Deborah Bird Rose Deborah Bird Rose i(A74580 works by)
Born: Established: 1946 ; Died: Ceased: 21 Dec 2018 Sydney, New South Wales,
Gender: Female
Arrived in Australia: 1980
Heritage: American
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Works By

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1 Postscript : Connecting : A Dialogue between Deborah Bird Rose and Martin Harrison Martin Harrison , Deborah Bird Rose , 2013 single work prose
— Appears in: TEXT Special Issue Website Series , October no. 20 2013;
1 Slowly - Writing Into the Anthropocene Deborah Bird Rose , 2013 single work criticism
— Appears in: TEXT Special Issue Website Series , October no. 20 2013;

'This paper argues against abstracts. ' (Author's abstract)

1 Ravens at Play Thom Van Dooren , Stuart Cooke , Deborah Bird Rose , 2011 single work prose travel
— Appears in: Cultural Studies Review , vol. 17 no. 2 2011;
''We were driving through Death Valley, an American-Australian and two Aussies, taking the scenic route from Las Vegas to Santa Cruz.' This multi-voiced account of multispecies encounters along a highway takes up the challenge of playful and humorous writing that is as well deeply serious and theoretically provocative. Our travels brought us into what Donna Haraway calls the contact zone: a region of recognition and response. The contact zone is a place of significant questions: 'Who are you, and so who are we? Here we are, and so what are we to become?' Events were everything in this ecology of play, in which the movements of all the actors involved the material field in its entirety. We were brought into dances of approach and withdrawal, dances emerging directly, to paraphrase Brian Massumi, from the dynamic relation between a myriad of charged particles.' (Publisher's abstract)
1 Flying Fox : Kin, Keystone, Kontaminant Deborah Bird Rose , 2011 single work criticism
— Appears in: Australian Humanities Review , May no. 50 2011;
1 3 y separately published work icon Wild Dog Dreaming : Love and Extinction Deborah Bird Rose , Charlottesville : University Press of Virginia , 2011 9310571 2011 multi chapter work criticism

'We are living in the midst of the Earth’s sixth great extinction event, the first one caused by a single species: our own. In Wild Dog Dreaming, Deborah Bird Rose explores what constitutes an ethical relationship with nonhuman others in this era of loss. She asks, Who are we, as a species? How do we fit into the Earth’s systems? Amidst so much change, how do we find our way into new stories to guide us? Rose explores these questions in the form of a dialogue between science and the humanities. Drawing on her conversations with Aboriginal people, for whom questions of extinction are up-close and very personal, Rose develops a mode of exposition that is dialogical, philosophical, and open-ended.

'An inspiration for Rose—and a touchstone throughout her book—is the endangered dingo of Australia. The dingo is not the first animal to face extinction, but its story is particularly disturbing because the threat to its future is being actively engineered by humans. The brazenness with which the dingo is being wiped out sheds valuable, and chilling, light on the likely fate of countless other animal and plant species.

'"People save what they love," observed Michael Soulé, the great conservation biologist. We must ask whether we, as humans, are capable of loving—and therefore capable of caring for—the animals and plants that are disappearing in a cascade of extinctions. Wild Dog Dreaming engages this question, and the result is a bold account of the entangled ethics of love, contingency, and desire.' (Publication summary)

1 Journey to Sacred Ground : Ethics and Aesthetics of Country Deborah Bird Rose , 2009 single work essay
— Appears in: Sacred Australia : Post-Secular Considerations 2009; (p. 85-95)
1 Writing Place Deborah Bird Rose , 2009 single work criticism
— Appears in: Writing Histories: Imagination and Narration 2009;
'I am speaking from my own efforts at writing place. I hope not to be too abstract, because I want to engage with an experiential process: how my research with Aboriginal people caused me to write about place, and how writing place changed the way I write and think. Aboriginal people in many parts of Australia have taught me to consider that country is sentient. Place is one kind of embodiment of being, and the encounters of living things happen in places. Different cultures, different actions: different traces. Aboriginal cultures link time and place in a way that is neither geometric nor disembodied. There is a kind of contemporaneous time, the time of living things, that unfolds in real and located (not geometric or imagined) places. As well there is the accumulation of history/memory in place. Place become complex in its specific gravity: it is and refers to itself, and it holds and refers to relationships. Its very self, while wondrously dense, is also immensely vulnerable, because the ongoing life of the place happens through the actions and memories of ephemeral living beings.' (Introduction)
1 At the Billabong Deborah Bird Rose , 2008 single work prose
— Appears in: PAN , no. 5 2008; (p. 59-61)
1 Journeys : Distance, Proximity and Death Deborah Bird Rose , 2008 single work essay
— Appears in: Landscapes of Exile: Once Perilous, Now Safe 2008; (p. 149-156)
1 Untitled Deborah Bird Rose , 2007 single work review
— Appears in: Australian Humanities Review , August no. 42 2007;

— Review of Melodies of Mourning : Music and Emotion in Northern Australia Fiona Magowan , 2007 single work criticism
1 The Rivers of Babylon Deborah Bird Rose , 2006 single work essay
— Appears in: Manoa , 2006 vol. 18 no. 2 2006; (p. 1-6)
1 Dingo Prayers Deborah Bird Rose , 2005 single work essay
— Appears in: Island , Summer no. 103 2005; (p. 6-10)
1 8 y separately published work icon Country of the Heart : An Indigenous Australian Homeland Deborah Bird Rose , Linda Payi Ford , Margaret Daiyi , Kathy Deveraux , Nancy Daiyi , April Bright , Canberra : Aboriginal Studies Press , 2002 Z1028941 2002 single work oral history prose 'This book welcomes us into the country, culture, lives and stories of the Mak Mak clan (the white breasted sea eagle people). In Deborah Bird Rose's writing and Sharon D'Amico's photography, we meet five extraordinary clan women: Nancy Daiyi, Kathy Deveraux, Margaret Daiyi, April Bright and Linda Ford. They share their world with us, their family, their laughter and their passion for country. In learning something of the ecology and sacred geography of the clan's homeland, we are prompted to enlarge our own country, wherever our homeland may be.' (Source: Back cover)
1 The Saga of Captain Cook : Remembrance and Morality Deborah Bird Rose , 2001 single work essay
— Appears in: Telling Stories : Indigenous History and Memory in Australia and New Zealand 2001; (p. 61-79)
2 8 y separately published work icon Nourishing Terrains : Australian Aboriginal Views of Landscape and Wilderness Deborah Bird Rose , Canberra : Australian Heritage Commission , 1996 Z1493612 1996 single work poetry non-fiction dreaming story (taught in 3 units)
1 Ned Kelly Died for Our Sins Deborah Bird Rose , 1994 single work criticism
— Appears in: Oceania , December vol. 65 no. 2 1994; (p. 175-186)

'From time to time scholars have posed the question: why have Australian Aborigines not developed cargo cults with the same intensity and flamboyance as their Melanesian neighbours? This discussion evades the implications that Aborigines may have been negligent in their cultural production of responses to colonisation, and seeks to engage with some of the responses some Aboriginal people actually have made to colonisation. Focussing on stories of Ned Kelly, and contrasting them with stories of Captain Cook, the suggestion here is that Aboriginal people's search for a moral European communicates the challenging and provocative possibility that coloniser and colonised can share a moral history and thus can fashion a just society. ' (Publication abstract)
 

1 Land Claims Deborah Bird Rose , 1991 selected work short story
— Appears in: Hidden Histories : Black Stories from Victoria River Downs and Wave Hill Stations 1991; (p. 249-258)
1 Yarralin, Lingara and Pigeon hole Deborah Bird Rose , 1991 selected work short story
— Appears in: Hidden Histories : Black Stories from Victoria River Downs and Wave Hill Stations 1991; (p. 237-247)
1 Strike Deborah Bird Rose , 1991 selected work short story
— Appears in: Hidden Histories : Black Stories from Victoria River Downs and Wave Hill Stations 1991; (p. 225-235)
1 Humbert Tommy Deborah Bird Rose , 1991 selected work short story
— Appears in: Hidden Histories : Black Stories from Victoria River Downs and Wave Hill Stations 1991; (p. 217-224)
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