person or book cover
Scanned for the Australian Pulp Fiction Industry project.
y separately published work icon The Living Dead single work   novel   science fiction   thriller   horror  
Issue Details: First known date: 1942... 1942 The Living Dead
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Publication Details of Only Known VersionEarliest 2 Known Versions of

Notes:
Cover title. Also has: Ghost Army!
    • Sydney, New South Wales,: Currawong , 1942 .
      person or book cover
      Scanned for the Australian Pulp Fiction Industry project.
      Extent: 80p.
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Works about this Work

The Australian Horror Novel Since 1950 James Doig , 2012 single work criticism
— Appears in: Sold by the Millions : Australia's Bestsellers 2012; (p. 112-127) According to James Doig the horror genre 'was overlooked by the popular circulating libraries in Australia.' In this chapter he observes that this 'marginalization of horror reflects both the trepidation felt by the conservative library system towards 'penny dreadfuls,' and the fact that horror had limited popular appeal with the British (and Australian) reading public.' Doig concludes that there is 'no Australian author of horror novels with the same commercial cachet' as authors of fantasy or science fiction. He proposes that if Australian horror fiction wants to compete successfully 'in the long-term it needs to develop a flourishing and vibrant small press contingent prepared to nurture new talent' like the USA and UK small presses.' (Editor's foreword xii)
War Years : Challenge and Little Response Graham Stone , 2001 single work essay bibliography review biography
— Appears in: Notes on Australian Science Fiction 2001; (p. 26-30)
War Years : Challenge and Little Response Graham Stone , 2001 single work essay bibliography review biography
— Appears in: Notes on Australian Science Fiction 2001; (p. 26-30)
The Australian Horror Novel Since 1950 James Doig , 2012 single work criticism
— Appears in: Sold by the Millions : Australia's Bestsellers 2012; (p. 112-127) According to James Doig the horror genre 'was overlooked by the popular circulating libraries in Australia.' In this chapter he observes that this 'marginalization of horror reflects both the trepidation felt by the conservative library system towards 'penny dreadfuls,' and the fact that horror had limited popular appeal with the British (and Australian) reading public.' Doig concludes that there is 'no Australian author of horror novels with the same commercial cachet' as authors of fantasy or science fiction. He proposes that if Australian horror fiction wants to compete successfully 'in the long-term it needs to develop a flourishing and vibrant small press contingent prepared to nurture new talent' like the USA and UK small presses.' (Editor's foreword xii)
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Last amended 1 Mar 2016 12:57:30
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