Cirrus@Austlit

'I’m only telling you this to let you know what a silly thing it is to live like I do. What it was, I got sacked from my seventeenth job for fighting or gambling—I don’t know which—and because I was hardly ever there. I was gambling all right, but someone called me a cheat and swung at me, I moved my head and swung back and this kid went in to one of the bosses with blood coming out of his mouth saying I was a standover man.

'The Chantic Bird is the confession of a teenage anarchist, who combines a contempt for contemporary society with a great tenderness and warmth for his younger siblings and for Bee, the girl who looks after them.

'The first of David Ireland’s masterful novels, The Chantic Bird contains the same characteristic indictment of the bovine mindlessness of collective humanity, and the home-owning wage slaves.

‘It has been my aim to take apart, then build up piece by piece, this mosaic of one kind of human life…to remind my present age of its industrial adolescence.’ David Ireland

'This edition of The Chantic Bird comes with a new introduction by Geordie Williamson.' (Text Classic summary)

'What was Puroil? At Clearwater it was a sprawling refinery, an army of white shirts, a fleet of wagons, a number of apparently separate companies, dozens of monolithic departments protected from each other by an armour of functional difference and jealousy. On the refinery site it was two hundred and fifty shabby prisoners, a heavy overload of foremen, supervisors, plant controllers, shift controllers, up to the giddy height of section heads (popularly miscalled Suction Heads, a metaphor deriving from pumps) who were clerks for the technologists; project and process engineers and superintendents who were whipping-boys for the—whisper it!—the Old Man himself, the Manager, who was actually only a Branch Manager and a sort of bum-boy for Head Office in Victoria, which was a backward colonial outpost in the eyes of the London office, which was a junior partner in British-European Puroil its mighty self, which was the property of anonymous shareholders.

'On the shores of Botany Bay lies an oil refinery where workers are free to come and go—but they are also part of an unrelenting, alienating economy from which there is no escape. In the first of his three Miles Franklin Award-winning novels, originally published in 1971, David Ireland offers a fiercely brilliant comic portrait of Australia in the grip of a dehumanising labour system.' (Publication summary : Text Classics)

'The flowers flared up from the ground unconquerable. The unrepentant gaiety of the weed, the burning blues and crimsons, set the hills glowing.

''It's a plant that's struck it lucky,' the Stray said thoughtfully. 'It hasn't got no right, but it's there.'

'The Battlers is the story of Snow, a drifter and wanderer, the waiflike Dancy the Stray, from the slums of Sydney, and the other outcasts who accompany them as they travel the country roads looking for work. Like the weed Patterson's Curse, they 'haven't got no right', but they are there. Based on her own experiences of life on the roads in the 1930s, Tennant tells the story of the motley crowd of travellers with compassion and humour. First published in 1941, The Battlers was awarded the Gold Medal of the Australian Literature Society and shared the S. H. Prior Memorial Prize. More than seventy years later, the book's message of survival against the odds is as relevant today as it was then. ' (Publication summary)

'Arriving in Capricornia (a fictional name for the Northern Territory) in 1904 with his brother Oscar, Mark Shillingworth soon becomes part of the flotsam and jetsam of Port Zodiac (Darwin) society. Dismissed from the public service for drunkenness, Mark forms a brief relationship with an Aboriginal woman and fathers a son, whom he deserts and who acquires the name of Naw-Nim (no-name). After killing a Chinese shopkeeper, Norman disappears from view until the second half of the novel.

'Oscar, the respectable contrast to Mark, marries and tries to establish himself on a Capricornian cattle station, Red Ochre, but is deserted by his wife and eventually returns for a time to Batman (Melbourne), accompanied by his daughter Marigold and foster son Norman, who has been sent to him after Mark's desertion.

'Oscar rejects the plea of a former employee, Peter Differ, to see to the welfare of his daughter Constance; Constance Differ is placed under the 'protection' of Humboldt Lace, a Protector of Aborigines, who seduces her and then marries her off to another man of Aboriginal descent. Forced into prostitution, Constance is dying of consumption when discovered by a railway fitter, Tim O'Cannon, who will take care of Constance's daughter, Tocky, until his own death in a train accident.
Hearing news in 1928 of an economic boom in Capricornia, Oscar returns to his station, where he is joined by Marigold and Norman, who has grown to manhood believing himself to be the son of a Javanese princess and a solider killed in the First World War. Soon after, he discovers his mother was an Aboriginal woman, and meets his father, with whom he will not reconcile until later in the novel. Norman then goes on a series of journeys to discover his true, Aboriginal self. On the second of these journeys, he meets and wanders in the wilderness with Tocky, who has escaped from the mission station to which she was sent after the death of O'Cannon. During this passage, she kills a man in self-defense, which leads to Norman's being accused of murder, at the same time his father is prosecuted for the death of the Chinese shopkeeper. At the end of the novel they are both acquitted, Heather and Mark are married, and Norman returns to Red Ochre, where he finds the body of Tocky and their child in a water tank in which she had taken refuge from the authorities.' (Source: Oxford Companion to Australian Literature)

Such is Life: Being Certain Extracts from the Diary of Tom Collins. Joseph Furphy's title gives an indication of the complexity of the narrative that will unravel before a persistent reader. In chapter one, the narrator, Tom Collins, joins a group of bullockies to camp for the night a few miles from Runnymede Station. Their conversations reveal many of the issues that arise throughout the rest of the novel: the ownership of, or control of access to, pasture; ideas of providence, fate and superstition; and a concern for federation that flows into descriptions of the coming Australian in later chapters. Each of the characters provides a portrait of bush types that Furphy uses to measure the qualities of squatters and others against popular ideas of the 'gentleman'. Furphy's choice of a narrative structure to create a 'loosely federated' series of yarns is itself a critique of popular narratives populated by stock characters who are driven by action that leads to predictable and uncomplicated conclusions. Tom Collins, the unreliable narrator, adds further complications by claiming to 'read men like signboards' while all the time being unknowingly contradicted by circumstances that become obvious to the reader.

In each subsequent chapter Tom Collins leads the reader through a series of experiences chosen from his diaries. In chapter two, Collins meets the boundary rider Rory O'Halloran and his daughter, Mary, a symbol of the coming Australian whose devotion to her father will have tragic consequences in chapter five. There are many links between chapters like this one that remain invisible to Collins, despite his attempts to understand the 'controlling alternatives' that affect our lives. In chapter three Tom loses his clothes crossing the Murray River and spends the night wandering naked until he is able to steal a pair of pants after diverting attention by setting fire to a haystack. In chapter four Collins helps an ailing Warrigal Alf by deceiving several boundary riders who have impounded Alf's bullocks. In chapter five, among other yarns of lost children, Thompson completes the tragic tale of Mary O'Halloran, connecting with the events of chapter two. Chapters six and seven take Tom Collins back to Runnymede Station where he attempts to avoid an unwelcome union with Maud Beaudesart. He also meets the disfigured boundary rider, Nosey Alf, whose life story Furphy has threaded throughout the narrative, signs not perceived by Tom Collins. When Collins returns to Runnymede at the end of the novel, Furphy ties up more loose narrative threads, but Tom Collins, the narrator, remains oblivious to the end.

In short, Such Is Life 'reflects the preoccupations of [the 1890s]: contemporary capitalism, ardent Australian nationalism, the difficulties of pioneering pastoralism, and speculation about a future Australian civilization. It was instantly seen as a major example of the "radical nationalism" of the time and praised for its realistic representation of life on the frontier in the 1880s. But it was forty years before many readers realized that the novel was also a subtle comment on fiction itself and that within it were hidden stories that revealed a world of "romance" within its "realist" representation of life. Such Is Life can be read as the first experimental novel in Australian literature and the first Australian literary expression of a twentieth-century sensibility of the provisionality of life and reality.' (Julian Croft, 'Joseph Furphy.' in Dictionary of Literary Biography Vol. 230.)

'Arriving in Capricornia (a fictional name for the Northern Territory) in 1904 with his brother Oscar, Mark Shillingworth soon becomes part of the flotsam and jetsam of Port Zodiac (Darwin) society. Dismissed from the public service for drunkenness, Mark forms a brief relationship with an Aboriginal woman and fathers a son, whom he deserts and who acquires the name of Naw-Nim (no-name). After killing a Chinese shopkeeper, Norman disappears from view until the second half of the novel.

'Oscar, the respectable contrast to Mark, marries and tries to establish himself on a Capricornian cattle station, Red Ochre, but is deserted by his wife and eventually returns for a time to Batman (Melbourne), accompanied by his daughter Marigold and foster son Norman, who has been sent to him after Mark's desertion.

'Oscar rejects the plea of a former employee, Peter Differ, to see to the welfare of his daughter Constance; Constance Differ is placed under the 'protection' of Humboldt Lace, a Protector of Aborigines, who seduces her and then marries her off to another man of Aboriginal descent. Forced into prostitution, Constance is dying of consumption when discovered by a railway fitter, Tim O'Cannon, who will take care of Constance's daughter, Tocky, until his own death in a train accident.
Hearing news in 1928 of an economic boom in Capricornia, Oscar returns to his station, where he is joined by Marigold and Norman, who has grown to manhood believing himself to be the son of a Javanese princess and a solider killed in the First World War. Soon after, he discovers his mother was an Aboriginal woman, and meets his father, with whom he will not reconcile until later in the novel. Norman then goes on a series of journeys to discover his true, Aboriginal self. On the second of these journeys, he meets and wanders in the wilderness with Tocky, who has escaped from the mission station to which she was sent after the death of O'Cannon. During this passage, she kills a man in self-defense, which leads to Norman's being accused of murder, at the same time his father is prosecuted for the death of the Chinese shopkeeper. At the end of the novel they are both acquitted, Heather and Mark are married, and Norman returns to Red Ochre, where he finds the body of Tocky and their child in a water tank in which she had taken refuge from the authorities.' (Source: Oxford Companion to Australian Literature)

'Jonah, born a hunchback, is feared and revered in equal measure as the ruthless leader of the Push, a violent gang that terrorises the slums of Waterloo. Chook, a fellow member of the Push, is Jonah's loyal best friend. But after a chance encounter with his son, the result of a casual affair, Jonah decides to abandon the larrikin life and settle down. He marries Ada, the mother of his child, and takes advantage of an opportunity to open his own business. Chook, too, leaves the Push and finds love in the arms of factory worker, Pinkey. But can either man escape his awful past?'

Source: Publisher's blurb (Text Publishing edition).

'Set in the Depression, the story traces the destruction of a marriage and the choices a woman must make for a fulfilling life.'

Source: Blurb.

Dick Marston narrates the events of his and his brother Jim's association with notorious bushranger Captain Starlight.

Such is Life: Being Certain Extracts from the Diary of Tom Collins. Joseph Furphy's title gives an indication of the complexity of the narrative that will unravel before a persistent reader. In chapter one, the narrator, Tom Collins, joins a group of bullockies to camp for the night a few miles from Runnymede Station. Their conversations reveal many of the issues that arise throughout the rest of the novel: the ownership of, or control of access to, pasture; ideas of providence, fate and superstition; and a concern for federation that flows into descriptions of the coming Australian in later chapters. Each of the characters provides a portrait of bush types that Furphy uses to measure the qualities of squatters and others against popular ideas of the 'gentleman'. Furphy's choice of a narrative structure to create a 'loosely federated' series of yarns is itself a critique of popular narratives populated by stock characters who are driven by action that leads to predictable and uncomplicated conclusions. Tom Collins, the unreliable narrator, adds further complications by claiming to 'read men like signboards' while all the time being unknowingly contradicted by circumstances that become obvious to the reader.

In each subsequent chapter Tom Collins leads the reader through a series of experiences chosen from his diaries. In chapter two, Collins meets the boundary rider Rory O'Halloran and his daughter, Mary, a symbol of the coming Australian whose devotion to her father will have tragic consequences in chapter five. There are many links between chapters like this one that remain invisible to Collins, despite his attempts to understand the 'controlling alternatives' that affect our lives. In chapter three Tom loses his clothes crossing the Murray River and spends the night wandering naked until he is able to steal a pair of pants after diverting attention by setting fire to a haystack. In chapter four Collins helps an ailing Warrigal Alf by deceiving several boundary riders who have impounded Alf's bullocks. In chapter five, among other yarns of lost children, Thompson completes the tragic tale of Mary O'Halloran, connecting with the events of chapter two. Chapters six and seven take Tom Collins back to Runnymede Station where he attempts to avoid an unwelcome union with Maud Beaudesart. He also meets the disfigured boundary rider, Nosey Alf, whose life story Furphy has threaded throughout the narrative, signs not perceived by Tom Collins. When Collins returns to Runnymede at the end of the novel, Furphy ties up more loose narrative threads, but Tom Collins, the narrator, remains oblivious to the end.

In short, Such Is Life 'reflects the preoccupations of [the 1890s]: contemporary capitalism, ardent Australian nationalism, the difficulties of pioneering pastoralism, and speculation about a future Australian civilization. It was instantly seen as a major example of the "radical nationalism" of the time and praised for its realistic representation of life on the frontier in the 1880s. But it was forty years before many readers realized that the novel was also a subtle comment on fiction itself and that within it were hidden stories that revealed a world of "romance" within its "realist" representation of life. Such Is Life can be read as the first experimental novel in Australian literature and the first Australian literary expression of a twentieth-century sensibility of the provisionality of life and reality.' (Julian Croft, 'Joseph Furphy.' in Dictionary of Literary Biography Vol. 230.)

''The thing I am trying to get at is what made Jack different from me. Different all through our lives, I mean, and in a special sense, not just older or nobler or braver or less clever.'

'David and Jack Meredith grow up in a patriotic suburban Melbourne household during the First World War, and go on to lead lives that could not be more different. Through the story of the two brothers, George Johnston created an enduring exploration of two Australian myths: that of the man who loses his soul as he gains worldly success, and that of the tough, honest Aussie battler, whose greatest ambition is to serve his country during the war. Acknowledged as one of the true Australian classics, My Brother Jack is a deeply satisfying, complex and moving literary masterpiece. ' (Publication summary)

'Arriving in Capricornia (a fictional name for the Northern Territory) in 1904 with his brother Oscar, Mark Shillingworth soon becomes part of the flotsam and jetsam of Port Zodiac (Darwin) society. Dismissed from the public service for drunkenness, Mark forms a brief relationship with an Aboriginal woman and fathers a son, whom he deserts and who acquires the name of Naw-Nim (no-name). After killing a Chinese shopkeeper, Norman disappears from view until the second half of the novel.

'Oscar, the respectable contrast to Mark, marries and tries to establish himself on a Capricornian cattle station, Red Ochre, but is deserted by his wife and eventually returns for a time to Batman (Melbourne), accompanied by his daughter Marigold and foster son Norman, who has been sent to him after Mark's desertion.

'Oscar rejects the plea of a former employee, Peter Differ, to see to the welfare of his daughter Constance; Constance Differ is placed under the 'protection' of Humboldt Lace, a Protector of Aborigines, who seduces her and then marries her off to another man of Aboriginal descent. Forced into prostitution, Constance is dying of consumption when discovered by a railway fitter, Tim O'Cannon, who will take care of Constance's daughter, Tocky, until his own death in a train accident.
Hearing news in 1928 of an economic boom in Capricornia, Oscar returns to his station, where he is joined by Marigold and Norman, who has grown to manhood believing himself to be the son of a Javanese princess and a solider killed in the First World War. Soon after, he discovers his mother was an Aboriginal woman, and meets his father, with whom he will not reconcile until later in the novel. Norman then goes on a series of journeys to discover his true, Aboriginal self. On the second of these journeys, he meets and wanders in the wilderness with Tocky, who has escaped from the mission station to which she was sent after the death of O'Cannon. During this passage, she kills a man in self-defense, which leads to Norman's being accused of murder, at the same time his father is prosecuted for the death of the Chinese shopkeeper. At the end of the novel they are both acquitted, Heather and Mark are married, and Norman returns to Red Ochre, where he finds the body of Tocky and their child in a water tank in which she had taken refuge from the authorities.' (Source: Oxford Companion to Australian Literature)

'Scarcely out of print since the early 1870s, For the Term of His Natural Life has provided successive generations with a vivid account of a brutal phase of colonial life. The main focus of this great convict novel is the complex interaction between those in power and those who suffer, made meaningful because of its hero's struggle against his wrongful imprisonment. Elements of romance, incidents of family life and passages of scenic description both relieve and give emphasis to the tragedy that forms its heart.' (Publication summary : Penguin Books 2009)

'Arriving in Capricornia (a fictional name for the Northern Territory) in 1904 with his brother Oscar, Mark Shillingworth soon becomes part of the flotsam and jetsam of Port Zodiac (Darwin) society. Dismissed from the public service for drunkenness, Mark forms a brief relationship with an Aboriginal woman and fathers a son, whom he deserts and who acquires the name of Naw-Nim (no-name). After killing a Chinese shopkeeper, Norman disappears from view until the second half of the novel.

'Oscar, the respectable contrast to Mark, marries and tries to establish himself on a Capricornian cattle station, Red Ochre, but is deserted by his wife and eventually returns for a time to Batman (Melbourne), accompanied by his daughter Marigold and foster son Norman, who has been sent to him after Mark's desertion.

'Oscar rejects the plea of a former employee, Peter Differ, to see to the welfare of his daughter Constance; Constance Differ is placed under the 'protection' of Humboldt Lace, a Protector of Aborigines, who seduces her and then marries her off to another man of Aboriginal descent. Forced into prostitution, Constance is dying of consumption when discovered by a railway fitter, Tim O'Cannon, who will take care of Constance's daughter, Tocky, until his own death in a train accident.
Hearing news in 1928 of an economic boom in Capricornia, Oscar returns to his station, where he is joined by Marigold and Norman, who has grown to manhood believing himself to be the son of a Javanese princess and a solider killed in the First World War. Soon after, he discovers his mother was an Aboriginal woman, and meets his father, with whom he will not reconcile until later in the novel. Norman then goes on a series of journeys to discover his true, Aboriginal self. On the second of these journeys, he meets and wanders in the wilderness with Tocky, who has escaped from the mission station to which she was sent after the death of O'Cannon. During this passage, she kills a man in self-defense, which leads to Norman's being accused of murder, at the same time his father is prosecuted for the death of the Chinese shopkeeper. At the end of the novel they are both acquitted, Heather and Mark are married, and Norman returns to Red Ochre, where he finds the body of Tocky and their child in a water tank in which she had taken refuge from the authorities.' (Source: Oxford Companion to Australian Literature)

'Wild Cat Falling is the story of an Aboriginal youth, a 'bodgie' of the early sixties who grows up on the ragged outskirts of a country town, falls into petty crime, goes to gaol, and comes out to do battle once more with the society who put him there. Its publication in 1965 marked a unique literary event, for this was the first novel by any writer of Aboriginal blood to be published in Australia. As well, it is a remarkable piece of literature in its own right, expressing the dilemmas and conflicts of the young Aboriginal in modern Australian society with its memorable insight and stylishness.' (Publication summary)

'An essential collection of Henry Lawson's best-loved stories. Rogues, larrikins and the lost people - these timeless stories range from inspired, laconic comedies to pathos and tragedy. This selection showcases Lawson's range as a fiction writer and highlights his profound influence on how Australians see themselves. Here are delightful tales, thrilling tales, tales of love, of strife and of adventure, tales full of humour - stories of every mood, all alive with the magic of Lawson's genius, a genius which ranks with that of the world's greatest short-story writers. Includes The Drover's Wife, The Union Buries Its Dead and The Loaded Dog.' (Publication summary)

'‘She’s going now,’ said Henry Watter if he said anything at all. Or, ‘It’s a tricky place, the world. You’ve got to be sharp to manage it.’‘Leave her be. She’ll be back,’ said Mrs Watter. ‘This is her home. She knows that.’

Lark Watter had always planned to run away from her stifling suburban life in 1960s Sydney. At university she encounters an American, Tom, and with him the promise of escape. Following Tom to the other side of the world by freighter is a journey to freedom—but the adventure Lark has embarked on isn’t quite what she had anticipated. Not on the way there, and certainly not in New York…

A picaresque journey across the high seas and through the extremes of the ’60s, Dancing on Coral was Glenda Adams’ second novel and established her international reputation. (Publisher's blurb)

'At the end of the 1920s Christina Stead had left Australia and was poised to write Seven Poor Men of Sydney. In London Miles Franklin was producing her first Brent of Bin Bin book and would soon return to Australia. Katharine Susannah Prichard was enlarging her view of black and white in outback Australia, and the team writing under the name M. Barnard Eldershaw had published its first novel and won the Bulletin prize. Gathering these writers into a network by her support and criticism was the influential Nettie Palmer. In the mid-1930s these women and other writers such as Eleanor Dark, Jean Devanny, Dymphna Cusack and Betty Roland faced the impact of fascism and another war. The platform and the writing desk had different and often conflicting appeals; and the Depression underlined the already precarious existence of the woman writer. This immensely readable work by one of Australia's most respected writers of today is a fascinating insight into the lives of these significant literary figures, and into the creative process itself.' (Publication summary)

'At the age of 13 Sidney Kidman ran away from home with only five shillings in his pocket. He went on to become a horse dealer, drover, cattle buyer and bush jockey and he also ran a coach business. Above all, Kidman created a mighty cattle empire of more than a hundred stations, fighting droughts, bushfires, floods and plagues of vermin to do so. His enterprise and courage won him a huge fortune and made him a legend. ' (Publication summary)

'Bush Studies is famous for its stark realism—for not romanticising bush life, instead showing all its bleakness and harshness.

'Economic of style, influenced by the great nineteenth-century Russian novelists, Barbara Baynton’s short-story collection presents the Australian bush as dangerous and isolating for the women who inhabit it.' (Publication summary : Text Classics)

'"Civilization is mad and getting madder every day".

'So says Shannon Hicks in Kylie Tennant's marvellous, harsh, satiric 1943 novel. Arriving in Sydney just before WWII, Shannon, a dreamer and idealist takes on the world of politics, business, religion and men.

'The consequences are challenging and unpredictable.'

Source: Publisher's Blurb (A&R Classics).

'Jonah, born a hunchback, is feared and revered in equal measure as the ruthless leader of the Push, a violent gang that terrorises the slums of Waterloo. Chook, a fellow member of the Push, is Jonah's loyal best friend. But after a chance encounter with his son, the result of a casual affair, Jonah decides to abandon the larrikin life and settle down. He marries Ada, the mother of his child, and takes advantage of an opportunity to open his own business. Chook, too, leaves the Push and finds love in the arms of factory worker, Pinkey. But can either man escape his awful past?'

Source: Publisher's blurb (Text Publishing edition).

'When Matthew Flinders, the first man to chart and circumnavigate Australia, set sail from England in July 1801, he left behind the intrigues of his homeland but also his young bride of only a few weeks, Ann Chappell. He didn't see her again for more than nine years. During that time he carried out incredible feats of seamanship and navigation, made the first charts of much of the coastline of Australia, and was shipwrecked and later held prisoner by the French on Mauritius.

'Meticulously researched and written with great insight and sensitivity, My Love Must Wait is both a tender portrayal of faithful devotion, and a stirring re-creation of the courage and endurance of one of history's greatest seamen. ' (Publication summary)

'Arriving in Capricornia (a fictional name for the Northern Territory) in 1904 with his brother Oscar, Mark Shillingworth soon becomes part of the flotsam and jetsam of Port Zodiac (Darwin) society. Dismissed from the public service for drunkenness, Mark forms a brief relationship with an Aboriginal woman and fathers a son, whom he deserts and who acquires the name of Naw-Nim (no-name). After killing a Chinese shopkeeper, Norman disappears from view until the second half of the novel.

'Oscar, the respectable contrast to Mark, marries and tries to establish himself on a Capricornian cattle station, Red Ochre, but is deserted by his wife and eventually returns for a time to Batman (Melbourne), accompanied by his daughter Marigold and foster son Norman, who has been sent to him after Mark's desertion.

'Oscar rejects the plea of a former employee, Peter Differ, to see to the welfare of his daughter Constance; Constance Differ is placed under the 'protection' of Humboldt Lace, a Protector of Aborigines, who seduces her and then marries her off to another man of Aboriginal descent. Forced into prostitution, Constance is dying of consumption when discovered by a railway fitter, Tim O'Cannon, who will take care of Constance's daughter, Tocky, until his own death in a train accident.
Hearing news in 1928 of an economic boom in Capricornia, Oscar returns to his station, where he is joined by Marigold and Norman, who has grown to manhood believing himself to be the son of a Javanese princess and a solider killed in the First World War. Soon after, he discovers his mother was an Aboriginal woman, and meets his father, with whom he will not reconcile until later in the novel. Norman then goes on a series of journeys to discover his true, Aboriginal self. On the second of these journeys, he meets and wanders in the wilderness with Tocky, who has escaped from the mission station to which she was sent after the death of O'Cannon. During this passage, she kills a man in self-defense, which leads to Norman's being accused of murder, at the same time his father is prosecuted for the death of the Chinese shopkeeper. At the end of the novel they are both acquitted, Heather and Mark are married, and Norman returns to Red Ochre, where he finds the body of Tocky and their child in a water tank in which she had taken refuge from the authorities.' (Source: Oxford Companion to Australian Literature)

'The flowers flared up from the ground unconquerable. The unrepentant gaiety of the weed, the burning blues and crimsons, set the hills glowing.

''It's a plant that's struck it lucky,' the Stray said thoughtfully. 'It hasn't got no right, but it's there.'

'The Battlers is the story of Snow, a drifter and wanderer, the waiflike Dancy the Stray, from the slums of Sydney, and the other outcasts who accompany them as they travel the country roads looking for work. Like the weed Patterson's Curse, they 'haven't got no right', but they are there. Based on her own experiences of life on the roads in the 1930s, Tennant tells the story of the motley crowd of travellers with compassion and humour. First published in 1941, The Battlers was awarded the Gold Medal of the Australian Literature Society and shared the S. H. Prior Memorial Prize. More than seventy years later, the book's message of survival against the odds is as relevant today as it was then. ' (Publication summary)

'The story of the Mannion family continues after the Bligh rebellion. As the young Mannions grow to maturity, so too the settlement at Sydney Cove develops into a town of substance. And later, the longings of young Miles Mannion are echoed in the efforts of the settlers to spread to the west. The discovery of a route over the Blue Mountains west of Sydney means there will be no further barrier.' (Publication summary)

'Sydney Cove, 1799, and three years since Governor Phillip departed. Against a background of continuing convict settlement, hunger, rebellion and the terrifying force of a barely understood land, the saga of Ellen Prentice and the Mannion family continues. Stephen Mannion marries the lovely Conor Moore and brings her back for Ellen to serve. Johnny Prentice goes bush - and re-emerges for one last confrontation with his old master. ' (Publication summary)

'When Jimmie Blacksmith marries a white woman, the backlash from both Jimmie's tribe and white society initiates a series of dramatic events. As Jimmie tries to survive between two cultures, tensions reach a head when the Newbys, Jimmie's white employers, try to break up his marriage. The Newby women are murdered and Jimmie flees, pursued by police and vigilantes. The hunt intensifies as further murders are committed, and concludes with tragic results.'

Source: Publisher's blurb (HarperCollins ed.)

'The story of the Mannion family continues after the Bligh rebellion. As the young Mannions grow to maturity, so too the settlement at Sydney Cove develops into a town of substance. And later, the longings of young Miles Mannion are echoed in the efforts of the settlers to spread to the west. The discovery of a route over the Blue Mountains west of Sydney means there will be no further barrier.' (Publication summary)

'Sydney Cove, 1799, and three years since Governor Phillip departed. Against a background of continuing convict settlement, hunger, rebellion and the terrifying force of a barely understood land, the saga of Ellen Prentice and the Mannion family continues. Stephen Mannion marries the lovely Conor Moore and brings her back for Ellen to serve. Johnny Prentice goes bush - and re-emerges for one last confrontation with his old master. ' (Publication summary)

'In 1629, the Dutch East India merchantman the Batavia was wrecked on reef islands off the West Australian coast while on a routine trip to Indonesia. What followed this disaster is a harrowing tale of desertion, betrayal and murder. More than 125 men, women and children were murdered by mutineers caught in a frenzy of bloodlust and greed. By the time the rescue ship finally arrived, months later, the marooned were caught in a desperate battle between soldiers trying to defend the survivors and the mutineers who were bent on leaving no witnesses.

'More than three hundred years later, Hugh Edwards, a West Australian reporter and diving enthusiast, started to search for the lost ship. When Edwards and his team found the Batavia, they discovered the final piece of a story that has gripped Australians for over a century. ' (Publication summary)

'For over twenty years, from the early 1960s, Neil Davis brought enduring images of the full horror of modern war directly from the battlefront to the world's television screens. Davis's former colleague, Tim Bowden, tells the life story of this remarkable and complex cinecameramen and journalist - a cool, utterly dedicated professional, a legendary gambler who often relied on his intuitive sixth sense to stay alive, and a man who was equally at home with presidents and street beggars. It is for Davis' eleven years' coverage of the conflict in Indo-China that he is best remembered. He was the only western cameraman to film with the South Vietnamese army and once actually managed to cross over battle lines to film with the Viet Cong. Davis also covered the war in Cambodia and Laos. And in 1975 he scooped the world's press by filming the taking of Saigon's Presidential Palace - the moment that symbolised the American defeat. Ironically in September 1985, having survived so much war, Neil Davis was killed while filming an attempted coup in the streets of Bangkok. Incredibly his still-running camera captured his own death. ' (Publication summary)

'Arriving in Capricornia (a fictional name for the Northern Territory) in 1904 with his brother Oscar, Mark Shillingworth soon becomes part of the flotsam and jetsam of Port Zodiac (Darwin) society. Dismissed from the public service for drunkenness, Mark forms a brief relationship with an Aboriginal woman and fathers a son, whom he deserts and who acquires the name of Naw-Nim (no-name). After killing a Chinese shopkeeper, Norman disappears from view until the second half of the novel.

'Oscar, the respectable contrast to Mark, marries and tries to establish himself on a Capricornian cattle station, Red Ochre, but is deserted by his wife and eventually returns for a time to Batman (Melbourne), accompanied by his daughter Marigold and foster son Norman, who has been sent to him after Mark's desertion.

'Oscar rejects the plea of a former employee, Peter Differ, to see to the welfare of his daughter Constance; Constance Differ is placed under the 'protection' of Humboldt Lace, a Protector of Aborigines, who seduces her and then marries her off to another man of Aboriginal descent. Forced into prostitution, Constance is dying of consumption when discovered by a railway fitter, Tim O'Cannon, who will take care of Constance's daughter, Tocky, until his own death in a train accident.
Hearing news in 1928 of an economic boom in Capricornia, Oscar returns to his station, where he is joined by Marigold and Norman, who has grown to manhood believing himself to be the son of a Javanese princess and a solider killed in the First World War. Soon after, he discovers his mother was an Aboriginal woman, and meets his father, with whom he will not reconcile until later in the novel. Norman then goes on a series of journeys to discover his true, Aboriginal self. On the second of these journeys, he meets and wanders in the wilderness with Tocky, who has escaped from the mission station to which she was sent after the death of O'Cannon. During this passage, she kills a man in self-defense, which leads to Norman's being accused of murder, at the same time his father is prosecuted for the death of the Chinese shopkeeper. At the end of the novel they are both acquitted, Heather and Mark are married, and Norman returns to Red Ochre, where he finds the body of Tocky and their child in a water tank in which she had taken refuge from the authorities.' (Source: Oxford Companion to Australian Literature)

'At the age of 13 Sidney Kidman ran away from home with only five shillings in his pocket. He went on to become a horse dealer, drover, cattle buyer and bush jockey and he also ran a coach business. Above all, Kidman created a mighty cattle empire of more than a hundred stations, fighting droughts, bushfires, floods and plagues of vermin to do so. His enterprise and courage won him a huge fortune and made him a legend. ' (Publication summary)

''The thing I am trying to get at is what made Jack different from me. Different all through our lives, I mean, and in a special sense, not just older or nobler or braver or less clever.'

'David and Jack Meredith grow up in a patriotic suburban Melbourne household during the First World War, and go on to lead lives that could not be more different. Through the story of the two brothers, George Johnston created an enduring exploration of two Australian myths: that of the man who loses his soul as he gains worldly success, and that of the tough, honest Aussie battler, whose greatest ambition is to serve his country during the war. Acknowledged as one of the true Australian classics, My Brother Jack is a deeply satisfying, complex and moving literary masterpiece. ' (Publication summary)

'When Matthew Flinders, the first man to chart and circumnavigate Australia, set sail from England in July 1801, he left behind the intrigues of his homeland but also his young bride of only a few weeks, Ann Chappell. He didn't see her again for more than nine years. During that time he carried out incredible feats of seamanship and navigation, made the first charts of much of the coastline of Australia, and was shipwrecked and later held prisoner by the French on Mauritius.

'Meticulously researched and written with great insight and sensitivity, My Love Must Wait is both a tender portrayal of faithful devotion, and a stirring re-creation of the courage and endurance of one of history's greatest seamen. ' (Publication summary)

'In The Pea Pickers, a novel based on Eve Langley's own experiences, Steve and Blue are two girls who, dressed as men, are taken on as itinerant workers for the farmers of Gippsland. They pack apples and pick peas. But their disguise is partial - and their quest is for love. For Blue the novel ends in marriage; but not for Steve. For her, desire is never straightforward, and love - for men, for women, for country - leaves her confused, but independent. ' (Publication summary)

'The year 1788: the very beginning of European settlement. These were times of hardship, cruelty and danger. Above all, they were times of conflict between the Aborigines and the white settlers.

'Eleanor Dark brings alive those bitter years with moments of tenderness and conciliation amid the brutality and hostility. The cast of characters includes figures historical and fictional, black and white, convict and settler. All the while, beneath the veneer of British civilisation, lies the baffling presence of Australia, the 'timeless land'.

'The Storm of Time and No Barrier complete the Timeless Land trilogy. ' (Publication summary)

The definitive collection of work from one of Australia’s preeminent twentieth century poets, Kenneth Slessor, drawing from his acclaimed books, Earth Visitors (1926), Cuckooz Contrey (1932) and Five Bells (1939). This selection was first published as One Hundred Poems in 1944 (with the addition of three further poems in 1957), and includes an introduction by Dennis Haskell and an Author’s Note. From his historical series, ‘Five Visions of Captain Cook’, to his memorial to the loss of a friend, the iconic ‘Five Bells’, and from the tragic landscape of El Alamein, influenced by his stint as a war correspondent and made famous in ‘Beach Burial’, to the meditation ‘Out of Time’, Slessor’s poetry continues to dazzle contemporary audiences. A master of modern verse, Slessor explores the themes of art, death and time, displaying an impressive range: from sorrow to satire, melodrama to poignant intensity. His work still influences and inspires younger generations, and the prestigious Kenneth Slessor Poetry Prize is named in his honour.

Source: Harper Collins

(http://www.harpercollins.com.au/9781460703120/#sm.0001ateq1q7i8db3zj927an1pz5xe)

'Kenneth Slessor (1901-71) is one of Australia's finest poets and this is the definitive collection of 103 poems; all he had ever published. This is the author's selection of his work from 1919 to 1939, first published as One Hundred Poems in 1944 (with the addition of three further poems in 1957). It draws from his acclaimed books, Earth Visitors (1926), Cuckooz Contrey (1932) and Five Bells (1939). Introduced by Dennis Haskell, this selection includes Slessor's own piece about his work, 'Some Notes on the Poems'. From his historical series, 'Five Visions of Captain Cook', to his memorial to the loss of a friend, 'Five Bells', from the tragic landscape of El Alamein, made famous in 'Beach Burial', to the meditation 'Out of Time', Slessor's poetry continues to dazzle contemporary audiences.' (Publication summary)

'An essential collection of Henry Lawson's best-loved stories. Rogues, larrikins and the lost people - these timeless stories range from inspired, laconic comedies to pathos and tragedy. This selection showcases Lawson's range as a fiction writer and highlights his profound influence on how Australians see themselves. Here are delightful tales, thrilling tales, tales of love, of strife and of adventure, tales full of humour - stories of every mood, all alive with the magic of Lawson's genius, a genius which ranks with that of the world's greatest short-story writers. Includes The Drover's Wife, The Union Buries Its Dead and The Loaded Dog.' (Publication summary)

'The flowers flared up from the ground unconquerable. The unrepentant gaiety of the weed, the burning blues and crimsons, set the hills glowing.

''It's a plant that's struck it lucky,' the Stray said thoughtfully. 'It hasn't got no right, but it's there.'

'The Battlers is the story of Snow, a drifter and wanderer, the waiflike Dancy the Stray, from the slums of Sydney, and the other outcasts who accompany them as they travel the country roads looking for work. Like the weed Patterson's Curse, they 'haven't got no right', but they are there. Based on her own experiences of life on the roads in the 1930s, Tennant tells the story of the motley crowd of travellers with compassion and humour. First published in 1941, The Battlers was awarded the Gold Medal of the Australian Literature Society and shared the S. H. Prior Memorial Prize. More than seventy years later, the book's message of survival against the odds is as relevant today as it was then. ' (Publication summary)