Zhan Chunjuan Zhan Chunjuan i(A144378 works by)
Gender: Female
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1 澳大利亚和解小说批评与文学研究新动向 - 以《神秘的河流》和《卡彭塔尼亚湾》为例 New Trends in Australian Reconciliation Fiction Criticism and Literary Research : Taking "Mysterious River" and "Carpentaria Bay" as Examples Zhan Chunjuan , 2018 single work criticism
— Appears in: Foreign Literature , vol. [2018] no. 2 2018; (p. 21-30)

'随着澳大利亚民族和解运动的蓬勃兴起,和解小说于21世纪初悄然出现。它们大多基于真实历史事件,旨在修正殖民历史、呼吁种族和解、重塑民族新形象。但是围绕这一类小说的文学批评显示,和解小说因其话题、作者、立场和读者群各有不同,反映了复杂矛盾的民族心理以及激烈的话语纷争。以《神秘的河流》和《卡彭塔尼亚湾》两部小说为例,本文重点分析和解小说引发的热点问题,解读小说批评背后的政治话语和权力意识,同时揭示新时期澳大利亚文学研究的新动向

'With the vigorous rise of the Australian national reconciliation movement, reconciliation novels quietly appeared in the early 21st century. They are mostly based on real historical events, aimed at revising colonial history, calling for racial reconciliation, and rebuilding a new national image. However, the literary criticism surrounding this type of novel shows that reconciliation novels have different topics, authors, positions, and reader groups, reflecting complex and contradictory national psychology and fierce discourse disputes. Taking two novels, Mysterious River and Carpentaria Bay, as examples, this article focuses on reconciling the hot issues raised by the novel, interpreting the political discourse and power consciousness behind novel criticism, and revealing the new era of Australian literature New trends.'

Source: CNKI.

1 Green Writing and Reshaping of Discourse : A Postcolonial Ecocritical Reading of Contemporary Australian Aboriginal Literature 绿色书写和话语重塑 - 后殖民生态视域下的当代澳大利亚土著文学 Zhan Chunjuan , 2016 single work criticism
— Appears in: Contemporary Foreign Literature , vol. [2016] no. 4 2016; (p. 100-107)

This paper studies the conspiracy of colonial expansion and ecological deconstruction as represented in two Australian aboriginal novels,That Deadman Dance and Carpentaria.Both novels explore human-nonhuman relationships,investigating how environmental issues are interrelated with Indigenous cultural attachment to the land and how European epistemologies clash with Indigenous philosophies of land and nature to the effect of fracturing the local ecosystem drastically.

' 随着澳大利亚民族和解运动的蓬勃兴起,和解小说于21世纪初悄然出现。它们大多基于真实历史事件,旨在修正殖民历史、呼吁种族和解、重塑民族新形象。但是围绕这一类小说的文学批评显示,和解小说因其话题、作者、立场和读者群各有不同,反映了复杂矛盾的民族心理以及激烈的话语纷争。以《神秘的河流》和《卡彭塔尼亚湾》两部小说为例,本文重点分析和解小说引发的热点问题,解读小说批评背后的政治话语和权力意识,同时揭示新时期澳大利亚文学研究的新动向'

Source: CAOD.

1 'Their Own Voices' – On the Hybrid Construction of Aboriginality in Carpentaria Zhan Chunjuan , 2015 single work criticism
— Appears in: Australian Studies – Proceedings of the 14th International Conference of Australian Studies in China 2015; (p. 117-122)
'Carpentaria is a book in which Alexis Wright describes the tense relationship between Aborigines and white settlers. Through the description of their fierce struggle, she extols the Aborigines' love of the land and their close bond with nature and their culture. this paper first explores the diverse relationships that aboriginal people have to handle with, then moves to a discussion of different textual forms and their roles in building up their voices and last of all, focuses on the strategies used by Wright to counter against the invasion of colonism [sic] in many ways. Through all these hybrid structures and features, Wright gives the voices of their own and suggests the possibility of constructing the Aboriginal identity in the modern setting.' (117)
1 A Revisionist Discourse and a Reconstruction of Self : On the Decolonizing Strategies of Doctor Wooreddy's Prescription for Enduring the Ending of the World Zhan Chunjuan , 2015 single work criticism
— Appears in: Oceanic Literary Studies , no. 2 2015; (p. 32-45)
'This paper discusses the decolonizing strategies in the novel of Doctor Wooreddy's Prescription for Enduring the Ending of the World by Australian writer Mudrooroo. Through strategies like marginalized subjectivity, imperialist culture and Aboriginal culture, appropriation and rewriting, Mudrooroo effectively reveals the hidden truth of history which has been othered in the context of colonial discourse. He uses the white form and Aboriginal content to combat against the oppression of the colonial culture and successfully reconstructs a new Aboriginal identity in the multicultural Australia.' (32)
1 论《卡彭塔尼亚湾》中土著性的混杂构建 On Hybrid Construction of Aboriginality in Carpentaria Zhan Chunjuan , 2015 single work criticism
— Appears in: Journal of Anhui University (Philosophy and Social Sciences) , vol. 39 no. 4 2015; (p. 79-85)

'澳大利亚作家亚历克西斯·赖特的《卡彭塔尼亚湾》是一部关于土著和土地的壮烈史诗.它描写了原住民与现代工业文明之间的斗争和融合,表达了原住民们对家园的执着守望以及对自然神性的捍卫和尊崇.小说以虚实相间、混杂多样的后现代手法,融合了本土口述传统如传说、神话、图腾等元素,多层面、多维度地再现了土著传统和民族的集体记忆.通过这种混杂的表述结构和叙事方式,赖特意在复原历史本真,抵制并颠覆白人的强权政治和殖民意识,创建土著人自己的话语体系.'

Source: CAOD.

1 Imagination on the Border : On the Carnival Features of Carpentaria Zhan Chunjuan , 2014 single work criticism
— Appears in: Oceanic Literary Studies , December no. 1 2014; (p. 42-54)
1 y separately published work icon Oceanic Literary Studies Zhan Chunjuan (editor), 2014 Beijing : Anhui University Press , 2014- 8476694 2014 periodical (2 issues)

Oceanic Literary Studies collects the latest scientific and academic research in the field of Oceanic literature. Regions include Australia, New Zealand and the South Pacific Islands. Issues contain essays, literary criticisms and interviews.

1 The Representation of Women in Tim Winton's Novels 颠覆背后的含混——论温顿作品中的女性意识 Zhan Chunjuan , 2012 single work criticism
— Appears in: Contemporary Foreign Literature , vol. [2012] no. 3 2012; (p. 117-124)

'当代澳大利亚著名作家蒂姆·温顿的女性意识一直是评论家争论的焦点.他的作品中的男性大多软弱无能,敏感情绪化,而女性则外表强悍,控制欲强,富有男子气概,给人一种母权至上的错觉.本文从女性主义的视角出发,以《云街》和《骑手们》为例,对小说的女性表现进行深入解读.论文着眼于女性的自我认同,女性的姐妹情谊,以及厄勒克特拉叙事模式阴影下的母女关系等几方面,指出温顿虽然对两性气质进行了颠覆,表示出消解男女二元对立的倾向,但是本质上还是个男权主义者,因为温顿小说中女性话语始终被嵌入男权话语模式,成了烘托男性形象,发掘男性自我的重要媒介.'

Source: CAOD.

1 Polyphonic Features in Brian Castro's Birds of Passage 历史与现实的对话——论《漂泊者》的复调艺术特色 Zhan Chunjuan , 2007 single work criticism
— Appears in: Contemporary Foreign Literature , vol. [2007] no. 1 2007; (p. 59-65)

'布赖恩·卡斯特罗的成名作<漂泊者>是一部真实反映亚洲移民经历的澳大利亚小说,同时也是一部批判澳洲狭隘民族主义的力作.从艺术形式上看,它具有复调小说的主要特征,是对传统小说模式的超越.本文从共时性艺术描写、多重对话性结构,以及文化的复调等三个方面,分析小说的复调艺术特色,从而揭示小说背后深远的社会意义.'

Source: CAOD.

1 On the Dual Subjects in Peter Carey's Short Fiction Zhan Chunjuan , 2004 single work criticism
— Appears in: Looking Back and Forward : Selected Papers of the 8th International Conference of Australian Studies in China 2004; (p. 475-487)
1 Social Research Report on Australian Studies in Chinese Universities (Chinese Version) Cai Hongxia , Hu Jianqiao , Meng Yuhuan , Zhan Chunjuan , Zhou Dujuan , 2002 single work bibliography
— Appears in: Australian Studies in China: Research on Australia by Chinese Scholars 2002;

'This paper reports on Austraian Studies in Chinese Universities (2002). Chinese version.'

1 Social Research Report on Australian Studies in Chinese Universities (English Version) Cai Hongxia , Hu Jianqiao , Meng Yuhuan , Zhan Chunjuan , Zhou Dujuan , 2002 single work criticism
— Appears in: Australian Studies in China: Research on Australia by Chinese Scholars 2002;
'This paper is a research report on the state of Australian Studies in universities in China. English version.' (Publication summary)
2 Static Cate Kennedy , 1978 single work short story
— Appears in: Foreign Literature and Art 1978-; (p. 97-106)

— Appears in: New Australian Stories Two 2010; (p. 248-261) Like a House on Fire 2012; (p. 219-237) The Best Australian Stories 2013 2013; (p. 1-13)
2 China Tony Birch , 1978 single work short story
— Appears in: Foreign Literature and Art 1978-; (p. 87-96)

— Appears in: Island , Winter no. 133 2013; (p. 76-81) The Best Australian Stories 2013 2013; (p. 96-107) The Promise : Stories 2014; Where There's Smoke : Outstanding Short Stories by Australian Men 2015;
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