Issues and Themes in Contemporary Writing (ENG00401)
Semester 2 / 2015

Texts

y separately published work icon The Fig Tree Arnold Zable , Melbourne : Text Publishing , 2002 Z959940 2002 selected work autobiography prose extract travel (taught in 3 units) The Fig Tree is a book of true stories with an extraordinary scope. It is about family, about home about the journeys that reveal to us who we are, and the ways in which contemporary tales reflect ancient myths. Arnold Zable begins with his own family. (Libraries Australia)
y separately published work icon Joe Cinque's Consolation Helen Garner , Sydney : Pan Macmillan Australia , 2004 Z1132428 2004 single work prose (taught in 26 units)

'In October 1997 a clever young law student at ANU made a bizarre plan to murder her devoted boyfriend after a dinner party at their house. Some of the dinner guests - most of them university students - had heard rumours of the plan. Nobody warned Joe Cinque. He died one Sunday, in his own bed, of a massive dose of rohypnol and heroin. His girlfriend and her best friend were charged with murder. Helen Garner followed the trials in the ACT Supreme Court. Compassionate but unflinching, this is a book about how and why Joe Cinque died. It probes the gap between ethics and the law; examines the helplessness of the courts in the face of what we think of as 'evil'; and explores conscience, culpability, and the battered ideal of duty of care.' (Source: Pan Macmillan website)

Garner takes 'a deliberately subjective and "literary" approach' to her material with an 'emphasis on a sympatheitic authorial persona as the source of the reader's perspective' (Susan Lever 'The Crimes of the Past: Anna Funder's Stasiland and Helen Garner's Joe Cinque's Consolation'. Paper delivered at the Association for the Study of Australian Literature (ASAL) conference 2006).

y separately published work icon My Life as a Fake Peter Carey , Milsons Point : Random House Australia , 2003 Z1045776 2003 single work novel (taught in 8 units) Sarah Wode-Douglas is an aristocratic woman who has made her living as the editor of the poetry magazine "First Proof", until she impulsively follows a friend to Kuala Lumpur. She meets Christopher Chubb, an enigmatic wreck of a man whose terrible secrets Sarah is compelled to discover and pursue. (Source: Trove)
y separately published work icon That Deadman Dance Kim Scott , Sydney : Picador , 2010 Z1728528 2010 single work novel historical fiction (taught in 43 units)

Big-hearted, moving and richly rewarding, That Deadman Dance is set in the first decades of the 19th century in the area around what is now Albany, Western Australia. In playful, musical prose, the book explores the early contact between the Aboriginal Noongar people and the first European settlers.

'The novel's hero is a young Noongar man named Bobby Wabalanginy. Clever, resourceful and eager to please, Bobby befriends the new arrivals, joining them hunting whales, tilling the land, exploring the hinterland and establishing the fledgling colony. He is even welcomed into a prosperous local white family where he falls for the daughter, Christine, a beautiful young woman who sees no harm in a liaison with a native.

'But slowly - by design and by accident - things begin to change. Not everyone is happy with how the colony is developing. Stock mysteriously start to disappear; crops are destroyed; there are "accidents" and injuries on both sides. As the Europeans impose ever stricter rules and regulations in order to keep the peace, Bobby's Elders decide they must respond in kind. A friend to everyone, Bobby is forced to take sides: he must choose between the old world and the new, his ancestors and his new friends. Inexorably, he is drawn into a series of events that will forever change not just the colony but the future of Australia...' (From the publisher's website.)

The Hours, Cunningham

Beloved, Morrison

White Teeth, Smith

y separately published work icon The Empire Writes Back : Theory and Practice in Post-Colonial Literatures Bill Ashcroft , Gareth Griffiths , Helen Tiffin , Terence Hawkes (editor), London : Routledge , 1989 Z132291 1989 single work criticism (taught in 7 units)

'The experience of colonization and the challenges of the post-colonial world have produced an explosion of new writing in English. This diverse and powerful body of literature has established a specific practice of colonial writing in cultures as diverse as India, Australia, the West Indies, Africa and Canada. This comprehensive study opens debates about the interrelationships of these literatures, investigates the powerful forces acting on language in the post-colonial text and shows how these texts constitute a radical critique of the assumptions underlying Eurocentric notions of literature and language.' (Publication summary) 

Description

Introduces students to a number of contemporary written texts. Major issues and themes are identified and a number of critical methods are exploited. Particular attention is paid to those issues and themes which can be seen as having special relevance to post-colonial societies. There is an emphasis on Australian writing.

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