Cirrus@Austlit

'A coming-of-age story of a spontaneous heroine who finds herself ensconced in the rigidity of a turn-of-the-century boarding school. The clever and highly imaginative Laura has difficulty fitting in with her wealthy classmates and begins to compromise her ideals in her search for popularity and acceptance.' (From the publisher's website.)

'Barbara Hanrahan was both a writer and a visual artist, and this magical first novel is an autobiographical evocation of her childhood. A delicious blend of fantasy and realism, it is a powerful, lyrical story of a child's rites of passage through a world where the family home, its garden, and the three women who preside over it, area vital and compelling participants in the shaping of a child's rituals of discovery and awareness.' (UQP)

'The most famous Australian play and one of the best loved, Summer of the Seventeenth Doll is a tragicomic story of Roo and Barney, two Queensland sugar-cane cutters who go to Melbourne every year during the 'layoff' to live it up with their barmaid girl friends. The title refers to kewpie dolls, tawdry fairground souvenirs, that they brings as gifts and come, in some readings of the play, to represent adolescent dreams in which the characters seem to be permanently trapped. The play tells the story in traditional well-made, realistic form, with effective curtains and an obligatory scene. Its principal appeal – and that of two later plays with which it forms The Doll Trilogy – is the freshness and emotional warmth, even sentimentality, with which it deals with simple virtues of innocence and youthful energy that lie at the heart of the Australian bush legend.

'Ray Lawler’s play confronts that legend with the harsh new reality of modern urban Australia. The 17th year of the canecutters’ arrangement is different. There has been a fight on the canefields and Roo, the tough, heroic, bushman, has arrived with his ego battered and without money. Barney’s girl friend Nancy has left to get married and is replaced by Pearl, who is suspicious of the whole set-up and hopes to trap Barney into marriage. The play charts the inevitable failure of the dream of the layoff, the end of the men’s supremacy as bush heroes and, most poignantly, the betrayal of the idealistic self-sacrifice made by Roo’s girl friend Olive – the most interesting character – to keep the whole thing going. The city emerges victorious, but the emotional tone of the play vindicates the fallen bushman.'

Source: McCallum, John. 'Summer of the Seventeenth Doll.' Companion to Theatre in Australia. Ed. Philip Parson and Victoria Chance. Sydney: Currency Press , 1997: 564-656.

"Most people call me Auntie Rita, whites as well as Aboriginal people. Auntie is a term of respect of our older women folk. You don't have to be blood-related or anything. Everyone is kin. That's a beautiful thing because in this way no one is ever truly alone, they always have someone they can turn to."

Rita Huggins told her memories to her daughter Jackie, and some of their conversation is in this book. We witness their intimacy, their similarities and their differences, the '"fighting with their tongues". Two voices, two views on a shared life.' (Source: Publisher's blurb)

'1829, Tasmania.

'John Batman, ruthless, singleminded; four convicts, the youngest still only a stripling; Gould, a downtrodden farmhand; two free black trackers; and powerful, educated Black Bill, brought up from childhood as a white man. This is the roving party and their purpose is massacre. With promises of freedom, land grants and money, each is willing to risk his life for the prize.

'Passing over many miles of tortured country, the roving party searches for Aborigines, taking few prisoners and killing freely, Batman never abandoning the visceral intensity of his hunt. And all the while, Black Bill pursues his personal quarry, the much-feared warrior, Manalargena.

'A surprisingly beautiful evocation of horror and brutality, The Roving Party is a meditation on the intricacies of human nature at its most raw.' (From the publisher's website.)

'"I lost my own father at 12 yr. of age and know what it is to be raised on lies and silences my dear daughter you are presently too young to understand a word I write but this history is for you and will contain no single lie may I burn in Hell if I speak false."

'In TRUE HISTORY OF THE KELLY GANG, the legendary Ned Kelly speaks for himself, scribbling his narrative on errant scraps of paper in semi-literate but magically descriptive prose as he flees from the police. To his pursuers, Kelly is nothing but a monstrous criminal, a thief and a murderer. To his own people, the lowly class of ordinary Australians, the bushranger is a hero, defying the authority of the English to direct their lives. Indentured by his bootlegger mother to a famous horse thief (who was also her lover), Ned saw his first prison cell at 15 and by the age of 26 had become the most wanted man in the wild colony of Victoria, taking over whole towns and defying the law until he was finally captured and hanged. Here is a classic outlaw tale, made alive by the skill of a great novelist.' (From the publisher's website.)

'At once humorous and dramatic, Three Dollars is about Eddie, an honest, compassionate man who finds himself, at the age of 38, with a wife, a child and three dollars. How did he get that way? And who is Amanda? He cared about people; he was, Amanda notwithstanding, a good husband, father and son. At any other time the world would have smiled on him. But this was the nineties and the world valued other things. Three Dollars chronicles the present breach of the social contract and its effect on a home near you. It is a brilliantly deft portrait of a man attempting to retain his humanity, his family and his sense of humour in grim and pitiless times: times of downsizing, outsourcing and privatising. It is about the legacy of Thatcherism and its effects on people and their relationships.' (Synopsis)

'In the magnificent opening story, "Love and Honor and Pity and Pride and Compassion and Sacrifice," a young writer is urged by his friends to mine his father's experiences in Vietnam - and what seems at first a satire on turning one's life into literary commerce becomes a transcendent exploration of homeland, and the ties between father and son. "Cartagena" provides a visceral glimpse of life in Colombia as it enters the mind of a fourteen-year-old hit man facing the ultimate test. In "Meeting Elise" an ageing New York painter mourns his body's decline as he prepares to meet his daughter on the eve of her Carnegie Hall debut. And with graceful symmetry, the final, title story returns to Vietnam, to a fishing trawler crowded with refugees where a young woman's bond with a mother and her small son forces both women to a shattering decision.' (From the author's website.)

'A coming-of-age story of a spontaneous heroine who finds herself ensconced in the rigidity of a turn-of-the-century boarding school. The clever and highly imaginative Laura has difficulty fitting in with her wealthy classmates and begins to compromise her ideals in her search for popularity and acceptance.' (From the publisher's website.)

'Barbara Hanrahan was both a writer and a visual artist, and this magical first novel is an autobiographical evocation of her childhood. A delicious blend of fantasy and realism, it is a powerful, lyrical story of a child's rites of passage through a world where the family home, its garden, and the three women who preside over it, area vital and compelling participants in the shaping of a child's rituals of discovery and awareness.' (UQP)

'The most famous Australian play and one of the best loved, Summer of the Seventeenth Doll is a tragicomic story of Roo and Barney, two Queensland sugar-cane cutters who go to Melbourne every year during the 'layoff' to live it up with their barmaid girl friends. The title refers to kewpie dolls, tawdry fairground souvenirs, that they brings as gifts and come, in some readings of the play, to represent adolescent dreams in which the characters seem to be permanently trapped. The play tells the story in traditional well-made, realistic form, with effective curtains and an obligatory scene. Its principal appeal – and that of two later plays with which it forms The Doll Trilogy – is the freshness and emotional warmth, even sentimentality, with which it deals with simple virtues of innocence and youthful energy that lie at the heart of the Australian bush legend.

'Ray Lawler’s play confronts that legend with the harsh new reality of modern urban Australia. The 17th year of the canecutters’ arrangement is different. There has been a fight on the canefields and Roo, the tough, heroic, bushman, has arrived with his ego battered and without money. Barney’s girl friend Nancy has left to get married and is replaced by Pearl, who is suspicious of the whole set-up and hopes to trap Barney into marriage. The play charts the inevitable failure of the dream of the layoff, the end of the men’s supremacy as bush heroes and, most poignantly, the betrayal of the idealistic self-sacrifice made by Roo’s girl friend Olive – the most interesting character – to keep the whole thing going. The city emerges victorious, but the emotional tone of the play vindicates the fallen bushman.'

Source: McCallum, John. 'Summer of the Seventeenth Doll.' Companion to Theatre in Australia. Ed. Philip Parson and Victoria Chance. Sydney: Currency Press , 1997: 564-656.

'Families can detonate. Some families are torn apart forever by one small act, one solitary mistake. In my family it was a series of small explosions; consistent, passionate, pathetic. Cruel words, crude threats... We spurred each other on till we reached a crescendo of pain and we retired exhausted to our rooms, in tears or in fury.

'Ari is nineteen, unemployed and a poofter who doesn't want to be gay. He is looking for something - anything - to take him away from his aimless existence in suburban Melbourne. He doesn't believe in anyone or anything, except the power of music. All he wants to do is dance, take drugs, have sex and change the world.

'For Ari, all the orthodoxies of family, sex, politics and work have collapsed. Caught between the traditional Greek world of his parents and friends and the alluring, destructive world of clubs, chemicals and anonymous sex, all Ari can do is ease his pain in the only ways he knows how.

'Written in stark, uncompromising prose, Loaded is a first novel of great passion and power.' (From the publisher's website.)

'At once humorous and dramatic, Three Dollars is about Eddie, an honest, compassionate man who finds himself, at the age of 38, with a wife, a child and three dollars. How did he get that way? And who is Amanda? He cared about people; he was, Amanda notwithstanding, a good husband, father and son. At any other time the world would have smiled on him. But this was the nineties and the world valued other things. Three Dollars chronicles the present breach of the social contract and its effect on a home near you. It is a brilliantly deft portrait of a man attempting to retain his humanity, his family and his sense of humour in grim and pitiless times: times of downsizing, outsourcing and privatising. It is about the legacy of Thatcherism and its effects on people and their relationships.' (Synopsis)

"Most people call me Auntie Rita, whites as well as Aboriginal people. Auntie is a term of respect of our older women folk. You don't have to be blood-related or anything. Everyone is kin. That's a beautiful thing because in this way no one is ever truly alone, they always have someone they can turn to."

Rita Huggins told her memories to her daughter Jackie, and some of their conversation is in this book. We witness their intimacy, their similarities and their differences, the '"fighting with their tongues". Two voices, two views on a shared life.' (Source: Publisher's blurb)

At the beginning of World War II, Lady Sarah Ashley travels from her home in England to Northern Australia to confront her husband, whom she believes is having an affair. He is in the country to oversee the selling of his enormous cattle station, Faraway Downs. Her husband sends Drover, an independent stockman, to transport her to Faraway Downs. When Lady Sarah arrives at the station, however, she finds that her husband has been murdered (allegedly by King George, an Aboriginal elder) and that cattle station manager Neil Fletcher is trying to gain control of Faraway Downs, so that Lesley 'King' Carney will have a complete cattle monopoly in the Northern Territory.

Lady Sarah is captivated by Nullah (King George's grandson) son of an Aboriginal mother and an unknown white father. When Nullah tells her that he has seen her cattle being driven onto Carney's land, Fletcher beats him. Lady Sarah fires Fletcher, deciding to try to run the cattle station herself. To save the property from Carney, she enlists the aid of Drover; together, they drive 2,000 head of cattle across hundreds of miles of the country's most unforgiving land. In the course of the journey, she falls in love with both Drover and the Australian landscape.

Lady Sarah, Nullah, and Drover live together happily at Faraway Downs for two years, while Fletcher (the actual murderer of Lady Sarah's husband and very likely the father of Nullah) kills Carney, marries his daughter, and takes over Carney's cattle empire. When the authorities send Nullah to live on Mission Island with the other half-Aboriginal children, Lady Sarah is devastated. In the meantime, she works as a radio operator in Darwin.

When the Japanese attack the island and Darwin in 1942, Lady Sarah fears that Nullah has been killed and Drover, who had quarrelled with Lady Sarah and left the station, believes Lady Sarah has been killed. Learning of Nullah's abduction to Mission Island, however, he sets out to rescue him. Lady Sarah decides to sell Faraway Downs to Fletcher and return to England. Drover and Nulla sail back into port at Darwin as Lady Sarah is about to depart, and the three are reunited. Fletcher, distraught at the death of his wife, attempts to shoot Nullah, but is speared by King George and dies.

'A woman disappears. Four marriages are drawn into a tangled web of love, deceit, sex and death. Not all of them survive. LANTANA is a psychological thriller about love. It's about the mistakes we make, the consequences we suffer, and the attempts we make to fix things up.'

Source: Screen Australia. (Sighted: 4/12/2013)

'In 1806 William Thornhill, a man of quick temper and deep feelings, is transported from the slums of London to New South Wales for the term of his natural life. With his wife Sal and their children he arrives in a harsh land he cannot understand.

'But the colony can turn a convict into a free man. Eight years later Thornhill sails up the Hawkesbury to claim a hundred acres for himself.

'Aboriginal people already live on that river. And other recent arrivals - Thomas Blackwood, Smasher Sullivan and Mrs Herring - are finding their own ways to respond to them.

'Thornhill, a man neither better nor worse than most, soon has to make the most difficult choice of his life.

'Inspired by research into her own family history, Kate Grenville vividly creates the reality of settler life, its longings, dangers and dilemmas. The Secret River is a brilliantly written book, a groundbreaking story about identity, belonging and ownership.' (From the publisher's website.)

'"I lost my own father at 12 yr. of age and know what it is to be raised on lies and silences my dear daughter you are presently too young to understand a word I write but this history is for you and will contain no single lie may I burn in Hell if I speak false."

'In TRUE HISTORY OF THE KELLY GANG, the legendary Ned Kelly speaks for himself, scribbling his narrative on errant scraps of paper in semi-literate but magically descriptive prose as he flees from the police. To his pursuers, Kelly is nothing but a monstrous criminal, a thief and a murderer. To his own people, the lowly class of ordinary Australians, the bushranger is a hero, defying the authority of the English to direct their lives. Indentured by his bootlegger mother to a famous horse thief (who was also her lover), Ned saw his first prison cell at 15 and by the age of 26 had become the most wanted man in the wild colony of Victoria, taking over whole towns and defying the law until he was finally captured and hanged. Here is a classic outlaw tale, made alive by the skill of a great novelist.' (From the publisher's website.)

'In the remote outback of Western Australia during World War II, English anthropologist Nicholas Keene and his wife, Stella, raise a lonely child, Perdita. Her upbringing is far from ordinary: in a shack in the wilderness, with a distant father burying himself in books and an unstable mother whose knowledge of Shakespeare forms the backbone of the girl's limited education.

'Emotionally adrift, Perdita becomes friends with a deaf and mute boy, Billy, and an Aboriginal girl, Mary. Perdita and Mary come to call one another sister and to share a very special bond. They are content with life in this remote corner of the globe, until a terrible event lays waste to their lives.' (Publisher's blurb)

After years teaching Romantic poetry at the Technical University of Cape Town, David Lurie, middle-aged and twice divorced, has an impulsive affair with a student. The affair sours; he is denounced and summoned before a committee of inquiry. Willing to admit his guilt, but refusing to yield to pressure to repent publicly, he resigns and retreats to his daughter Lucy's isolated smallholding. For a time, his daughter's influence and the natural rhythms of the farm promise to harmonise his discordant life. But the balance of power in the country is shifting. He and Lucy become victims of a savage and disturbing attack which brings into relief all the faultlines in their relationship.' (Publisher's blurb)

'In the mid-1840s, a thirteen-year-old boy, Gemmy Fairley, is cast ashore in the far north of Australia and taken in by Aborigines. Sixteen years later, when settlers reach the area, he moves back into the world of Europeans, men and women who are staking out their small patch of home in an alien place, hopeful and yet terrified of what it might do to them.

Given shelter by the McIvors, the family of the children who originally made contact with him, Gemmy seems at first to be guaranteed a secure role in the settlement, but there are currents of fear and mistrust in the air. To everyone he meets - from George Abbot, the romantically aspiring young teacher, to Mr Frazer, the minister, whose days are spent with Gemmy recording the local flora; from Janet McIvor, just coming to adulthood and discovering new versions of the world, to the eccentric Governor of Queensland himself - Gemmy stands as a different kind of challenge, as a force which both fascinates and repels. And Gemmy himself finds his own whiteness as unsettling in this new world as the knowledge he brings with him of the savage, the Aboriginal.' - Publisher's blurb (Chatto & Windus, 1993).

Making Australian History: Perspectives on the Past since 1788 is an exciting new text that meets an unusual gap in the literature of Australian history. It presents students with an in-depth, multi authored collection of articles, documents and short essays that are structured around the major themes discussed in most history courses.

Each theme in Making Australian History contains a collection of primary and secondary sources, including chapters by current leading scholars, reprints of publications from previous decades that have proven seminal in the historiographical debate or research of each theme, photographs or artwork, and short feature articles on matters of human interest.

Making Australian History gives students the unique opportunity to study a range of articles and commentary on such themes as the Anzac legend, the convict stain, gold and federation, white Australia, Australians at war, myth, environmentalism and sustainability, ideology and politics. Publisher's blurb.

'In 1806 William Thornhill, a man of quick temper and deep feelings, is transported from the slums of London to New South Wales for the term of his natural life. With his wife Sal and their children he arrives in a harsh land he cannot understand.

'But the colony can turn a convict into a free man. Eight years later Thornhill sails up the Hawkesbury to claim a hundred acres for himself.

'Aboriginal people already live on that river. And other recent arrivals - Thomas Blackwood, Smasher Sullivan and Mrs Herring - are finding their own ways to respond to them.

'Thornhill, a man neither better nor worse than most, soon has to make the most difficult choice of his life.

'Inspired by research into her own family history, Kate Grenville vividly creates the reality of settler life, its longings, dangers and dilemmas. The Secret River is a brilliantly written book, a groundbreaking story about identity, belonging and ownership.' (From the publisher's website.)

'"I lost my own father at 12 yr. of age and know what it is to be raised on lies and silences my dear daughter you are presently too young to understand a word I write but this history is for you and will contain no single lie may I burn in Hell if I speak false."

'In TRUE HISTORY OF THE KELLY GANG, the legendary Ned Kelly speaks for himself, scribbling his narrative on errant scraps of paper in semi-literate but magically descriptive prose as he flees from the police. To his pursuers, Kelly is nothing but a monstrous criminal, a thief and a murderer. To his own people, the lowly class of ordinary Australians, the bushranger is a hero, defying the authority of the English to direct their lives. Indentured by his bootlegger mother to a famous horse thief (who was also her lover), Ned saw his first prison cell at 15 and by the age of 26 had become the most wanted man in the wild colony of Victoria, taking over whole towns and defying the law until he was finally captured and hanged. Here is a classic outlaw tale, made alive by the skill of a great novelist.' (From the publisher's website.)

'A haunting novel of loss and redemption, Watershed tells with great poignancy and ironic insight the story of Eve and her husband Marconi, whose son David disappeared one day in the Murray River. A novel of contemporary Australian life.' (Source: TROVE)

'After 40 years in Australia, António Castro packs a bag and walks out of his old life forever. The victim of a restlessness he calls "Shanghai Dancing," António seeks to understand the source of his condition in his family's wanderings. Reversing his parents' own migration, António heads back to their native Shanghai, where his world begins to fragment as his ancestry starts to flood into his present, and emissaries of glittering pre-war China, evangelical Liverpool and seventeenth-century Portugal merge into contemporary backdrops across Asia, Europe and Australia. A "fictional autobiography," Shanghai Dancing is a dazzling meditation on identity, language and disorientation that combines photographs and written images in the style of W.G. Sebald. ' (Publication summary)

'In the remote outback of Western Australia during World War II, English anthropologist Nicholas Keene and his wife, Stella, raise a lonely child, Perdita. Her upbringing is far from ordinary: in a shack in the wilderness, with a distant father burying himself in books and an unstable mother whose knowledge of Shakespeare forms the backbone of the girl's limited education.

'Emotionally adrift, Perdita becomes friends with a deaf and mute boy, Billy, and an Aboriginal girl, Mary. Perdita and Mary come to call one another sister and to share a very special bond. They are content with life in this remote corner of the globe, until a terrible event lays waste to their lives.' (Publisher's blurb)

'In the mid-1840s, a thirteen-year-old boy, Gemmy Fairley, is cast ashore in the far north of Australia and taken in by Aborigines. Sixteen years later, when settlers reach the area, he moves back into the world of Europeans, men and women who are staking out their small patch of home in an alien place, hopeful and yet terrified of what it might do to them.

Given shelter by the McIvors, the family of the children who originally made contact with him, Gemmy seems at first to be guaranteed a secure role in the settlement, but there are currents of fear and mistrust in the air. To everyone he meets - from George Abbot, the romantically aspiring young teacher, to Mr Frazer, the minister, whose days are spent with Gemmy recording the local flora; from Janet McIvor, just coming to adulthood and discovering new versions of the world, to the eccentric Governor of Queensland himself - Gemmy stands as a different kind of challenge, as a force which both fascinates and repels. And Gemmy himself finds his own whiteness as unsettling in this new world as the knowledge he brings with him of the savage, the Aboriginal.' - Publisher's blurb (Chatto & Windus, 1993).

'At a suburban barbecue, a man slaps a child who is not his own.

'This event has a shocking ricochet effect on a group of people, mostly friends, who are directly or indirectly influenced by the event.

'In this remarkable novel, Christos Tsiolkas turns his unflinching and all-seeing eye onto that which connects us all: the modern family and domestic life in the twenty-first century. The Slap is told from the points of view of eight people who were present at the barbecue. The slap and its consequences force them all to question their own families and the way they live, their expectations, beliefs and desires.

'What unfolds is a powerful, haunting novel about love, sex and marriage, parenting and children, and the fury and intensity - all the passions and conflicting beliefs - that family can arouse. In its clear-eyed and forensic dissection of the ever-growing middle class and its aspirations and fears, The Slap is also a poignant, provocative novel about the nature of loyalty and happiness, compromise and truth.' (Publisher's blurb)

'After 40 years in Australia, António Castro packs a bag and walks out of his old life forever. The victim of a restlessness he calls "Shanghai Dancing," António seeks to understand the source of his condition in his family's wanderings. Reversing his parents' own migration, António heads back to their native Shanghai, where his world begins to fragment as his ancestry starts to flood into his present, and emissaries of glittering pre-war China, evangelical Liverpool and seventeenth-century Portugal merge into contemporary backdrops across Asia, Europe and Australia. A "fictional autobiography," Shanghai Dancing is a dazzling meditation on identity, language and disorientation that combines photographs and written images in the style of W.G. Sebald. ' (Publication summary)

"Most people call me Auntie Rita, whites as well as Aboriginal people. Auntie is a term of respect of our older women folk. You don't have to be blood-related or anything. Everyone is kin. That's a beautiful thing because in this way no one is ever truly alone, they always have someone they can turn to."

Rita Huggins told her memories to her daughter Jackie, and some of their conversation is in this book. We witness their intimacy, their similarities and their differences, the '"fighting with their tongues". Two voices, two views on a shared life.' (Source: Publisher's blurb)

'In 1806 William Thornhill, a man of quick temper and deep feelings, is transported from the slums of London to New South Wales for the term of his natural life. With his wife Sal and their children he arrives in a harsh land he cannot understand.

'But the colony can turn a convict into a free man. Eight years later Thornhill sails up the Hawkesbury to claim a hundred acres for himself.

'Aboriginal people already live on that river. And other recent arrivals - Thomas Blackwood, Smasher Sullivan and Mrs Herring - are finding their own ways to respond to them.

'Thornhill, a man neither better nor worse than most, soon has to make the most difficult choice of his life.

'Inspired by research into her own family history, Kate Grenville vividly creates the reality of settler life, its longings, dangers and dilemmas. The Secret River is a brilliantly written book, a groundbreaking story about identity, belonging and ownership.' (From the publisher's website.)

'"I lost my own father at 12 yr. of age and know what it is to be raised on lies and silences my dear daughter you are presently too young to understand a word I write but this history is for you and will contain no single lie may I burn in Hell if I speak false."

'In TRUE HISTORY OF THE KELLY GANG, the legendary Ned Kelly speaks for himself, scribbling his narrative on errant scraps of paper in semi-literate but magically descriptive prose as he flees from the police. To his pursuers, Kelly is nothing but a monstrous criminal, a thief and a murderer. To his own people, the lowly class of ordinary Australians, the bushranger is a hero, defying the authority of the English to direct their lives. Indentured by his bootlegger mother to a famous horse thief (who was also her lover), Ned saw his first prison cell at 15 and by the age of 26 had become the most wanted man in the wild colony of Victoria, taking over whole towns and defying the law until he was finally captured and hanged. Here is a classic outlaw tale, made alive by the skill of a great novelist.' (From the publisher's website.)

'A haunting novel of loss and redemption, Watershed tells with great poignancy and ironic insight the story of Eve and her husband Marconi, whose son David disappeared one day in the Murray River. A novel of contemporary Australian life.' (Source: TROVE)

'In prose that is both elegant and lyrical, David Malouf departs from the little-known facts of Ovid's exile beyond the pale of civilization to create a deeply moving novel of extraordinary beauty. An outcast in a vast wasteland at the edge of the Black Sea, Ovid discovers a feral child. As he teaches the boy to speak the language of the civilized world, the child tutors him in his own tongue, the language of nature, and the once barren landscape begins to resonate with meaning.' (Publisher's blurb)

Making Australian History: Perspectives on the Past since 1788 is an exciting new text that meets an unusual gap in the literature of Australian history. It presents students with an in-depth, multi authored collection of articles, documents and short essays that are structured around the major themes discussed in most history courses.

Each theme in Making Australian History contains a collection of primary and secondary sources, including chapters by current leading scholars, reprints of publications from previous decades that have proven seminal in the historiographical debate or research of each theme, photographs or artwork, and short feature articles on matters of human interest.

Making Australian History gives students the unique opportunity to study a range of articles and commentary on such themes as the Anzac legend, the convict stain, gold and federation, white Australia, Australians at war, myth, environmentalism and sustainability, ideology and politics. Publisher's blurb.