herring - are finding their own ways to respond to them.

'Thornhill, a man neither better nor worse than most, soon has to make the most difficult choice of his life.

'Inspired by research into her own family history, Kate Grenville vividly creates the reality of settler life, its longings, dangers and dilemmas. The Secret River is a brilliantly written book, a groundbreaking story about identity, belonging and ownership.' (From the publisher's website.)

'At a suburban barbecue, a man slaps a child who is not his own.

'This event has a shocking ricochet effect on a group of people, mostly friends, who are directly or indirectly influenced by the event.

'In this remarkable novel, Christos Tsiolkas turns his unflinching and all-seeing eye onto that which connects us all: the modern family and domestic life in the twenty-first century. The Slap is told from the points of view of eight people who were present at the barbecue. The slap and its consequences force them all to question their own families and the way they live, their expectations, beliefs and desires.

'What unfolds is a powerful, haunting novel about love, sex and marriage, parenting and children, and the fury and intensity - all the passions and conflicting beliefs - that family can arouse. In its clear-eyed and forensic dissection of the ever-growing middle class and its aspirations and fears, The Slap is also a poignant, provocative novel about the nature of loyalty and happiness, compromise and truth.' (Publisher's blurb)

'It is 1839. A young Aboriginal girl, Mathinna, is running through the long wet grass of an island at the end of the world to get help for her dying father, an Aboriginal chieftain. Twenty years later, on an island at the centre of the world, the most famous novelist of the day, Charles Dickens, realises he is about to abandon his wife, risk his name, and forever after be altered because of his inability any longer to control his intense passion.

'Connecting the two events are the most celebrated explorer of the age, Sir John Franklin - then governor of Van Diemen's Land - and his wife, Lady Jane, who adopt Mathinna, seen as one of the last of a dying race, as an experiment. Lady Jane believes the distance between savagery and civilisation is the learned capacity to control wanting. The experiment fails, the Franklins throw the child onto the streets and into a life of prostitution and alcoholism. A few years later Mathinna is found dead in a puddle. She is nineteen years old. By then Sir John too is dead, lost in the blue ice of the Arctic seeking the North West Passage. A decade later evidence emerges that in its final agony, Franklin's expedition resorted to the level and practice of savages: cannibalism. Lady Jane enlists Dickens's aid to put an end to such scandalous suggestions.

'Dickens becomes ever more entranced in the story of men entombed in ice, recognising in its terrible image his own frozen inner life. He produces and stars in a play inspired by Franklin's fate to give story to his central belief: that discipline and will can conquer desire. And yet the play will bring him to the point where he is finally no longer able to control his own wanting and the consequences it brings.

'Based on historic events, Wanting is a novel about art, love, and the way in which life is finally determined never by reason, but only ever by wanting.' (Provided by publisher.)

'The new Australian go-to book for parents wanting help with THAT talk ...

'It's one of the most amazing stories ever told - and it's true!

Funny, frank and embarrassment-free, THE AMAZING TRUE STORY OF HOW BABIES ARE MADE gives a fresh take on the incredible tale of where we all come from.' (Publication summary)

'But the band played 'Waltzing Matilda' when we stopped to bury our slain. We buried ours, and the Turks buried theirs; then we started all over again.

'Eric Bogle's famous and familiar Australian song about the Battle of Gallipoli explores the futility of war with haunting power. Now Bruce Whatley's evocative illustrations bring a heart-rending sense of reality to the tale.

'A timely story for every generation to share.' (Publication summary)

'In this delightful companion to The Cleo Stories: The Necklace and the Present, Cleo comes up with ingenious ways to make a new friend and find a pet.

'Cleo's best friend is away, her parents are busy, and there's nothing to do but count raindrops - or tidy her room. Just when she thinks she'll never cheer up, Cleo has an idea. In the next story, Cleo longs for a pet but her mum and dad say no. Perhaps the answer is hidden somewhere unexpected.

'Two more endearing stories about Cleo, the little girl with a big imagination who always finds a way to have fun, from the creators of The Cleo Stories: The Necklace and the Present.' (Publication summary)

'For Vân Uoc Phan, fantasies fell into two categories: nourishing, or pointless. Daydreaming about Billy Gardiner, for example? Pointless. It always left her feeling sick, as though she'd eaten too much sugar.

'Vân Uoc doesn't believe in fairies, zombies, vampires, Father Christmas - or magic wishes. She believes in keeping a low profile: real life will start when school finishes.

'But when she attracts the attention of Billy Gardiner, she finds herself in an unwelcome spotlight.

'Not even Jane Eyre can help her now.

'Wishes were not a thing.

'They were not.

'Correction.

'Wishes were a thing.

'Wishes that came true were sometimes a thing.

'Wishes that came true because of magic were not a thing!

'Were they?'

Source: Publisher's blurb.

''Hey diddle diddle, You all know the riddle, A cow jumps over the moon...' But the moon is very high in the sky. How many attempts will it take before Cow makes her famous high-flying leap? ' (Publication summary)

'Tonight is the night.

'The family has to flee.

'They've been tipped off that the authorities are after their blood.

'Set in biblical times, a small family sets off across a desert in search of refuge from persecution in their own country, and an ancient story becomes a fable for our times. Their journey is beset by heat and thirst, threatening tanks and the loss of their donkey, but eventually they reach a refugee camp where they can wait in safety for asylum in another country.

'In this first-time collaboration between multi-award-winning author, Nadia Wheatley, and internationally-renowned illustrator, Armin Greder, words and images blend seamlessly to take readers on a journey they will never forget. ' (Publication summary)

'Robbie knows bad things happen in Walgaree. But it's nothing to do with him. That's just the way the Aborigines have always been treated. In the summer of 1965 racial tensions in the town are at boiling point, and something headed Walgaree's way will blow things apart. It's time for Robbie to take a stand. Nothing will ever be the same.' (Publication summary)

'This is the inspiring true story of nine-year-old Lennie Gwyther who, at the height of the Great Depression in 1932, rode his pony from his home town of Leongatha in rural Victoria to Sydney to witness the opening of the Sydney Harbour Bridge. Lennie’s 1,000-kilometre solo journey captured the imagination of the nation, and his determination and courage provided hope to many at a difficult time in Australia’s history.

'Lennie the Legend begins with a terrible accident on the family farm, when Lennie, remarkably at such a young age, takes on the responsibility for the ploughing. Lennie is obsessed with the marvel of the Sydney Harbour Bridge and, as a reward for saving the farm from missing the planting season, his parents grant him his wish to ride on his own to Sydney for the opening of the bridge. Lennie has all sorts of adventures along the way—a thief lurking in the bush in the dead of night, a raging bushfire, surprise appearances, celebrations in his honour, being the star of a newsreel, and meeting the Prime Minister.' (Publication summary)

'Award-winning and much-loved author and illustrator Anna Walker gives us a gentle, poignant, affirming and wise picture book sure to delight all ages. Mr. Huff is a story about the clouds and the sunshine in each of our lives.

'Bill is having a bad day.

'Mr Huff is following him around and making everything seem difficult.

'Bill tries to get rid of him, but Mr Huff just gets bigger and bigger!

'Then they both stop, and a surprising thing happens . . . ' (Publication summary)

'"My dead bunny's name is Brad; his odour is extremely bad. He visits me when I'm in bed, but Bradley wasn't always dead ..." A hilarious rhyming tale about a zombie bunny who comes back to visit his owner. ' (Publication summary)

'Meet my dog Bigsy. He's only small, but everyone knows he's the boss.

'Each morning he visits the animals on the farm.

'Squawk, neigh, quack, moo, baa, oink, cluck, purr, ruff ruff ruff!

'What a lot of noise! And all because of Bigsy!

'From Australia's favourite picture-book creator, comes this energetic story about a little dog who causes a big commotion. ' (Publication summary)

'Sometimes the best things appear out of thin air

'The wind blows all day on Ollie's island. There aren't many people around, but there's lots of space to play.

'One day the wind steals Ollie's hat. Then it darts away with his scarf. But is the wind just naughty, or is it trying to tell Ollie something?

'A stunning picture book from a new author-illustrator talent.' (Publication summary)

'One Step at a Time is an exquisite picture book which tells a touching story about the relationship between a young boy, Luk, and his elephant, Mali. On the border of Thailand and Burma, Mali steps on a landmine. Luk supports her during her recovery. Mali is eventually fitted with a prosthesis and get a second chance at life. One Step at a Time is a ground-breaking story. Heinrich’s beautiful illustrations match Jolly’s light touch when it comes to writing about the sensitive subject of landmines. It is a story about love and friendship that will enthral children around the world.' (Publication summary)

'Declan seems to have it all: a family that loves him, friends he's known for years, a beautiful girlfriend he would go to the ends of the earth for.

'But there's something in Declan's past that just won't go away, that pokes and scratches at his thoughts when he's at his most vulnerable. Declan feels as if nothing will take away that pain that he has buried deep inside for so long. So he makes the only decision he thinks he has left: the decision to end it all.

'Or does he? As the train approaches and Declan teeters at the edge of the platform, two versions of his life are revealed. In one, Declan watches as his body is destroyed and the lives of those who loved him unravel. In the other, Declan pauses before he jumps. And this makes all the difference.' (Publication summary)

Phasmid is the amazing true story of the Lord Howe Island Phasmid, or Stick Insect. Believed to be extinct for nearly 80 years, the phasmids were rediscovered on Balls Pyramid, a volcanic outcrop 23 kilometres off the coast of Lord Howe Island, Australia. News of their unbelievable survival made headlines around the world and prompted an extraordinary conservation effort to save this remarkable invertebrate. This wonderful tale captures the life of one of the world's most critically endangered invertebrates, from beginning life as an egg to surviving harsh environments and the hopeful return to their homeland, Lord Howe Island. Phasmid is a positive story about one species' incredible survival in a time of worldwide species decline. (Source: Trove)

'Hey there guys.

Would you like a banana?

What's wrong with you, Brian?

You're a Piranha.'

'Brian is a piranha. He is also a vegetarian. But do you think he can convince his family to join him?' (Publication summary)

'Ricardo loved to ride his bike through the village. He rode under endless skies, quiet and clear. He rode every day ... But then the shadows came.' (Publication summary)

'Britta has always wanted to be a trader like her father, sailing the nine seas and bringing precious cargo home to Del harbour. Her dreams seemed safe until her fathers quest to find the fabled Staff of Tier ended in blood and horror. Now his shamed family is in hiding, and his ship, the Star of Deltora, belongs to the powerful Rosalyn fleet. But Brittas ambition burns as fiercely as ever.When she suddenly gets the chance to win back her future she knows she has to take it whatever the cost. She has no idea that shadows from a distant, haunted isle are watching her every move.' (Publication summary)

'Strong-willed Jena lives in a village shrouded in superstition and secrets. Like all the other girls, she has been bound and broken since birth to make her small enough to gather precious mica, which keeps her people warm in winter. But after a tragic accident, Jena starts questioning everything she's ever been told, and the truth will have consequences she cannot predict - for everybody. This beautifully written, haunting novel warns of the consequences of blind following, and shows the important difference between appearance and truth. This is award-winning McKinlay's best yet.' (Publication summary)

'A young Aboriginal girl is taken from the north of Australia and sent to an institution in the distant south. There, she slowly makes a new life for herself and, in the face of tragedy, finds strength in new friendships. Poignantly told from the child’s perspective, Sister Heart affirms the power of family and kinship.' (Publication summary)

'I hoped the Nazis would be defeated.

And they were.

'I hoped the war would be over.

And it was.

'I hoped we would be safe.

But we aren't.

'Soon continues the incredibly moving story of Felix, a Jewish boy still struggling to survive in the wake of the liberation of Poland after the end of World War Two.' (Publication summary)

'Eva squeezed Suri's hand. 'What's there? What can you see?'

''What can I see?' Suri looked out over the wall. 'Oh, it's beautiful, let me tell you all about it.'

'A moving tale of the power of the human spirit brought alive by Lucy Estela and award-winning illustrator Matt Ottley.' (Publication summary)

'The Forgotten Rebels of Eureka is the most talked-about work of Australian history in recent years. Now here is Clare Wright's groundbreaking, award-winning study of the women who made the rebellion, in an abridged edition for teenage readers.

'Front and centre are the vibrant, adventurous personalities who were players in the rebellion: Sarah Hanmer, Ellen Young, Clara Seekamp, Anastasia Hayes and Catherine Bentley, among others.

'But just as important were the thousands of women who lived, worked and traded on the goldfields—women who have been all but invisible until now. Discovering them changes everything.' (Publication summary)

'The Gestapo called her The White Mouse - and they wanted her, dead or alive. Nancy Wake was an Australian who joined the French Resistance during World War II and became the most wanted woman in France. Parachuting behind enemy lines, blowing up bridges and smuggling refugees across borders, Nancy fought fiercely against the enemy and became the most decorated Australian woman in any war.' (Publication summary)

'The experience of colonization and the challenges of the post-colonial world have produced an explosion of new writing in English. This diverse and powerful body of literature has established a specific practice of colonial writing in cultures as diverse as India, Australia, the West Indies, Africa and Canada. This comprehensive study opens debates about the interrelationships of these literatures, investigates the powerful forces acting on language in the post-colonial text and shows how these texts constitute a radical critique of the assumptions underlying Eurocentric notions of literature and language.' (Publication summary) 

'In October 1997 a clever young law student at ANU made a bizarre plan to murder her devoted boyfriend after a dinner party at their house. Some of the dinner guests - most of them university students - had heard rumours of the plan. Nobody warned Joe Cinque. He died one Sunday, in his own bed, of a massive dose of rohypnol and heroin. His girlfriend and her best friend were charged with murder. Helen Garner followed the trials in the ACT Supreme Court. Compassionate but unflinching, this is a book about how and why Joe Cinque died. It probes the gap between ethics and the law; examines the helplessness of the courts in the face of what we think of as 'evil'; and explores conscience, culpability, and the battered ideal of duty of care.' (Source: Pan Macmillan website)

Garner takes 'a deliberately subjective and "literary" approach' to her material with an 'emphasis on a sympatheitic authorial persona as the source of the reader's perspective' (Susan Lever 'The Crimes of the Past: Anna Funder's Stasiland and Helen Garner's Joe Cinque's Consolation'. Paper delivered at the Association for the Study of Australian Literature (ASAL) conference 2006).

Big-hearted, moving and richly rewarding, That Deadman Dance is set in the first decades of the 19th century in the area around what is now Albany, Western Australia. In playful, musical prose, the book explores the early contact between the Aboriginal Noongar people and the first European settlers.

'The novel's hero is a young Noongar man named Bobby Wabalanginy. Clever, resourceful and eager to please, Bobby befriends the new arrivals, joining them hunting whales, tilling the land, exploring the hinterland and establishing the fledgling colony. He is even welcomed into a prosperous local white family where he falls for the daughter, Christine, a beautiful young woman who sees no harm in a liaison with a native.

'But slowly - by design and by accident - things begin to change. Not everyone is happy with how the colony is developing. Stock mysteriously start to disappear; crops are destroyed; there are "accidents" and injuries on both sides. As the Europeans impose ever stricter rules and regulations in order to keep the peace, Bobby's Elders decide they must respond in kind. A friend to everyone, Bobby is forced to take sides: he must choose between the old world and the new, his ancestors and his new friends. Inexorably, he is drawn into a series of events that will forever change not just the colony but the future of Australia...' (From the publisher's website.)

'Louis Nowra’s Radiance is an exuberant black sabbath for three great Indigenous dames. It begins conventionally enough: Mae, Nona and Cressy gather at the old Queenslander in the tropics for Mum’s funeral. But these three sisters are forces of nature, and they haven’t been in the same room for years, and years. It isn’t long before that old house can’t contain the joy and pain of them all being together again…

'Radiance began its life at Belvoir in 1993. After 22 years, Nowra’s feat of playwriting – almost Shakespearean, a Tempest-like packet of lust, rage, grief and high-flying foolery – is ready to be unleashed again. Leah Purcell is the woman for the job.

'Purcell is a powerhouse. She burst onto the national stage nearly two decades ago and is as full of fight and life as she ever was. What better idea than for this all-round theatre elder to direct herself in this mighty little classic?' (2015 Production summary)

'In this compelling reimagining of the Orpheus story, Leela May travels into an underworld of kidnapping, torture and despair in search of her lover, Mishka.

'Leela is a mathematical genius who escaped her hardscrabble Southern home town to study in Boston. It's there that she meets a young Australian musician, Mishka. From the moment she first hears him play, busking in a subway, his music grips her, and they quickly become lovers.

'Then one day Leela is picked up off the street and taken to an interrogation centre somewhere outside the city. There has been an 'incident', an explosion on the underground; terrorists are suspected, security is high. And her old childhood friend Cobb is conducting a very questionable interrogation. Over the years Cobb has never forgotten Leela and the secrets she knows.

'Now he reveals to her that Mishka may not be all he seems. That there may be more to him than growing up in the Daintree rainforest in northern Queensland in an eccentric musical family. Leela has already discovered on her own account that some nights when Mishka claims to be at the music lab are actually spent at a cafe. A cafe, Cobb tells her, known to be a terrorist contact point.

'Who can she believe?

'And then Mishka disappears.' (Publisher's blurb)

'In 1806 William Thornhill, a man of quick temper and deep feelings, is transported from the slums of London to New South Wales for the term of his natural life. With his wife Sal and their children he arrives in a harsh land he cannot understand.

'But the colony can turn a convict into a free man. Eight years later Thornhill sails up the Hawkesbury to claim a hundred acres for himself.

'Aboriginal people already live on that river. And other recent arrivals - Thomas Blackwood, Smasher Sullivan and Mrs Herring - are finding their own ways to respond to them.

'Thornhill, a man neither better nor worse than most, soon has to make the most difficult choice of his life.

'Inspired by research into her own family history, Kate Grenville vividly creates the reality of settler life, its longings, dangers and dilemmas. The Secret River is a brilliantly written book, a groundbreaking story about identity, belonging and ownership.' (From the publisher's website.)

'At a suburban barbecue, a man slaps a child who is not his own.

'This event has a shocking ricochet effect on a group of people, mostly friends, who are directly or indirectly influenced by the event.

'In this remarkable novel, Christos Tsiolkas turns his unflinching and all-seeing eye onto that which connects us all: the modern family and domestic life in the twenty-first century. The Slap is told from the points of view of eight people who were present at the barbecue. The slap and its consequences force them all to question their own families and the way they live, their expectations, beliefs and desires.

'What unfolds is a powerful, haunting novel about love, sex and marriage, parenting and children, and the fury and intensity - all the passions and conflicting beliefs - that family can arouse. In its clear-eyed and forensic dissection of the ever-growing middle class and its aspirations and fears, The Slap is also a poignant, provocative novel about the nature of loyalty and happiness, compromise and truth.' (Publisher's blurb)

'It is 1839. A young Aboriginal girl, Mathinna, is running through the long wet grass of an island at the end of the world to get help for her dying father, an Aboriginal chieftain. Twenty years later, on an island at the centre of the world, the most famous novelist of the day, Charles Dickens, realises he is about to abandon his wife, risk his name, and forever after be altered because of his inability any longer to control his intense passion.

'Connecting the two events are the most celebrated explorer of the age, Sir John Franklin - then governor of Van Diemen's Land - and his wife, Lady Jane, who adopt Mathinna, seen as one of the last of a dying race, as an experiment. Lady Jane believes the distance between savagery and civilisation is the learned capacity to control wanting. The experiment fails, the Franklins throw the child onto the streets and into a life of prostitution and alcoholism. A few years later Mathinna is found dead in a puddle. She is nineteen years old. By then Sir John too is dead, lost in the blue ice of the Arctic seeking the North West Passage. A decade later evidence emerges that in its final agony, Franklin's expedition resorted to the level and practice of savages: cannibalism. Lady Jane enlists Dickens's aid to put an end to such scandalous suggestions.

'Dickens becomes ever more entranced in the story of men entombed in ice, recognising in its terrible image his own frozen inner life. He produces and stars in a play inspired by Franklin's fate to give story to his central belief: that discipline and will can conquer desire. And yet the play will bring him to the point where he is finally no longer able to control his own wanting and the consequences it brings.

'Based on historic events, Wanting is a novel about art, love, and the way in which life is finally determined never by reason, but only ever by wanting.' (Provided by publisher.)

'The experience of colonization and the challenges of the post-colonial world have produced an explosion of new writing in English. This diverse and powerful body of literature has established a specific practice of colonial writing in cultures as diverse as India, Australia, the West Indies, Africa and Canada. This comprehensive study opens debates about the interrelationships of these literatures, investigates the powerful forces acting on language in the post-colonial text and shows how these texts constitute a radical critique of the assumptions underlying Eurocentric notions of literature and language.' (Publication summary) 

'In October 1997 a clever young law student at ANU made a bizarre plan to murder her devoted boyfriend after a dinner party at their house. Some of the dinner guests - most of them university students - had heard rumours of the plan. Nobody warned Joe Cinque. He died one Sunday, in his own bed, of a massive dose of rohypnol and heroin. His girlfriend and her best friend were charged with murder. Helen Garner followed the trials in the ACT Supreme Court. Compassionate but unflinching, this is a book about how and why Joe Cinque died. It probes the gap between ethics and the law; examines the helplessness of the courts in the face of what we think of as 'evil'; and explores conscience, culpability, and the battered ideal of duty of care.' (Source: Pan Macmillan website)

Garner takes 'a deliberately subjective and "literary" approach' to her material with an 'emphasis on a sympatheitic authorial persona as the source of the reader's perspective' (Susan Lever 'The Crimes of the Past: Anna Funder's Stasiland and Helen Garner's Joe Cinque's Consolation'. Paper delivered at the Association for the Study of Australian Literature (ASAL) conference 2006).

'In this compelling reimagining of the Orpheus story, Leela May travels into an underworld of kidnapping, torture and despair in search of her lover, Mishka.

'Leela is a mathematical genius who escaped her hardscrabble Southern home town to study in Boston. It's there that she meets a young Australian musician, Mishka. From the moment she first hears him play, busking in a subway, his music grips her, and they quickly become lovers.

'Then one day Leela is picked up off the street and taken to an interrogation centre somewhere outside the city. There has been an 'incident', an explosion on the underground; terrorists are suspected, security is high. And her old childhood friend Cobb is conducting a very questionable interrogation. Over the years Cobb has never forgotten Leela and the secrets she knows.

'Now he reveals to her that Mishka may not be all he seems. That there may be more to him than growing up in the Daintree rainforest in northern Queensland in an eccentric musical family. Leela has already discovered on her own account that some nights when Mishka claims to be at the music lab are actually spent at a cafe. A cafe, Cobb tells her, known to be a terrorist contact point.

'Who can she believe?

'And then Mishka disappears.' (Publisher's blurb)

'In 1806 William Thornhill, a man of quick temper and deep feelings, is transported from the slums of London to New South Wales for the term of his natural life. With his wife Sal and their children he arrives in a harsh land he cannot understand.

'But the colony can turn a convict into a free man. Eight years later Thornhill sails up the Hawkesbury to claim a hundred acres for himself.

'Aboriginal people already live on that river. And other recent arrivals - Thomas Blackwood, Smasher Sullivan and Mrs Herring - are finding their own ways to respond to them.

'Thornhill, a man neither better nor worse than most, soon has to make the most difficult choice of his life.

'Inspired by research into her own family history, Kate Grenville vividly creates the reality of settler life, its longings, dangers and dilemmas. The Secret River is a brilliantly written book, a groundbreaking story about identity, belonging and ownership.' (From the publisher's website.)

'It is 1839. A young Aboriginal girl, Mathinna, is running through the long wet grass of an island at the end of the world to get help for her dying father, an Aboriginal chieftain. Twenty years later, on an island at the centre of the world, the most famous novelist of the day, Charles Dickens, realises he is about to abandon his wife, risk his name, and forever after be altered because of his inability any longer to control his intense passion.

'Connecting the two events are the most celebrated explorer of the age, Sir John Franklin - then governor of Van Diemen's Land - and his wife, Lady Jane, who adopt Mathinna, seen as one of the last of a dying race, as an experiment. Lady Jane believes the distance between savagery and civilisation is the learned capacity to control wanting. The experiment fails, the Franklins throw the child onto the streets and into a life of prostitution and alcoholism. A few years later Mathinna is found dead in a puddle. She is nineteen years old. By then Sir John too is dead, lost in the blue ice of the Arctic seeking the North West Passage. A decade later evidence emerges that in its final agony, Franklin's expedition resorted to the level and practice of savages: cannibalism. Lady Jane enlists Dickens's aid to put an end to such scandalous suggestions.

'Dickens becomes ever more entranced in the story of men entombed in ice, recognising in its terrible image his own frozen inner life. He produces and stars in a play inspired by Franklin's fate to give story to his central belief: that discipline and will can conquer desire. And yet the play will bring him to the point where he is finally no longer able to control his own wanting and the consequences it brings.

'Based on historic events, Wanting is a novel about art, love, and the way in which life is finally determined never by reason, but only ever by wanting.' (Provided by publisher.)

'This ... collection of stories features a foreword by Dr Pam Johnston that places Ruby’s anecdotes in the context of a country which seems incapable of healing its past or of creating a better future for Indigenous people. Featuring the best stories from Ruby’s Real Deadly, plus many unpublished gems dating as far back as 1992, All My Mob’s portrayal of family life, ‘home’, and life as an Aborigine in today’s Australia is fascinating, often confronting and unforgettable.' (Source: UQP website: www.uqp.uq.edu.au)

'Shelton Lea was born secretly, and adopted in the most bizarre circumstances into a high profile family. Growing up he was told he would never inherit the family fortune; that he had been adopted as a playmate for the natural children. Here began a life of extremes and excesses.

'Family dynamics produced disastrous outcomes and his adoptive mother placed him in a psychiatric institution at the age of three. He escaped from boys' homes, lived with gypsies, Aborigines, in doorways, in parks and went to prisons along the east coast of Australia. But genetics propelled his ascendance. He was born with tremendous gifts and when, as a teenager in a putrid lock-up, he discovered the writings of Ezra Pound, he knew the path his life would take.

'Reports of the legendary Shelton Lea spread. He was a romantic, bohemian outlaw - charming, insolent and contemptuous of authority. He stepped far beyond the bounds of propriety, encouraging comparisons to Rimbaud and Villon.

'When he died he took his wizard words, his mesmerising performance, his rabble rousing, and he was hailed as a seer of our age.' (Publisher's blurb)

Chrissy Amphlett is a legend in the world of Australian music - and now, for the first time, she tells her own story. From growing up in Geelong, Victoria, to being the lead singer in the iconic band The Divinyls, to living in New York and mixing with the likes of Keith Richards and Mick Jagger, she has led an amazing life. In this book she tells of life on and off the road - and gives a unique account of a woman surviving in a male-dominated and drug-fuelled industry. Yet not only did she survive, she captivated her audiences with her empowered on-stage performances. From fury to soulful, brash to lecherous, Chrissy Amphlett's voice and character mesmerized all those around her. She talks of the early days when she was breaking into the music scene; of being arrested for busking when a teenager travelling in Spain; of how her angry and provocative stage act drew on her childhood and background - she wanted to shock and, above all, be in control. And she tells of what it was to be at the top, in those years of success and excess, both in Australia and in the United States. Chrissy has always lived life on her terms no matter what those around her wanted.

Source: Publisher's blurb.

'Romulus Gaita fled his home in his native Yugoslavia at the age of thirteen, and came to Australia with his young wife Christina and their infant son Raimond soon after the end of World War II.

'Tragic events were to overtake the boy’s life, but Raimond Gaita has an extraordinary story to tell about growing up with his father amid the stony paddocks and flowing grasses of country Australia.

'Written simply and movingly, Romulus, My Father is about how a compassionate and honest man taught his son the meaning of living a decent life. It is about passion, betrayal and madness, about friendship and the joy and dignity of work, about character and fate, affliction and spirituality.'

Source: Publisher's blurb (Text Publishing).

Unpolished Gem tells the story of growing up with a Chinese-Cambodian family in Australia, Alice dives headfirst into schooling, romance and the getting of wisdom. Meanwhile, her mother becomes an Aussie Battler - an outworker, that is, her father starts up a chain of electrical appliance stores, and her grandmother blesses Father Government every day for giving old people money. (Back cover blurb).

'The experience of colonization and the challenges of the post-colonial world have produced an explosion of new writing in English. This diverse and powerful body of literature has established a specific practice of colonial writing in cultures as diverse as India, Australia, the West Indies, Africa and Canada. This comprehensive study opens debates about the interrelationships of these literatures, investigates the powerful forces acting on language in the post-colonial text and shows how these texts constitute a radical critique of the assumptions underlying Eurocentric notions of literature and language.' (Publication summary) 

'In October 1997 a clever young law student at ANU made a bizarre plan to murder her devoted boyfriend after a dinner party at their house. Some of the dinner guests - most of them university students - had heard rumours of the plan. Nobody warned Joe Cinque. He died one Sunday, in his own bed, of a massive dose of rohypnol and heroin. His girlfriend and her best friend were charged with murder. Helen Garner followed the trials in the ACT Supreme Court. Compassionate but unflinching, this is a book about how and why Joe Cinque died. It probes the gap between ethics and the law; examines the helplessness of the courts in the face of what we think of as 'evil'; and explores conscience, culpability, and the battered ideal of duty of care.' (Source: Pan Macmillan website)

Garner takes 'a deliberately subjective and "literary" approach' to her material with an 'emphasis on a sympatheitic authorial persona as the source of the reader's perspective' (Susan Lever 'The Crimes of the Past: Anna Funder's Stasiland and Helen Garner's Joe Cinque's Consolation'. Paper delivered at the Association for the Study of Australian Literature (ASAL) conference 2006).