In the early 1800s, out of the prison society of governors, redcoats, English gaolers, Irish convicts, and the few free settlers of Botany Bay, no one had ventured much farther inland than a few dozen miles from Sydney. Or so it was believed until the escape of Desmond Kale and the vengeance of his rival, the wildly eccentric parson magistrate Matthew Stanton.
The Ballad of Desmond Kale is a broad-sweeping novel of the first days of British settlement in Australia. At the centre is Stanton's pursuit of Kale - an Irish political prisoner and a rebelliously brilliant breeder of sheep. The alchemy of wool fascinates, threatens, and transforms when it is discovered that fine wool thrives in New South Wales as nowhere else in in the world, producing veritable gold on sheep's backs.
The Ballad of Desmond Kale is both a love story of unusual interest and an epic novel of greed, ambition, conceit, and redemption. The novel is rich in its characterisations and the rawness of its settings, vigour of language, and vividness of personality. The action moves from the early Australian bush to the halls of Westminster, the mills of Yorkshire, the sierras of Spain, the wilds of the Southern Ocean, and returns at last into the far outback for its finale.
Once the ballad is sung, ordinary experience is heightened, the world can never be the same again. A brilliant and inspired recreation of the early days of white Australian settlement by one of Australia's finest writers working at the height of his powers.
Epigraph:
GLENDOWER: I can call spirits from the vasty deep.
HOTSPUR: Why, so can I, or so can any man: But will they come when you do call for them?
– Henry IV, Pt 1
Postcolonial Heritage and Settler Well-Being : The Historical Fictions of Roger McDonald
Amherst
:
Cambria Press
,
2018
15395794
2018
multi chapter work
criticism
'The Australian writer Roger McDonald is the author of ten novels, two novelisations from and for film scripts, two television scripts, one semi-fictionalised memoir, a collection of essays, and two volumes of poetry. His publication record spans half a century from the late 1960s up until the late teens with his tenth novel, A Sea Chase, published in 2017. His books have achieved a significant record in the Australian list of literary awards and he has gone close to breaking into the major international prizes that distinguish the transnational careers of other contemporary Australian writers such as Thomas Keneally, Peter Carey, David Malouf, and, more recently, Kate Grenville. McDonald’s work has been published in London and New York as well as in the key metropolitan markets of his native Australia, and it has been translated into Spanish, German, and Swedish. 1915, his first novel, was adapted into an Australian Broadcasting Commission television series, which was shown on Australian screens in the early 1980s and distributed internationally.
'McDonald writes about ordinary characters whose lives have often been overtaken by historical forces they do not understand and cannot control. These men and women are commonly defined by whom they know and what they do rather than through the display of extraordinary qualities of mind, sensibility, or virtue. McDonald often situates his characters’ within foundational Australian historical periods such as the convict period, frontier settlement, the development of the pastoral industry, the Great War, the Golden Age of Aviation, and the Second World War and its aftermath. This later post-war period saw the transformation of Anglo-Celtic Australia by waves of initially southern and eastern European migration, followed by Asian and indeed wider international migration. The emerging multicultural character of the country coincided with the decline of rural Australia and the pastoral industry as the preferred locations for representative Australian types and values. These events or periods are well entrenched within the public memory of a White Australia and that enables McDonald to explore his characters’ search for purpose and fulfillment within the mythological registers of his nation’s postcolonial history.
'This study focuses on the books (five novels and the fictionalised memoir) in which McDonald has decided to situate his characters’ search for purpose and well-being within the mythological registers of colonial history. It explores McDonald’s investments in story and his developments in idiom and literary form, as endeavors to engage a wider public in the problem of postcolonial settlement. The common narrative problem is the elusiveness of a condition of Being that is well settled in the web of social, cultural, and environmental connections that are necessary for dwelling. McDonald pursues the possibilities for a wider more satisfying sense of human connection but his representations of the common man under the conditions of postcolonial modernity never allow that to come easily.'
Source: Abstract.
Witnessing Australian Stories : History, Testimony and Memory in Contemporary Culture
Melbourne
:
2010
6037495
2010
single work
thesis
'This book is about how Australians have responded to stories about suffering and injustice in Australia, presented in a range of public media, including literature, history, films, and television. Those who have responded are both ordinary and prominent Australians–politicians, writers, and scholars. All have sought to come to terms with Australia's history by responding empathetically to stories of its marginalized citizens.
'Drawing upon international scholarship on collective memory, public history, testimony, and witnessing, this book represents a cultural history of contemporary Australia. It examines the forms of witnessing that dominated Australian public culture at the turn of the millennium. Since the late 1980s, witnessing has developed in Australia in response to the increasingly audible voices of indigenous peoples, migrants, and more recently, asylum seekers. As these voices became public, they posed a challenge not only to scholars and politicians, but also, most importantly, to ordinary citizens.
'When former Prime Minister Kevin Rudd delivered his historic apology to Australia's indigenous peoples in February 2008, he performed an act of collective witnessing that affirmed the testimony and experiences of Aboriginal Australians. The phenomenon of witnessing became crucial, not only to the recognition and reparation of past injustices, but to efforts to create a more cosmopolitan Australia in the present. This is a vital addition to Transactions critically acclaimed Memory and Narrative series.' (Publisher's blurb)
