y separately published work icon Antipodes periodical issue   peer reviewed assertion
Issue Details: First known date: 2015... vol. 29 no. 2 December 2015 of Antipodes est. 1987 Antipodes
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Contents

* Contents derived from the , 2015 version. Please note that other versions/publications may contain different contents. See the Publication Details.
Contesting Identity and Forming 'Cosmopolitan Memory' in Brian Castro's Shanghai Dancing, Beibei Chen , single work criticism
'This article examines how 'cosmopolitan memory' workds in Brian Castro's Shanghai Dancing as a way of challenging a notion of identity confined within nation-state and community...' (269)
 (p. 269-280)
The Lilac Roomi"Swifts whizzed in and out of a belfry", Chris Andrews , single work poetry (p. 281)
Walking in the Reservei"The casuarinas and apple gums are full of honeyeaters", Judith Beveridge , single work poetry (p. 282)
White to the End of the World, Mark O'Flynn , single work prose (p. 283-289)
Dairy Farmers at the Beachi"My parents were never swimmers", Brendan Ryan , single work poetry (p. 290-291)
Last Nighti"I don't know what it means to die, although", Eileen Chong , single work poetry (p. 292)
Words and Silk : Gerald Murnane at the Cinema, Stefan Soloman , single work criticism
'Adrian Martin, one of Australia’s eminent voices in film criticism, once asserted that Philip Tyndall’s Words and Silk was "one of my all-time favourite Australian films." However, this hybrid documentary, focusing on the writer Gerald Murnane, has seen very little attention since its release in 1989, and that in spite of a recent spate of interest in Murnane’s work. As a writer of "true fiction," Murnane has been motivated from the start of his career by a "succession of images," and indeed, many of his novels owe a certain debt to motion pictures. In this essay, I discuss the relation of cinema to Murnane’s writing, considering how Tyndall’s film might serve as a useful means for interpreting Murnane’s oeuvre, and how it might be evaluated as a work of cinematic art in its own right.. (Source: http://digitalcommons.wayne.edu/antipodes/vol29/iss2/10/ )
 (p. 293-320)
Visitori"Day after day bathers stand waist-deep", Diane Fahey , single work poetry (p. 321)
The Car Stalled at Lawntoni"The car stalled at Lawnton, she came to us immediately", Angela Gardner , single work poetry (p. 322)
Breakdown, Greg Bogaerts , single work short story (p. 323-326)
Productive Dissonance : Using Digital Narratives in the Australian Literature Classroom, Robert Clarke , Sharon Thomas , single work criticism
'Discussions of the nature and fate of Australian literary studies - at least in the Australian university context - more often than not focus on what is taught and the institutional challenges that confront academics in the field...' (327)
 (p. 327-339)
Mitchi"Has lived in a Semaphore Hostel", Geoff Goodfellow , single work poetry (p. 340-341)
The Red Chalk Drawingi"When we made love today", Suzanne Edgar , single work poetry (p. 342)
Going into Dreamland : From Lewis Carroll’s Alice in Wonderland to Patrick White’s The Aunt’s Story, John Beston , single work criticism
'My chief purpose in this essay is to discuss influences that helped shape Patrick White's thought as he wrote the most individual of his novels, The Aunt's Story (1948). I also seek to place The Aunt's Story in historical context in its theme of the exploration of the psyche through the analysis of dreaming. That important theme was propelled into late nineteenth- early twentieth-century literature by Lewis Carrol's two stories, Alice's Adventures in Wonderland (1865) and Through the Looking -Glass (1871)...(343)
 (p. 343-352)
Follow the Shadows, Anna Ryan-Punch , single work short story (p. 353-355)
Driving to Queenscliffi"We clipped them into the car", Anna Ryan-Punch , single work poetry (p. 356-357)
The Push Northi"Driving like a derrick into loessless folds of Plenty Valley –", Mitchell Welch , single work poetry (p. 358)
Navigating the Inside-Outside : Explorations of Exile and Silence in Alex Miller’s Landscape of Farewell, Niki Tulk , single work criticism
Niki Tulk explores the Alex Miller's representation of landscape and complex language in his work Landscape of Farewell.
 (p. 359-370)
What America Also Read : Australian Historical Fiction in the American Marketplace, 1927–48, David Carter , single work criticism
David Carter selects thirty-five titles by Australian authors and explores the interest and success of these work in the United States during the period 1927-1940.
 (p. 371-391)
The Long Tablei"At the long black table of the Eyre Highway", Anthony Lawrence , single work poetry (p. 392)
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