'From the late 1920s to the early 1940s, American reviewers were often compelled to remark on the increasing presence of Australian books and authors in the American marketplace. The publication in short succession of Henry Handel Richardson's The Fortunes of Richard Mahony trilogy (1929-30) and Katharine Susannah Prichard's Working Bullocks (1927) and Coonardoo (1930) appeared to announce Australia's literary coming of age: "Australia at last seems to have become articulate, when in so short a space of time it can produce such books as Henry Handel Richardson's Ultima Thule, Miss Prichard's own Working Bullocks and this fine story of white codes and primitive codes mixed and never fusing [Coonardoo]"; "Australia is taking her place as an important contributor to English letters ... It is no longer possible to ignore that country's claim to a definite attention") By comparison to the authors discussed in the previous chapter, Richardson and Prichard together could draw attention, not just to individual hooks by Australian authors, but to works of literature about Australia and hence to the idea of Australian literature itself. As one US reviewer put it, Ultima Thule had "brought the Australian country into the deep consciousness of reading America" and Coonardoo promised to do the same. Another concluded that "those who maintain that no literature comes out of Australia are beginning to revise their opinions as each new book is announced by Henry Handel Richardson, Katherine Susannah Pritchard [sic] and Dorothy Cottrel [sic]".' (Introduction)
