'Spanning poems written in the United States, Central America, Europe and Australia, The Hazards is a dazzling and inventive new collection from award-winning poet Sarah Holland-Batt. Opening with a vision of a leveret's agonizing death by Myxomatosis and closing with a lover disappearing into dangerous waters, Holland-Batt reflects a predatory world rife with hazards both real and imagined. Her cosmopolitan poems careen through diverse geographical territory - from haunted post-colonial landscapes in Australia to brutal animal hierarchies in the cloud forests of Nicaragua, the still Danish interiors of Hammershoi and the serial killer stalking Long Island Sound - and engage everywhere with questions of violence and loss, erasure and extinction. Charged with Holland-Batt's mercurial imagination and swift lyricism, this unsettling and darkly intelligent collection inhabits an uncertain world with a questioning eye and clear mind, unafraid to veer 'straight into turbulence'.' (Publication summary)
'How does poetry deal with disability? At the level of theme and voice, Australian poetry – including the theorising and criticism of it – has rarely given overt priority to disabled experience. This essay seeks to contribute to a correction of this neglect by adapting the philosophical approach of Emmanuel Levinas, who wrote of the phenomenological preeminence of the Other. It considers how disability – defined expansively as a bodily otherness which also implicates the self – might become apprehended not only within thematic content, but through the disruptions of poetic form.' (Publication abstract)
