Cirrus@Austlit

Chuck Finn follows Charles 'Chuck' Finn, a Canadian boy whose parents move from Toronto to the Australian country town of Tingalla. At first, he longs desperately to return to Toronto, but he soon finds the decommissioned and derelict paddle steamer the Tingalla Rose. Soon, he and his friends--some of whom are ghostly, rather than mortal--are enchanted by the possibility of getting the Tingalla Rose running again and seduced by life on the Murray River.

Unfortunately for Chuck Finn, Barron Entertainment declared bankruptcy during the production of season two. A truncated season of six episodes was completed and released, but the production was abandoned at that point.

An edgy and off-beat crime series that relies heavily on humour, contemporary music, and a touch of the bizarre, centring on the character of Elvis Maginnis. An ex-cop from the wrong side of the tracks, Maginnis now runs his own dry-cleaning business but still finds himself drawn into the shady side of life.

'Fast-paced series spin-off of the hit feature film. Filmed at an abandoned school in Sydney's Maroubra, this program was about an ethnically diverse group of students attending Hartley High School.'

Source: National Film and Sound Archive record.

'The Logan family run a small hotel in the remote township of Cooma, a dusty yet peaceful place to call home. But the building of an enormous dam is about to turn Cooma into a wild new frontier. With the surge of hopeful immigrants, shady hustlers and colourful characters - life will never be quite the same for the Logan family - a dramatic existence seasoned with passion and danger, cultural intrigue and the inescapable bustle of change.'

Source: Publisher's blurb for the DVD release.

'They're women of action, they're women of the '90s, they're intelligent, highly trained and resourceful. But in the police force they call them "skirts".'

Source: Screen Australia

'Six mini-dramas about peer pressure and the choices individual children have to make.'

Source: Screen Australia. (Sighted: 22/5/2014)

'The story of a Melbourne house-wife who becomes a member of parliament.'

Source: Screen Australia.

An attempt to re-invoke the popularity that police procedurals had enjoyed a decade earlier, Special Squad was the most expensive program produced in Australia up to 1985 (at $150,000 per episode), yet received such lukewarm ratings that Channel Ten chose not to commission a second series.

According to Moran, in his Guide to Australian TV Series,

it was good to watch, with expert stunt work and special effects. With well-paced narratives, intelligently and nicely worked out situations and plenty of emphasis on the villains and victims, Special Squad was just as watchable and entertaining as Homicide had been in its last series.

According to Moran, the failure of Special Squad lay both in its difference from and its similarity to Homicide. The novelty (of Australian accents and Australian locations) that had helped make Homicide so successful was no longer in play, and 'the sight of tough men (on both sides of the law) made the program [Special Squad] seem very old-fashioned. In addition, the plethora of other Australian dramas on air at the time gave viewers more than enough alternatives.'

Set in the fictional Riverside Police Station, Cop Shop combined self-contained stories focusing on specific police investigations with the type of open-ended serial storylines familiar from soap operas. This allowed Crawford Productions to make use of the expertise gained from their highly successful police procedurals (all recently cancelled) and serials such as The Sullivans (then still airing).

According to Moran, in his Guide to Australian Television Series,

Although the format may sound predictable and routine, in fact it was pioneering. In putting women police on the screen, Crawford's were moving Australian crime drama away from being an all-male domain. In addition, by choosing a suburban police station populated both by uniformed police and plainclothes detectives, Cop Shop introduced an upstairs and a downstairs world. The latter, in particular, began to exert its own attractions with handsome young men and women in the roles of the new constables.