'Arriving in Capricornia (a fictional name for the Northern Territory) in 1904 with his brother Oscar, Mark Shillingworth soon becomes part of the flotsam and jetsam of Port Zodiac (Darwin) society. Dismissed from the public service for drunkenness, Mark forms a brief relationship with an Aboriginal woman and fathers a son, whom he deserts and who acquires the name of Naw-Nim (no-name). After killing a Chinese shopkeeper, Norman disappears from view until the second half of the novel.
'Oscar, the respectable contrast to Mark, marries and tries to establish himself on a Capricornian cattle station, Red Ochre, but is deserted by his wife and eventually returns for a time to Batman (Melbourne), accompanied by his daughter Marigold and foster son Norman, who has been sent to him after Mark's desertion.
'Oscar rejects the plea of a former employee, Peter Differ, to see to the welfare of his daughter Constance; Constance Differ is placed under the 'protection' of Humboldt Lace, a Protector of Aborigines, who seduces her and then marries her off to another man of Aboriginal descent. Forced into prostitution, Constance is dying of consumption when discovered by a railway fitter, Tim O'Cannon, who will take care of Constance's daughter, Tocky, until his own death in a train accident.
Hearing news in 1928 of an economic boom in Capricornia, Oscar returns to his station, where he is joined by Marigold and Norman, who has grown to manhood believing himself to be the son of a Javanese princess and a solider killed in the First World War. Soon after, he discovers his mother was an Aboriginal woman, and meets his father, with whom he will not reconcile until later in the novel. Norman then goes on a series of journeys to discover his true, Aboriginal self. On the second of these journeys, he meets and wanders in the wilderness with Tocky, who has escaped from the mission station to which she was sent after the death of O'Cannon. During this passage, she kills a man in self-defense, which leads to Norman's being accused of murder, at the same time his father is prosecuted for the death of the Chinese shopkeeper. At the end of the novel they are both acquitted, Heather and Mark are married, and Norman returns to Red Ochre, where he finds the body of Tocky and their child in a water tank in which she had taken refuge from the authorities.' (Source: Oxford Companion to Australian Literature)
'At the age of 13 Sidney Kidman ran away from home with only five shillings in his pocket. He went on to become a horse dealer, drover, cattle buyer and bush jockey and he also ran a coach business. Above all, Kidman created a mighty cattle empire of more than a hundred stations, fighting droughts, bushfires, floods and plagues of vermin to do so. His enterprise and courage won him a huge fortune and made him a legend. ' (Publication summary)
London : Angus and Robertson , 1978'Set in Washington during the 1930s, Sam and Henny Pollit are a warring husband and wife. Their tempestuous marriage, aggravated by too little money, lies at the centre of Stead's satirical and brilliantly observed novel about the relations between husbands and wives, and parents and children.
'Sam, a scientist, uses words as weapons of attack and control on his children and is prone to illusions of power and influence that fail to extend beyond his family. His wife Henny, who hails from a wealthy Baltimore family, is disastrously impractical and enmeshed in her own fantasies of romance and vengeance. Much of the care of their six children is left to Louisa, Sam's 14-year-old daughter from his first marriage. Within this psychological battleground, Louisa must attempt to make a life of her own.'
Source: Publisher's blurb (MUP).
Sydney : Angus and Robertson , 1979'Bush Studies is famous for its stark realism—for not romanticising bush life, instead showing all its bleakness and harshness.
'Economic of style, influenced by the great nineteenth-century Russian novelists, Barbara Baynton’s short-story collection presents the Australian bush as dangerous and isolating for the women who inhabit it.' (Publication summary : Text Classics)
Sydney : Angus and Robertson , 1980'Amid the brothels, grog shops and run-down boarding houses of inner-city Surry Hills, money is scarce and life is not easy. Crammed together within the thin walls of Twelve-and-a-Half Plymouth Street are the Darcy family: Mumma, loving and softhearted; Hughie, her drunken husband; pipe-smoking Grandma; Roie, suffering torments over her bitter-sweet first love; while her younger sister Dolour learns about life the hard way.' (Book description from publisher's website.)
Sydney : Angus and Robertson , 1980'First published in 1949 as the sequel to the award-winning "The Harp in the South", this novel continues the story of the Darcy family of Sydney. The author also wrote "Swords and Crowns and Rings", which won the Miles Franklin Award.' (Publication summary)
Sydney : Angus and Robertson , 1980'The year 1788: the very beginning of European settlement. These were times of hardship, cruelty and danger. Above all, they were times of conflict between the Aborigines and the white settlers.
'Eleanor Dark brings alive those bitter years with moments of tenderness and conciliation amid the brutality and hostility. The cast of characters includes figures historical and fictional, black and white, convict and settler. All the while, beneath the veneer of British civilisation, lies the baffling presence of Australia, the 'timeless land'.
'The Storm of Time and No Barrier complete the Timeless Land trilogy. ' (Publication summary)
Sydney : Angus and Robertson , 1980'Sydney Cove, 1799, and three years since Governor Phillip departed. Against a background of continuing convict settlement, hunger, rebellion and the terrifying force of a barely understood land, the saga of Ellen Prentice and the Mannion family continues. Stephen Mannion marries the lovely Conor Moore and brings her back for Ellen to serve. Johnny Prentice goes bush - and re-emerges for one last confrontation with his old master. ' (Publication summary)
Sydney London : Angus and Robertson , 1980'This is a tale of corruption stretching from street corner SP bookmaking to the most influential men in the land - and the terrible personal cost of the power such corruption brings. John West rose from a Melbourne slum to dominate Australian politics with bribery, brutality and fear. His attractive wife and their children turned away from him in horror. Friends dropped away. At the peak of his power, surrounded by bootlickers, West faced a hate-filled nation - and the terrible loneliness of his life. Was John West a real figure? For months during the post-war years, an Australian court heard evidence in a sensational libel action brought by businessman John Wren's wife. After a national uproar which rocked the very foundations of the Commonwealth, Frank Hardy was acquitted. This is the novel which provoked such intense uproar and debate across the nation. The questions it poses remain unanswered…' (Publication summary)
Sydney : Angus and Robertson , 1982'One hundred years after the charge of the 4th Light Horse Brigade at Beersheba in October 1917...The Desert Column is based on the diaries that he kept through out the war. Published in 1932, it is one of Idriess' earliest works. Harry Chauvel noted in the foreword that it was the only book of the campaign that to his knowledge was "viewed entirely from the private soldier's point of view"...Idriess served as a sniper with the 5th Australian Light Horse. Enlisting in 1914, he began his diary "as we crowded the decks off Gallipoli" and he continued writing until returning to Australia...The diaries cover his experience of some of the war's major events from life in the trenches at Gallipoli to the battles at Romani and Beersheba. One of Idriess' strengths as a writer is his ability to place the reader at the scene of the action...The diaries reveal a keenness of observation and a descriptive and pacey style that Idriess would develop further in The Desert Column.' (Synopsis)
London : Angus and Robertson , 1982Dick Marston narrates the events of his and his brother Jim's association with notorious bushranger Captain Starlight.
London Sydney : Angus and Robertson , 1982Kangaroo, set in Australia, is D. H. Lawrence's eighth novel. He wrote the first draft in just forty-five days while living south of Sydney, in 1922, and revised it three months later in New Mexico. The descriptions of the country are among the most vivid and sympathetic ever penned, and the book fuses lightly disguised autobiography with an exploration of political ideas at an immensely personal level. His anxiety about the future of democracy, caught as it was in the turbulent cross currents of fascism and socialism, is only partly appeased by his vision of a new bond of comradeship between men based on their unique separateness. Lawrence's alter ego Richard Somers departs for America to continue his search.
London : Angus and Robertson , 1982'Once prosperous, the town of Tourmaline in outback Western Australia is dying. The mines are drying up and the land is riddled by drought. Those townspeople left have little to do but wile away the hours with drink.
'Salvation of sorts arrives in the form of Michael Random, a mysterious water diviner who emerges from the desert. As the town's reluctant messiah Random begins to spread the word of Christ. Desperate for a reprieve, many of the locals are drawn to his teachings, but a stubborn few remain sceptical of their new leader.
'A post-apocalyptic parable, Tourmaline is Randolph Stow's most allusive and controversial novel. It remains a landmark in Australian literature more than half a century after its first publication.'
Source: Publisher's blurb (Text Classics).
Australia : Angus and Robertson , 1983Such is Life: Being Certain Extracts from the Diary of Tom Collins. Joseph Furphy's title gives an indication of the complexity of the narrative that will unravel before a persistent reader. In chapter one, the narrator, Tom Collins, joins a group of bullockies to camp for the night a few miles from Runnymede Station. Their conversations reveal many of the issues that arise throughout the rest of the novel: the ownership of, or control of access to, pasture; ideas of providence, fate and superstition; and a concern for federation that flows into descriptions of the coming Australian in later chapters. Each of the characters provides a portrait of bush types that Furphy uses to measure the qualities of squatters and others against popular ideas of the 'gentleman'. Furphy's choice of a narrative structure to create a 'loosely federated' series of yarns is itself a critique of popular narratives populated by stock characters who are driven by action that leads to predictable and uncomplicated conclusions. Tom Collins, the unreliable narrator, adds further complications by claiming to 'read men like signboards' while all the time being unknowingly contradicted by circumstances that become obvious to the reader.
In each subsequent chapter Tom Collins leads the reader through a series of experiences chosen from his diaries. In chapter two, Collins meets the boundary rider Rory O'Halloran and his daughter, Mary, a symbol of the coming Australian whose devotion to her father will have tragic consequences in chapter five. There are many links between chapters like this one that remain invisible to Collins, despite his attempts to understand the 'controlling alternatives' that affect our lives. In chapter three Tom loses his clothes crossing the Murray River and spends the night wandering naked until he is able to steal a pair of pants after diverting attention by setting fire to a haystack. In chapter four Collins helps an ailing Warrigal Alf by deceiving several boundary riders who have impounded Alf's bullocks. In chapter five, among other yarns of lost children, Thompson completes the tragic tale of Mary O'Halloran, connecting with the events of chapter two. Chapters six and seven take Tom Collins back to Runnymede Station where he attempts to avoid an unwelcome union with Maud Beaudesart. He also meets the disfigured boundary rider, Nosey Alf, whose life story Furphy has threaded throughout the narrative, signs not perceived by Tom Collins. When Collins returns to Runnymede at the end of the novel, Furphy ties up more loose narrative threads, but Tom Collins, the narrator, remains oblivious to the end.
In short, Such Is Life 'reflects the preoccupations of [the 1890s]: contemporary capitalism, ardent Australian nationalism, the difficulties of pioneering pastoralism, and speculation about a future Australian civilization. It was instantly seen as a major example of the "radical nationalism" of the time and praised for its realistic representation of life on the frontier in the 1880s. But it was forty years before many readers realized that the novel was also a subtle comment on fiction itself and that within it were hidden stories that revealed a world of "romance" within its "realist" representation of life. Such Is Life can be read as the first experimental novel in Australian literature and the first Australian literary expression of a twentieth-century sensibility of the provisionality of life and reality.' (Julian Croft, 'Joseph Furphy.' in Dictionary of Literary Biography Vol. 230.)
North Ryde : Angus and Robertson HarperCollins Australia , 1990Dick Marston narrates the events of his and his brother Jim's association with notorious bushranger Captain Starlight.
North Ryde : Angus and Robertson , 1990'The story of the Mannion family continues after the Bligh rebellion. As the young Mannions grow to maturity, so too the settlement at Sydney Cove develops into a town of substance. And later, the longings of young Miles Mannion are echoed in the efforts of the settlers to spread to the west. The discovery of a route over the Blue Mountains west of Sydney means there will be no further barrier.' (Publication summary)
Sydney : HarperCollins Australia , 2005(Source: Harper Collins)
Sydney : HarperCollins Australia , 2013