Cirrus@Austlit

'redactor uses found texts from the everyday – emails, memos, notes, lyrics, text messages, tweets, webfeeds – as poetic material. Drawing on techniques from the visual arts and radical writing such as the ready-made, the cut-up and the concrete poem, Eddie Paterson reflects upon the ways in which the historical legacy of censorship intersects with contemporary surveillance technologies.' (Publication summary)

'In this much-awaited first collection, Carmen Leigh Keates draws on her experiences of cinema and of travelling to regions in Scandinavia associated with iconic films -among them, Bergman's remote Swedish island of Fårö, and the Estonian capital Tallinn, where Tarkovsky filmed his science fiction masterpiece Stalker. In these poems, geographical, dream and film worlds collide with brilliant results, taking the reader on unexpected and unpredictable voyages.' (Publication summary)

'Breaking the Days explores a daily world of uneasy things - machine presences, breakages, scraps and dreams - where logic and the household gods are disturbed. Its powerful, stripped-down lyricism is full of questions, disquiet and curious sightings that release days from their common assumptions and offers a bracing slant on this unsettling world.' (Publication summary)

'he poems in Tracy Ryan's latest collection move on 'feet of drought and tinder' from Australia to the bogs of Ireland, drawing on many eras, to test the edges of both a cutover myth and a real landscape in need of recognition and preservation. What emerges from this poetic bogland is a hoard, an archive of histories and wishes, bright gold 'glimpses yielding up fragments then closing over'.' (Publication summary)