Cirrus@Austlit

'This brilliant collection of short fiction explores the shifting spaces of desire, loss and longing. Inverting and queering the gothic and romantic traditions, each story represents a different take on the concept of a haunting or the haunted. Though it ranges across themes and locations – from small-town Australia to Hokkaido to rural England – Permafrost is united by the power of the narratorial voice, with its auto-fictional resonances, dark wit and swagger.

'Whether recounting the confusion of a child trying to decipher their father and stepmother’s new relationship, the surrealness of an after-hours tour of Auschwitz, or a journey to wintry Japan to reconnect with a former lover, Permafrost unsettles, transports and impresses in equal measure.' (Publication summary)

'After a decade in Europe August Gondiwindi returns to Australia for the funeral of her much-loved grandfather, Albert, at Prosperous House, her only real home and also a place of great grief and devastation.

'Leading up to his death Poppy Gondiwindi has been compiling a dictionary of the language he was forbidden from speaking after being sent to Prosperous House as a child. Poppy was the family storyteller and August is desperate to find the precious book that he had spent his last energies compiling.

'The Yield also tells the story of Reverend Greenleaf, who recalls founding the first mission at Prosperous House and recording the language of the first residents, before being interred as an enemy of the people, being German, during the First World War.

'The Yield, in exquisite prose, carefully and delicately wrestles with questions of environmental degradation, pre-white contact agriculture, theft of language and culture, water, religion and consumption within the realm of a family mourning the death of a beloved man.'

Source: Publisher's blurb.

'The art historian Noah Glass, having just returned from a trip to Sicily, is discovered floating face down in the swimming pool at his Sydney apartment block. His adult children, Martin and Evie, must come to terms with the shock of their father’s death. But a sculpture has gone missing from a museum in Palermo, and Noah is a suspect. The police are investigating.

'None of it makes any sense. Martin sets off to Palermo in search of answers about his father’s activities, while Evie moves into Noah’s apartment, waiting to learn where her life might take her. Retracing their father’s steps in their own way, neither of his children can see the path ahead.

'Gail Jones’s mesmerising new novel tells a story about parents and children, and explores the overlapping patterns that life makes. The Death of Noah Glass is about love and art, about grief and happiness, about memory and the mystery of time.'

Source: Publisher's blurb.

'The settlement of Wahrheit, founded in exile to await the return of the Messiah, has been waiting longer than expected. Pastor Helfgott has begun to feel the subtle fraying of the community’s faith.

'Then Matthias Orion shoots his wife and himself, on the very day their son Benedict returns home from boarding school.

'Benedict is unmoored by shock, severed from his past and his future. Unable to be inside the house, unable to speak, he moves into the barn with the horses and chooks, relying on the animals’ strength and the rhythm of the working day to hold his shattered self together.

'The pastor watches over Benedict through the year of his crazy grief: man and boy growing, each according to his own capacity, as they come to terms with the unknowable past and the frailties of being human.' (Publication summary)

'Summer 1874, and Launceston teeters on the brink of anarchy. After abandoning his wife and child many years ago, the Black War veteran Thomas Toosey must return to the city to search for William, his now motherless twelve-year-old son. He travels through the island's northern districts during a time of impossible hardship - hardship that has left its mark on him too. Arriving in Launceston, however, Toosey discovers a town in chaos. He is desperate to find his son amid the looting and destruction, but at every turn he is confronted by the Irish transportee Fitheal Flynn and his companion, the hooded man, to whom Toosey owes a debt that he must repay.

'To Name Those Lost is the story of a father's journey. Wilson has an eye for the dirt, the hardness, the sheer dog-eat-doggedness of the lives of the poor. Human nature is revealed in all its horror and beauty as Thomas Toosey struggles with the good and the vile in himself and learns what he holds important.' (Publication summary)