Vincent Gil Vincent Gil i(A146020 works by)
Born: Established: 1939 Sydney, New South Wales, ;
Gender: Male
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1 form y separately published work icon Chuck Finn James Beard , John Coulter , Ysabelle Dean , Coral Drouyn , Roger Dunn , Ron Elliott , Annie Fox , Peter Hepworth , Simon Hopkinson , Neil Luxmoore , Victoria Osbourne , David Phillips , Mark Poole , Sheila Sibley , Geraldine Mellet , Vincent Gil , Faye Grant-Williams , Brendan Luno , ( dir. Pino Amenta et. al. )agent Perth : Barron Entertainment , 1999-2000 Z1849145 1999-2000 series - publisher film/TV children's fantasy

Chuck Finn follows Charles 'Chuck' Finn, a Canadian boy whose parents move from Toronto to the Australian country town of Tingalla. At first, he longs desperately to return to Toronto, but he soon finds the decommissioned and derelict paddle steamer the Tingalla Rose. Soon, he and his friends--some of whom are ghostly, rather than mortal--are enchanted by the possibility of getting the Tingalla Rose running again and seduced by life on the Murray River.

Unfortunately for Chuck Finn, Barron Entertainment declared bankruptcy during the production of season two. A truncated season of six episodes was completed and released, but the production was abandoned at that point.

1 form y separately published work icon Good Guys, Bad Guys Roger Simpson , Nine Network (publisher), Graeme Koetsveld , Mac Gudgeon , Mathew Bate , Everett de Roche , Ray Boseley , Bill Garner , Chris Hawkshaw , Roger Simpson , Tony McDonald , Shane Brennan , Peter Gawler , Chris Middendorp , Deborah Parsons , Elizabeth Coleman , Graham Hartley , Steve Moriarty , Vincent Gil , Neville Brown , Charlie Strachan , Shanti Gudgeon , Peter Hepworth , ( dir. Brendan Maher et. al. )agent 1997 Australia : Beyond Simpson Le Mesurier Nine Network , 1997-1998 Z1367327 1997 series - publisher film/TV crime

An edgy and off-beat crime series that relies heavily on humour, contemporary music, and a touch of the bizarre, centring on the character of Elvis Maginnis. An ex-cop from the wrong side of the tracks, Maginnis now runs his own dry-cleaning business but still finds himself drawn into the shady side of life.

1 4 form y separately published work icon Heartbreak High Michael Jenkins , Ben Gannon , David Phillips , Sally Webb , Serge Lazareff , Greg Millin , Howard Griffiths , Peter A. Kinloch , Kevin Roberts , Tim Gooding , Chris Roache , Leon Saunders , Lisa Hoppe , Suzanne Hawley , Craig Wilkins , Kris Wyld , Margaret Kelly , Kristen Dunphy , Pieter Aquilia , Tony Morphett , Steve J. Spears , Michael Cove , Peter Neale , Elizabeth Coleman , Vicki Madden , Chris Phillips , Johanna Pigott , Keith Thompson , Susan MacGillicuddy , David Worthington , Helen Steel , Michael Miller , Charlie Strachan , James Lee , Joan Sauers , Kit Oldfield , Peter Schreck , Carol Williams , Phil McAloon , Vincent Gil , Marcia Gardner , Philip Dalkin , Alexa Wyatt , Alan Love , ( dir. Shirley Barrett et. al. )agent 1994 Australia : Gannon Television Network Ten Australian Broadcasting Corporation , 1994-1999 Z1741241 1994 series - publisher film/TV young adult

'Fast-paced series spin-off of the hit feature film. Filmed at an abandoned school in Sydney's Maroubra, this program was about an ethnically diverse group of students attending Hartley High School.'

Source: National Film and Sound Archive record.

1 form y separately published work icon Snowy David William Boutland , Vincent Gil , David Allen , Graeme Koetsveld , Roger Simpson , Robyn Sinclair , Mac Gudgeon , Peter A. Kinloch , Katherine Thomson , Australia : Simpson Le Mesurier Films Nine Network , 1993 7077697 1993 series - publisher film/TV

'The Logan family run a small hotel in the remote township of Cooma, a dusty yet peaceful place to call home. But the building of an enormous dam is about to turn Cooma into a wild new frontier. With the surge of hopeful immigrants, shady hustlers and colourful characters - life will never be quite the same for the Logan family - a dramatic existence seasoned with passion and danger, cultural intrigue and the inescapable bustle of change.'

Source: Publisher's blurb for the DVD release.

1 form y separately published work icon Skirts Roger Simpson , P. J. Hogan , Michael Harvey , Graham Hartley , Mac Gudgeon , Cliff Green , Vincent Gil , Graeme Farmer , Judith Colquhoun , Sheila Sibley , Tony Watts , Roger Simpson , Peter Herbert , ( dir. Brendan Maher et. al. )agent Australia : Simpson Le Mesurier Films Seven Network , 1990 Z1937452 1990 single work film/TV

'They're women of action, they're women of the '90s, they're intelligent, highly trained and resourceful. But in the police force they call them "skirts".'

Source: Screen Australia

1 form y separately published work icon Choices Rod Rees , Alastair Sharp , Vincent Gil , Bob Graham , Pat Hutchins , Tony Lintermans , ( dir. Rod Rees et. al. )agent Sydney : Australian Broadcasting Corporation , 1990 7389594 1990 series - publisher film/TV children's

'Six mini-dramas about peer pressure and the choices individual children have to make.'

Source: Screen Australia. (Sighted: 22/5/2014)

1 form y separately published work icon House Rules Shane Brennan , Vincent Gil , John Reeves , Denise Morgan , Jocelyn Moorhouse , Peter Herbert , John Hepworth , Peter Hepworth , Rick Held , Galia Hardy , Bill Garner , Graeme Farmer , Patrick Edgeworth , Barbara Bishop , ( dir. Gary Conway et. al. )agent Australia : Australian Broadcasting Corporation , 1988 Z1889019 1988 series - publisher film/TV

'The story of a Melbourne house-wife who becomes a member of parliament.'

Source: Screen Australia.

1 form y separately published work icon Special Squad Cliff Green , Vince Moran , Luis Bayonas , John Upton , Patrick Edgeworth , Philip Dalkin , Everett de Roche , Shane Brennan , Leon Saunders , David Phillips , Kris Steele , Michael Harvey , Vincent Gil , Michael Aitkens , ( dir. Peter Andrikidis et. al. )agent Melbourne : Crawford Productions , 1984 Z1816885 1984 series - publisher film/TV crime detective

An attempt to re-invoke the popularity that police procedurals had enjoyed a decade earlier, Special Squad was the most expensive program produced in Australia up to 1985 (at $150,000 per episode), yet received such lukewarm ratings that Channel Ten chose not to commission a second series.

According to Moran, in his Guide to Australian TV Series,

it was good to watch, with expert stunt work and special effects. With well-paced narratives, intelligently and nicely worked out situations and plenty of emphasis on the villains and victims, Special Squad was just as watchable and entertaining as Homicide had been in its last series.

According to Moran, the failure of Special Squad lay both in its difference from and its similarity to Homicide. The novelty (of Australian accents and Australian locations) that had helped make Homicide so successful was no longer in play, and 'the sight of tough men (on both sides of the law) made the program [Special Squad] seem very old-fashioned. In addition, the plethora of other Australian dramas on air at the time gave viewers more than enough alternatives.'

1 form y separately published work icon Cop Shop Terry Stapleton , Luis Bayonas , Terry Stapleton , Vince Moran , Christopher Fitchett , Jutta Goetze , Ray Kolle , James Wulf Simmonds , John Wood , Douglas Kenyon , Peter Hepworth , Charlie Strachan , Shane Brennan , Vincent Gil , ( dir. Marie Trevor et. al. )agent Melbourne : Crawford Productions , 1977 Z1815191 1977 series - publisher film/TV crime detective

Set in the fictional Riverside Police Station, Cop Shop combined self-contained stories focusing on specific police investigations with the type of open-ended serial storylines familiar from soap operas. This allowed Crawford Productions to make use of the expertise gained from their highly successful police procedurals (all recently cancelled) and serials such as The Sullivans (then still airing).

According to Moran, in his Guide to Australian Television Series,

Although the format may sound predictable and routine, in fact it was pioneering. In putting women police on the screen, Crawford's were moving Australian crime drama away from being an all-male domain. In addition, by choosing a suburban police station populated both by uniformed police and plainclothes detectives, Cop Shop introduced an upstairs and a downstairs world. The latter, in particular, began to exert its own attractions with handsome young men and women in the roles of the new constables.

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